2227 Results
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Olivier Vallerand investigates how queer critiques, building on pioneering feminist work, question the relation between identity and architecture and highlight normative constructs underlying domestic spaces. He draws out a genealogy of queer space in theoretical discourse in architecture, studying projects by Mark Robbins, Joel Sanders, J Mayer H, Elmgreen & Dragset,(...)
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Olivier Vallerand investigates how queer critiques, building on pioneering feminist work, question the relation between identity and architecture and highlight normative constructs underlying domestic spaces. He draws out a genealogy of queer space in theoretical discourse in architecture, studying projects by Mark Robbins, Joel Sanders, J Mayer H, Elmgreen & Dragset,(...)
Title:
Unplanned visitors: queering the ethics and aesthetics of domestic space
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Olivier Vallerand investigates how queer critiques, building on pioneering feminist work, question the relation between identity and architecture and highlight normative constructs underlying domestic spaces. He draws out a genealogy of queer space in theoretical discourse in architecture, studying projects by Mark Robbins, Joel Sanders, J Mayer H, Elmgreen & Dragset, Andrés Jaque, and MYCKET, among others. These works blur the traditional borders between architecture and art to emphasize the tensions between private and public and their impact on assumptions about domestic space and family structure. Sexuality and gender have long been influential in understanding the construction of domestic space, its meanings, often revealing a binary division of private and public, female and male. By reconstructing the foundation of queer critiques of space and by analyzing the representation of domesticity in contemporary art and architecture, Unplanned Visitors shows the blurring of private and public that can occur in any domestic space and explores the potential of queer theory for understanding, and designing, the built environment.
Unplanned visitors: queering the ethics and aesthetics of domestic space
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Olivier Vallerand investigates how queer critiques, building on pioneering feminist work, question the relation between identity and architecture and highlight normative constructs underlying domestic spaces. He draws out a genealogy of queer space in theoretical discourse in architecture, studying projects by Mark Robbins, Joel Sanders, J Mayer H, Elmgreen & Dragset, Andrés Jaque, and MYCKET, among others. These works blur the traditional borders between architecture and art to emphasize the tensions between private and public and their impact on assumptions about domestic space and family structure. Sexuality and gender have long been influential in understanding the construction of domestic space, its meanings, often revealing a binary division of private and public, female and male. By reconstructing the foundation of queer critiques of space and by analyzing the representation of domesticity in contemporary art and architecture, Unplanned Visitors shows the blurring of private and public that can occur in any domestic space and explores the potential of queer theory for understanding, and designing, the built environment.
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books
books
Publication:
May 2020
May 2020
Subject:
Architectural Theory
Architectural Theory
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books
books
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$54.95
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In ''How the working-class home became modern, 1900–1940,'' Hubka analyzes a period when millions of average Americans saw accelerated improvement in their housing and domestic conditions. These improvements were intertwined with the acquisition of entirely new mechanical conveniences, new types of rooms and patterns of domestic life, and such innovations—from public(...)
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In ''How the working-class home became modern, 1900–1940,'' Hubka analyzes a period when millions of average Americans saw accelerated improvement in their housing and domestic conditions. These improvements were intertwined with the acquisition of entirely new mechanical conveniences, new types of rooms and patterns of domestic life, and such innovations—from public(...)
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How the working-class home became modern
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In ''How the working-class home became modern, 1900–1940,'' Hubka analyzes a period when millions of average Americans saw accelerated improvement in their housing and domestic conditions. These improvements were intertwined with the acquisition of entirely new mechanical conveniences, new types of rooms and patterns of domestic life, and such innovations—from public utilities and kitchen appliances to remodeled and multi-unit housing—are at the center of the story Hubka tells. It is a narrative that traces changes in household hygiene, sociability, and privacy practices that launched large portions of the working classes into the middle class—and that, in Hubka’s telling, reconfigures and enriches the standard account of the domestic transformation of the American home.
How the working-class home became modern
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In ''How the working-class home became modern, 1900–1940,'' Hubka analyzes a period when millions of average Americans saw accelerated improvement in their housing and domestic conditions. These improvements were intertwined with the acquisition of entirely new mechanical conveniences, new types of rooms and patterns of domestic life, and such innovations—from public utilities and kitchen appliances to remodeled and multi-unit housing—are at the center of the story Hubka tells. It is a narrative that traces changes in household hygiene, sociability, and privacy practices that launched large portions of the working classes into the middle class—and that, in Hubka’s telling, reconfigures and enriches the standard account of the domestic transformation of the American home.
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books
books
Publication:
December 2020
December 2020
Subject:
Architectural Theory
Architectural Theory
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books
books
Title:
The metabolist imagination: visions of the city in postwar Japanese architecture and science fiction
The metabolist imagination: visions of the city in postwar Japanese architecture and science fiction
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The devastation of the Second World War gave rise to imaginations both utopian and apocalyptic. In Japan, a fascinating confluence of architects and science fiction writers took advantage of this space to begin remaking urban design. In 'The Metabolist Imagination', William O. Gardner explores the unique Metabolism movement, which allied with science fiction authors to(...)
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The devastation of the Second World War gave rise to imaginations both utopian and apocalyptic. In Japan, a fascinating confluence of architects and science fiction writers took advantage of this space to begin remaking urban design. In 'The Metabolist Imagination', William O. Gardner explores the unique Metabolism movement, which allied with science fiction authors to(...)
Title:
The metabolist imagination: visions of the city in postwar Japanese architecture and science fiction
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The devastation of the Second World War gave rise to imaginations both utopian and apocalyptic. In Japan, a fascinating confluence of architects and science fiction writers took advantage of this space to begin remaking urban design. In 'The Metabolist Imagination', William O. Gardner explores the unique Metabolism movement, which allied with science fiction authors to foresee the global cities that would emerge in the postwar era. This first comparative study of postwar Japanese architecture and science fiction builds on the resurgence of interest in Metabolist architecture while establishing new directions for exploration. Gardner focuses on how these innovators created unique versions of shared concepts—including futurity, megastructures, capsules, and cybercities—making lasting contributions that resonate with contemporary conversations around cyberpunk, climate change, anime, and more.
The metabolist imagination: visions of the city in postwar Japanese architecture and science fiction
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$39.95
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Summary:
The devastation of the Second World War gave rise to imaginations both utopian and apocalyptic. In Japan, a fascinating confluence of architects and science fiction writers took advantage of this space to begin remaking urban design. In 'The Metabolist Imagination', William O. Gardner explores the unique Metabolism movement, which allied with science fiction authors to foresee the global cities that would emerge in the postwar era. This first comparative study of postwar Japanese architecture and science fiction builds on the resurgence of interest in Metabolist architecture while establishing new directions for exploration. Gardner focuses on how these innovators created unique versions of shared concepts—including futurity, megastructures, capsules, and cybercities—making lasting contributions that resonate with contemporary conversations around cyberpunk, climate change, anime, and more.
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books
books
Publication:
May 2020
May 2020
Subject:
Architectural Theory
Architectural Theory
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books
books
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$69.95
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This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has(...)
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This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
July 2020
July 2020
Title:
Race and modern architecture: a critical history from Enlightenment to the present
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This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality — from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants — 'Race and Modern Architecture' challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress.
Race and modern architecture: a critical history from Enlightenment to the present
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This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality — from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants — 'Race and Modern Architecture' challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress.
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books
books
Publication:
July 2020
July 2020
Subject:
Architectural Theory
Architectural Theory
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books
books
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$29.95
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Il n’est pas courant de considérer sa résidence d’abord et avant tout comme une marchandise intrinsèquement liée à l’économie capitaliste. Pourtant, ce chez-soi dont on a tant rêvé, et auquel on a finalement accès, a été construit puis mis en vente ou en location par des entreprises capitalistes, sur un marché qui s’adresse à des consommateurs dont le pouvoir d’achat(...)
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Il n’est pas courant de considérer sa résidence d’abord et avant tout comme une marchandise intrinsèquement liée à l’économie capitaliste. Pourtant, ce chez-soi dont on a tant rêvé, et auquel on a finalement accès, a été construit puis mis en vente ou en location par des entreprises capitalistes, sur un marché qui s’adresse à des consommateurs dont le pouvoir d’achat(...)
Title:
Le promoteur, la banque et le rentier : Fondements et évolution du logement capitaliste
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Il n’est pas courant de considérer sa résidence d’abord et avant tout comme une marchandise intrinsèquement liée à l’économie capitaliste. Pourtant, ce chez-soi dont on a tant rêvé, et auquel on a finalement accès, a été construit puis mis en vente ou en location par des entreprises capitalistes, sur un marché qui s’adresse à des consommateurs dont le pouvoir d’achat provient lui-même d’un autre marché, celui du travail. Et, comme l’a démontré la crise de 2008, le marché de l’immobilier peut subir des bouleversements considérables, affectant de manière drastique l’économie et la société dans son ensemble. Dans cet ouvrage, Louis Gaudreau entreprend d’illustrer le caractère évolutif de la relation entre capitalisme et logement, en retraçant l’histoire de ses trois principaux protagonistes : le promoteur, la banque et le rentier. Car même si le marché de l’habitation fait depuis longtemps partie intégrante du capitalisme, il n’est plus le même qu’au xixe siècle ou qu’il y a trente ans. Il s’appuie désormais sur des logiques financiarisées qui en modifient le fonctionnement. Cette tendance impose de nouvelles conditions au développement du logement et à ses usages, qui révèlent à leur tour la façon dont se pose aujourd’hui la question du droit au logement.
Le promoteur, la banque et le rentier : Fondements et évolution du logement capitaliste
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Il n’est pas courant de considérer sa résidence d’abord et avant tout comme une marchandise intrinsèquement liée à l’économie capitaliste. Pourtant, ce chez-soi dont on a tant rêvé, et auquel on a finalement accès, a été construit puis mis en vente ou en location par des entreprises capitalistes, sur un marché qui s’adresse à des consommateurs dont le pouvoir d’achat provient lui-même d’un autre marché, celui du travail. Et, comme l’a démontré la crise de 2008, le marché de l’immobilier peut subir des bouleversements considérables, affectant de manière drastique l’économie et la société dans son ensemble. Dans cet ouvrage, Louis Gaudreau entreprend d’illustrer le caractère évolutif de la relation entre capitalisme et logement, en retraçant l’histoire de ses trois principaux protagonistes : le promoteur, la banque et le rentier. Car même si le marché de l’habitation fait depuis longtemps partie intégrante du capitalisme, il n’est plus le même qu’au xixe siècle ou qu’il y a trente ans. Il s’appuie désormais sur des logiques financiarisées qui en modifient le fonctionnement. Cette tendance impose de nouvelles conditions au développement du logement et à ses usages, qui révèlent à leur tour la façon dont se pose aujourd’hui la question du droit au logement.
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books
books
Publication:
June 2020
June 2020
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books
books
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$34.95
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Quoiqu’en majorité urbains, nos contemporains connaissent peu les acteurs et les processus qui produisent leur cadre de vie. Cet ouvrage éclaire les coulisses de la fabrication de la ville à partir de la place qu’y occupent les architectes. L’évolution considérable de leur statut depuis les années 1980 est révélatrice de nombre de transformations profondes de notre(...)
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Quoiqu’en majorité urbains, nos contemporains connaissent peu les acteurs et les processus qui produisent leur cadre de vie. Cet ouvrage éclaire les coulisses de la fabrication de la ville à partir de la place qu’y occupent les architectes. L’évolution considérable de leur statut depuis les années 1980 est révélatrice de nombre de transformations profondes de notre(...)
Title:
Les architectes au défi de la ville néolibérale
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Quoiqu’en majorité urbains, nos contemporains connaissent peu les acteurs et les processus qui produisent leur cadre de vie. Cet ouvrage éclaire les coulisses de la fabrication de la ville à partir de la place qu’y occupent les architectes. L’évolution considérable de leur statut depuis les années 1980 est révélatrice de nombre de transformations profondes de notre société. La référence que constituait la grande commande publique, le rôle prépondérant de l’État dans la désignation des politiques architecturales s’effacent au profit de nouvelles situations de projet, mettant les grands opérateurs du BTP au centre des systèmes d’acteurs. Ce décadrage interroge le sens que les architectes attribuent à leur travail et les registres sous lesquels ils revendiquent d’être évalués.
Les architectes au défi de la ville néolibérale
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$34.95
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Quoiqu’en majorité urbains, nos contemporains connaissent peu les acteurs et les processus qui produisent leur cadre de vie. Cet ouvrage éclaire les coulisses de la fabrication de la ville à partir de la place qu’y occupent les architectes. L’évolution considérable de leur statut depuis les années 1980 est révélatrice de nombre de transformations profondes de notre société. La référence que constituait la grande commande publique, le rôle prépondérant de l’État dans la désignation des politiques architecturales s’effacent au profit de nouvelles situations de projet, mettant les grands opérateurs du BTP au centre des systèmes d’acteurs. Ce décadrage interroge le sens que les architectes attribuent à leur travail et les registres sous lesquels ils revendiquent d’être évalués.
Form:
books
books
Publication:
July 2020
July 2020
Subject:
Architectural Theory
Architectural Theory
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books
books
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$67.98
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where(...)
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where(...)
Title:
Object lessons: the Bauhaus and Harvard
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects—the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by illustrations—some of never-before-published objects—this book yields fascinating insights for Bauhaus devotees and design aficionados.
Object lessons: the Bauhaus and Harvard
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$67.98
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Summary:
Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects—the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by illustrations—some of never-before-published objects—this book yields fascinating insights for Bauhaus devotees and design aficionados.
Form:
books
books
Publication:
September 2020
September 2020
Subject:
Architectural Theory
Architectural Theory
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books
books
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$64.95
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Summary:
L’enjeu de ce volume est de comprendre notre expérience du monde à l’heure où s’estompe la primauté du visible et du spatial. Traitant de l’ambiance, mais plus encore des conditions d’air des architectures de l’ambiance, l’auteur met en lumière une évolution autant architecturale que politique. Penser (à) l’air, cet invisible par nature, véhicule de notre inconscient(...)
$64.95
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L’enjeu de ce volume est de comprendre notre expérience du monde à l’heure où s’estompe la primauté du visible et du spatial. Traitant de l’ambiance, mais plus encore des conditions d’air des architectures de l’ambiance, l’auteur met en lumière une évolution autant architecturale que politique. Penser (à) l’air, cet invisible par nature, véhicule de notre inconscient(...)
Title:
Conditions d'air: politique des architectures par l'ambiance
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$64.95
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L’enjeu de ce volume est de comprendre notre expérience du monde à l’heure où s’estompe la primauté du visible et du spatial. Traitant de l’ambiance, mais plus encore des conditions d’air des architectures de l’ambiance, l’auteur met en lumière une évolution autant architecturale que politique. Penser (à) l’air, cet invisible par nature, véhicule de notre inconscient climatique, c’est repenser notre rapport à la production et au projet. Le projet, plutôt que projection, deviendrait processus, reflétant une transformation profonde des pratiques architecturales, alors que l’émergence de la notion d’espace laisserait place, et c’est la thèse de l’auteur, à un échec de l’espace. À travers l’examen critique de projets de Le Corbusier (Armée du Salut) et de Robain & Guieysse (Mie de Pain) à Paris, de Christophe Amsler et de Philippe Rahm, de SANAA (EPFL Learning Center, Lausanne) et de Lacaton & Vassal (École d’Architecture, Nantes), Emmanuel Doutriaux affronte le thème de l’ambiance – concept cardinal de notre contemporain – partagé entre phénoménologie, sociologie de l’action située et philosophie pragmatiste.
Conditions d'air: politique des architectures par l'ambiance
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L’enjeu de ce volume est de comprendre notre expérience du monde à l’heure où s’estompe la primauté du visible et du spatial. Traitant de l’ambiance, mais plus encore des conditions d’air des architectures de l’ambiance, l’auteur met en lumière une évolution autant architecturale que politique. Penser (à) l’air, cet invisible par nature, véhicule de notre inconscient climatique, c’est repenser notre rapport à la production et au projet. Le projet, plutôt que projection, deviendrait processus, reflétant une transformation profonde des pratiques architecturales, alors que l’émergence de la notion d’espace laisserait place, et c’est la thèse de l’auteur, à un échec de l’espace. À travers l’examen critique de projets de Le Corbusier (Armée du Salut) et de Robain & Guieysse (Mie de Pain) à Paris, de Christophe Amsler et de Philippe Rahm, de SANAA (EPFL Learning Center, Lausanne) et de Lacaton & Vassal (École d’Architecture, Nantes), Emmanuel Doutriaux affronte le thème de l’ambiance – concept cardinal de notre contemporain – partagé entre phénoménologie, sociologie de l’action située et philosophie pragmatiste.
Form:
books
books
Publication:
August 2020
August 2020
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$70.00
(available to order)
Summary:
This book is a heterogeneous collection of writings, speeches, and interviews. Read together, they reveal the breadth of Mies’ deep engagement with architecture and education in Germany and the USA. By including both written and spoken words, the co-editors reveal how Mies was able to extend his influence well beyond the classroom-studio and the profession to reach a(...)
$70.00
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Summary:
This book is a heterogeneous collection of writings, speeches, and interviews. Read together, they reveal the breadth of Mies’ deep engagement with architecture and education in Germany and the USA. By including both written and spoken words, the co-editors reveal how Mies was able to extend his influence well beyond the classroom-studio and the profession to reach a(...)
Publication:
October 2024
October 2024
Title:
Mies in his own words: Complete writings,speeches and interviews 1922-1969
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This book is a heterogeneous collection of writings, speeches, and interviews. Read together, they reveal the breadth of Mies’ deep engagement with architecture and education in Germany and the USA. By including both written and spoken words, the co-editors reveal how Mies was able to extend his influence well beyond the classroom-studio and the profession to reach a general audience eager to learn more about his architectural philosophy during a time of great cultural and societal upheaval.
Mies in his own words: Complete writings,speeches and interviews 1922-1969
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$70.00
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Summary:
This book is a heterogeneous collection of writings, speeches, and interviews. Read together, they reveal the breadth of Mies’ deep engagement with architecture and education in Germany and the USA. By including both written and spoken words, the co-editors reveal how Mies was able to extend his influence well beyond the classroom-studio and the profession to reach a general audience eager to learn more about his architectural philosophy during a time of great cultural and societal upheaval.
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books
books
Publication:
October 2024
October 2024
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books
books
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$62.00
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Summary:
"Mute icons" challenges fixed aesthetic notions of beauty in architecture as both, disciplinary discourse and a spatial practice within the public realm, by intersecting historic antecedents and present instances within contemporary projects wherein indeterminacy, monolithicity and defamiliarization play a speculative role in constructing withdrawn, irritant and yet(...)
$62.00
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Summary:
"Mute icons" challenges fixed aesthetic notions of beauty in architecture as both, disciplinary discourse and a spatial practice within the public realm, by intersecting historic antecedents and present instances within contemporary projects wherein indeterminacy, monolithicity and defamiliarization play a speculative role in constructing withdrawn, irritant and yet(...)
Title:
Mute icons: pressing dichotomy in contemporary architecture
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"Mute icons" challenges fixed aesthetic notions of beauty in architecture as both, disciplinary discourse and a spatial practice within the public realm, by intersecting historic antecedents and present instances within contemporary projects wherein indeterminacy, monolithicity and defamiliarization play a speculative role in constructing withdrawn, irritant and yet engaging architectural images. No longer concerned with narrative excesses or with the "shock and awe" of sensation making; the mute icon becomes intriguing in its deceptive indifference towards context, perplexing in its unmitigated apathy towards the body. Object and building, absolute and unstable, anticipated and strange, manifest and withdrawn, such is the dichotomy of mute icons. Dwelling in the paradox between silence and sign and aiming to debunk a false dichotomy between critical discourse, a pursue of formal novelty and the attainment of social ethics, "Mute icons" reaffirms the cultural need and socio-political relevance of the architectural image, suggesting a much-needed resolution to the present but incorrect antagonism between formal innovation, social responsibility and economic austerity. Intersecting relevant historical antecedents and polemic theoretical speculations with original design concepts and provocative representations of P-A-T-T-E-R-N-S recent work, the book aspires to stimulate authentic speculations on the real.
Mute icons: pressing dichotomy in contemporary architecture
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$62.00
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Summary:
"Mute icons" challenges fixed aesthetic notions of beauty in architecture as both, disciplinary discourse and a spatial practice within the public realm, by intersecting historic antecedents and present instances within contemporary projects wherein indeterminacy, monolithicity and defamiliarization play a speculative role in constructing withdrawn, irritant and yet engaging architectural images. No longer concerned with narrative excesses or with the "shock and awe" of sensation making; the mute icon becomes intriguing in its deceptive indifference towards context, perplexing in its unmitigated apathy towards the body. Object and building, absolute and unstable, anticipated and strange, manifest and withdrawn, such is the dichotomy of mute icons. Dwelling in the paradox between silence and sign and aiming to debunk a false dichotomy between critical discourse, a pursue of formal novelty and the attainment of social ethics, "Mute icons" reaffirms the cultural need and socio-political relevance of the architectural image, suggesting a much-needed resolution to the present but incorrect antagonism between formal innovation, social responsibility and economic austerity. Intersecting relevant historical antecedents and polemic theoretical speculations with original design concepts and provocative representations of P-A-T-T-E-R-N-S recent work, the book aspires to stimulate authentic speculations on the real.
Form:
books
books
Publication:
July 2021
July 2021
Subject:
Architectural Theory
Architectural Theory
