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journals and magazines
journals and magazines
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Dernier numéro disponible en librairie. Latest issue available at the bookstore.
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Dernier numéro disponible en librairie. Latest issue available at the bookstore.
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Detail 11 2016 + Detail green 02 2016
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Dernier numéro disponible en librairie. Latest issue available at the bookstore.
Detail 11 2016 + Detail green 02 2016
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Dernier numéro disponible en librairie. Latest issue available at the bookstore.
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journals and magazines
journals and magazines
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November 2016
November 2016
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Magazines
Magazines
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books
books
Title:
Detail green 02 2016
Detail green 02 2016
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$30.95
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Dernier numéro en librairie. Latest issue available at the bookstore.
$30.95
(available in store)
Summary:
Dernier numéro en librairie. Latest issue available at the bookstore.
Title:
Detail green 02 2016
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$30.95
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Summary:
Dernier numéro en librairie. Latest issue available at the bookstore.
Detail green 02 2016
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$30.95
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Summary:
Dernier numéro en librairie. Latest issue available at the bookstore.
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books
books
Publication:
December 2016
December 2016
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$32.95
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Summary:
ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the(...)
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Summary:
ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the(...)
Title:
Detail 12 2016 : colour materials finishes
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ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the coloured interiors of the masters’ houses in Dessau by Walter Gropius show that not everything was reduced to that hue. There are probably just as many colour theories as there are colour tones; but the streets in our towns and cities are rarely characterized by a consistent colour scheme. In this respect, the materials and their surface finishes play a dominant role. In our December issue, we present various architectural concepts that focus on the effects of colour. For example, the Sparren-burg Visitors’ Centre in Bielefeld with its tamped concrete facades enters into a dialogue with the historical surroundings, while the polychrome glazing of Sauerbruch Hutton’s office building in London forms a deliberate counterpoint to the urban environment. As one can see, architecture has to come to terms with colour. There is no such thing as neutrality.
Detail 12 2016 : colour materials finishes
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$32.95
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Summary:
ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the coloured interiors of the masters’ houses in Dessau by Walter Gropius show that not everything was reduced to that hue. There are probably just as many colour theories as there are colour tones; but the streets in our towns and cities are rarely characterized by a consistent colour scheme. In this respect, the materials and their surface finishes play a dominant role. In our December issue, we present various architectural concepts that focus on the effects of colour. For example, the Sparren-burg Visitors’ Centre in Bielefeld with its tamped concrete facades enters into a dialogue with the historical surroundings, while the polychrome glazing of Sauerbruch Hutton’s office building in London forms a deliberate counterpoint to the urban environment. As one can see, architecture has to come to terms with colour. There is no such thing as neutrality.
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journals and magazines
journals and magazines
Publication:
December 2016
December 2016
Subject:
Magazines
Magazines
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books
books
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This issue focusses on refurbishments, rehabilitations, and additions. And these need not be associated with converting the building to a new use: many interventions also improve upon existing concepts. Following the restructuring by Studio Marco Vermeulen, the museum in De Biesbosch, a nature sancturay in the Netherlands, flows seemlessly into the surrounding polder(...)
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Summary:
This issue focusses on refurbishments, rehabilitations, and additions. And these need not be associated with converting the building to a new use: many interventions also improve upon existing concepts. Following the restructuring by Studio Marco Vermeulen, the museum in De Biesbosch, a nature sancturay in the Netherlands, flows seemlessly into the surrounding polder(...)
Title:
Detail 1/2 2017: refurbishment, conversion
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$32.95
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This issue focusses on refurbishments, rehabilitations, and additions. And these need not be associated with converting the building to a new use: many interventions also improve upon existing concepts. Following the restructuring by Studio Marco Vermeulen, the museum in De Biesbosch, a nature sancturay in the Netherlands, flows seemlessly into the surrounding polder landscape. And the historic Fondaco dei Tedeschi on the Canal Grande in Venice – which OMA has renovated for use as a high-end department store – has always been a platform for commerce. An interview with Reinier de Graaf gives a glimpse of the philosophy that lies behind the Office for Metropolitan Architecture’s refurbishment projects.
Detail 1/2 2017: refurbishment, conversion
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$32.95
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Summary:
This issue focusses on refurbishments, rehabilitations, and additions. And these need not be associated with converting the building to a new use: many interventions also improve upon existing concepts. Following the restructuring by Studio Marco Vermeulen, the museum in De Biesbosch, a nature sancturay in the Netherlands, flows seemlessly into the surrounding polder landscape. And the historic Fondaco dei Tedeschi on the Canal Grande in Venice – which OMA has renovated for use as a high-end department store – has always been a platform for commerce. An interview with Reinier de Graaf gives a glimpse of the philosophy that lies behind the Office for Metropolitan Architecture’s refurbishment projects.
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books
books
Publication:
January 2017
January 2017
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$52.00
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When Ansgar Schulz first visits Adorf, a small town in Saxony, it is raining. For centuries, freshwater pearl mussels have been fished from the Elster river here; a local heritage museum earmarked for expansion documents their rich history. Watching rainwater trace its way across the existing roofs, the architect imagines the same for the facade of the new building. With(...)
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Summary:
When Ansgar Schulz first visits Adorf, a small town in Saxony, it is raining. For centuries, freshwater pearl mussels have been fished from the Elster river here; a local heritage museum earmarked for expansion documents their rich history. Watching rainwater trace its way across the existing roofs, the architect imagines the same for the facade of the new building. With(...)
Title:
Detail 7/8 2026: Solid construction
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When Ansgar Schulz first visits Adorf, a small town in Saxony, it is raining. For centuries, freshwater pearl mussels have been fished from the Elster river here; a local heritage museum earmarked for expansion documents their rich history. Watching rainwater trace its way across the existing roofs, the architect imagines the same for the facade of the new building. With its double-curved canopy, the Mother-of-Pearl Museum connects two existing structures. Clad in waterproof concrete, the building lets water run quietly down its surface – as if it were always meant to. Outside, the performative detail becomes a sensory echo of the pearl mussels inside. Solid construction is associated with weight, permanence, and immobility. This issue argues otherwise. Hand-pressed bricks, wax-treated rammed earth composed of demolition material, cyclopean concrete from limestone and rubble, hemp lime as a renewable material for the future – each detail explores what masonry can do when it is rethought. Does the heaviest building material have the lightest future?
Detail 7/8 2026: Solid construction
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When Ansgar Schulz first visits Adorf, a small town in Saxony, it is raining. For centuries, freshwater pearl mussels have been fished from the Elster river here; a local heritage museum earmarked for expansion documents their rich history. Watching rainwater trace its way across the existing roofs, the architect imagines the same for the facade of the new building. With its double-curved canopy, the Mother-of-Pearl Museum connects two existing structures. Clad in waterproof concrete, the building lets water run quietly down its surface – as if it were always meant to. Outside, the performative detail becomes a sensory echo of the pearl mussels inside. Solid construction is associated with weight, permanence, and immobility. This issue argues otherwise. Hand-pressed bricks, wax-treated rammed earth composed of demolition material, cyclopean concrete from limestone and rubble, hemp lime as a renewable material for the future – each detail explores what masonry can do when it is rethought. Does the heaviest building material have the lightest future?
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journals and magazines
journals and magazines
Publication:
July 2026
July 2026
Subject:
Magazines
Magazines
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books
books
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Dimensions are dictated by truck transport, and assembly happens on site. The construction site stays clean and on schedule, and the topping-out ceremony becomes a stacking ceremony. Modular construction works. But can the module’s logic also be designed with genuine ambition, bespoke and flexible? “In essence, modular building runs two construction sites in parallel: one(...)
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Summary:
Dimensions are dictated by truck transport, and assembly happens on site. The construction site stays clean and on schedule, and the topping-out ceremony becomes a stacking ceremony. Modular construction works. But can the module’s logic also be designed with genuine ambition, bespoke and flexible? “In essence, modular building runs two construction sites in parallel: one(...)
Title:
Detail 9 2026: Prefabrication and Modular Construction
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Dimensions are dictated by truck transport, and assembly happens on site. The construction site stays clean and on schedule, and the topping-out ceremony becomes a stacking ceremony. Modular construction works. But can the module’s logic also be designed with genuine ambition, bespoke and flexible? “In essence, modular building runs two construction sites in parallel: one on site, one in the factory,” says the design team at Sauerbruch Hutton. For the Berlin practice, modular construction remains a learning process driven by time and cost pressure. Deconstruction potential, reusability, and hybrid systems become inherent design parameters – renegotiating the logic of serial production itself.
Detail 9 2026: Prefabrication and Modular Construction
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$52.00
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Summary:
Dimensions are dictated by truck transport, and assembly happens on site. The construction site stays clean and on schedule, and the topping-out ceremony becomes a stacking ceremony. Modular construction works. But can the module’s logic also be designed with genuine ambition, bespoke and flexible? “In essence, modular building runs two construction sites in parallel: one on site, one in the factory,” says the design team at Sauerbruch Hutton. For the Berlin practice, modular construction remains a learning process driven by time and cost pressure. Deconstruction potential, reusability, and hybrid systems become inherent design parameters – renegotiating the logic of serial production itself.
Form:
books
books
Publication:
September 2026
September 2026
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Detail 1/2 2020
Detail 1/2 2020
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Summary:
Windows and facades
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Windows and facades
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journals and magazines
journals and magazines
Publication:
January 2020
January 2020
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Detail 6 2020
Detail 6 2020
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Summary:
Modulor and prefabricated + Detail Interiors
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Modulor and prefabricated + Detail Interiors
Title:
Detail 6 2020
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Summary:
Modulor and prefabricated + Detail Interiors
Detail 6 2020
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Summary:
Modulor and prefabricated + Detail Interiors
Form:
journals and magazines
journals and magazines
Publication:
June 2020
June 2020
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Detail 7/8 2020
Detail 7/8 2020
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Summary:
Architecture and topography
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Architecture and topography
Title:
Detail 7/8 2020
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Summary:
Architecture and topography
Detail 7/8 2020
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Summary:
Architecture and topography
Form:
journals and magazines
journals and magazines
Publication:
July 2020
July 2020
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Detail 9 2020
Detail 9 2020
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Summary:
The latest issue is now available at the bookstore.
$34.95
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Summary:
The latest issue is now available at the bookstore.
Title:
Detail 9 2020
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$34.95
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Summary:
The latest issue is now available at the bookstore.
Detail 9 2020
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$34.95
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Summary:
The latest issue is now available at the bookstore.
Form:
journals and magazines
journals and magazines
Publication:
September 2020
September 2020
Subject:
Magazines
Magazines
