Building Brasilia
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Summary:
‘From nothing; from nothing to construction.’ Thus Marcel Gautherot, the ideal architectural photographer, recalled his epic undertaking in the late 1950s – photographing every step of the construction of the city of Brasilia, from untouched grassland to modern capital. Gautherot had studied architecture and design, and was influenced by Le Corbusier and other(...)
Building Brasilia
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$82.00
(available to order)
Summary:
‘From nothing; from nothing to construction.’ Thus Marcel Gautherot, the ideal architectural photographer, recalled his epic undertaking in the late 1950s – photographing every step of the construction of the city of Brasilia, from untouched grassland to modern capital. Gautherot had studied architecture and design, and was influenced by Le Corbusier and other modernist architects as well as the political radicalism of the interwar period. Postwar, however, he devoted his life to travel and photography, taking with him the formal rigour of modernism but also a sympathy for ordinary people that was to help him in his work. After moving to Brazil in 1940, he forged many friendships and partnerships, most notably with Oscar Niemeyer, the chief architect of Brasilia. Indeed, Gautherot recorded most of Niemeyer’s work as his photographer of choice. It was, however, in Brasilia – the high point of the careers of both Niemeyer and chief urban planner Lucio Costa – that the photographer’s art of light and shadow reached its zenith. Gautherot repeatedly visited Brasilia, photographing not only every stage of construction, but also the faces and homes of the workers who worked on the construction sites and satellite cities in the making. The result is a monumental photo essay on this triumph of urban planning and architecture. Here, for the first time, the photographs are collected to form a portfolio of Gautherot’s work in Brasilia, and it pays due tribute to this great Franco-Brazilian artist in the centenary of his birth and on the fiftieth anniversary of Brasilia’s inauguration.
Photography monographs
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Housed in a slipcase, Rio contains the work of two photographers who portray Rio de Janeiro in a visual dialogue spanning the centuries. Book One showcases nineteenth-century photographer Marc Ferrez's classical work on the city where he spent his five-decade career, from the mid-1860s to the early 1910s, while Book Two presents a project of Robert Polidori's from the(...)
Marc Ferrez and Robert Polidori : Rio / 2 volumes
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$120.00
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Summary:
Housed in a slipcase, Rio contains the work of two photographers who portray Rio de Janeiro in a visual dialogue spanning the centuries. Book One showcases nineteenth-century photographer Marc Ferrez's classical work on the city where he spent his five-decade career, from the mid-1860s to the early 1910s, while Book Two presents a project of Robert Polidori's from the past five years, in which he photographed Rio, emphasizing its contemporary dynamic and dense urban configuration. Polidori contextualizes today's Rio within the natural settings from which the city grew, and which have defined its iconic international profile throughout history. This tension between the natural and built environments, also significant in Ferrez's work, is a defining reference for Rio's inhabitants and is here documented in its historic and present variations.
Photography monographs