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In the latest series from Anastasia Samoylova, the Russian-born, Miami-based photographer studies the proliferation of photographic images in urban environments across the world. Samoylova observes how, in our neoliberal era of networked economic markets and networked imagery, the global centers of internationalized money and culture are becoming increasingly aligned and(...)
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In the latest series from Anastasia Samoylova, the Russian-born, Miami-based photographer studies the proliferation of photographic images in urban environments across the world. Samoylova observes how, in our neoliberal era of networked economic markets and networked imagery, the global centers of internationalized money and culture are becoming increasingly aligned and(...)
Title:
Anastasia Samoylova: Image cities
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In the latest series from Anastasia Samoylova, the Russian-born, Miami-based photographer studies the proliferation of photographic images in urban environments across the world. Samoylova observes how, in our neoliberal era of networked economic markets and networked imagery, the global centers of internationalized money and culture are becoming increasingly aligned and similar: "all these cities are moving towards a generic urban landscape of anonymous steel and glass architecture in which homes, offices and storefronts all appear and feel the same. This is a new global order in which old ideas of nationality are at odds with the 21st-century notion of borderless economics and transnational culture. And yet, those older ideas are now deployed as attractive marketing devices, giving the illusion that these cities are somehow still appealing in their uniqueness rooted in the past." Samoylova’s work also points to the role photography plays in creating this ideological gap between branded urban identity and lived reality.
Anastasia Samoylova: Image cities
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In the latest series from Anastasia Samoylova, the Russian-born, Miami-based photographer studies the proliferation of photographic images in urban environments across the world. Samoylova observes how, in our neoliberal era of networked economic markets and networked imagery, the global centers of internationalized money and culture are becoming increasingly aligned and similar: "all these cities are moving towards a generic urban landscape of anonymous steel and glass architecture in which homes, offices and storefronts all appear and feel the same. This is a new global order in which old ideas of nationality are at odds with the 21st-century notion of borderless economics and transnational culture. And yet, those older ideas are now deployed as attractive marketing devices, giving the illusion that these cities are somehow still appealing in their uniqueness rooted in the past." Samoylova’s work also points to the role photography plays in creating this ideological gap between branded urban identity and lived reality.
Form:
books
books
Publication:
June 2023
June 2023
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
John Divola : three acts
John Divola : three acts
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In 1973, artist John Divola began the first of three highly ambitious and original bodies of work that together form this publication. The Vandalism series comprises black-and-white photographs of interiors of abandoned houses. Entering illegally, Divola spray painted expressive markings in the forms of dots, lines, and grids, creating a series of conceptual gestures that(...)
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In 1973, artist John Divola began the first of three highly ambitious and original bodies of work that together form this publication. The Vandalism series comprises black-and-white photographs of interiors of abandoned houses. Entering illegally, Divola spray painted expressive markings in the forms of dots, lines, and grids, creating a series of conceptual gestures that(...)
Title:
John Divola : three acts
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In 1973, artist John Divola began the first of three highly ambitious and original bodies of work that together form this publication. The Vandalism series comprises black-and-white photographs of interiors of abandoned houses. Entering illegally, Divola spray painted expressive markings in the forms of dots, lines, and grids, creating a series of conceptual gestures that referenced “action painting” as readily as the graffiti that was fast becoming a cultural phenomenon. The following year, Divola began the Los Angeles International Airport Noise Abatement series, photographing a condemned neighborhood bought out by the airport to serve as a noise buffer for new runways.An extensive catalog of break-ins, the photographs record the evidence of violent entries: shattered windows, doors torn from hinges, a crowbar resting in the jamb of a door pried open. The final installment in this book, the Zuma series, is the artist’s documentation of the destruction of an abandoned beachfront property. While employing similar strategies of painting and intervention, the Zuma images add variation and complexity to Divola’s established themes as they incorporate color, elements of nature, and meditation on change. These cyclical images skillfully juxtapose romantic skies and sunsets with a seaside structure that, frame by frame, deteriorates into ruin as it is vandalized by the artist and others who eventually set it on fire. Divola’s art practice shares a tradition with conceptual artists such as Bruce Nauman, whose photographs are considered to be performance or sculpture, and Robert Smithson, who used photography to investigate the built environment.
John Divola : three acts
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Summary:
In 1973, artist John Divola began the first of three highly ambitious and original bodies of work that together form this publication. The Vandalism series comprises black-and-white photographs of interiors of abandoned houses. Entering illegally, Divola spray painted expressive markings in the forms of dots, lines, and grids, creating a series of conceptual gestures that referenced “action painting” as readily as the graffiti that was fast becoming a cultural phenomenon. The following year, Divola began the Los Angeles International Airport Noise Abatement series, photographing a condemned neighborhood bought out by the airport to serve as a noise buffer for new runways.An extensive catalog of break-ins, the photographs record the evidence of violent entries: shattered windows, doors torn from hinges, a crowbar resting in the jamb of a door pried open. The final installment in this book, the Zuma series, is the artist’s documentation of the destruction of an abandoned beachfront property. While employing similar strategies of painting and intervention, the Zuma images add variation and complexity to Divola’s established themes as they incorporate color, elements of nature, and meditation on change. These cyclical images skillfully juxtapose romantic skies and sunsets with a seaside structure that, frame by frame, deteriorates into ruin as it is vandalized by the artist and others who eventually set it on fire. Divola’s art practice shares a tradition with conceptual artists such as Bruce Nauman, whose photographs are considered to be performance or sculpture, and Robert Smithson, who used photography to investigate the built environment.
Form:
books
books
Publication:
May 2006, New York
May 2006, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Art and photography
Art and photography
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$115.00
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"Art and Photography" is the first book of its kind to survey the major presence of photography in artistic practice from the 1960s onwards. Today photography is art's pre-eminent medium, yet it took the whole of the last century for it to acquire this status. On its invention, the photograph was considered a purely mechanical, artless object which could not be considered(...)
$115.00
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"Art and Photography" is the first book of its kind to survey the major presence of photography in artistic practice from the 1960s onwards. Today photography is art's pre-eminent medium, yet it took the whole of the last century for it to acquire this status. On its invention, the photograph was considered a purely mechanical, artless object which could not be considered(...)
Title:
Art and photography
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$115.00
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"Art and Photography" is the first book of its kind to survey the major presence of photography in artistic practice from the 1960s onwards. Today photography is art's pre-eminent medium, yet it took the whole of the last century for it to acquire this status. On its invention, the photograph was considered a purely mechanical, artless object which could not be considered among the fine arts. Despite its increasing use by the century's most significant artists, only since the late 1960s have art museums gradually begun to exhibit and acquire the photograph as an artwork. This volume provides an authoritative overview of photography's place in recent art history, contextualised in the Documents section by original artists statements and interviews, and texts by leading critics, writers and theorists of the late twentieth century.
Art and photography
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$115.00
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Summary:
"Art and Photography" is the first book of its kind to survey the major presence of photography in artistic practice from the 1960s onwards. Today photography is art's pre-eminent medium, yet it took the whole of the last century for it to acquire this status. On its invention, the photograph was considered a purely mechanical, artless object which could not be considered among the fine arts. Despite its increasing use by the century's most significant artists, only since the late 1960s have art museums gradually begun to exhibit and acquire the photograph as an artwork. This volume provides an authoritative overview of photography's place in recent art history, contextualised in the Documents section by original artists statements and interviews, and texts by leading critics, writers and theorists of the late twentieth century.
Form:
books
books
Publication:
August 2003, London
August 2003, London
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Ernst Haas: Abstract
Ernst Haas: Abstract
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$79.00
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Summary:
Three decades after its completion, Haas’ most personal and least-known project is now available for the first time in this exquisitely produced book. Presented in a clean and spare design, this volume features reproductions of superb quality that allow readers to appreciate his mastery of color, light, and composition, and his ability to capture the mystery of daily(...)
$79.00
(available to order)
Summary:
Three decades after its completion, Haas’ most personal and least-known project is now available for the first time in this exquisitely produced book. Presented in a clean and spare design, this volume features reproductions of superb quality that allow readers to appreciate his mastery of color, light, and composition, and his ability to capture the mystery of daily(...)
Title:
Ernst Haas: Abstract
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$79.00
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Summary:
Three decades after its completion, Haas’ most personal and least-known project is now available for the first time in this exquisitely produced book. Presented in a clean and spare design, this volume features reproductions of superb quality that allow readers to appreciate his mastery of color, light, and composition, and his ability to capture the mystery of daily life. For this collection Haas drew on images made in all phases of his career from 1952 to 1984, and, despite the title, most of these photographs are not abstract but rather clear, focused, well-exposed images of recognizable surfaces from the observable world around him: crumbling paint, graphic road markings, fabric, liquids, detritus, decay, and torn posters. David Campany’s eloquent introductory essay lays the groundwork for a deep appreciation of the slideshow which, in book form, can be savored and understood in an entirely new way.
Ernst Haas: Abstract
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$79.00
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Summary:
Three decades after its completion, Haas’ most personal and least-known project is now available for the first time in this exquisitely produced book. Presented in a clean and spare design, this volume features reproductions of superb quality that allow readers to appreciate his mastery of color, light, and composition, and his ability to capture the mystery of daily life. For this collection Haas drew on images made in all phases of his career from 1952 to 1984, and, despite the title, most of these photographs are not abstract but rather clear, focused, well-exposed images of recognizable surfaces from the observable world around him: crumbling paint, graphic road markings, fabric, liquids, detritus, decay, and torn posters. David Campany’s eloquent introductory essay lays the groundwork for a deep appreciation of the slideshow which, in book form, can be savored and understood in an entirely new way.
Form:
books
books
Publication:
October 2024
October 2024
Subject:
Photography monographs
Photography monographs
Form:
books
books
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Summary:
Well known for his photography of landscapes and suburban housing, and for his use of detail and luminous color, acclaimed American photographer Todd Hido casts a distinctly cinematic eye across all that he photographs, digging deep into his memory and imagination for inspiration. Newly revised and expanded, ''Intimate Distance: Over Thirty Years of Photographs, A(...)
$94.95
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Summary:
Well known for his photography of landscapes and suburban housing, and for his use of detail and luminous color, acclaimed American photographer Todd Hido casts a distinctly cinematic eye across all that he photographs, digging deep into his memory and imagination for inspiration. Newly revised and expanded, ''Intimate Distance: Over Thirty Years of Photographs, A(...)
Subject:
Photography monographs
Photography monographs
Publication:
August 2025
August 2025
Title:
Todd Hido: Intimate distance. Revised and expanded edition
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Well known for his photography of landscapes and suburban housing, and for his use of detail and luminous color, acclaimed American photographer Todd Hido casts a distinctly cinematic eye across all that he photographs, digging deep into his memory and imagination for inspiration. Newly revised and expanded, ''Intimate Distance: Over Thirty Years of Photographs, A Chronological Album'' includes ten years of new work since the book’s first publication, including breathtaking new images from his travels to Iceland, Norway, and Japan, where he brings both a familiar eye and an expansive new vision. Though Hido has published many smaller monographs of individual bodies of work, this gathers his most iconic images, along with many unpublished works to provide the most complete and comprehensive monograph charting his career. The book is organized chronologically, showing how his series overlap in exciting ways. David Campany introduces the work and looks at the kind of cinematic spectatorship the work demands.
Todd Hido: Intimate distance. Revised and expanded edition
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Summary:
Well known for his photography of landscapes and suburban housing, and for his use of detail and luminous color, acclaimed American photographer Todd Hido casts a distinctly cinematic eye across all that he photographs, digging deep into his memory and imagination for inspiration. Newly revised and expanded, ''Intimate Distance: Over Thirty Years of Photographs, A Chronological Album'' includes ten years of new work since the book’s first publication, including breathtaking new images from his travels to Iceland, Norway, and Japan, where he brings both a familiar eye and an expansive new vision. Though Hido has published many smaller monographs of individual bodies of work, this gathers his most iconic images, along with many unpublished works to provide the most complete and comprehensive monograph charting his career. The book is organized chronologically, showing how his series overlap in exciting ways. David Campany introduces the work and looks at the kind of cinematic spectatorship the work demands.
Form:
books
books
Publication:
August 2025
August 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
The cinematic
The cinematic
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The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography(...)
$25.95
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The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography(...)
Publication:
March 2007, London / Cambridge
March 2007, London / Cambridge
Title:
The cinematic
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The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel’s Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism.
The cinematic
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The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel’s Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism.
Form:
books
books
Publication:
March 2007, London / Cambridge
March 2007, London / Cambridge
Form:
books
books
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$28.00
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Summary:
In a series of written exchanges, David Campany and Stanley Wolukau-Wanambwa consider the options for photography in resisting the oppressive orthodoxies of racial capital, conservative history, and neoliberal visual culture. How does the essential indeterminacy of photography square with the need to work out alternative practices? How is visibility achieved beyond the(...)
$28.00
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Summary:
In a series of written exchanges, David Campany and Stanley Wolukau-Wanambwa consider the options for photography in resisting the oppressive orthodoxies of racial capital, conservative history, and neoliberal visual culture. How does the essential indeterminacy of photography square with the need to work out alternative practices? How is visibility achieved beyond the(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
June 2022
June 2022
Title:
Indeterminacy: Thoughts on time, the image and race(ism)
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$28.00
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Summary:
In a series of written exchanges, David Campany and Stanley Wolukau-Wanambwa consider the options for photography in resisting the oppressive orthodoxies of racial capital, conservative history, and neoliberal visual culture. How does the essential indeterminacy of photography square with the need to work out alternative practices? How is visibility achieved beyond the consensual categories of the mass media and the commodification of art? What models are there for the making and reception of photographic books and exhibitions that might cultivate an active spectatorship beyond boutique consumerism? These urgent questions and more are discussed in a spirit of speculation and possibility, in the light of signal events that have shaped the recent past.
Indeterminacy: Thoughts on time, the image and race(ism)
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$28.00
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Summary:
In a series of written exchanges, David Campany and Stanley Wolukau-Wanambwa consider the options for photography in resisting the oppressive orthodoxies of racial capital, conservative history, and neoliberal visual culture. How does the essential indeterminacy of photography square with the need to work out alternative practices? How is visibility achieved beyond the consensual categories of the mass media and the commodification of art? What models are there for the making and reception of photographic books and exhibitions that might cultivate an active spectatorship beyond boutique consumerism? These urgent questions and more are discussed in a spirit of speculation and possibility, in the light of signal events that have shaped the recent past.
Form:
books
books
Publication:
June 2022
June 2022
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Victor Burgin's photopath
Victor Burgin's photopath
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$25.00
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''A path along the floor, of proportions 1×21 units, photographed. Photographs printed actual size of objects and prints attached to the floor so that images are perfectly congruent with their objects.'' With these words of instruction, typed on a humble card in 1967, Victor Burgin conceived one of the most profound and remarkable works of photographic art. Each time it(...)
$25.00
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Summary:
''A path along the floor, of proportions 1×21 units, photographed. Photographs printed actual size of objects and prints attached to the floor so that images are perfectly congruent with their objects.'' With these words of instruction, typed on a humble card in 1967, Victor Burgin conceived one of the most profound and remarkable works of photographic art. Each time it(...)
Title:
Victor Burgin's photopath
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$25.00
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''A path along the floor, of proportions 1×21 units, photographed. Photographs printed actual size of objects and prints attached to the floor so that images are perfectly congruent with their objects.'' With these words of instruction, typed on a humble card in 1967, Victor Burgin conceived one of the most profound and remarkable works of photographic art. Each time it was exhibited, it had to be made anew, unique to its setting. Embracing Minimalism and Conceptual art, performance and site-specific installation, there is no other artwork like Photopath. In his characteristically analytical and associative manner, writer and curator David Campany takes the reader through the history and implications of Photopath, and their place in the breadth of Victor Burgin’s art and theoretical writings.
Victor Burgin's photopath
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$25.00
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Summary:
''A path along the floor, of proportions 1×21 units, photographed. Photographs printed actual size of objects and prints attached to the floor so that images are perfectly congruent with their objects.'' With these words of instruction, typed on a humble card in 1967, Victor Burgin conceived one of the most profound and remarkable works of photographic art. Each time it was exhibited, it had to be made anew, unique to its setting. Embracing Minimalism and Conceptual art, performance and site-specific installation, there is no other artwork like Photopath. In his characteristically analytical and associative manner, writer and curator David Campany takes the reader through the history and implications of Photopath, and their place in the breadth of Victor Burgin’s art and theoretical writings.
Form:
books
books
Publication:
April 2022
April 2022
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
On photographs
On photographs
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$45.95
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In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke(...)
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Summary:
In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke(...)
Title:
On photographs
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$45.95
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In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke Dijkstra. There is fashion photography by William Klein, one of Vivian Maier’s contact sheets, and a carefully staged scene by Gregory Crewdson, as well as images culled from magazines and advertisements. Each of the 120 photographs is accompanied by Campany’s lucid and incisive commentary, considering the history of that image and its creator, interpreting its content and meaning, and connecting and contextualizing it with visual culture. Image by image, we absorb and appreciate Campany’s complex yet playful take on photography and its history.
On photographs
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$45.95
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Summary:
In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke Dijkstra. There is fashion photography by William Klein, one of Vivian Maier’s contact sheets, and a carefully staged scene by Gregory Crewdson, as well as images culled from magazines and advertisements. Each of the 120 photographs is accompanied by Campany’s lucid and incisive commentary, considering the history of that image and its creator, interpreting its content and meaning, and connecting and contextualizing it with visual culture. Image by image, we absorb and appreciate Campany’s complex yet playful take on photography and its history.
Form:
books
books
Publication:
October 2020
October 2020
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Fred Herzog: modern color
Fred Herzog: modern color
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$79.00
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Fred Herzog is best known for his unusual use of color photography in the 1950s and 1960s, a time when art photography was almost exclusively associated with black-and-white imagery. In this respect, his photographs can be seen as prefiguring the New Color photographers of the 1970s. The Canadian photographer worked largely with Kodachrome slide film for over 50 years,(...)
$79.00
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Summary:
Fred Herzog is best known for his unusual use of color photography in the 1950s and 1960s, a time when art photography was almost exclusively associated with black-and-white imagery. In this respect, his photographs can be seen as prefiguring the New Color photographers of the 1970s. The Canadian photographer worked largely with Kodachrome slide film for over 50 years,(...)
Subject:
Photography monographs
Photography monographs
Publication:
February 2017
February 2017
Title:
Fred Herzog: modern color
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$79.00
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Fred Herzog is best known for his unusual use of color photography in the 1950s and 1960s, a time when art photography was almost exclusively associated with black-and-white imagery. In this respect, his photographs can be seen as prefiguring the New Color photographers of the 1970s. The Canadian photographer worked largely with Kodachrome slide film for over 50 years, and only in the past decade has technology allowed him to make archival pigment prints that match the exceptional color and intensity of the Kodachrome slide, making this an excellent time to reevaluate and reexamine his work. This book brings together over 230 images, many never before reproduced, and features essays by acclaimed authors David Campany, Hans-Michael Koetzle and artist Jeff Wall. Fred Herzog is the most comprehensive publication on this important photographer to date.
Fred Herzog: modern color
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$79.00
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Summary:
Fred Herzog is best known for his unusual use of color photography in the 1950s and 1960s, a time when art photography was almost exclusively associated with black-and-white imagery. In this respect, his photographs can be seen as prefiguring the New Color photographers of the 1970s. The Canadian photographer worked largely with Kodachrome slide film for over 50 years, and only in the past decade has technology allowed him to make archival pigment prints that match the exceptional color and intensity of the Kodachrome slide, making this an excellent time to reevaluate and reexamine his work. This book brings together over 230 images, many never before reproduced, and features essays by acclaimed authors David Campany, Hans-Michael Koetzle and artist Jeff Wall. Fred Herzog is the most comprehensive publication on this important photographer to date.
Form:
books
books
Publication:
February 2017
February 2017
Subject:
Photography monographs
Photography monographs
