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In 1929, Eileen Gray designed Villa E 1027 for herself and her youthful partner Jean Badovici, but only lived there for three years. Today, the elegant house in Roquebrune-Cap-Mar-tin in southern France is an icon of modernism. In 1937, Le Corbusier discovered the place and the "Maison en Bord de Mer". Inspired by the genius of the place and the light on the Côte d'Azur,(...)
The painter le Corbusier: Eileen Gray's Villa E 1027 and Le Cabanon
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In 1929, Eileen Gray designed Villa E 1027 for herself and her youthful partner Jean Badovici, but only lived there for three years. Today, the elegant house in Roquebrune-Cap-Mar-tin in southern France is an icon of modernism. In 1937, Le Corbusier discovered the place and the "Maison en Bord de Mer". Inspired by the genius of the place and the light on the Côte d'Azur, he created a total of eight large-format wall paintings there in 1938 and 1939 onwards, some of which complement the building congenially, while others set counterpoints. In 1952, he built his Cabanon nearby and decorated it with murals as well. The book by the well-known architectural historian Tim Benton documents Le Corbusier's artwork at this special place, explores its controversies, and places it in his overall oeuvre.
Architecture Monographs
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Takashi Homma first encountered the work of Le Corbusier and Pierre Jeanneret in Chandigarh in 2013, while producing photographs commissioned by the CCA, some of which are included in this book. Following that experience, he decided to research and photograph the spatial and perceptual richness of windows in other works by Le Corbusier across the world. His research is(...)
Looking Through Le Corbusier Windows by Takashi Homma
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Takashi Homma first encountered the work of Le Corbusier and Pierre Jeanneret in Chandigarh in 2013, while producing photographs commissioned by the CCA, some of which are included in this book. Following that experience, he decided to research and photograph the spatial and perceptual richness of windows in other works by Le Corbusier across the world. His research is part of the Windowology program initiated by the Window Research Institute, which aims to define the position of windows in the history of architecture across cultures—in this particular case, their role as spaces, rather than surfaces, that connect the interior of a building and the surrounding landscape, or the private and the public. An essay by Tim Benton complements Homma’s photographs by tracing the evolution of the concept of windows in Le Corbusier’s work.
CCA Publications
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Présentation du site de Cap Moderne à Roquebrune-Cap-Martin, qui regroupe la villa E-1027, icône de l'architecture moderne créée à la fin des années 1920 par Eileen Gray, le bar-restaurant L'étoile de mer, qui contient deux peintures murales de Le Corbusier, le Cabanon construit par ce dernier ainsi que ses cinq Unités de camping. Cette édition intègre les récents travaux(...)
Cap Moderne: Eileen Gray et Le Corbusier, la modernité en bord de mer
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Présentation du site de Cap Moderne à Roquebrune-Cap-Martin, qui regroupe la villa E-1027, icône de l'architecture moderne créée à la fin des années 1920 par Eileen Gray, le bar-restaurant L'étoile de mer, qui contient deux peintures murales de Le Corbusier, le Cabanon construit par ce dernier ainsi que ses cinq Unités de camping. Cette édition intègre les récents travaux de ce site unique.
Architecture Monographs
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A decade after its first publication, the bestselling monograph "Le Corbusier Le Grand" is finally available in a new paperback edition. Documenting the life and work of one of the giants of twentieth-century architecture and design, the book presents an array of sketches, photographs, and correspondences, charting the vast and varied output of Le Corbusier, an artist who(...)
Le Corbusier Le Grand (paperback)
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A decade after its first publication, the bestselling monograph "Le Corbusier Le Grand" is finally available in a new paperback edition. Documenting the life and work of one of the giants of twentieth-century architecture and design, the book presents an array of sketches, photographs, and correspondences, charting the vast and varied output of Le Corbusier, an artist who continues to fascinate those inside and outside the architectural world.
Architecture Monographs
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Le Corbusier's Pavilion for Zurich uses numerous handwritten documents, drawings, and papers to trace the history of Le Corbusier's last built work. This dwelling, which is also a museum, was initiated by Zurich gallery owner Heidi Weber. With its abstract forms and colors, it represents an intellectual legacy of the famous architect in which the further development of(...)
December 2012
Le Corbusier's Pavilion for Zurich: model and prototype of an ideal exhibition space
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Le Corbusier's Pavilion for Zurich uses numerous handwritten documents, drawings, and papers to trace the history of Le Corbusier's last built work. This dwelling, which is also a museum, was initiated by Zurich gallery owner Heidi Weber. With its abstract forms and colors, it represents an intellectual legacy of the famous architect in which the further development of architecture as envisaged by Le Corbusier is clearly legible. From the first ideas and sketches from and beyond, the genesis of this exceptional building - the completion of which the architect did not live to see - is presented with illustrations and documents. This book explains the significance of the pavilion, which differs strongly from the beton brut of Le Corbusier's late work, in terms of its position as one of the architect's central and forward-looking works.
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Le Corbusier: Secret Photographer provides new insights into Le Corbusier's visual imagination, his changing attitudes towards nature and materials in the 1930s, and his distrust of progress. While Le Corbusier always claimed that he saw no virtue in taking photographs, he actually bought three cameras and took several hundred photographs between 1907 and 1917, many of(...)
Le Corbusier: secret photographer
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Le Corbusier: Secret Photographer provides new insights into Le Corbusier's visual imagination, his changing attitudes towards nature and materials in the 1930s, and his distrust of progress. While Le Corbusier always claimed that he saw no virtue in taking photographs, he actually bought three cameras and took several hundred photographs between 1907 and 1917, many of them of publishable quality. In 1936 he acquired a 16mm movie camera and took 120 sequences of film and nearly 6,000 photographs with it. This previously unpublished material is the basis for the publication.
Photography monographs
books
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Ce livre éclaire une période décisive et féconde du travail de Le Corbusier, quand l’originalité de son architecture s’affirme, à l’époque de ses premiers livres théoriques et de la revue L’Esprit Nouveau. Rendant compte d'une recherche de l'auteur qui s'est poursuivi sur près de vingt ans autour de la question de l'habitation moderne, ce volume préfigure un second qui(...)
Les villas parisiennes de Le Corbusier 1920-1930
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Ce livre éclaire une période décisive et féconde du travail de Le Corbusier, quand l’originalité de son architecture s’affirme, à l’époque de ses premiers livres théoriques et de la revue L’Esprit Nouveau. Rendant compte d'une recherche de l'auteur qui s'est poursuivi sur près de vingt ans autour de la question de l'habitation moderne, ce volume préfigure un second qui portera sur la dualité typiquement corbuséenne de la "machine à habiter" au regard de la "coquille d'escargot".
books
November 2007
Architecture Monographs
le Corbusier le Grand
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Le Corbusier (1887-1965) was born Charles-Edouard Jeanneret in La Chaux-de-Fonds, Switzerland. The self-named Le Corbusier was not only the creator of some of the most important and impressive buildings of the last century--Villa Savoye at Poissy, the Chapel of Notre-Dame-du-Haut at Ronchamp, the capitol complex in Chandigarh, India--he was also an accomplished painter,(...)
Architecture Monographs
May 2008, New York
le Corbusier le Grand
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Le Corbusier (1887-1965) was born Charles-Edouard Jeanneret in La Chaux-de-Fonds, Switzerland. The self-named Le Corbusier was not only the creator of some of the most important and impressive buildings of the last century--Villa Savoye at Poissy, the Chapel of Notre-Dame-du-Haut at Ronchamp, the capitol complex in Chandigarh, India--he was also an accomplished painter, sculptor, furniture designer, urbanist, and author. His work and social theories continue to be a dominant force in the world of architecture and design, while his elegant bearing, bow tie, and round black eyeglasses are still today a signature look for architects around the world. Le Corbusier Le Grand’s oversized format and luxurious binding reflect the legendary status of this “giant” of twentieth-century architecture and design. The book includes an insightful introductory essay by France’s most authoritative architectural historian and critic, Jean-Louis Cohen, and incisive chapter introductions by highly regarded Le Corbusier scholar Tim Benton. A separate booklet includes translations of documents, many of which have never been translated into English before.
Architecture Monographs
Le Corbusier conférencier
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On connait Le Corbusier architecte, peintre, designer, théoricien... Ce livre aborde un aspect sans doute moins connu de sa personnalité, celui de conférencier, qui eut une importance capitale dans sa carrière. Tout au long de sa vie, des années 1920 jusqu'aux années 1960, Le Corbusier prononce des conférences dans le monde entier: en Europe bien sûr, à Paris, Madrid,(...)
Le Corbusier conférencier
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On connait Le Corbusier architecte, peintre, designer, théoricien... Ce livre aborde un aspect sans doute moins connu de sa personnalité, celui de conférencier, qui eut une importance capitale dans sa carrière. Tout au long de sa vie, des années 1920 jusqu'aux années 1960, Le Corbusier prononce des conférences dans le monde entier: en Europe bien sûr, à Paris, Madrid, Barcelone, Genève, Zurich, Stockholm, Oslo, Anvers, Rome, Prague, Moscou, mais aussi à Alger, aux États-Unis et en Amérique Latine.
Architecture Monographs
The modernist home
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The Modernist house was a test of modern architects’ ability to meet human needs while fuelling the intellect. "The Modernist home" reveals the striking results of the challenge to fit utopian modernist principles to day-to-day living. The Modernist house dissolved the closed spaces of the traditional home, modernising the bathrooms and kitchens, opening the interior(...)
The modernist home
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The Modernist house was a test of modern architects’ ability to meet human needs while fuelling the intellect. "The Modernist home" reveals the striking results of the challenge to fit utopian modernist principles to day-to-day living. The Modernist house dissolved the closed spaces of the traditional home, modernising the bathrooms and kitchens, opening the interior to natural light and providing balconies and terraces for sun-worship and sleeping in the open air. Tim Benton uncovers its elements: from the technology that provided central heating and electric lighting; to new construction materials, such as concrete and steel; to close-ups on features like winter gardens and folding furniture. He opens the door on Modernist houses around the world, from Le Corbusier’s Villa Savoye, to Mies van der Rohe’s Barcelona Pavilion, all fully illustrated with colour photographs and plans.
Modernism