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books
books
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$22.95
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Summary:
Under Pressure gathers together the contributions to the same-titled conference held at the "Institut fuer Kunstkritik from 2006 to 2007". Can "exit" and "disobedience", as envisioned by Virno, be considered as options from an artistic point of view? And what would an insistence on "status" or long-term projects as invoked by Boltanski/Chiapello look like if artists(...)
$22.95
(available to order)
Summary:
Under Pressure gathers together the contributions to the same-titled conference held at the "Institut fuer Kunstkritik from 2006 to 2007". Can "exit" and "disobedience", as envisioned by Virno, be considered as options from an artistic point of view? And what would an insistence on "status" or long-term projects as invoked by Boltanski/Chiapello look like if artists(...)
Subject:
Art Theory
Art Theory
Publication:
January 1900, Berlin, New York
January 1900, Berlin, New York
Title:
Under pressure : pictures, subjects, and the new spirit of capitalism
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$22.95
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Summary:
Under Pressure gathers together the contributions to the same-titled conference held at the "Institut fuer Kunstkritik from 2006 to 2007". Can "exit" and "disobedience", as envisioned by Virno, be considered as options from an artistic point of view? And what would an insistence on "status" or long-term projects as invoked by Boltanski/Chiapello look like if artists were to take on this strategy? How much can one count on pictures alone, as Mitchell seems to do? And, can pictures really change the "ways of worldmaking"?
Under pressure : pictures, subjects, and the new spirit of capitalism
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Price:
$22.95
(available to order)
Summary:
Under Pressure gathers together the contributions to the same-titled conference held at the "Institut fuer Kunstkritik from 2006 to 2007". Can "exit" and "disobedience", as envisioned by Virno, be considered as options from an artistic point of view? And what would an insistence on "status" or long-term projects as invoked by Boltanski/Chiapello look like if artists were to take on this strategy? How much can one count on pictures alone, as Mitchell seems to do? And, can pictures really change the "ways of worldmaking"?
Form:
books
books
Publication:
January 1900, Berlin, New York
January 1900, Berlin, New York
Subject:
Art Theory
Art Theory
Form:
books
books
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Price:
$22.50
(available to order)
Summary:
This book brings together contributions from the eponymous conference organised by the Institut für Kunstkritik, Frankfurt am Main. Its goal is to provide deeper insights and more complexity to current debates on the relationship between criticism, art and the market.
$22.50
(available to order)
Summary:
This book brings together contributions from the eponymous conference organised by the Institut für Kunstkritik, Frankfurt am Main. Its goal is to provide deeper insights and more complexity to current debates on the relationship between criticism, art and the market.
Title:
Canvases and careers today, criticism and its markets
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$22.50
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Summary:
This book brings together contributions from the eponymous conference organised by the Institut für Kunstkritik, Frankfurt am Main. Its goal is to provide deeper insights and more complexity to current debates on the relationship between criticism, art and the market.
Canvases and careers today, criticism and its markets
Actions:
Price:
$22.50
(available to order)
Summary:
This book brings together contributions from the eponymous conference organised by the Institut für Kunstkritik, Frankfurt am Main. Its goal is to provide deeper insights and more complexity to current debates on the relationship between criticism, art and the market.
Form:
books
books
Publication:
August 2008, Berlin
August 2008, Berlin
Subject:
Art Theory
Art Theory
Form:
journals and magazines
journals and magazines
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$24.00
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Summary:
TEXTE ZUR KUNST stands for controversial discussions and contributions by internationally leading writers on contemporary art and culture. Alongside ground-breaking essays the quarterly magazine, founded in Cologne in 1990 and published in Berlin since 2000, offers interviews, roundtable discussions and extensive reviews on art, film, music, market and fashion as well as(...)
$24.00
(available to order)
Summary:
TEXTE ZUR KUNST stands for controversial discussions and contributions by internationally leading writers on contemporary art and culture. Alongside ground-breaking essays the quarterly magazine, founded in Cologne in 1990 and published in Berlin since 2000, offers interviews, roundtable discussions and extensive reviews on art, film, music, market and fashion as well as(...)
Title:
Texte zur kunst 71: artists' artists, september 2008
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$24.00
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Summary:
TEXTE ZUR KUNST stands for controversial discussions and contributions by internationally leading writers on contemporary art and culture. Alongside ground-breaking essays the quarterly magazine, founded in Cologne in 1990 and published in Berlin since 2000, offers interviews, roundtable discussions and extensive reviews on art, film, music, market and fashion as well as on art history, theory and cultural politics. Since 2006 the comprehensive main section section, each time devoted to a different topic, and selected reviews are published in both German and English. With every issue internationally renowned artists support the magazine with exclusive artists’ editions.
Texte zur kunst 71: artists' artists, september 2008
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Price:
$24.00
(available to order)
Summary:
TEXTE ZUR KUNST stands for controversial discussions and contributions by internationally leading writers on contemporary art and culture. Alongside ground-breaking essays the quarterly magazine, founded in Cologne in 1990 and published in Berlin since 2000, offers interviews, roundtable discussions and extensive reviews on art, film, music, market and fashion as well as on art history, theory and cultural politics. Since 2006 the comprehensive main section section, each time devoted to a different topic, and selected reviews are published in both German and English. With every issue internationally renowned artists support the magazine with exclusive artists’ editions.
Form:
journals and magazines
journals and magazines
Publication:
August 2008, Berlin
August 2008, Berlin
Subject:
Magazines
Magazines
Form:
books
books
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$34.00
(available in store)
Summary:
Isabelle Graw’s latest book reflects on the purposes and struggles of friendship in competitive social milieus. By focusing on her own social milieu—the art world—Graw demonstrates how friendships are neither totally disinterested nor reduceable to their use. Written in the intimate form of a fictional diary, this book laments useful friendships while praising true(...)
$34.00
(available in store)
Summary:
Isabelle Graw’s latest book reflects on the purposes and struggles of friendship in competitive social milieus. By focusing on her own social milieu—the art world—Graw demonstrates how friendships are neither totally disinterested nor reduceable to their use. Written in the intimate form of a fictional diary, this book laments useful friendships while praising true(...)
Title:
On the benefits of friendship
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$34.00
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Summary:
Isabelle Graw’s latest book reflects on the purposes and struggles of friendship in competitive social milieus. By focusing on her own social milieu—the art world—Graw demonstrates how friendships are neither totally disinterested nor reduceable to their use. Written in the intimate form of a fictional diary, this book laments useful friendships while praising true friendship in all its forms. For Graw, friendship is an existential necessity—if only because it points to how we relate to and depend on others. Friendship, she finds, is as important as the air we breathe—with it, we are able to fully live.
On the benefits of friendship
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Price:
$34.00
(available in store)
Summary:
Isabelle Graw’s latest book reflects on the purposes and struggles of friendship in competitive social milieus. By focusing on her own social milieu—the art world—Graw demonstrates how friendships are neither totally disinterested nor reduceable to their use. Written in the intimate form of a fictional diary, this book laments useful friendships while praising true friendship in all its forms. For Graw, friendship is an existential necessity—if only because it points to how we relate to and depend on others. Friendship, she finds, is as important as the air we breathe—with it, we are able to fully live.
Form:
books
books
Publication:
May 2023
May 2023
Subject:
Social
Social
Form:
books
books
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$46.95
(available to order)
Summary:
Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw’s "The Love of(...)
$46.95
(available to order)
Summary:
Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw’s "The Love of(...)
Title:
The love of painting: genealogy of a success medium
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Price:
$46.95
(available to order)
Summary:
Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw’s "The Love of Painting" considers the art form not as something fixed, but as a visual and discursive material formation with the potential to fascinate owing to its ability to produce the fantasy of liveliness. Thus, painting is not restricted to the limits of its own frame, but possesses a specific potential that is located in its material and physical signs. Its value is grounded in its capacity to both reveal and mystify its conditions of production. Alongside in-depth analyses of the work of artists like Édouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers, the book includes conversations with artists in which Graw’s insights are further discussed and put to the test.
The love of painting: genealogy of a success medium
Actions:
Price:
$46.95
(available to order)
Summary:
Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw’s "The Love of Painting" considers the art form not as something fixed, but as a visual and discursive material formation with the potential to fascinate owing to its ability to produce the fantasy of liveliness. Thus, painting is not restricted to the limits of its own frame, but possesses a specific potential that is located in its material and physical signs. Its value is grounded in its capacity to both reveal and mystify its conditions of production. Alongside in-depth analyses of the work of artists like Édouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers, the book includes conversations with artists in which Graw’s insights are further discussed and put to the test.
Form:
books
books
Publication:
March 2018
March 2018
Subject:
Art Theory
Art Theory
Form:
books
books
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Price:
$32.00
(available to order)
Summary:
Today, the art world is not dominated by a small group of insiders. According to Graw, the art economy has been transformed from a retail business into an industry that produces visuality and meaning. Written during both the height of the most recent art boom in early 2008 and its sudden collapse thereafter, this publication upholds a unique position towards the art(...)
$32.00
(available to order)
Summary:
Today, the art world is not dominated by a small group of insiders. According to Graw, the art economy has been transformed from a retail business into an industry that produces visuality and meaning. Written during both the height of the most recent art boom in early 2008 and its sudden collapse thereafter, this publication upholds a unique position towards the art(...)
Title:
High price : art between the market and celebrity culture
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Price:
$32.00
(available to order)
Summary:
Today, the art world is not dominated by a small group of insiders. According to Graw, the art economy has been transformed from a retail business into an industry that produces visuality and meaning. Written during both the height of the most recent art boom in early 2008 and its sudden collapse thereafter, this publication upholds a unique position towards the art world's inner contradictions between symbolic meaning and monetary value.
High price : art between the market and celebrity culture
Actions:
Price:
$32.00
(available to order)
Summary:
Today, the art world is not dominated by a small group of insiders. According to Graw, the art economy has been transformed from a retail business into an industry that produces visuality and meaning. Written during both the height of the most recent art boom in early 2008 and its sudden collapse thereafter, this publication upholds a unique position towards the art world's inner contradictions between symbolic meaning and monetary value.
Form:
books
books
Publication:
January 2010
January 2010
Subject:
Art Theory
Art Theory
Form:
books
books
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Price:
$19.95
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Summary:
The Power of Judgment both attests to the importance of judgment in art criticism and argues against its determining verdicts. Comprised of a lecture by Christoph Menke and two respective responses to it by Daniel Loick and Isabelle Graw, this book brings together a dialogue on judgment originally begun at the Institut für Kunstkritik, Städelschule in Frankfurt am Main.
$19.95
(available to order)
Summary:
The Power of Judgment both attests to the importance of judgment in art criticism and argues against its determining verdicts. Comprised of a lecture by Christoph Menke and two respective responses to it by Daniel Loick and Isabelle Graw, this book brings together a dialogue on judgment originally begun at the Institut für Kunstkritik, Städelschule in Frankfurt am Main.
Title:
The power of judgement: A debate on aesthetic critique
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Price:
$19.95
(available to order)
Summary:
The Power of Judgment both attests to the importance of judgment in art criticism and argues against its determining verdicts. Comprised of a lecture by Christoph Menke and two respective responses to it by Daniel Loick and Isabelle Graw, this book brings together a dialogue on judgment originally begun at the Institut für Kunstkritik, Städelschule in Frankfurt am Main.
The power of judgement: A debate on aesthetic critique
Actions:
Price:
$19.95
(available to order)
Summary:
The Power of Judgment both attests to the importance of judgment in art criticism and argues against its determining verdicts. Comprised of a lecture by Christoph Menke and two respective responses to it by Daniel Loick and Isabelle Graw, this book brings together a dialogue on judgment originally begun at the Institut für Kunstkritik, Städelschule in Frankfurt am Main.
Form:
books
books
Publication:
September 2010
September 2010
Subject:
Art Theory
Art Theory
