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L��uvre d�art � l��poque de sa reproductibilit� technique annonce, d�s son titre, le tournant op�r� par la modernit� : Benjamin montre dans cet essai lumineux que l�av�nement de la photographie, puis du cin�ma, n�est pas l�apparition d�une simple technique nouvelle, mais qu�il bouleverse de fond en comble le statut de l��uvre(...)
L'oeuvre d'art � l'�poque de sa reproductibilit� technique
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L��uvre d�art � l��poque de sa reproductibilit� technique annonce, d�s son titre, le tournant op�r� par la modernit� : Benjamin montre dans cet essai lumineux que l�av�nement de la photographie, puis du cin�ma, n�est pas l�apparition d�une simple technique nouvelle, mais qu�il bouleverse de fond en comble le statut de l��uvre d�art, en lui �tant ce que Benjamin nomme son �aura�. Benjamin met au jour les cons�quences immenses de cette r�volution, bien au-del� de la sph�re artistique, dans tout le champ social et politique. Un texte fondamental, dont les �chos ne cessent de se prolonger dans les r�flexions les plus contemporaines. Traduit de l�allemand par Maurice de Gandillac.
Art Theory
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This one-volume gathering of Benjamin's dialectical writing on media of all kinds, ranging from children's literature to cinema, has at its heart the second, most expansive version of his path-breaking essay 'The Work of Art in the Age of Its Technological Reproducibility.' Readers familiar only with partial versions of this piece, where Benjamin began to record the(...)
The work of art in the age of its technological reproducibility and other writings on media
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This one-volume gathering of Benjamin's dialectical writing on media of all kinds, ranging from children's literature to cinema, has at its heart the second, most expansive version of his path-breaking essay 'The Work of Art in the Age of Its Technological Reproducibility.' Readers familiar only with partial versions of this piece, where Benjamin began to record the melancholy loss of aesthetic presence at the turn of the twentieth century, will find their understanding transformed-- for this second version, like all the essays and supplemental texts included here, explores a set of latent, utopian possibilities inherent in mechanical means of art-making. Benjamin, the visionary magus of particulars, reveals profoundly, and repeatedly, both the grounds and the consequences of our ever-changing image of the made world. --Susan Stewart
Critical Theory
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The arcades project
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin(...)
The arcades project
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris, glass-roofed rows of shops that were early centers of consumerism, Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things, a process in which he locates the decisive shift to the modern age. "The Arcades Project" is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask.
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November 1999, Cambridge, Mass.
Architectural Theory
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Notre enquête se propose de montrer comment les formes de vie nouvelle et les nouvelles créations à base économique et technique que nous devons au siècle dernier entrent dans l'univers d'une fantasmagorie. Ces créations subissent cette "illumination" non pas seulement de manière théorique, par une transposition idéologique, mais bien dans l'immédiateté de la présence(...)
February 2003, Paris
Paris, capitale du XIXè siècle
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Notre enquête se propose de montrer comment les formes de vie nouvelle et les nouvelles créations à base économique et technique que nous devons au siècle dernier entrent dans l'univers d'une fantasmagorie. Ces créations subissent cette "illumination" non pas seulement de manière théorique, par une transposition idéologique, mais bien dans l'immédiateté de la présence sensible. Elles se manifestent en tant que fantasmagories. Quant à la fantasmagorie de la civilisation elle-même, elle a trouvé son champion dans Haussmann, et son expression manifeste dans ses transformation de Paris.
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A companion volume to "Illuminations", the first collection of Walter Benjamin's writings, "Reflections" presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues(...)
Reflections: essays, aphorisms, autobiographical writings
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A companion volume to "Illuminations", the first collection of Walter Benjamin's writings, "Reflections" presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues of various cities, including Moscow under Stalin. Benjamin moves seamlessly from literary criticism to autobiography to philosophical-theological speculations, cementing his reputation as one of the greatest and most versatile writers of the twentieth century.
Critical Theory
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Walter Benjamin was an icon of criticism, renowned for his insight on art, literature, and philosophy. This volume includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and on Brecht's epic theater. "Illuminations" also includes his penetrating study "The Work of Art in the Age of(...)
Illuminations: essays and reflections
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Walter Benjamin was an icon of criticism, renowned for his insight on art, literature, and philosophy. This volume includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and on Brecht's epic theater. "Illuminations" also includes his penetrating study "The Work of Art in the Age of Mechanical Reproduction," an enlightening discussion of translation as a literary mode, and his theses on the philosophy of history. Hannah Arendt selected the essays for this volume and introduces them with a classic essay about Benjamin's life in a dark historical era.
Critical Theory
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Voici un ouvrage d'un genre nouveau, dans lequel Walter Benjamin pratique le collage à la manière de ces amoureux des télescopages poétiques que furent Dada et les surréalistes. 'Rue à sens unique' se compose de notes autobiographiques, de souvenirs d'enfance, d'aphorismes, de scènes de la vie urbaine, de considérations acérées sur l'état du monde, et de l'Allemagne en(...)
Rue à sens unique, deuxième édition
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Voici un ouvrage d'un genre nouveau, dans lequel Walter Benjamin pratique le collage à la manière de ces amoureux des télescopages poétiques que furent Dada et les surréalistes. 'Rue à sens unique' se compose de notes autobiographiques, de souvenirs d'enfance, d'aphorismes, de scènes de la vie urbaine, de considérations acérées sur l'état du monde, et de l'Allemagne en particulier, mais aussi de réflexions sur l'écriture elle-même, sur la graphologie.
Critical Theory
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Walter Benjamin's groundbreaking essay explores how the age of mass media means audiences can listen to or see a work of art repeatedly – and what the troubling social and political implications of this are. From the Penguin Great Ideas series.
The work of art in the age of mechanical reproduction
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Walter Benjamin's groundbreaking essay explores how the age of mass media means audiences can listen to or see a work of art repeatedly – and what the troubling social and political implications of this are. From the Penguin Great Ideas series.
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May 2008
Critical Theory
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Early Writings, 1910-1917 documents the formative intellectual experiences of one of the twentieth century's most independent thinkers.
Walter Benjamin: Early writings 1910-1917
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Early Writings, 1910-1917 documents the formative intellectual experiences of one of the twentieth century's most independent thinkers.
Critical Theory
Walter Benjamin: archives
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Cet ouvrage se compose teizes archives rassemblant images, textes, photographies et schémas de Walter Benjamin. Elles sont fort complexes et très personnelles, parfois marginales, et pourtant elles mènent au centre de son œuvre. Elles tracent un portrait de l’auteur.
Walter Benjamin: archives
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Cet ouvrage se compose teizes archives rassemblant images, textes, photographies et schémas de Walter Benjamin. Elles sont fort complexes et très personnelles, parfois marginales, et pourtant elles mènent au centre de son œuvre. Elles tracent un portrait de l’auteur.
Critical Theory