Building for dementia
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As a consequence of demographic change, it is increasingly necessary now and in the future for the architectural profession to rethink the design of residential solutions for aging people and especially those with dementia. With advancing age we are increasingly dependent on a spatial environment that not only has a positive effect on us, but also supports our everyday(...)
Building for dementia
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As a consequence of demographic change, it is increasingly necessary now and in the future for the architectural profession to rethink the design of residential solutions for aging people and especially those with dementia. With advancing age we are increasingly dependent on a spatial environment that not only has a positive effect on us, but also supports our everyday activities and takes age-related restrictions into account. A focal point of the new requirements is multisensory architecture: color and lighting design, sound design, tactile materials and surfaces, and haptically attractive forms, creating a spatial atmosphere in which the resident feels comfortable, providing security and orientation and fostering motor skills and cognitive abilities. "Building for Dementia" has been developed as a guideline for contemporary and dignified architecture that meets the requirements of people with dementia and views them as an integral part of society.
Architectural Theory
Adolf Loos on trial
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In early September 1928, Viennese police arrested the famed architect Adolf Loos. The charge was child molestation. Two young girls (and eventually a third), ages eight to ten, alleged that Loos had touched them inappropriately and compelled them to commit indecent acts while he was drawing nudes of them. What followed was a very public affair that culminated in a(...)
Adolf Loos on trial
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In early September 1928, Viennese police arrested the famed architect Adolf Loos. The charge was child molestation. Two young girls (and eventually a third), ages eight to ten, alleged that Loos had touched them inappropriately and compelled them to commit indecent acts while he was drawing nudes of them. What followed was a very public affair that culminated in a sensational trial, pitting Loos and his supporters against his many detractors. But the controversy was about more than Loos' guilt: like almost everything in Austria in the late 1920s, those involved saw the events through powerful political and cultural lenses. The arrest and subsequent trial not only set the forces of the right against those of the left, but also the city’s avant-gardists against their conservative critics. This volume documents the controversy.
Architectural Theory
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Dutch architect Cees Dam (born 1932) offers his most fundamental texts about the position of architecture and the architectural designer, in which he investigates the sociocultural role of the architectural profession and the fundamentals of design thinking.
On architecture: visions and dreams
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Dutch architect Cees Dam (born 1932) offers his most fundamental texts about the position of architecture and the architectural designer, in which he investigates the sociocultural role of the architectural profession and the fundamentals of design thinking.
Architectural Theory
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This publication synthesizes two years of intensive research on concepts of metabolism, ecosystems and circular economies in Europe conducted by the Laboratory on Urbanism, Infrastructure and Ecology.
Architectural Theory
July 2018
Designing territorial metabolism
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This publication synthesizes two years of intensive research on concepts of metabolism, ecosystems and circular economies in Europe conducted by the Laboratory on Urbanism, Infrastructure and Ecology.
Architectural Theory
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This publication examines the contemporary international phenomenon of retro districts, the new cities built to imitate historical models. It investigates historicizing urban construction through 14 international case studies, including the Hallstatt in China, Poundbury in England and the Mercado District in Tucson, Arizona.
Historical versus modern: identity through imitation?
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This publication examines the contemporary international phenomenon of retro districts, the new cities built to imitate historical models. It investigates historicizing urban construction through 14 international case studies, including the Hallstatt in China, Poundbury in England and the Mercado District in Tucson, Arizona.
Architectural Theory
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During the last decades architecture has been largely characterized by a lack of strong positions. A form of neoliberal indifference has become endemic, something that can be attributed to the fact that modernism has lost its claim to be both emancipatory and educational. More recently though, one can again observe attitudes that claim to address architecture and urbanism(...)
Positions on emancipation: architecture between aesthetics and politics
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During the last decades architecture has been largely characterized by a lack of strong positions. A form of neoliberal indifference has become endemic, something that can be attributed to the fact that modernism has lost its claim to be both emancipatory and educational. More recently though, one can again observe attitudes that claim to address architecture and urbanism as more engaged with the social and political effects of global capitalism. This book relays a passionate debate between some of the most outstanding theoreticians and eloquent protagonists of this new attitude, leaving us with an overview of such postulated ambitions. Against the liberal “anything goes” and the revival of architectural autonomy, these attitudes believe less in the possibility for even the most experimental architectural object to have a changing effect on society. Their approaches instead vary from activism to the construction of new critical narratives.
Architectural Theory
Architecte au long cours
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Lauréat du prix Pritzker en 1993, Fumihiko Maki est un des grands maîtres d'une architecture moderne, imprégnée de culture japonaise. Respectueux de l'espace, il est sensible à l'appropriation sociale des lieux. Parmi ses dernières oeuvres : WTC 4, une des tours de Ground Zero à New York. Michel Thiollière, par le biais d'une conversation, nous fait découvrir un acteur(...)
Architecte au long cours
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Lauréat du prix Pritzker en 1993, Fumihiko Maki est un des grands maîtres d'une architecture moderne, imprégnée de culture japonaise. Respectueux de l'espace, il est sensible à l'appropriation sociale des lieux. Parmi ses dernières oeuvres : WTC 4, une des tours de Ground Zero à New York. Michel Thiollière, par le biais d'une conversation, nous fait découvrir un acteur essentiel de l'architecture et de l'urbanisme des soixante dernières années, qui a côtoyé et admiré aussi bien Le Corbusier, Alvar Aalto, Kenzo Tange, Mies van der Rohe, Walter Gropius que Frank Lloyd Wright.
Architectural Theory
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"J'ai trouvé ce que vous disiez si extraordinaire que j'ai estimé que certaines choses devaient être consignées pour l'histoire de l'architecture." Ainsi débute la conversation entre Ieoh Ming Pei et Fumihiko Maki. Ieoh Ming Pei, né en 1917, a réalisé après la rénovation du Louvre d'autres bâtiments, dont le musée scientifique de Macao. Fumihiko Maki, né en 1928, a achevé(...)
Quelques mots pour le futur : un siècle d’architecture
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"J'ai trouvé ce que vous disiez si extraordinaire que j'ai estimé que certaines choses devaient être consignées pour l'histoire de l'architecture." Ainsi débute la conversation entre Ieoh Ming Pei et Fumihiko Maki. Ieoh Ming Pei, né en 1917, a réalisé après la rénovation du Louvre d'autres bâtiments, dont le musée scientifique de Macao. Fumihiko Maki, né en 1928, a achevé en 2015 WTC 4, une des tours de Ground Zero à New York. Tous deux sont lauréats du prix Pritzker : c'est dire si leur histoire personnelle et professionnelle se confond avec l'Histoire de l'architecture. En évoquant leur vie, leur carrière et leurs rencontres, ils font revivre celles de Gropius, Le Corbusier, Frank Lloyd Wright, Alvar Aalto, Mies van der Rohe, et de tant d'autres personnalités du monde de l'architecture ou de l'art.
Architectural Theory
The architecture of science
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How do the spaces in which science is done shape the identity of the scientist and the self-conception of scientific fields? How do the sciences structure the identity of the architect and the practice of architecture in a specific period? And how does the design of spaces such as laboratories, hospitals, and museums affect how the public perceives and interacts with the(...)
The architecture of science
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How do the spaces in which science is done shape the identity of the scientist and the self-conception of scientific fields? How do the sciences structure the identity of the architect and the practice of architecture in a specific period? And how does the design of spaces such as laboratories, hospitals, and museums affect how the public perceives and interacts with the world of science? « The Architecture of Science » offers a dazzling set of speculations on these issues by historians of science, architecture, and art; architectural theorists; and sociologists as well as practicing scientists and architects. The essays are organized into six sections: "Of Secrecy and Openness: Science and Architecture in Early Modern Europe"; "Displaying and Concealing Technics in the Nineteenth Century"; "Modern Space"; "Is Architecture Science?"; "Princeton after Modernism: The Lewis Thomas Laboratory for Molecular Biology"; and "Centers, Cities, and Colliders."
Architectural Theory
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La nouvelle Cité judiciaire de Paris – remportée par Renzo Piano en 2010, construite dans le quartier des Batignolles et inaugurée en 2018 – devait être le signe de l’avènement d’une justice nouvelle, renonçant à l’intimidation au profit du soin, de l’accueil et de la rassurance. Mais, en acceptant de se lancer dans ce projet – le plus important qu’a connu Paris depuis(...)
Post-tribunal : Renzo Piano Building Workshop et l'île de la Cité judiciaire
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La nouvelle Cité judiciaire de Paris – remportée par Renzo Piano en 2010, construite dans le quartier des Batignolles et inaugurée en 2018 – devait être le signe de l’avènement d’une justice nouvelle, renonçant à l’intimidation au profit du soin, de l’accueil et de la rassurance. Mais, en acceptant de se lancer dans ce projet – le plus important qu’a connu Paris depuis les années 1970 –, Piano oublia quelque chose : que l’histoire de la justice est une histoire pleine de virage et de portes dérobées – et que les intentions les plus généreuses y sont souvent celles qui produisent les effets les plus violents. Piano voulait construire un post-tribunal ; il se pourrait bien qu’il ait construit une nouvelle île, où mieux que jamais barricader la justice.
Architectural Theory