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This publication presents a critical history of architectural theory over the last forty years. Mallgrave employs the words theory and architecture in a broad sense - the latter encompassing aspects of urban planning, structural, and landscape design, while theory too is often indistinguishable from practice. The text surveys the intellectual history of architecture(...)
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This publication presents a critical history of architectural theory over the last forty years. Mallgrave employs the words theory and architecture in a broad sense - the latter encompassing aspects of urban planning, structural, and landscape design, while theory too is often indistinguishable from practice. The text surveys the intellectual history of architecture(...)
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An introduction to architectural theory: 1968 to the present
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This publication presents a critical history of architectural theory over the last forty years. Mallgrave employs the words theory and architecture in a broad sense - the latter encompassing aspects of urban planning, structural, and landscape design, while theory too is often indistinguishable from practice. The text surveys the intellectual history of architecture since 1968, including criticisms of high modernism, the rise of postmodern and poststructural theory, critical regionalism and tectonics, and the significant changes that architectural thinking has undergone in the past fifteen years, concluding with an analysis of where architecture stands and where it will likely move in the coming years.
An introduction to architectural theory: 1968 to the present
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This publication presents a critical history of architectural theory over the last forty years. Mallgrave employs the words theory and architecture in a broad sense - the latter encompassing aspects of urban planning, structural, and landscape design, while theory too is often indistinguishable from practice. The text surveys the intellectual history of architecture since 1968, including criticisms of high modernism, the rise of postmodern and poststructural theory, critical regionalism and tectonics, and the significant changes that architectural thinking has undergone in the past fifteen years, concluding with an analysis of where architecture stands and where it will likely move in the coming years.
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books
books
Publication:
May 2011
May 2011
Subject:
Architectural Theory
Architectural Theory
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books
books
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$15.95
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Si l'Usage est un code, l'application du code dans les usages donne lieu à de multiples arbitrages résultant d'interactions entre les individus et les espaces pratiqués.
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Si l'Usage est un code, l'application du code dans les usages donne lieu à de multiples arbitrages résultant d'interactions entre les individus et les espaces pratiqués.
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The Sainsbury Centre for Visual Arts at the University of East Anglia was Norman Foster's first major commission and the project that set him on the road to fame and fortune. It remains highly regarded in the architectural world. In this book, we learn how a major museum is conceived and developed, the role of the sponsor, the nature of collecting, and the experiences of(...)
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The Sainsbury Centre for Visual Arts at the University of East Anglia was Norman Foster's first major commission and the project that set him on the road to fame and fortune. It remains highly regarded in the architectural world. In this book, we learn how a major museum is conceived and developed, the role of the sponsor, the nature of collecting, and the experiences of(...)
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Biography of a building : How Robert Sainsbury and Norman Foster built a great museum
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The Sainsbury Centre for Visual Arts at the University of East Anglia was Norman Foster's first major commission and the project that set him on the road to fame and fortune. It remains highly regarded in the architectural world. In this book, we learn how a major museum is conceived and developed, the role of the sponsor, the nature of collecting, and the experiences of the people who occupy the space.
Biography of a building : How Robert Sainsbury and Norman Foster built a great museum
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The Sainsbury Centre for Visual Arts at the University of East Anglia was Norman Foster's first major commission and the project that set him on the road to fame and fortune. It remains highly regarded in the architectural world. In this book, we learn how a major museum is conceived and developed, the role of the sponsor, the nature of collecting, and the experiences of the people who occupy the space.
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books
books
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May 2011
May 2011
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$56.00
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Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture.(...)
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Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture.(...)
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Building after Auschwitz: Jewish architecture and the memory of the Holocaust
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Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture. They have also decisively shaped Jewish architectural history, as many of their designs are influenced by Jewish themes, ideas, and imagery. Building After Auschwitz is the first major study to examine the origins of this new Jewish architecture. Historian Gavriel D. Rosenfeld describes this cultural development as the result of important shifts in Jewish memory and identity since the Holocaust, and cites the rise of postmodernism, multiculturalism, and Holocaust consciousness as a catalyst. In showing how Jewish architects responded to the Nazi genocide in their work, Rosenfeld's study sheds new light on the evolution of Holocaust memory.
Building after Auschwitz: Jewish architecture and the memory of the Holocaust
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Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture. They have also decisively shaped Jewish architectural history, as many of their designs are influenced by Jewish themes, ideas, and imagery. Building After Auschwitz is the first major study to examine the origins of this new Jewish architecture. Historian Gavriel D. Rosenfeld describes this cultural development as the result of important shifts in Jewish memory and identity since the Holocaust, and cites the rise of postmodernism, multiculturalism, and Holocaust consciousness as a catalyst. In showing how Jewish architects responded to the Nazi genocide in their work, Rosenfeld's study sheds new light on the evolution of Holocaust memory.
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books
books
Publication:
October 2011
October 2011
Subject:
Architectural Theory
Architectural Theory
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books
books
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$48.95
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Chicago architect and iconoclast Stanley Tigerman has been called a "design maven who can spit venom like a snake." Though he is at times sharply critical, his ability to cut to the core of architectural discourse has opened this insular world to a broader audience. His words and theories are appealing for their candor and are backed by his long-standing architectural(...)
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Chicago architect and iconoclast Stanley Tigerman has been called a "design maven who can spit venom like a snake." Though he is at times sharply critical, his ability to cut to the core of architectural discourse has opened this insular world to a broader audience. His words and theories are appealing for their candor and are backed by his long-standing architectural(...)
Title:
Schlepping through ambivalence : essays on an American architectural condition
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Chicago architect and iconoclast Stanley Tigerman has been called a "design maven who can spit venom like a snake." Though he is at times sharply critical, his ability to cut to the core of architectural discourse has opened this insular world to a broader audience. His words and theories are appealing for their candor and are backed by his long-standing architectural practice. This collection of essays, most previously unpublished, spans the course of Tigerman's career. Included are writings on the history of Chicago architecture, architectural theory, and commentary on contemporaries. Tigerman's engaging words, at times humorous and humble, at times biting and cantankerous, will captivate students and scholars as well as the general reader.
Schlepping through ambivalence : essays on an American architectural condition
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Chicago architect and iconoclast Stanley Tigerman has been called a "design maven who can spit venom like a snake." Though he is at times sharply critical, his ability to cut to the core of architectural discourse has opened this insular world to a broader audience. His words and theories are appealing for their candor and are backed by his long-standing architectural practice. This collection of essays, most previously unpublished, spans the course of Tigerman's career. Included are writings on the history of Chicago architecture, architectural theory, and commentary on contemporaries. Tigerman's engaging words, at times humorous and humble, at times biting and cantankerous, will captivate students and scholars as well as the general reader.
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books
books
Publication:
November 2011
November 2011
Subject:
Architectural Theory
Architectural Theory
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books
books
Title:
AD : Spatial intelligence
AD : Spatial intelligence
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The book is organised into three distinct sections that in turn highlight the significance of spatial intelligence for architecture: the first section provides an overview of spatial intelligence as a human capability; the second section argues how the acknowledgement of this capability in architectural education and the profession should enable the demystification of the(...)
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The book is organised into three distinct sections that in turn highlight the significance of spatial intelligence for architecture: the first section provides an overview of spatial intelligence as a human capability; the second section argues how the acknowledgement of this capability in architectural education and the profession should enable the demystification of the(...)
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AD : Spatial intelligence
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The book is organised into three distinct sections that in turn highlight the significance of spatial intelligence for architecture: the first section provides an overview of spatial intelligence as a human capability; the second section argues how the acknowledgement of this capability in architectural education and the profession should enable the demystification of the practice of design,the final section explores opportunities for practice in the linking of real and virtual environments in the information age.
AD : Spatial intelligence
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Summary:
The book is organised into three distinct sections that in turn highlight the significance of spatial intelligence for architecture: the first section provides an overview of spatial intelligence as a human capability; the second section argues how the acknowledgement of this capability in architectural education and the profession should enable the demystification of the practice of design,the final section explores opportunities for practice in the linking of real and virtual environments in the information age.
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books
books
Publication:
December 2008
December 2008
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books
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Dès sa parution en 1849, "Les Sept lampes de l'architecture" de John Ruskin a fait événement à la fois par ses illustrations et par ses thèses. Les premières sont reproduites ici telles que Ruskin les fit graver d'après ses propres dessins et les secondes sont de nouveau accessibles dans une traduction entièrement nouvelle et complète qui montre l'ampleur du projet(...)
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Dès sa parution en 1849, "Les Sept lampes de l'architecture" de John Ruskin a fait événement à la fois par ses illustrations et par ses thèses. Les premières sont reproduites ici telles que Ruskin les fit graver d'après ses propres dessins et les secondes sont de nouveau accessibles dans une traduction entièrement nouvelle et complète qui montre l'ampleur du projet(...)
Title:
Les Sept lampes de l'architecture
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Dès sa parution en 1849, "Les Sept lampes de l'architecture" de John Ruskin a fait événement à la fois par ses illustrations et par ses thèses. Les premières sont reproduites ici telles que Ruskin les fit graver d'après ses propres dessins et les secondes sont de nouveau accessibles dans une traduction entièrement nouvelle et complète qui montre l'ampleur du projet animant un jeune homme à l'époque davantage connu pour ses analyses picturales et sa défense du peintre Turner. Pour Ruskin, l'architecture est avant tout d'ordre sensible, elle s'adresse à l'homme auquel elle a chargé de donner un lieu au-delà du simple abri. Elle est donc symbolique, elle est matérielle et elle est historique, se déployant à travers tous les « domaines de l'homme » pour conduire :celui-ci à la pleine réalisation de ses potentialités créatrices et politiques.
Les Sept lampes de l'architecture
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Summary:
Dès sa parution en 1849, "Les Sept lampes de l'architecture" de John Ruskin a fait événement à la fois par ses illustrations et par ses thèses. Les premières sont reproduites ici telles que Ruskin les fit graver d'après ses propres dessins et les secondes sont de nouveau accessibles dans une traduction entièrement nouvelle et complète qui montre l'ampleur du projet animant un jeune homme à l'époque davantage connu pour ses analyses picturales et sa défense du peintre Turner. Pour Ruskin, l'architecture est avant tout d'ordre sensible, elle s'adresse à l'homme auquel elle a chargé de donner un lieu au-delà du simple abri. Elle est donc symbolique, elle est matérielle et elle est historique, se déployant à travers tous les « domaines de l'homme » pour conduire :celui-ci à la pleine réalisation de ses potentialités créatrices et politiques.
Form:
books
books
Publication:
June 2011
June 2011
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Juste assez d'architecture pour briller en société: Les 50 grands styles que vous devez connaître
Juste assez d'architecture pour briller en société: Les 50 grands styles que vous devez connaître
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Ce livre présente 50 grands courants et concepts architecturaux. En passant par le Rococo, l'Art nouveau ou le Bauhaus, les 50 sections synthétisent chacune en 4 pages histoire, chronologie, exemples et anecdotes sur les courants architecturaux. Incluant des citations, photographies et schémas, chaque section peut être lue indépendamment des autres.
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Ce livre présente 50 grands courants et concepts architecturaux. En passant par le Rococo, l'Art nouveau ou le Bauhaus, les 50 sections synthétisent chacune en 4 pages histoire, chronologie, exemples et anecdotes sur les courants architecturaux. Incluant des citations, photographies et schémas, chaque section peut être lue indépendamment des autres.
Title:
Juste assez d'architecture pour briller en société: Les 50 grands styles que vous devez connaître
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$34.95
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Ce livre présente 50 grands courants et concepts architecturaux. En passant par le Rococo, l'Art nouveau ou le Bauhaus, les 50 sections synthétisent chacune en 4 pages histoire, chronologie, exemples et anecdotes sur les courants architecturaux. Incluant des citations, photographies et schémas, chaque section peut être lue indépendamment des autres.
Juste assez d'architecture pour briller en société: Les 50 grands styles que vous devez connaître
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$34.95
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Summary:
Ce livre présente 50 grands courants et concepts architecturaux. En passant par le Rococo, l'Art nouveau ou le Bauhaus, les 50 sections synthétisent chacune en 4 pages histoire, chronologie, exemples et anecdotes sur les courants architecturaux. Incluant des citations, photographies et schémas, chaque section peut être lue indépendamment des autres.
Form:
books
books
Publication:
June 2011
June 2011
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$143.00
(available to order)
Summary:
Author Patrik Schumacher offers innovative treatment that enriches architectural theory with a coordinated arsenal of concepts facilitating both detailed analysis and insightful comparisons with other domains, such as art, science and politics. He explores how the various modes of communication comprising architecture depend upon each other, combine, and form a unique(...)
$143.00
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Summary:
Author Patrik Schumacher offers innovative treatment that enriches architectural theory with a coordinated arsenal of concepts facilitating both detailed analysis and insightful comparisons with other domains, such as art, science and politics. He explores how the various modes of communication comprising architecture depend upon each other, combine, and form a unique(...)
Title:
The autopoiesis of architecture: a new framework for architecture
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$143.00
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Author Patrik Schumacher offers innovative treatment that enriches architectural theory with a coordinated arsenal of concepts facilitating both detailed analysis and insightful comparisons with other domains, such as art, science and politics. He explores how the various modes of communication comprising architecture depend upon each other, combine, and form a unique subsystem of society that co-evolves with other important autopoietic subsystems like art, science, politics and the economy. The first of two volumes that together present a comprehensive account of architecture's autopoiesis
The autopoiesis of architecture: a new framework for architecture
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$143.00
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Author Patrik Schumacher offers innovative treatment that enriches architectural theory with a coordinated arsenal of concepts facilitating both detailed analysis and insightful comparisons with other domains, such as art, science and politics. He explores how the various modes of communication comprising architecture depend upon each other, combine, and form a unique subsystem of society that co-evolves with other important autopoietic subsystems like art, science, politics and the economy. The first of two volumes that together present a comprehensive account of architecture's autopoiesis
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Architectural Theory
Architectural Theory
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books
books
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$32.95
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Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these(...)
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Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these(...)
Title:
Pride in modesty : modernist architecture and the vernacular tradition in Italy
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Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
Pride in modesty : modernist architecture and the vernacular tradition in Italy
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Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
Form:
books
books
Publication:
June 2011
June 2011
Subject:
Architectural Theory
Architectural Theory
