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Confessions offers an insight into the mind of Future Systems architect Jan Kaplicky - his ideas, opinions and sources of inspiration. It is a book about an architectural life, private and professional. Written and selected by the architect himself, it is a highly personal account that avoids the speculations and intellectualisations of critical theory. This is a(...)
Confessions : principles, architecture, process, life
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Confessions offers an insight into the mind of Future Systems architect Jan Kaplicky - his ideas, opinions and sources of inspiration. It is a book about an architectural life, private and professional. Written and selected by the architect himself, it is a highly personal account that avoids the speculations and intellectualisations of critical theory. This is a collection of comments on architects, architecture, design, politics, beauty, people and the future and will give architects stimulus about workings of practice, building and design.
Architectural Theory
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This book consists of twelve chapters written by leading scholars, each spotlighting ideas emanating from a particular field which helped to shape Modernism, including eugenics, primitivism, Freudianism, and Nietzscheanism. Each contributor goes into their topic in some depth, but also pays attention to the impact it had on overarching issues. At the same time, the(...)
A concise companion to modernism
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This book consists of twelve chapters written by leading scholars, each spotlighting ideas emanating from a particular field which helped to shape Modernism, including eugenics, primitivism, Freudianism, and Nietzscheanism. Each contributor goes into their topic in some depth, but also pays attention to the impact it had on overarching issues. At the same time, the contributors identify contemporary developments in other disciplines, especially art, architecture, music, film and philosophy, which paralleled developments in poetry, fiction and drama. Each chapter concludes with a brief guide to further reading.
Architectural Theory
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«The anthropology of space and place: locating Culture» is an unprecedented collection of key anthropological articles that illustrate how the conceptual and material dimensions of space are central to the production of social life. Assembles key anthropological articles that challenge accepted definitions and ideas of space and place. Reveals how both the(...)
Architectural Theory
March 2002, Oxford
The anthropology of space and place : locating culture
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«The anthropology of space and place: locating Culture» is an unprecedented collection of key anthropological articles that illustrate how the conceptual and material dimensions of space are central to the production of social life. Assembles key anthropological articles that challenge accepted definitions and ideas of space and place. Reveals how both the conceptual and material dimensions of space as well as of built forms and landscape characteristics are central to the production of social life. Includes introduction that synthesizes existing literature, highlights core issues, and maps potential directions for future research. Brings classics in cultural anthropology together with new theoretical approaches.
Architectural Theory
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The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies(...)
Architectural Theory
December 2002, Bloomington and Indianapolis
Image and remembrance : representation and the Holocaust
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The passage of time and the reality of an aging survivor population have made it increasingly urgent to document and give expression to testimony, experience, and memory of the Holocaust. At the same time, artists have struggled to find a language to describe and retell a legacy often considered "unimaginable." Contrary to those who insist that the Holocaust defies representation, Image and Remembrance demonstrates that artistic representations are central to the practice of remembrance and commemoration. Including essays on representations of the Holocaust in film, architecture, painting, photography, memorials, and monuments, this thought-provoking volume considers ways in which visual artists have given form to the experience of the Holocaust and addresses the role that imagination plays in shaping historical memory. Among works discussed are Daniel Libeskind's Jewish Museum in Berlin, Rachel Whiteread's Holocaust Memorial in Vienna, Morris Louis's series of paintings Charred Journal, photographer Shimon Attie's Writing on the Wall, and Mikael Levin's series Untitled. Image and Remembrance provides a thoughtful site for personal reflection and commemoration as well as a context for reconsidering the processes of art making and the cultural significance of artistic images.
Architectural Theory
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Épuisé / out of print
Architectural Theory
September 2002, Berlin
Rethinking : space, time, architecture - a dialogue between art and architecture
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Épuisé / out of print
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September 2002, Berlin
Architectural Theory
City of Panic
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City of Panic opens with a journey across the airy boulevards of Paris and into the crypt pf its Metro. Along the way, City of Panic tells the story of all cities. Cities everywhere are being reconstructed through a campaign of panic, the proliferation of gated-communities, policed shopping malls, the ever-widening net of surveillance, and a media consistently(...)
City of Panic
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City of Panic opens with a journey across the airy boulevards of Paris and into the crypt pf its Metro. Along the way, City of Panic tells the story of all cities. Cities everywhere are being reconstructed through a campaign of panic, the proliferation of gated-communities, policed shopping malls, the ever-widening net of surveillance, and a media consistently fabricating a world of fear. As the past is torn downand replaced with an identikit present we seem to have accpted that our cities really are war zones and that every city must ben the same.
Architectural Theory
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Since they were first established in the 1880s, children’s summer camps have touched the lives of millions of people. Although the camping experience has a special place in the popular imagination, few scholars have given serious thought to this peculiarly American phenomenon. Why were summer camps created? What concerns and ideals motivated their founders? Whom did they(...)
A manufactured wilderness: summer camps and the shaping of american youth
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Since they were first established in the 1880s, children’s summer camps have touched the lives of millions of people. Although the camping experience has a special place in the popular imagination, few scholars have given serious thought to this peculiarly American phenomenon. Why were summer camps created? What concerns and ideals motivated their founders? Whom did they serve? How did they change over time? What factors influenced their design? To answer these and many other questions, Abigail A. Van Slyck trains an informed eye on the most visible and evocative aspect of camp life: its landscape and architecture. She argues that summer camps delivered much more than a simple encounter with the natural world. Instead, she suggests, camps provided a man-made version of wilderness, shaped by middle-class anxieties about gender roles, class tensions, race relations, and modernity and its impact on the lives of children. Following a fascinating history of summer camps and a wide-ranging overview of the factors that led to their creation, Van Slyck examines the intersections of the natural landscape with human-built forms and social activities. In particular, she addresses changing attitudes toward such subjects as children’s health, sanitation, play, relationships between the sexes, Native American culture, and evolving ideas about childhood. Generously illustrated with period photographs, maps, plans, and promotional images of camps throughout North America, A Manufactured Wilderness is the first book to offer a thorough consideration of the summer camp environment.
Architectural Theory
The Craftsman
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«As Richard Sennett makes clear in this lucid and compelling book, craftsmanship one connected people to their work by conferring pride and meaning. The loss of craftmanship and of a society that values it has impoverished us in ways we have long forgotten but Sennett helps us understand.» Robert B. Reich
The Craftsman
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«As Richard Sennett makes clear in this lucid and compelling book, craftsmanship one connected people to their work by conferring pride and meaning. The loss of craftmanship and of a society that values it has impoverished us in ways we have long forgotten but Sennett helps us understand.» Robert B. Reich
Architectural Theory
Persons and things
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Moving effortlessly between symbolist poetry and Barbie dolls, artificial intelligence and Kleist, Kant, and Winnicott, Barbara Johnson not only clarifies psychological and social dynamics; she also re-dramatizes the work of important tropes—without ever losing sight of the ethical imperative with which she begins: the need to treat persons as persons. In "Persons and(...)
Persons and things
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Moving effortlessly between symbolist poetry and Barbie dolls, artificial intelligence and Kleist, Kant, and Winnicott, Barbara Johnson not only clarifies psychological and social dynamics; she also re-dramatizes the work of important tropes—without ever losing sight of the ethical imperative with which she begins: the need to treat persons as persons. In "Persons and Things", Johnson turns deconstruction around to make a fundamental contribution to the new aesthetics. She begins with the most elementary thing we know : deconstruction calls attention to gaps and reveals that their claims upon us are fraudulent. Johnson revolutionizes the method by showing that the inanimate thing exposed as a delusion is central to fantasy life, that fantasy life, however deluded, should be taken seriously, and that although a work of art “is formed around something missing,” this “void is its vanishing point, not its essence.” She shows deftly and delicately that the void inside Keats’s urn, Heidegger’s jug, or Wallace Stevens’s jar forms the center around which we tend to organize our worlds. The new aesthetics should restore fluidities between persons and things. In pursuing it, Johnson calls upon Ovid, Keats, Poe, Plath, and others who have inhabited this in-between space. The entire process operates via a subtlety that only a critic of Johnson’s caliber could reveal to us.
Architectural Theory
Notes on the Underground
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The underground has always played a prominent role in human imaginings, both as a place of refuge and as a source of fear. The late nineteenth century saw a new fascination with the underground as Western societies tried to cope with the pervasive changes of a new social and technological order. In Notes on the Underground, Rosalind Williams takes us inside that critical(...)
Notes on the Underground
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The underground has always played a prominent role in human imaginings, both as a place of refuge and as a source of fear. The late nineteenth century saw a new fascination with the underground as Western societies tried to cope with the pervasive changes of a new social and technological order. In Notes on the Underground, Rosalind Williams takes us inside that critical historical moment, giving equal coverage to actual and imaginary undergrounds. She looks at the real-life invasions of the underground that occurred as modern urban infrastructures of sewers and subways were laid, and at the simultaneous archaeological excavations that were unearthing both human history and the planet’s deep past. She also examines the subterranean stories of Verne, Wells, Forster, Hugo, Bulwer-Lytton, and other writers who proposed alternative visions of the coming technological civilization. Williams argues that these imagined and real underground environments provide models of human life in a world dominated by human presence and offer a prophetic look at today’s technology-dominated society. In a new afterword written for this edition, Williams points out that her book traces the emergence in the nineteenth century of what we would now call an environmental consciousness--an awareness that there will be consequences when humans live in a sealed, finite environment. Today we are more aware than ever of our limited biosphere and how vulnerable it is. Notes on the Underground, now even more than when it first appeared, offers a guide to the human, cultural, and technical consequences of what Williams calls "the human empire on earth."
Architectural Theory