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Summary:
In the third book in the Critical Spatial Practice series, Beatriz Colomina traces the history of the modern architecture manifesto, with particular focus on Mies van der Rohe, and the play between the written and built work. This essay propels the manifesto form into the future, into an age where electronic media are the primary sites of debate, suggesting that new forms(...)
Architectural Theory
May 2014
Critical Spatial Practice 3, Manifesto architecture : the ghost of Mies
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$25.95
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Summary:
In the third book in the Critical Spatial Practice series, Beatriz Colomina traces the history of the modern architecture manifesto, with particular focus on Mies van der Rohe, and the play between the written and built work. This essay propels the manifesto form into the future, into an age where electronic media are the primary sites of debate, suggesting that new forms of manifesto are surely emerging along with new kinds of authorship, statement, exhibition, and debate.
Architectural Theory
Gwangju Folly II
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Throughout history, follies have been used as a provocation, a frivolous diversion or strategic place of madness and satire freed from the constraints of societal norms. This volume documents a series of eight newly commissioned follies forging links between everyday uses and political practice.
April 2014
Gwangju Folly II
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$55.00
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Summary:
Throughout history, follies have been used as a provocation, a frivolous diversion or strategic place of madness and satire freed from the constraints of societal norms. This volume documents a series of eight newly commissioned follies forging links between everyday uses and political practice.
$28.95
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Summary:
What, today, can be understood as a critical modality of spatial practice? This question, and others, were posed to protagonists from the fields of architecture, art, philosophy, and literature by architectural theorists and curators Nikolaus Hirsch and Markus Miessen in September, 2011.
Critical spatial practice 1 : What is critical spatial practice
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$28.95
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Summary:
What, today, can be understood as a critical modality of spatial practice? This question, and others, were posed to protagonists from the fields of architecture, art, philosophy, and literature by architectural theorists and curators Nikolaus Hirsch and Markus Miessen in September, 2011.
Museology
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The twelfth volume of the Critical Spatial Practices series focuses on 'Don't Follow the Wind,' the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone. The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and(...)
Don't follow the wind: critical spatial practice 12
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The twelfth volume of the Critical Spatial Practices series focuses on 'Don't Follow the Wind,' the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone. The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public — the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades — a period that could extend beyond our lifetime. The book includes new texts by feminist theorist Silvia Federici, art historians Noi Sawaragi and Sven Lütticken, and political philosopher Jodi Dean.
Critical Theory