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In volume 16 of The Conversation Series, Hans Ulrich Obrist presents an in-depth exchange with the venerable German-born artist and activist Gustav Metzger, which illuminates the artist's fascinating life and 60-year career. In 1959, Metzger penned a manifesto of Auto-destructive art, which states in part, "Auto-destructive paintings, sculptures and constructions have a(...)
Contemporary Art Monographs
January 2009, Köln
Hans Ulrich Obrist - Gustav Metzger: the conversation series 16
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In volume 16 of The Conversation Series, Hans Ulrich Obrist presents an in-depth exchange with the venerable German-born artist and activist Gustav Metzger, which illuminates the artist's fascinating life and 60-year career. In 1959, Metzger penned a manifesto of Auto-destructive art, which states in part, "Auto-destructive paintings, sculptures and constructions have a lifetime varying from a few moments to 20 years. When the disintegrative process is complete, the work is to be removed from the site and scrapped." In this volume, Metzger talks to Obrist about his past and present association with Auto-destructive art, how he has come to fuse his art practice with his political commitment to human rights and ecology, how he escaped the Holocaust at the age of 13 and the many projects he has yet to realize.
Contemporary Art Monographs
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Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a(...)
Contemporary Art Monographs
January 2009, Köln
Hans Ulrich Obrist - Enzo Mari: the conversation series 15
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Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari. More concerned with theoretical issues in design than commercial success, Mari is one of the most thoughtful and intellectually provocative designers of the late twentieth century. His work as a product and furniture designer, as well as a writer, teacher and artist, has proved influential both to his peers and to younger generations. In this volume, Mari discusses his iconic designs for cutting-edge production houses Danese, Olivetti and Castelli, his experience of the contradictory aspects of postwar Italy and his unique take on the design trends of the 1960s and 1970s. Enzo Mari was born in 1932 in Novara, Italy. He has most recently completed a series of tubular aluminum chairs for Vienna's Gebrüder Thonet and a collection for the Japanese home store Muji.
Contemporary Art Monographs
books
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For a painter who has so successfully neutralized the declarative potential of his medium, Gerhard Richter has committed to print a surprisingly large amount of discussion on his work. For this new, complete edition of the writings, Richter has placed his private archive at the editor's disposal; most of the photographic material comes from this archive and has not been(...)
Gerhard Richter: writings 1961-2007
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For a painter who has so successfully neutralized the declarative potential of his medium, Gerhard Richter has committed to print a surprisingly large amount of discussion on his work. For this new, complete edition of the writings, Richter has placed his private archive at the editor's disposal; most of the photographic material comes from this archive and has not been previously published. Includes public statements on specific exhibitions, private reflections drawn from personal correspondence, answers to questions posed by critics and journal excerpts discussing the intentions, methods and subjects of his works from various periods.
books
January 2009
Contemporary Art Monographs
books
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In 2007, Serpentine Gallery Co-Director Hans Ulrich Obrist and artist Olafur Eliasson invited more than 100 leading artists, architects, filmmakers, academics and scientists--including Peter Cook, Simon Baron-Cohen, Gloria Friedmann, Neil Turok, Kim Gordon, Spartacus Chetwynd, Simon Forti, Fia Backstrom and Joseph Grigely--to expand the notion of experimentation for their(...)
Hans Ulrich Obrist and Olafur Eliasson: experiment marathon
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In 2007, Serpentine Gallery Co-Director Hans Ulrich Obrist and artist Olafur Eliasson invited more than 100 leading artists, architects, filmmakers, academics and scientists--including Peter Cook, Simon Baron-Cohen, Gloria Friedmann, Neil Turok, Kim Gordon, Spartacus Chetwynd, Simon Forti, Fia Backstrom and Joseph Grigely--to expand the notion of experimentation for their 24-Hour Experiment Marathon, held in the Rem Koolhaas-designed Serpentine Gallery Pavilion. In the tradition of Obrist's now-legendary ongoing 24-Hour Interview Marathon, the crowds were standing-room-only and the action never stopped. This publication details the more than 40 screenings, performances and experimental films making up this genre-bending blend of science and art.
books
January 1900
Art Theory
The Zaha Hadid interviews
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This volume gathers 12 conversations between the architect Zaha Hadid (1950–2016) and Hans Ulrich Obrist, conducted between 2001 and 2013. Across these exchanges, Hadid reflects on architecture as a field of experimentation shaped by drawing, exhibition-making, urbanism and new technologies. The interviews trace the evolution of her thinking from early speculative(...)
The Zaha Hadid interviews
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This volume gathers 12 conversations between the architect Zaha Hadid (1950–2016) and Hans Ulrich Obrist, conducted between 2001 and 2013. Across these exchanges, Hadid reflects on architecture as a field of experimentation shaped by drawing, exhibition-making, urbanism and new technologies. The interviews trace the evolution of her thinking from early speculative projects to the realization of major cultural buildings, including museums and civic spaces across Europe, Asia and the United States. Hadid discusses interior complexity, movement and perception, the testing of ideas through exhibitions and installations and the relationship between architecture, art and performance. She also addresses collaboration, authorship and the challenges of translating radical ideas into built form.
Architectural Theory
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Catalogue de la 9e Biennale d'art contemporain de Lyon (19 septembre 2007 – 6 janvier 2008), conçu suivant les principes qui régissent la programmation de la manifestation organisée par Stéphanie Moisdon et Hans Ulrich Obrist. Cet ouvrage relève à la fois du jeu, de la cartographie et de l'expérience d'une écriture collective. Pensé comme un livre d'histoire et de(...)
October 2007, Lyon, Dijon, Zürich
Biennale de Lyon 2007 : 00's - L'histoire d'une décennie qui n'est pas encore nommée
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Catalogue de la 9e Biennale d'art contemporain de Lyon (19 septembre 2007 – 6 janvier 2008), conçu suivant les principes qui régissent la programmation de la manifestation organisée par Stéphanie Moisdon et Hans Ulrich Obrist. Cet ouvrage relève à la fois du jeu, de la cartographie et de l'expérience d'une écriture collective. Pensé comme un livre d'histoire et de géographie de l'art contemporain, il est le résultat d'une série d'investigations et de programmations des concepteurs de la manifestation et de Thierry Raspail. Réunissant 70 « joueurs » du monde entier (artistes, critiques et commissaires d'exposition) répartis entre deux cercles selon le type d'intervention demandé, le projet s'est développé autour d'une question centrale : « Comment définir la décennie actuelle ? ». S'il était proposé au premier cercle de choisir de choisir des réponses parmi ce que les artistes produisent aujourd'hui, il était demandé aux joueurs du second cercle de séquencer leurs choix ou de les confronter à d'autres. L'ensemble de ces subjectivités, cadrées par quelques règles de présentation (qui ? pourquoi ? comment ?), participent ici à un exercice de délimitation, de détourage et de recadrage d'une décennie et d'un objet – l'art – dont le tracé est de plus en plus indispensable. La publication s'accompagne d'essais inédits de et d'entretiens avec Mehdi Belhaj-Kacem, Stefano Boeri, François Cusset, Okwui Enwezor, Michel Houellebecq, Anselm Jappe, Paul Veyne et Ralph Rugoff.
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This publication documents this year's Serpentine Pavilion in London--a chrysalis-like structure made from colorful, transparent plastic by Spanish architects José Selgas (born 1965) and Lucía Cano (born 1965). Sketches, diagrams and construction methods are also included in this ample overview of the installation.
Architecture Monographs
January 2016
Selgascano: Serpentine Pavilion 2015
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This publication documents this year's Serpentine Pavilion in London--a chrysalis-like structure made from colorful, transparent plastic by Spanish architects José Selgas (born 1965) and Lucía Cano (born 1965). Sketches, diagrams and construction methods are also included in this ample overview of the installation.
Architecture Monographs
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'We Can’t Do This Alone: Jefferson Hack the System' re-defines the purpose of alternative media in the 21st century—drawing on a wealth of innovative projects to artfully map out a bright future for radical publishing. In the spirit of progressive individualism at its core every single copy is unique, emblazoned with an individuated, numbered cover displaying a one-off(...)
Graphic Design and Typography
May 2016
We can't do this alone: Jefferson Hack the system
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'We Can’t Do This Alone: Jefferson Hack the System' re-defines the purpose of alternative media in the 21st century—drawing on a wealth of innovative projects to artfully map out a bright future for radical publishing. In the spirit of progressive individualism at its core every single copy is unique, emblazoned with an individuated, numbered cover displaying a one-off fresco of the provocative material between its pages. If you stand for nothing, you’ll fall for anything.
Graphic Design and Typography
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In 2014, for the thirtieth anniversary of the Fondation Cartier pour l'art contemporain in Paris, noted art historian Hans Ulrich Obrist imagined "The infinite conversation" a series of conversations with artists, scientists, and thinkers close to the Fondation Cartier and its exhibition program. "The infinite conversations" gathers together all of these conversations,(...)
H U: The infinite conversations
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In 2014, for the thirtieth anniversary of the Fondation Cartier pour l'art contemporain in Paris, noted art historian Hans Ulrich Obrist imagined "The infinite conversation" a series of conversations with artists, scientists, and thinkers close to the Fondation Cartier and its exhibition program. "The infinite conversations" gathers together all of these conversations, with figures such as Patti Smith, Raymond Depardon, Agnes Varda, and Freddy Mamani, in an invitation to transcend the borders between art disciplines.
Art Theory
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Pour les trente ans de la Fondation Cartier, l'auteur et commissaire d'exposition, propose un recueil des entretiens tenus avec des artistes, des penseurs, des architectes, des écrivains et des scientifiques réalisés à l'occasion d'expositions artistiques entre 2014 et 2018 : Jean Nouvel, Raymond Depardon, Agnès Varda, Vinciane Despret, Fredi Casco, Freddy Mamani, entre autres.
Les entretiens infinis : conversations 2014-2018
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Pour les trente ans de la Fondation Cartier, l'auteur et commissaire d'exposition, propose un recueil des entretiens tenus avec des artistes, des penseurs, des architectes, des écrivains et des scientifiques réalisés à l'occasion d'expositions artistiques entre 2014 et 2018 : Jean Nouvel, Raymond Depardon, Agnès Varda, Vinciane Despret, Fredi Casco, Freddy Mamani, entre autres.
Art Theory