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"The architectural uncanny" presents a series of meditations on issues and figures that are at the heart of the most pressing debates surrounding architecture today. Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The essays are at once historical(...)
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"The architectural uncanny" presents a series of meditations on issues and figures that are at the heart of the most pressing debates surrounding architecture today. Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The essays are at once historical(...)
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Architectural Theory
Architectural Theory
Publication:
April 1994, Cambridge (MA), London
April 1994, Cambridge (MA), London
Title:
The architectural uncanny : essays in the modern unhomely
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"The architectural uncanny" presents a series of meditations on issues and figures that are at the heart of the most pressing debates surrounding architecture today. Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The essays are at once historical and theoretical, opening up the complex and difficult relationships between politics, social thought, and architectural design in an era when the reality of homelessness and the idealism of the neo-avant-garde have never seemed so far apart.
The architectural uncanny : essays in the modern unhomely
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"The architectural uncanny" presents a series of meditations on issues and figures that are at the heart of the most pressing debates surrounding architecture today. Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The essays are at once historical and theoretical, opening up the complex and difficult relationships between politics, social thought, and architectural design in an era when the reality of homelessness and the idealism of the neo-avant-garde have never seemed so far apart.
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books
books
Publication:
April 1994, Cambridge (MA), London
April 1994, Cambridge (MA), London
Subject:
Architectural Theory
Architectural Theory
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books
books
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$80.00
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Reyner Banham was a pioneer in arguing that technology, human needs, and environmental concerns must be considered an integral part of architecture. No historian before him had so systematically explored the impact of environmental engineering on the design of buildings and on the minds of architects. In this revision of his classic work, Banham has added considerable new(...)
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Reyner Banham was a pioneer in arguing that technology, human needs, and environmental concerns must be considered an integral part of architecture. No historian before him had so systematically explored the impact of environmental engineering on the design of buildings and on the minds of architects. In this revision of his classic work, Banham has added considerable new(...)
Title:
The architecture of the well-tempered environment, second edition
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Reyner Banham was a pioneer in arguing that technology, human needs, and environmental concerns must be considered an integral part of architecture. No historian before him had so systematically explored the impact of environmental engineering on the design of buildings and on the minds of architects. In this revision of his classic work, Banham has added considerable new material on the use of energy, particularly solar energy, in human environments. Included in the new material are discussions of Indian pueblos and solar architecture, the Centre Pompidou and other high-tech buildings, and the environmental wisdom of many current architectural vernaculars.
The architecture of the well-tempered environment, second edition
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Reyner Banham was a pioneer in arguing that technology, human needs, and environmental concerns must be considered an integral part of architecture. No historian before him had so systematically explored the impact of environmental engineering on the design of buildings and on the minds of architects. In this revision of his classic work, Banham has added considerable new material on the use of energy, particularly solar energy, in human environments. Included in the new material are discussions of Indian pueblos and solar architecture, the Centre Pompidou and other high-tech buildings, and the environmental wisdom of many current architectural vernaculars.
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books
books
Publication:
December 1984, Chicago, London
December 1984, Chicago, London
Subject:
Architectural Theory
Architectural Theory
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books
books
Title:
Modernism and the posthumanist subject : the architecture of Hannes Meyer and Ludwig Hilberseimer
Modernism and the posthumanist subject : the architecture of Hannes Meyer and Ludwig Hilberseimer
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Drawing both on the work of modern theorists like Georg Lukacs, Walter Benjamin, Theodor Adorno, and Siegfried Kracauer and on more recent poststructuralist thought, Hays creates an entirely new method of reading architectural production. Challenging much of the traditional wisdom about modernism and the avant-garde, Hays argues that a rigorously(...)
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Drawing both on the work of modern theorists like Georg Lukacs, Walter Benjamin, Theodor Adorno, and Siegfried Kracauer and on more recent poststructuralist thought, Hays creates an entirely new method of reading architectural production. Challenging much of the traditional wisdom about modernism and the avant-garde, Hays argues that a rigorously(...)
Title:
Modernism and the posthumanist subject : the architecture of Hannes Meyer and Ludwig Hilberseimer
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Drawing both on the work of modern theorists like Georg Lukacs, Walter Benjamin, Theodor Adorno, and Siegfried Kracauer and on more recent poststructuralist thought, Hays creates an entirely new method of reading architectural production. Challenging much of the traditional wisdom about modernism and the avant-garde, Hays argues that a rigorously articulated 'posthumanist' position was actually developed in the modernist architecture of Hannes Meyer and Ludwig Hilberseimer. He reinterprets their buildings, projects, and writings as constructions of this new category of subjectivity.
Modernism and the posthumanist subject : the architecture of Hannes Meyer and Ludwig Hilberseimer
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Drawing both on the work of modern theorists like Georg Lukacs, Walter Benjamin, Theodor Adorno, and Siegfried Kracauer and on more recent poststructuralist thought, Hays creates an entirely new method of reading architectural production. Challenging much of the traditional wisdom about modernism and the avant-garde, Hays argues that a rigorously articulated 'posthumanist' position was actually developed in the modernist architecture of Hannes Meyer and Ludwig Hilberseimer. He reinterprets their buildings, projects, and writings as constructions of this new category of subjectivity.
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books
books
Publication:
May 1995, Cambridge, Mass.
May 1995, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
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books
books
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$42.00
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The complex legacy of this most notable period is discussed from a different perspective by each contributor. Peter S. Reed details the rise of modern architecture during the war—housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped(...)
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The complex legacy of this most notable period is discussed from a different perspective by each contributor. Peter S. Reed details the rise of modern architecture during the war—housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped(...)
Title:
World War II and the American dream
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The complex legacy of this most notable period is discussed from a different perspective by each contributor. Peter S. Reed details the rise of modern architecture during the war—housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped popularize modernism as the appropriate image of American industrial might and corporate success. Robert Friedel documents the development of new materials, especially plastics, and discusses techniques for employing traditional materials in novel ways. Margaret Crawford explores the struggle of women and blacks for public housing. Finally, Michael Sorkin, architect and writer, explores the migration of certain values and aesthetics from the necessities of war to the choices of peace. Among these are images of speed, camouflage, ruin, totalization, and flight.
World War II and the American dream
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Summary:
The complex legacy of this most notable period is discussed from a different perspective by each contributor. Peter S. Reed details the rise of modern architecture during the war—housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped popularize modernism as the appropriate image of American industrial might and corporate success. Robert Friedel documents the development of new materials, especially plastics, and discusses techniques for employing traditional materials in novel ways. Margaret Crawford explores the struggle of women and blacks for public housing. Finally, Michael Sorkin, architect and writer, explores the migration of certain values and aesthetics from the necessities of war to the choices of peace. Among these are images of speed, camouflage, ruin, totalization, and flight.
Form:
books
books
Publication:
April 1995
April 1995
Subject:
Architectural Theory
Architectural Theory
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books
books
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$49.50
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Summary:
Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the (...)
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Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the (...)
Title:
Warped space : art, architecture, and anxiety in modern culture
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Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience of architecture.
Warped space : art, architecture, and anxiety in modern culture
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Summary:
Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience of architecture.
Form:
books
books
Publication:
June 2000, Cambridge, Mass.
June 2000, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
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books
books
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$59.95
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Summary:
These essays, written over a third of a century during a time of huge ideological, technological and methodological upheaval, witness British architecture's unceasing negotiation with a vast and rigorous set of constraints and its eventual emergence as a truly modern profession --a special interest group responsive and answerable to social change but shaped and informed(...)
$59.95
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Summary:
These essays, written over a third of a century during a time of huge ideological, technological and methodological upheaval, witness British architecture's unceasing negotiation with a vast and rigorous set of constraints and its eventual emergence as a truly modern profession --a special interest group responsive and answerable to social change but shaped and informed(...)
Title:
Architectural knowledge : the idea of a profession
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These essays, written over a third of a century during a time of huge ideological, technological and methodological upheaval, witness British architecture's unceasing negotiation with a vast and rigorous set of constraints and its eventual emergence as a truly modern profession --a special interest group responsive and answerable to social change but shaped and informed by values and principles that may be on a longer cycle and perhaps a loftier plane.
Architectural knowledge : the idea of a profession
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$59.95
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Summary:
These essays, written over a third of a century during a time of huge ideological, technological and methodological upheaval, witness British architecture's unceasing negotiation with a vast and rigorous set of constraints and its eventual emergence as a truly modern profession --a special interest group responsive and answerable to social change but shaped and informed by values and principles that may be on a longer cycle and perhaps a loftier plane.
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books
books
Publication:
May 1998, London
May 1998, London
Subject:
Architectural Theory
Architectural Theory
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books
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Collections "Villes et entreprises"
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Collections "Villes et entreprises"
Title:
Concevoir, inventer, créer : réflexions sur les pratiques
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Collections "Villes et entreprises"
Concevoir, inventer, créer : réflexions sur les pratiques
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Collections "Villes et entreprises"
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books
books
Publication:
April 1996, Paris
April 1996, Paris
Subject:
Architectural Theory
Architectural Theory
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books
books
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$105.00
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In The Psychologizing of Modernity, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analysing the interface between psychology, art history and avant-gardist practices, he(...)
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In The Psychologizing of Modernity, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analysing the interface between psychology, art history and avant-gardist practices, he(...)
Title:
The psychologizing of modernity
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In The Psychologizing of Modernity, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analysing the interface between psychology, art history and avant-gardist practices, he also reflects on the longevity of the myth of aesthetic individuality as it infiltrated not only avant-garde art, but also history writing. The principal focus of this study is pre-World War II Germany, where theories of empathy and Entartung emerged; and post-war America, where artists, critics and historians gradually shifted from their reliance on psychology to philosophy, and, most recently, to theory. Included are discussions of writers such as Heinrich Wölfflin, Ludwig Volkmann, John Dewey, Vincent Scully and Richard Arnheim, among others. The Psychologizing of Modernity is a broad and erudite study of the evolution of modern aesthetic thinking in the fields of art and architectural history. Chapter Contents Introduction; 1. The Art of Psychologizing; 2. The Theater of Self and the Crisis of Historiography; 3. The Body Ethos; 4. The visualist ethos; 5. The social ethos; 6. The literary ethos; 7. Shadows and mirrors; Conclusion.
The psychologizing of modernity
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$105.00
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Summary:
In The Psychologizing of Modernity, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analysing the interface between psychology, art history and avant-gardist practices, he also reflects on the longevity of the myth of aesthetic individuality as it infiltrated not only avant-garde art, but also history writing. The principal focus of this study is pre-World War II Germany, where theories of empathy and Entartung emerged; and post-war America, where artists, critics and historians gradually shifted from their reliance on psychology to philosophy, and, most recently, to theory. Included are discussions of writers such as Heinrich Wölfflin, Ludwig Volkmann, John Dewey, Vincent Scully and Richard Arnheim, among others. The Psychologizing of Modernity is a broad and erudite study of the evolution of modern aesthetic thinking in the fields of art and architectural history. Chapter Contents Introduction; 1. The Art of Psychologizing; 2. The Theater of Self and the Crisis of Historiography; 3. The Body Ethos; 4. The visualist ethos; 5. The social ethos; 6. The literary ethos; 7. Shadows and mirrors; Conclusion.
Form:
books
books
Publication:
November 1998, Cambridge
November 1998, Cambridge
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Architecture et société
Architecture et société
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Textes choisis et annotés par Lionel Richard.
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Textes choisis et annotés par Lionel Richard.
Title:
Architecture et société
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Textes choisis et annotés par Lionel Richard.
Architecture et société
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Textes choisis et annotés par Lionel Richard.
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books
books
Publication:
April 1995, Paris
April 1995, Paris
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Architecture inside out
Architecture inside out
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$72.99
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Summary:
Introducing a different architectural approach that transcends fixed notions of style, this book emphasizes seeing and enhancing the close connections that link both architect and occupant as well as the material, symbolic, and human aspects of designed spaces. It draws from the rich realm of archetypal psychology to show how in moving from inside out—from(...)
$72.99
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Summary:
Introducing a different architectural approach that transcends fixed notions of style, this book emphasizes seeing and enhancing the close connections that link both architect and occupant as well as the material, symbolic, and human aspects of designed spaces. It draws from the rich realm of archetypal psychology to show how in moving from inside out—from(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
January 2000, New York
January 2000, New York
Title:
Architecture inside out
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$72.99
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Summary:
Introducing a different architectural approach that transcends fixed notions of style, this book emphasizes seeing and enhancing the close connections that link both architect and occupant as well as the material, symbolic, and human aspects of designed spaces. It draws from the rich realm of archetypal psychology to show how in moving from inside out—from people's activities, dreams, and desires to the creation of space—architecture can be truly transformative.
Architecture inside out
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$72.99
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Summary:
Introducing a different architectural approach that transcends fixed notions of style, this book emphasizes seeing and enhancing the close connections that link both architect and occupant as well as the material, symbolic, and human aspects of designed spaces. It draws from the rich realm of archetypal psychology to show how in moving from inside out—from people's activities, dreams, and desires to the creation of space—architecture can be truly transformative.
Form:
books
books
Publication:
January 2000, New York
January 2000, New York
Subject:
Architectural Theory
Architectural Theory
