Toward a minor architecture
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Architecture can no longer limit itself to the art of making buildings; it must also invent the politics of taking them apart. This is Jill Stoner’s premise for a minor architecture. Her architect’s eye tracks differently from most, drawn not to the lauded and iconic but to what she calls “the landscape of our constructed mistakes”--metropolitan hinterlands rife with(...)
Toward a minor architecture
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Architecture can no longer limit itself to the art of making buildings; it must also invent the politics of taking them apart. This is Jill Stoner’s premise for a minor architecture. Her architect’s eye tracks differently from most, drawn not to the lauded and iconic but to what she calls “the landscape of our constructed mistakes”--metropolitan hinterlands rife with failed and foreclosed developments, undersubscribed office parks, chain hotels, and abandoned malls. These graveyards of capital, Stoner asserts, may be stripped of their excess and become sites of strategic spatial operations. But first we must dissect and dismantle prevalent architectural mythologies that brought them into being--western obsessions with interiority, with the autonomy of the building-object, with the architect’s mantle of celebrity, and with the idea of nature as that which is “other” than the built metropolis. These four myths form the warp of the book.
Architectural Theory
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Through a series of fascinating case studies, Hanna Rose Shell uncovers three conceptually linked species of photographic camouflage--the static, the serial, and the dynamic--and shows how each not only reflects the type of photographic reconnaissance it was meant to counter, but also contains aspects of the previously developed species. Hide and Seek develops its(...)
Hide and seek: camouflage, photography, and the media of reconnaissance
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Through a series of fascinating case studies, Hanna Rose Shell uncovers three conceptually linked species of photographic camouflage--the static, the serial, and the dynamic--and shows how each not only reflects the type of photographic reconnaissance it was meant to counter, but also contains aspects of the previously developed species. Hide and Seek develops its argument from the material forms camouflage has left behind: photomontages, paper blankets, stuffed rabbits, ghillie suits, and instructional films. Beginning with natural history and figurative art in the late nineteenth-century, continuing through the rise of aerial warfare in World War I, and onto the cinematic techniques designed to train snipers and civilians during World War II, this book is both a history and a theory of the drive to hide in plain sight.
Architectural Theory
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"Learning from Las Vegas," originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Forty years later, it remains a perennial bestseller and a definitive theoretical text. Its authors - architects Robert Venturi, Denise ScottBrown, and Steven Izenour - famously used the Las Vegas Strip to argue the(...)
I am a monument : on learning from Las Vegas
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"Learning from Las Vegas," originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Forty years later, it remains a perennial bestseller and a definitive theoretical text. Its authors - architects Robert Venturi, Denise ScottBrown, and Steven Izenour - famously used the Las Vegas Strip to argue the virtues ofthe "ordinary and ugly" above the "heroic and original"qualities of architectural modernism. In this provocative rereading of an iconic text, Aron Vinegar argues that to read "Learning from Las Vegas" only as an exemplary postmodernist text - to understand it, for example, as a call for pastiche or as ironic provocation - is to underestimate its deeper critical and ethical meaning, and to miss the underlying dialectic between skepticism and the ordinary, expression and the deadpan, that runs through the text.
Architectural Theory
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This edited collection offers a unique perspective on twentieth-century architectural history, disputing the primacy placed on individuals in the design and planning process and instead looking to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves.
Governing by design : architecture, economy, and politics in the 20th century
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This edited collection offers a unique perspective on twentieth-century architectural history, disputing the primacy placed on individuals in the design and planning process and instead looking to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves.
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This publication fleshes out our understanding of the past with explorations of lived experiences of embodiment from the middle ages to modernity. This intimate approach to history makes it possible to foreground the tactile foundations of Western culture -the ways in which feelings shaped society. Constance Classen explores a variety of tactile realms including the feel(...)
The deepest sense: a cultural history of touch
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This publication fleshes out our understanding of the past with explorations of lived experiences of embodiment from the middle ages to modernity. This intimate approach to history makes it possible to foreground the tactile foundations of Western culture -the ways in which feelings shaped society. Constance Classen explores a variety of tactile realms including the feel of the medieval city; the tactile appeal of relics; the social histories of pain, pleasure, and affection; the bonds of touch between humans and animals; the strenuous excitement of sports such as wrestling and jousting; and the sensuous attractions of consumer culture. She delves into a range of vital issues, from the uses--and prohibitions--of touch in social interaction to the disciplining of the body by the modern state, from the changing feel of the urban landscape to the technologization of touch in modernity.
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Since the 1967 riots that ripped apart the city, Detroit has traditionally been viewed either as a place in ruins or a metropolis on the verge of rejuvenation. In Digital Detroit author Jeff Rice goes beyond the notion of Detroit as simply a city of two ideas. Instead he explores the city as a web of multiple meanings which, in the digital age, come together in the city's(...)
Digital Detroit : rhetoric and space in the age of the network
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Since the 1967 riots that ripped apart the city, Detroit has traditionally been viewed either as a place in ruins or a metropolis on the verge of rejuvenation. In Digital Detroit author Jeff Rice goes beyond the notion of Detroit as simply a city of two ideas. Instead he explores the city as a web of multiple meanings which, in the digital age, come together in the city's spaces to form a network that shapes the writing, the activity, and the very thinking of those around it.
Architectural Theory
Central park : an anthology
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In a city where people can live sixty-three thousand to a square mile, Central Park is an escape, adventure, meditation, memory, and amusement, and this anthology, comprising the work of some of New York's literary luminaries, is a charming 21-essay tribute to what is probably the most closely watched and monitored 843 acres on Earth. Marie Winn pens a funny letter to(...)
Central park : an anthology
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In a city where people can live sixty-three thousand to a square mile, Central Park is an escape, adventure, meditation, memory, and amusement, and this anthology, comprising the work of some of New York's literary luminaries, is a charming 21-essay tribute to what is probably the most closely watched and monitored 843 acres on Earth. Marie Winn pens a funny letter to Holden Caulfield about what happens to the park's ducks in winter; Bill Buford tries sleeping there one night; and Nathaniel Rich gives the sentimental history of an annual Thanksgiving touch-football game (the "Turkey-Lurkey Bowl"). Othersa Susan Cheever, Colson Whitehead, Adam Gopnik, and Paul Auster among thema fish for carp, run past Jackie Kennedy, befriend goats at the zoo, and explore the place "where nature is so beautifully and spectacularly kept on a leash." But it wasn't always so: the masterpiece of Frederick Law Olmstead and Calvert Vaux was, at times, a "municipal embarrassment," the site of muggings, murders, anda rumor had ita "a nightmarish water fountain that dribbled raw sewage into the mouths of toddlers." It's clear, by the collection's range, that there must be at least as many Central Parks as there are annual visitors and that's close to 40 million.
Architectural Theory
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What makes an architect tick? What is the state of architecture today? How do architects view each other's work? No one can answer these questions better than the practitioners themselves. In this publication Cecil Balmond, Norman Foster, Frank Gehry, Zaha Hadid, Philip Johnson, Rem Koolhaas, Daniel Libeskind, I. M. Pei, and others offer a wide-ranging assortment of(...)
Talking architecture: interviews with architects
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What makes an architect tick? What is the state of architecture today? How do architects view each other's work? No one can answer these questions better than the practitioners themselves. In this publication Cecil Balmond, Norman Foster, Frank Gehry, Zaha Hadid, Philip Johnson, Rem Koolhaas, Daniel Libeskind, I. M. Pei, and others offer a wide-ranging assortment of perspectives on contemporary architecture and the architects' roles in shaping the state of the art today. Each interview focuses on the unique contributions of its subject and is accompanied by images of their most important works. With a no-holds-barred approach the author obtains interesting details about their ideas on architecture in general, from where they get their inspiration to what formative experiences led them to become architects in the first place. Updated with new images, this informative, accessible, and endlessly fascinating collection offers a chance to compare, contrast, and get to know the architects that are shaping the world we live in.
Architectural Theory
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Chicago is a city dedicated to the modern—from the skyscrapers that punctuate its skyline to the spirited style that inflects many of its dwellings and institutions, from the New Bauhaus to Hull-House. Despite this, the city has long been overlooked as a locus for modernism in the arts, its rich tradition of architecture, design, and education disregarded. Still the(...)
Chicago makes modern: how creative minds changed society
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Chicago is a city dedicated to the modern—from the skyscrapers that punctuate its skyline to the spirited style that inflects many of its dwellings and institutions, from the New Bauhaus to Hull-House. Despite this, the city has long been overlooked as a locus for modernism in the arts, its rich tradition of architecture, design, and education disregarded. Still the modern in Chicago continues to thrive, as new generations of artists incorporate its legacy into fresh visions for the future. Chicago Makes Modern boldly remaps twentieth-century modernism from our new-century perspective by asking an imperative question: How did the modern mind—deeply reflective, yet simultaneously directed—help to dramatically alter our perspectives on the world and make it new?
Architectural Theory
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In On the Animation of the Inorganic, Spyros Papapetros examines ideas about simulated movement and inorganic life during and after the turn of the twentieth century--a period of great technical innovation whose effects continue to reverberate today. Exploring key works of art historians such as Aby Warburg, Wilhelm Worringer, and Alois Riegl, as well as architects and(...)
On the animation of the inorganic: art, architecture, and the extension of life
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In On the Animation of the Inorganic, Spyros Papapetros examines ideas about simulated movement and inorganic life during and after the turn of the twentieth century--a period of great technical innovation whose effects continue to reverberate today. Exploring key works of art historians such as Aby Warburg, Wilhelm Worringer, and Alois Riegl, as well as architects and artists like Fernand Leger, Mies van der Rohe, and Salvador Dali, Papapetros tracks the evolution of the problem of animation from the fin de siecle through the twentieth century. He argues that empathy--the ability to identify with objects of the external world--was repressed by twentieth-century modernist culture, but it returned, projected onto inorganic objects such as machines, automobiles, and crystalline skyscrapers.
Architectural Theory