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Rooted in the British apprenticeship system, the French Beaux-Arts, and the German polytechnical schools, architecture education in North America has had a unique history spanning almost three hundred years. Although architects in the United States and Canada began to identify themselves as professionals by the late eighteenth century, it was not until nearly a century(...)
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Summary:
Rooted in the British apprenticeship system, the French Beaux-Arts, and the German polytechnical schools, architecture education in North America has had a unique history spanning almost three hundred years. Although architects in the United States and Canada began to identify themselves as professionals by the late eighteenth century, it was not until nearly a century(...)
Title:
Architecture school: three centuries of educating architects in North America
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Rooted in the British apprenticeship system, the French Beaux-Arts, and the German polytechnical schools, architecture education in North America has had a unique history spanning almost three hundred years. Although architects in the United States and Canada began to identify themselves as professionals by the late eighteenth century, it was not until nearly a century later that North American universities began to offer formal architectural training; the first program was established at MIT in 1865. Today most architects receive their training within an academic setting that draws on the humanities, fine arts, applied science, and public service for its philosophy and methodology. This book, published in conjunction with the centennial of the Association of Collegiate Schools of Architecture (ACSA), provides the first comprehensive history of North American architecture education. Architecture School opens with six chronological essays, each devoted to a major period of development: before 1860; 1860--1920; 1920--1940; 1940--1968; 1968--1990; and 1990 to the present. This overview is followed by a "lexicon" containing shorter articles on more than two dozen topics that have figured centrally in archictecture education's history, from competitions and design pedagogy to research, structures, studio culture, and travel.
Architecture school: three centuries of educating architects in North America
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Summary:
Rooted in the British apprenticeship system, the French Beaux-Arts, and the German polytechnical schools, architecture education in North America has had a unique history spanning almost three hundred years. Although architects in the United States and Canada began to identify themselves as professionals by the late eighteenth century, it was not until nearly a century later that North American universities began to offer formal architectural training; the first program was established at MIT in 1865. Today most architects receive their training within an academic setting that draws on the humanities, fine arts, applied science, and public service for its philosophy and methodology. This book, published in conjunction with the centennial of the Association of Collegiate Schools of Architecture (ACSA), provides the first comprehensive history of North American architecture education. Architecture School opens with six chronological essays, each devoted to a major period of development: before 1860; 1860--1920; 1920--1940; 1940--1968; 1968--1990; and 1990 to the present. This overview is followed by a "lexicon" containing shorter articles on more than two dozen topics that have figured centrally in archictecture education's history, from competitions and design pedagogy to research, structures, studio culture, and travel.
Form:
books
books
Publication:
March 2012
March 2012
Form:
books
books
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$102.95
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Summary:
This book contains the symposia's formal papers and informal conversations, the majority unpublished and presented for the first time as a group, and offers new insight into the architects, ideologies, stylistic influences, and geographic variation that informed modern architectural production in the early 20th century.
$102.95
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Summary:
This book contains the symposia's formal papers and informal conversations, the majority unpublished and presented for the first time as a group, and offers new insight into the architects, ideologies, stylistic influences, and geographic variation that informed modern architectural production in the early 20th century.
Title:
MAS : the Modern Architecture Symposia, 1962-1966, a critical edition
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$102.95
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This book contains the symposia's formal papers and informal conversations, the majority unpublished and presented for the first time as a group, and offers new insight into the architects, ideologies, stylistic influences, and geographic variation that informed modern architectural production in the early 20th century.
MAS : the Modern Architecture Symposia, 1962-1966, a critical edition
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$102.95
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Summary:
This book contains the symposia's formal papers and informal conversations, the majority unpublished and presented for the first time as a group, and offers new insight into the architects, ideologies, stylistic influences, and geographic variation that informed modern architectural production in the early 20th century.
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books
books
Publication:
February 2015
February 2015
Subject:
Architectural Theory
Architectural Theory
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books
books
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$67.95
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Summary:
In "Tower and office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the(...)
$67.95
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Summary:
In "Tower and office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the(...)
Subject:
Gratte-ciels
Gratte-ciels
Publication:
November 2002, Cambridge / London
November 2002, Cambridge / London
Title:
Tower and office : from modernist theory to contentemporary practice
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Summary:
In "Tower and office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the war was the source of powerful new structural models and construction methods. The authors examine the ways these technologies have been inflected over the last half century by more subjective and integrated processes of spatial organization.
Tower and office : from modernist theory to contentemporary practice
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$67.95
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Summary:
In "Tower and office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the war was the source of powerful new structural models and construction methods. The authors examine the ways these technologies have been inflected over the last half century by more subjective and integrated processes of spatial organization.
Form:
books
books
Publication:
November 2002, Cambridge / London
November 2002, Cambridge / London
Subject:
Gratte-ciels
Gratte-ciels
Form:
books
books
Price:
$27.95
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Summary:
What would it mean today to think or to imagine, to design or to construct, in relation not to things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination." The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading(...)
$27.95
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Summary:
What would it mean today to think or to imagine, to design or to construct, in relation not to things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination." The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading(...)
Title:
The pragmatist imagination: thinking about things in the making
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$27.95
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What would it mean today to think or to imagine, to design or to construct, in relation not to things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination." The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading thinkers and makers from over a dozen disciplines. Based on the proceedings of an international workshop held at Columbia University under the auspices of the Buell Center for the Study of American Architecture in spring 2000, a preamble to the much-ballyhooed conference at the Museum of Modern Art in November, 2000, the contributions traverse a set of burning questions about the future, ranging from the relationship between art and experience to the impact of new technologies on human consciousness, from transformations in everyday life to problems of public space, and from the destiny of the nation-state toemergent forms of transnationalism.
The pragmatist imagination: thinking about things in the making
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$27.95
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Summary:
What would it mean today to think or to imagine, to design or to construct, in relation not to things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination." The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading thinkers and makers from over a dozen disciplines. Based on the proceedings of an international workshop held at Columbia University under the auspices of the Buell Center for the Study of American Architecture in spring 2000, a preamble to the much-ballyhooed conference at the Museum of Modern Art in November, 2000, the contributions traverse a set of burning questions about the future, ranging from the relationship between art and experience to the impact of new technologies on human consciousness, from transformations in everyday life to problems of public space, and from the destiny of the nation-state toemergent forms of transnationalism.
Form:
books
books
Publication:
September 2001
September 2001
Subject:
Architecture and the imaginary
Architecture and the imaginary
Form:
books
books
Price:
$41.50
(available to order)
Summary:
What would it mean today to think or to imagine, to design or to construct, in relation not to "things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination". The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading(...)
$41.50
(available to order)
Summary:
What would it mean today to think or to imagine, to design or to construct, in relation not to "things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination". The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
November 2001, New York
November 2001, New York
Title:
The pragmatist imagination : thinking about things in the making
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$41.50
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Summary:
What would it mean today to think or to imagine, to design or to construct, in relation not to "things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination". The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading thinkers and makers from over a dozen disciplines. Based on the proceedings of an international workshop held at Columbia University under the auspices of the Buell Center for the Study of American Architecture in spring 2000, a preamble to the much-ballyhooed conference at the Museum of Modern Art in November, 2000, the contributions traverse a set of burning questions about the future, ranging from the relationship between art and experience to the impact of new technologies on human consciousness, from transformations in everyday life to problems of public space, and from the destiny of the nation-state to emergent forms of transnationalism. The authors include Stanley Aronowitz, Marshall Berman, Casey Nelson Blake, Sandra Buckley, Teresa Caldeira, Jean-Louis Cohen, Jonathan Crary, Rosalyn Deutsche, Kenneth Frampton, Gerald E. Frug, Peter Galison, Elizabeth Grosz, Andreas Huyssen, Isaac Joseph, David Lapoujade, Reinhold Martin, Brian Massumi, Mary McLeod, Paul Miller a.k.a. DJ Spooky, Chantal Mouffe, Joan Ockman, John Rajchman, Martha Rosler, Hashim Sarkis, Saskia Sassen, Sandhya Shukla, Richard Shusterman, Abdoumaliq Simone, Anders Stephanson, Bernard Tschumi, Nadia Urbinati, Mabel Wilson, and Gwendolyn Wright. The book includes an introduction by John Rajchman and an afterword by Casey Nelson Blake.
The pragmatist imagination : thinking about things in the making
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Price:
$41.50
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Summary:
What would it mean today to think or to imagine, to design or to construct, in relation not to "things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination". The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading thinkers and makers from over a dozen disciplines. Based on the proceedings of an international workshop held at Columbia University under the auspices of the Buell Center for the Study of American Architecture in spring 2000, a preamble to the much-ballyhooed conference at the Museum of Modern Art in November, 2000, the contributions traverse a set of burning questions about the future, ranging from the relationship between art and experience to the impact of new technologies on human consciousness, from transformations in everyday life to problems of public space, and from the destiny of the nation-state to emergent forms of transnationalism. The authors include Stanley Aronowitz, Marshall Berman, Casey Nelson Blake, Sandra Buckley, Teresa Caldeira, Jean-Louis Cohen, Jonathan Crary, Rosalyn Deutsche, Kenneth Frampton, Gerald E. Frug, Peter Galison, Elizabeth Grosz, Andreas Huyssen, Isaac Joseph, David Lapoujade, Reinhold Martin, Brian Massumi, Mary McLeod, Paul Miller a.k.a. DJ Spooky, Chantal Mouffe, Joan Ockman, John Rajchman, Martha Rosler, Hashim Sarkis, Saskia Sassen, Sandhya Shukla, Richard Shusterman, Abdoumaliq Simone, Anders Stephanson, Bernard Tschumi, Nadia Urbinati, Mabel Wilson, and Gwendolyn Wright. The book includes an introduction by John Rajchman and an afterword by Casey Nelson Blake.
Form:
books
books
Publication:
November 2001, New York
November 2001, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$47.00
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Summary:
This illustrated book looks at why the world's most interesting buildings are becoming the hottest destinations for today's travelers. In the last few decades architecture has become a major focus for travelers, rather than merely a part of a larger itinerary. Illustrated with nearly one hundred color photographs, this series of essays and contributions by scholars,(...)
$47.00
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Summary:
This illustrated book looks at why the world's most interesting buildings are becoming the hottest destinations for today's travelers. In the last few decades architecture has become a major focus for travelers, rather than merely a part of a larger itinerary. Illustrated with nearly one hundred color photographs, this series of essays and contributions by scholars,(...)
Subject:
Transportation, Tourism, Migration
Transportation, Tourism, Migration
Publication:
October 2005, München, Berlin, London, New York
October 2005, München, Berlin, London, New York
Title:
Architourism : authentic, escapist, exotic, spectacular
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This illustrated book looks at why the world's most interesting buildings are becoming the hottest destinations for today's travelers. In the last few decades architecture has become a major focus for travelers, rather than merely a part of a larger itinerary. Illustrated with nearly one hundred color photographs, this series of essays and contributions by scholars, critics, architects, and artists explores the role of architecture in the contemporary tourist imagination. From Mont Saint Michel and the Taj Mahal to Bilbao's Guggenheim museum and the Blur building in Switzerland's lake Neuchâtel, the authors focus on how certain iconic buildings have found their way into the cultural consciousness. At the same time they offer insights as to why other buildings, such as Minnesota's Mall of America and the faux architecture of Las Vegas, have become integral to their regions' tourist economy-and postulate how this success will influence architecture of the future.
Architourism : authentic, escapist, exotic, spectacular
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$47.00
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Summary:
This illustrated book looks at why the world's most interesting buildings are becoming the hottest destinations for today's travelers. In the last few decades architecture has become a major focus for travelers, rather than merely a part of a larger itinerary. Illustrated with nearly one hundred color photographs, this series of essays and contributions by scholars, critics, architects, and artists explores the role of architecture in the contemporary tourist imagination. From Mont Saint Michel and the Taj Mahal to Bilbao's Guggenheim museum and the Blur building in Switzerland's lake Neuchâtel, the authors focus on how certain iconic buildings have found their way into the cultural consciousness. At the same time they offer insights as to why other buildings, such as Minnesota's Mall of America and the faux architecture of Las Vegas, have become integral to their regions' tourist economy-and postulate how this success will influence architecture of the future.
Form:
books
books
Publication:
October 2005, München, Berlin, London, New York
October 2005, München, Berlin, London, New York
Subject:
Transportation, Tourism, Migration
Transportation, Tourism, Migration
Form:
books
books
Price:
$46.95
(available to order)
Summary:
In "Tower and Office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the war(...)
$46.95
(available to order)
Summary:
In "Tower and Office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the war(...)
Publication:
October 2005, Cambridge
October 2005, Cambridge
Title:
Tower and office : from Modernist theory to contemporary practice
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$46.95
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Summary:
In "Tower and Office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the war was the source of powerful new structural models and construction methods. The authors examine the ways these technologies have been inflected over the last half century by more subjective and integrated processes of spatial organization. In the first part of the book, Abalos and Herreros focus on the work of Le Corbusier, revealing the degree of complexity achieved in his interpretation of the modern skyscraper. In the second part, they look at the intersection of technical and cultural determinants in the design of high-rise structures since World War II. Among the issues they consider are the evolution of the load-bearing frame, the impact of high-tech systems on tall buildings, and the transparent building skin. In the third part, they address developments in office design and planning, tracing an evolution from the repetitive and homogeneous office skyscraper to the present-day mixed-use structure. Overall they demonstrate how the objective technical analysis associated with modernist architectural theory has given way in recent building practice to a variety of flexible, pragmatic, and environmental approaches. These, they suggest, have opened the way to new urban and architectural forms.
Tower and office : from Modernist theory to contemporary practice
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$46.95
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Summary:
In "Tower and Office", Spanish architects Inaki Abalos and Juan Herreros look at the role and impact of advanced building technologies in American architecture since World War II. The war, they claim, marked the end of the first cycle of modernism, challenging the belief that technological progress alone could produce a perpetually better future. At the same time, the war was the source of powerful new structural models and construction methods. The authors examine the ways these technologies have been inflected over the last half century by more subjective and integrated processes of spatial organization. In the first part of the book, Abalos and Herreros focus on the work of Le Corbusier, revealing the degree of complexity achieved in his interpretation of the modern skyscraper. In the second part, they look at the intersection of technical and cultural determinants in the design of high-rise structures since World War II. Among the issues they consider are the evolution of the load-bearing frame, the impact of high-tech systems on tall buildings, and the transparent building skin. In the third part, they address developments in office design and planning, tracing an evolution from the repetitive and homogeneous office skyscraper to the present-day mixed-use structure. Overall they demonstrate how the objective technical analysis associated with modernist architectural theory has given way in recent building practice to a variety of flexible, pragmatic, and environmental approaches. These, they suggest, have opened the way to new urban and architectural forms.
Form:
books
books
Publication:
October 2005, Cambridge
October 2005, Cambridge
Form:
books
books
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$32.50
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Summary:
McKenzie Wark is the author of 'A Hacker Manifesto', 'Gamer Theory', and 'Virtual Geography'. He teaches at the New School fo Social Research and Eugene Lang College in New York City. This is the third volume in a series of books related to the FORuM Project, Buell Center, Columbia University, New York, dedicated to exploring the relationship of architectural form to(...)
$32.50
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Summary:
McKenzie Wark is the author of 'A Hacker Manifesto', 'Gamer Theory', and 'Virtual Geography'. He teaches at the New School fo Social Research and Eugene Lang College in New York City. This is the third volume in a series of books related to the FORuM Project, Buell Center, Columbia University, New York, dedicated to exploring the relationship of architectural form to(...)
Title:
50 years of recuperation of the situationist international
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McKenzie Wark is the author of 'A Hacker Manifesto', 'Gamer Theory', and 'Virtual Geography'. He teaches at the New School fo Social Research and Eugene Lang College in New York City. This is the third volume in a series of books related to the FORuM Project, Buell Center, Columbia University, New York, dedicated to exploring the relationship of architectural form to politics and urban life.
50 years of recuperation of the situationist international
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McKenzie Wark is the author of 'A Hacker Manifesto', 'Gamer Theory', and 'Virtual Geography'. He teaches at the New School fo Social Research and Eugene Lang College in New York City. This is the third volume in a series of books related to the FORuM Project, Buell Center, Columbia University, New York, dedicated to exploring the relationship of architectural form to politics and urban life.
Form:
books
books
Publication:
August 2008
August 2008
Subject:
Situationism
Situationism
Form:
books
books
Title:
Off-modern
Off-modern
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Svetlana Boym is a writer, theorist, and media artist, and teaches Slavic and Comparative Literature at Harvard University. 'If in the 1980s artists dreamed of becoming their own curators and borrowed from the theorists, now the theorists dream of becoming artists. Disappointed with their own disciplinary specialization, thet immigrate into each other's territory. The(...)
$32.50
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Svetlana Boym is a writer, theorist, and media artist, and teaches Slavic and Comparative Literature at Harvard University. 'If in the 1980s artists dreamed of becoming their own curators and borrowed from the theorists, now the theorists dream of becoming artists. Disappointed with their own disciplinary specialization, thet immigrate into each other's territory. The(...)
Title:
Off-modern
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$32.50
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Svetlana Boym is a writer, theorist, and media artist, and teaches Slavic and Comparative Literature at Harvard University. 'If in the 1980s artists dreamed of becoming their own curators and borrowed from the theorists, now the theorists dream of becoming artists. Disappointed with their own disciplinary specialization, thet immigrate into each other's territory. The lateral move again. Neither backward nor forward, but sideways.' This is the second volume in a series of books related to the FORuM Project, Buell Center, Columbia University, New York, dedicated to exploring the relationship of architectural form to politics and urban life.
Off-modern
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$32.50
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Summary:
Svetlana Boym is a writer, theorist, and media artist, and teaches Slavic and Comparative Literature at Harvard University. 'If in the 1980s artists dreamed of becoming their own curators and borrowed from the theorists, now the theorists dream of becoming artists. Disappointed with their own disciplinary specialization, thet immigrate into each other's territory. The lateral move again. Neither backward nor forward, but sideways.' This is the second volume in a series of books related to the FORuM Project, Buell Center, Columbia University, New York, dedicated to exploring the relationship of architectural form to politics and urban life.
Form:
books
books
Publication:
August 2008, New York
August 2008, New York
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$65.00
(available to order)
Summary:
175 meters long, the museum bores like a triangular beam through the Har Hazikaron, or Mount of Remembrance. It juts out from the hillside at either end, allowing visitors to enter and look out. This spectacular architecture is the setting for a lavish and impressive exhibition commemorating the Holocaust. The structure is the culmination of Moshe Safdie’s work in Israel.(...)
$65.00
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Summary:
175 meters long, the museum bores like a triangular beam through the Har Hazikaron, or Mount of Remembrance. It juts out from the hillside at either end, allowing visitors to enter and look out. This spectacular architecture is the setting for a lavish and impressive exhibition commemorating the Holocaust. The structure is the culmination of Moshe Safdie’s work in Israel.(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
April 2006, Baden
April 2006, Baden
Title:
Yad Vashem : Moshe Safdie - the architecture of memory
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$65.00
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Summary:
175 meters long, the museum bores like a triangular beam through the Har Hazikaron, or Mount of Remembrance. It juts out from the hillside at either end, allowing visitors to enter and look out. This spectacular architecture is the setting for a lavish and impressive exhibition commemorating the Holocaust. The structure is the culmination of Moshe Safdie’s work in Israel. The architect, a student of Louis Kahn who began his career with the sensational residential complex Habitat at the 1967 Montreal World’s Fair, maintains offices in Boston, Toronto, and Jerusalem. The museum, its architecture, and its series of interior spaces with their carefully designed exhibition facilities are documented in an indepth photo essay and are illustrated with texts and plans.
Yad Vashem : Moshe Safdie - the architecture of memory
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$65.00
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Summary:
175 meters long, the museum bores like a triangular beam through the Har Hazikaron, or Mount of Remembrance. It juts out from the hillside at either end, allowing visitors to enter and look out. This spectacular architecture is the setting for a lavish and impressive exhibition commemorating the Holocaust. The structure is the culmination of Moshe Safdie’s work in Israel. The architect, a student of Louis Kahn who began his career with the sensational residential complex Habitat at the 1967 Montreal World’s Fair, maintains offices in Boston, Toronto, and Jerusalem. The museum, its architecture, and its series of interior spaces with their carefully designed exhibition facilities are documented in an indepth photo essay and are illustrated with texts and plans.
Form:
books
books
Publication:
April 2006, Baden
April 2006, Baden
Subject:
Architecture Monographs
Architecture Monographs
