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This book presents seven interviews with the architectural historian reflecting on the long arc of his rich and influential career in the discipline. Spanning Frampton’s early years as an architecture student at the Guildford School of Art to his nearly fifty years as a professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation, the(...)
Kenneth Frampton: Conversations with Daniel Talesnik
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This book presents seven interviews with the architectural historian reflecting on the long arc of his rich and influential career in the discipline. Spanning Frampton’s early years as an architecture student at the Guildford School of Art to his nearly fifty years as a professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation, the interviews trace not only the development and implications of his work but also the cultural, political, and discursive terrain surrounding it. Here Frampton outlines the formation of his seminal ideas of "critical regionalism" and "tectonic culture," and also ruminates on how he understands his own role as a writer on architecture. The book includes an essay by Mary McLeod, which takes stock of Frampton’s "criticality" and his enduring impact on architectural practice. As a whole, this volume is as much a portrait of a thinker as a record of the books, buildings, and ideas that have inspired such profound architectural thought.
Architectural Theory
What about vernacular ?
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Cet un ouvrage est issu d’un roadtrip d’étude de trois mois, mené par trois jeunes femmes architectes, dans l’Est américain. Il rend compte de leur périple et présente douze thématiques qui regroupent constructions traditionnelles et contemporaines, témoignant toutes d’un «bon sens» constructif et écologique. Le livre rend compte de leur découverte in situ de modèles(...)
What about vernacular ?
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Cet un ouvrage est issu d’un roadtrip d’étude de trois mois, mené par trois jeunes femmes architectes, dans l’Est américain. Il rend compte de leur périple et présente douze thématiques qui regroupent constructions traditionnelles et contemporaines, témoignant toutes d’un «bon sens» constructif et écologique. Le livre rend compte de leur découverte in situ de modèles architecturaux redevenus inspirants par les savoir-faire artisanaux convoqués, la beauté naturelle des matériaux utilisés et l’absence de défi technologique. Leur travail fait ressortir d’une part la nécessité de prendre le temps de regarder pour comprendre et sentir les lieux, et celle de se constituer une sorte de «bibliothèque» de sensations, et d’autre part les vertus formatrices des voyages, sources de rencontres, d’échanges et d’expériences dynamisantes.
Architecture since 1900, Americas
Building Brasilia
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‘From nothing; from nothing to construction.’ Thus Marcel Gautherot, the ideal architectural photographer, recalled his epic undertaking in the late 1950s – photographing every step of the construction of the city of Brasilia, from untouched grassland to modern capital. Gautherot had studied architecture and design, and was influenced by Le Corbusier and other(...)
Building Brasilia
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‘From nothing; from nothing to construction.’ Thus Marcel Gautherot, the ideal architectural photographer, recalled his epic undertaking in the late 1950s – photographing every step of the construction of the city of Brasilia, from untouched grassland to modern capital. Gautherot had studied architecture and design, and was influenced by Le Corbusier and other modernist architects as well as the political radicalism of the interwar period. Postwar, however, he devoted his life to travel and photography, taking with him the formal rigour of modernism but also a sympathy for ordinary people that was to help him in his work. After moving to Brazil in 1940, he forged many friendships and partnerships, most notably with Oscar Niemeyer, the chief architect of Brasilia. Indeed, Gautherot recorded most of Niemeyer’s work as his photographer of choice. It was, however, in Brasilia – the high point of the careers of both Niemeyer and chief urban planner Lucio Costa – that the photographer’s art of light and shadow reached its zenith. Gautherot repeatedly visited Brasilia, photographing not only every stage of construction, but also the faces and homes of the workers who worked on the construction sites and satellite cities in the making. The result is a monumental photo essay on this triumph of urban planning and architecture. Here, for the first time, the photographs are collected to form a portfolio of Gautherot’s work in Brasilia, and it pays due tribute to this great Franco-Brazilian artist in the centenary of his birth and on the fiftieth anniversary of Brasilia’s inauguration.
Photography monographs
Erieta Attali : In extremis
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Israeli photographer Erieta Attali (born 1966) is a cartographer of contemporary global architecture, focusing upon the relationship between building types and the landscapes they inhabit. Attentive to subtle changes in light and weather conditions, Attali illuminates unlikely affinities between projects in seemingly disparate locales from the Chilean desert to the Norwegian arctic.
Photography monographs
February 2011
Erieta Attali : In extremis
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Israeli photographer Erieta Attali (born 1966) is a cartographer of contemporary global architecture, focusing upon the relationship between building types and the landscapes they inhabit. Attentive to subtle changes in light and weather conditions, Attali illuminates unlikely affinities between projects in seemingly disparate locales from the Chilean desert to the Norwegian arctic.
Photography monographs
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This publication brings together five architectural practices that, while all distinct, share a particular sensibility for the impact of craftsmanship and climate on the generation of form, as well as a concern for the expressive tactility of material and the effect of light on the articulation of structure. Designed with detail, the book offers an indepth survey of(...)
Five North American architects : an anthology
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This publication brings together five architectural practices that, while all distinct, share a particular sensibility for the impact of craftsmanship and climate on the generation of form, as well as a concern for the expressive tactility of material and the effect of light on the articulation of structure. Designed with detail, the book offers an indepth survey of recent work by Steven Holl (New York), Rick Joy (Tucson), John and Patricia Patkau (Vancouver), Stanley Saitowitz (San Francisco), and Brigitte Shim and Howard Sutcliffe (Toronto). The regional specificity of the work is considered against a larger North American context, allowing one to assess the practice of its architecture today.
Canadian Architects
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This book presents various designs for a National History Museum in the Netherlands. Kenneth Frampton and Hans Ibelings wrote essays on good museum architecture, researchers at the Berlage Institute made sketches, and three young European architecture firms, 51N4E, Baukuh, and Monadnock, submitted plans to encourage thinking about new museum architecture.
Sketches for a national history museum
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This book presents various designs for a National History Museum in the Netherlands. Kenneth Frampton and Hans Ibelings wrote essays on good museum architecture, researchers at the Berlage Institute made sketches, and three young European architecture firms, 51N4E, Baukuh, and Monadnock, submitted plans to encourage thinking about new museum architecture.
Museology
Som journal 7
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Som journal 7 includes the essays “Notes on the Techno-Aesthetic Evolution of High-Rise Form, 1896–1997” by Kenneth Frampton, “The Myth of Natural Growth II” by Thomas van Leeuwan, “Building Tall” by William Baker, “Emergence and the Power of One” by Mark Sarkisian, and “How the Leopard Got Its Spots: Lever House as a Skyscraper” by Nicholas Adams.
Som journal 7
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Som journal 7 includes the essays “Notes on the Techno-Aesthetic Evolution of High-Rise Form, 1896–1997” by Kenneth Frampton, “The Myth of Natural Growth II” by Thomas van Leeuwan, “Building Tall” by William Baker, “Emergence and the Power of One” by Mark Sarkisian, and “How the Leopard Got Its Spots: Lever House as a Skyscraper” by Nicholas Adams.
Magazines
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Offering a rare opportunity to explore the largest and most luxurious house designed by Walter Gropius, founder of the Bauhaus, and Marcel Breuer, leading architect and furniture designer of the twentieth century, this volume celebrates the Alan I W Frank House in Pittsburgh, Pennsylvania. Built in 1939-40, the house embodies the Bauhaus "total work of art" philosophy,(...)
Architecture Monographs
November 2019
Alan I Frank House: The modernist masterwork by Walter Gropius and Marcel Breuer
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Offering a rare opportunity to explore the largest and most luxurious house designed by Walter Gropius, founder of the Bauhaus, and Marcel Breuer, leading architect and furniture designer of the twentieth century, this volume celebrates the Alan I W Frank House in Pittsburgh, Pennsylvania. Built in 1939-40, the house embodies the Bauhaus "total work of art" philosophy, with Gropius and Breuer having designed every aspect of the building and its site. Illustrations including new and archival images and the architects' plans and sketches highlight an exquisite balance of proportions and colours. Accompanying essays place this house firmly within the American modernist canon just as the Bauhaus celebrates its one-hundreth anniversary in 2019.
Architecture Monographs
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Shim-Sutcliffe's masterful work at Point William intertwines landscape and architecture with ancient rock and water reshaping and reimagining a site on the Canadian Shield over two decades. Found conditions and new buildings are interwoven and choreographed to create a rich spatial experience moving between inside and out. Kenneth Frampton provides an insightful(...)
Shim Sutcliffe: the architecture of Point William
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Shim-Sutcliffe's masterful work at Point William intertwines landscape and architecture with ancient rock and water reshaping and reimagining a site on the Canadian Shield over two decades. Found conditions and new buildings are interwoven and choreographed to create a rich spatial experience moving between inside and out. Kenneth Frampton provides an insightful introduction with selected images and his own sketches framing a way of seeing Point William for the reader. Michael Webb''s provocative interview with Brigitte Shim and Howard Sutcliffe describes their evolving vision for Point William and their two-decade journey towards its realization. Acclaimed photographers Ed Burtynsky, James Dow and Scott Norsworthy contribute through their powerful images capturing the spirit of Point William thorough the seasons and over time.
Canadian Architects
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Custom and Innovation: John Miller + Partners is the first publication devoted to the work of John Miller + Partners, and explores Miller’s work from his student days at the Architectural Association, to his present practice as a multi-award winning firm. The book provides an insight into the contemporary fascination with museum buildings as well as the revived interest(...)
Architecture Monographs
July 2009
Custom and innovation, John Miller + Partners
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Custom and Innovation: John Miller + Partners is the first publication devoted to the work of John Miller + Partners, and explores Miller’s work from his student days at the Architectural Association, to his present practice as a multi-award winning firm. The book provides an insight into the contemporary fascination with museum buildings as well as the revived interest on post-war modernism both in Europe and the USA.
Architecture Monographs