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Celebrated by colonial writers, filmed by Hollywood, magnet for Europeans and Moroccans, Casablanca is above all an exceptional collection of urban spaces, houses, and gardens. While it is true that Casablanca developed as a port city well before the introduction of the French in 1907, it unquestionably ranks among the most significant urban creations of the twentieth(...)
Architecture since 1900, Africa
August 2001, New York
Casablanca : colonial myths and architectural ventures
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Celebrated by colonial writers, filmed by Hollywood, magnet for Europeans and Moroccans, Casablanca is above all an exceptional collection of urban spaces, houses, and gardens. While it is true that Casablanca developed as a port city well before the introduction of the French in 1907, it unquestionably ranks among the most significant urban creations of the twentieth century, attracting remarkable teams of architects and planners. Their commissions came from clients who were interested in innovation and modernization, thereby fostering the emergence of Casablanca as a laboratory for legislative, technological, and visual experimentation. Having studied the city for ten years, Jean-Louis Cohen and Monique Eleb trace, from the late nineteenth century to the early 1960s, the rebirth of a once-forgotten port and its metamorphosis into a teeming metropolis that is an amalgam of Mediterranean culture from Tunisia, Algeria, Spain, and Italy. The extensive presentation of the significant buildings of this hybrid city -- where, alongside the French, Muslim and Jewish Moroccan patrons commissioned provocative buildings -- is drawn from French and Moroccan archives, including hundreds of previously unpublished photographs.
Architecture since 1900, Africa
The lost vanguard
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The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life.(...)
Modernism
June 2007, New York
The lost vanguard
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The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life. Rarely published and virtually inaccessible until the collapse of the Soviet regime, these important buildings have remained unknown and unappreciated. Richard Pare's photographs reveal the powerful forms of these structures, some still in use but many now abandoned and decayed. Massive industrial complexes like the Dnieper River Dam and MoGES, which supplies electricity to the city of Moscow; vast communal houses for workers, including Ginzburg's Narkomfin; commercial buildings and government offices; and smaller clubs and theaters were all built in this brief period. In an incisive essay, architectural historian Jean-Louis Cohen surveys the history of the period, providing a context for the emergence of this startling new architecture in parallel to contemporary experiments in Europe.
Modernism
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Étonnante rencontre que celle qui s'est accomplie dans les airs pendant plus de deux décennies entre un homme, un avion et Paris. L'homme, Roger Henrard, mène la vie de l'industriel, du pilote et du photographe.
Le tour de Paris: les promenades aériennes de Roger Henrard
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Étonnante rencontre que celle qui s'est accomplie dans les airs pendant plus de deux décennies entre un homme, un avion et Paris. L'homme, Roger Henrard, mène la vie de l'industriel, du pilote et du photographe.
Photography monographs
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At the 1889 World’s Fair in Paris, the newly erected Eiffel Tower became one of the first icons of illuminated architecture, a nocturnal "lighthouse." It was not until decades later, in the 1920s, when a building’s evening façade became a central issue for residential and commercial architects, who began to look for avant-garde and aesthetically striking ways to light up(...)
Architecture since 1900, Europe
September 2006, Stuttgart
Luminous buildings : architecture of the night
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At the 1889 World’s Fair in Paris, the newly erected Eiffel Tower became one of the first icons of illuminated architecture, a nocturnal "lighthouse." It was not until decades later, in the 1920s, when a building’s evening façade became a central issue for residential and commercial architects, who began to look for avant-garde and aesthetically striking ways to light up their ever-taller works in all the major cities of the world. Both European and American architects wanted to distance their buildings from the garish electric signage that had come to dominate the street-level cityscape, so they worked with more delicately colored floodlights. Contemporary architects use many of the same techniques today, aided by technological advances that allow them to be implemented in particularly dramatic ways. "Luminous Buildings: Architecture of the NIght" opens a dialogue on the often overlooked but exciting connections between architecture, technology and light, offering points of reference in historical buildings and utopias, more recent designs, paintings and photographs of nighttime facades, and scholarly texts.
Architecture since 1900, Europe
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Une sélection de projets et d'édifices récents qui révèlent l'ampleur de l'usage des nouveaux bétons. Avec une production de six milliards de mètres cubes de béton par an, soit au moins un mètre cube par personne, le béton est la deuxième substance la plus consommée par l’homme, après l’eau. Depuis longtemps choisi comme matériau pour la construction des aqueducs, des(...)
Materials and Lighting
June 2006, Paris
Architectures du béton : nouvelles vagues, nouvelles recherches
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Une sélection de projets et d'édifices récents qui révèlent l'ampleur de l'usage des nouveaux bétons. Avec une production de six milliards de mètres cubes de béton par an, soit au moins un mètre cube par personne, le béton est la deuxième substance la plus consommée par l’homme, après l’eau. Depuis longtemps choisi comme matériau pour la construction des aqueducs, des usines ou des parkings, le béton est aujourd’hui considéré par les architectes et les ingénieurs les plus inventifs comme un matériau indispensable, non seulement à cause de sa souplesse d’usage et de sa résistance mais également pour sa capacité expressive sans limite. Substance hybride composée de ciment, d’eau, de sable et d’agrégats minéraux, le béton n’a pas de forme propre : il endosse celle que lui imposent le coffrage et l’imagination de l’architecte. Grâce au développement d’étonnantes propriétés physiques et structurelles et de nouvelles techniques de construction liées au béton, ses caractéristiques n’ont cessé de le rendre plus attractif. Les recherches techniques ont donné naissance à de nouveaux composés défi ant toutes les idées jusqu’alors associées au béton : hier dense, mat et monolithique, il est désormais flexible, léger, flottant, autoplaçant, résistant malgré son extrême finesse, et peut même devenir translucide. Cet ouvrage rassemble des textes d’architectes, d’ingénieurs et d’universitaires qui décrivent du point de vue technique autant qu’esthétique la nature changeante du béton. Conçus par les architectes Jean Nouvel, Herzog & de Meuron, Tadao Ando, Zaha Hadid, Steven Holl, Norman Foster ou Santiago Calatrava, plus d’une trentaine de bâtiments sont présentés avec des descriptions détaillées, des photographies et des dessins techniques. Textes de : Jean-Louis Cohen; Adrain Forty; Réjean Legault; Martin Moeller; Guy Nordenson; Antoine Picon; Billie Tsien; Franz-Josef Ulm; Tod Williams.
Materials and Lighting
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Mies van der Rohe
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This book records the stages of the architect's distinguished career from the Bauhaus to Chicago, from Detroit to Montreal, and finally to New York and the famous Seagram Building.
Mies van der Rohe
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This book records the stages of the architect's distinguished career from the Bauhaus to Chicago, from Detroit to Montreal, and finally to New York and the famous Seagram Building.
books
January 1900, London
Architecture Monographs
books
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Parallèlement à l'exposition présentée au musée des Monuments français à Paris, cet ouvrage, sous la direction de Jean-Louis Cohen, rassemble les contributions originales de chercheurs européens et américains. Grâce à une très riche iconographie en partie inédite, il renouvelle le regard sur cette période foisonnante et méconnue.
Années 30 : l'architecture et les arts de l'espace entre industrie et nostalgie
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Parallèlement à l'exposition présentée au musée des Monuments français à Paris, cet ouvrage, sous la direction de Jean-Louis Cohen, rassemble les contributions originales de chercheurs européens et américains. Grâce à une très riche iconographie en partie inédite, il renouvelle le regard sur cette période foisonnante et méconnue.
books
March 1998, Paris
Architecture since 1900, Europe
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En Russie, pendant la période soviétique, on voit naître « un étonnant théâtre d'inventions urbaines et architecturales » . La collection de Serguéï Tchoban nous les fait découvrir en plus de cinquante dessins expérimentaux réalisés par dix-sept architectes : Afanassiev, Bourov, Chtchoussev, Igor et Ivan Fomine, Golossov, Grinberg, Guinzbourg, Iofan, Joltovski, Kamenski,(...)
November 2017
Architecture de l'avant-garde : dessins de la collection Sergeï Tchoban
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En Russie, pendant la période soviétique, on voit naître « un étonnant théâtre d'inventions urbaines et architecturales » . La collection de Serguéï Tchoban nous les fait découvrir en plus de cinquante dessins expérimentaux réalisés par dix-sept architectes : Afanassiev, Bourov, Chtchoussev, Igor et Ivan Fomine, Golossov, Grinberg, Guinzbourg, Iofan, Joltovski, Kamenski, Kisselev, Korjev, Krassilnikov, Slavina, Tchernikhov, Trotski.
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The catalogue for an exhibition at MAXXI curated by Pippo Ciorra and Jean-Louis Cohen, this book is an homage to Bruno Zevi, the notable architect, historian, lecturer, critic, politician, and designer. Moreover, it is a reflection on the contemporary Italian architectures that Zevi supported and promoted during his 50-year career through his extensive writing and(...)
Zevi's architects: history and counter-history of Italian architecture
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The catalogue for an exhibition at MAXXI curated by Pippo Ciorra and Jean-Louis Cohen, this book is an homage to Bruno Zevi, the notable architect, historian, lecturer, critic, politician, and designer. Moreover, it is a reflection on the contemporary Italian architectures that Zevi supported and promoted during his 50-year career through his extensive writing and criticism. Featuring 35 architects, the book’s drawings, models, and other visual materials clarify the key role Zevi played in the post-war architectural debate in Italy, highlighting the importance of the relationship between architecture and politics and his social passion and presence in the nation’s civic history.
Architectural Theory
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Ludwig Mies van der Rohe was one of the leading figures of twentieth-century architecture. With in-depth, scholarly essays, photographs, and plans, this book traces the multifaceted development of his work, including his first Berlin buildings, his villa projects, his work at the Bauhaus in the 1930s, and his American projects of the postwar years. Jean-Louis Cohen was(...)
Ludwig Mies Van Der Rohe: Third and updated edition
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Ludwig Mies van der Rohe was one of the leading figures of twentieth-century architecture. With in-depth, scholarly essays, photographs, and plans, this book traces the multifaceted development of his work, including his first Berlin buildings, his villa projects, his work at the Bauhaus in the 1930s, and his American projects of the postwar years. Jean-Louis Cohen was the director of the Institut francais d'architecture until 2003 and is currently a professor at New York University. He has an established reputation as a leading international historian of architecture. His broad and encompassing perspective makes this book a reliable and comprehensive introduction to the work of Mies van der Rohe.
Architecture Monographs