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Ce volume rassemble une sélection de photographies réalisées par les deux artistes dans deux régions géographiques éloignées l’une de l’autre. Des lieux où la nature se manifeste sous des formes expressives différentes et où la relation entre corps et espace semble assumer, à travers la combinaison de l’ombre et de la lumière, des valeurs aléatoires, parfois absolues.(...)
Insieme
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Ce volume rassemble une sélection de photographies réalisées par les deux artistes dans deux régions géographiques éloignées l’une de l’autre. Des lieux où la nature se manifeste sous des formes expressives différentes et où la relation entre corps et espace semble assumer, à travers la combinaison de l’ombre et de la lumière, des valeurs aléatoires, parfois absolues. // This book compiles a selection of the artists’ photographs of these two Italian regions so far apart from one another. These are places where nature reveals itself through different forms of expression and where the relationship between body and space, captured in a combination of light and shade, seems to take on an inconsistent and sometimes absolute value.
Photography by Region
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One morning in the summer of 2014, Irina Rozovsky woke up in a Serbian mountain village to the sound of hundreds of trumpets as a brass band festival set up in the hills. At once pleading and tragic, joyful and frenetic, the music set the tone for what would become Rozovsky’s journey through the Balkan region, including Montenegro, Bosnia and Herzegovina, Macedonia,(...)
Irina Rozovsky: Mountain black heart
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One morning in the summer of 2014, Irina Rozovsky woke up in a Serbian mountain village to the sound of hundreds of trumpets as a brass band festival set up in the hills. At once pleading and tragic, joyful and frenetic, the music set the tone for what would become Rozovsky’s journey through the Balkan region, including Montenegro, Bosnia and Herzegovina, Macedonia, Croatia, Greece, Romania, Bulgaria, and Albania. Profoundly drawn to the land and its people, Rozovsky created the intimate and equivocal photographs that form Mountain Black Heart. Rozovsky’s borderless vision drifts through railways, farms, open water, parking lots, fairgrounds, and graveyards, balancing vitality and life with suggestions of dark history and subtle signs of violence. Interspersed throughout are striking portraits of people and animals which emanate vulnerability and resilience. Through its loose, expressionistic approach and a compassionate engagement with the human and natural world, Rozovsky’s nomadic project pieces together a personal and kaleidoscopic view of a fragmented place.
Photography monographs