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Summary:
More and more artists from beyond the traditional “West” are exploring questions of their history and origins through colonial-era photography. Through textile, photographic, filmic and sculptural collages, new memories emerge that do not remain confined to the history of colonial oppression but rather remain in motion, resisting and serving as a living foundation for the(...)
Theory of Photography
September 2026
A kind of paradise: Artistic counter-narratives to colonial-era photography
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$74.95
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Summary:
More and more artists from beyond the traditional “West” are exploring questions of their history and origins through colonial-era photography. Through textile, photographic, filmic and sculptural collages, new memories emerge that do not remain confined to the history of colonial oppression but rather remain in motion, resisting and serving as a living foundation for the future. "A kind of paradise," in conjunction with the exhibition of the same name at Museum Rietberg, presents a prescient visual cosmos offering a synoptic view of this phenomenon.
Theory of Photography
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Summary:
In "Black elegies", Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the "national emergency of black grief." With her characteristic literary skill, Brown analyzes(...)
Black elegies: meditations on the art of mourning
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$25.95
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Summary:
In "Black elegies", Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the "national emergency of black grief." With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and Marvin Gaye, among others. Brown contemplates recognizable sites of mourning: forced migration and enslavement, bodily violations, imprisonment and death. And she examines sites that do not register immediately as archives of grief: the landscape of southern U.S. slave plantations, a spontaneous street party, a quilt constructed out of the clothing worn by a loved one, a dance performance to hold the memory of history, and an aeolian harp installed at an institute of European art, among others. In this, the book offers a framework of mourning while black, within the parameters of contemporary artistic production.
Critical Theory