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With its head office in Munich, the architecture studio HildundK, consisting of Andreas Hild and Dionys Ottl, bases its design activities as a whole on a single premise: to produce modern architecture without the latter entering into conflict with the urban setting, historical tradition, local craftsmanship and, of course, the needs of users. Its projects are articulated(...)
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With its head office in Munich, the architecture studio HildundK, consisting of Andreas Hild and Dionys Ottl, bases its design activities as a whole on a single premise: to produce modern architecture without the latter entering into conflict with the urban setting, historical tradition, local craftsmanship and, of course, the needs of users. Its projects are articulated(...)
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Architecture Monographs
Architecture Monographs
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July 2007, Barcelona
July 2007, Barcelona
Title:
2 G 42 : Hildundk, Obra recent work
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With its head office in Munich, the architecture studio HildundK, consisting of Andreas Hild and Dionys Ottl, bases its design activities as a whole on a single premise: to produce modern architecture without the latter entering into conflict with the urban setting, historical tradition, local craftsmanship and, of course, the needs of users. Its projects are articulated around three fundamental types of intervention. The first consists of taking some datum or other of the surroundings, in particular the city of Munich, its history and building tradition, as a point of departure. The resonance of the context enables their constructed buildings to have an evocative power that goes beyond the formal. In fact, theirs is a way of doing things that is deliberately at odds with the notion of form as a starting point. Secondly, they tackle the issue of ornamentation as a basic part of their project designs by linking it to the artisanal decorative traditions of the region. Lastly, and without losing a proximity to the simplicity of traditional buildings and their decoration, they incorporate a tremendous sensitivity towards materials and contemporary technical conditions. In the last analysis, HildundK hope their architecture is understood by its users, that its cultural contents communicate and connect the public with the discipline of architecture by providing a response to their requirements. To quote Mechthild Stuhlmacher, author of one of the introductory texts: Andreas Hild and Dionys Ottl regard it as imperative to escape from an architectural discourse that is purely internal. In their view architecture must also be comprehensible to the layman if it is to survive as a discipline.
2 G 42 : Hildundk, Obra recent work
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With its head office in Munich, the architecture studio HildundK, consisting of Andreas Hild and Dionys Ottl, bases its design activities as a whole on a single premise: to produce modern architecture without the latter entering into conflict with the urban setting, historical tradition, local craftsmanship and, of course, the needs of users. Its projects are articulated around three fundamental types of intervention. The first consists of taking some datum or other of the surroundings, in particular the city of Munich, its history and building tradition, as a point of departure. The resonance of the context enables their constructed buildings to have an evocative power that goes beyond the formal. In fact, theirs is a way of doing things that is deliberately at odds with the notion of form as a starting point. Secondly, they tackle the issue of ornamentation as a basic part of their project designs by linking it to the artisanal decorative traditions of the region. Lastly, and without losing a proximity to the simplicity of traditional buildings and their decoration, they incorporate a tremendous sensitivity towards materials and contemporary technical conditions. In the last analysis, HildundK hope their architecture is understood by its users, that its cultural contents communicate and connect the public with the discipline of architecture by providing a response to their requirements. To quote Mechthild Stuhlmacher, author of one of the introductory texts: Andreas Hild and Dionys Ottl regard it as imperative to escape from an architectural discourse that is purely internal. In their view architecture must also be comprehensible to the layman if it is to survive as a discipline.
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books
books
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July 2007, Barcelona
July 2007, Barcelona
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Architecture Monographs
Architecture Monographs
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books
books
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$61.50
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Novartis Campus at Basel will be characterized by far-reaching visions of urban space and architecture. The first new building on the Campus – "Forum 3" by Diener, Federle, Wiederin – was finished in 2005, followed by "Fabrikstrasse 6" of Peter Märkli. The third building – "Fabrikstrasse 4" by SANAA – was opened in autumn 2006. The two partners who lead SANAA, Ryue(...)
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Novartis Campus at Basel will be characterized by far-reaching visions of urban space and architecture. The first new building on the Campus – "Forum 3" by Diener, Federle, Wiederin – was finished in 2005, followed by "Fabrikstrasse 6" of Peter Märkli. The third building – "Fabrikstrasse 4" by SANAA – was opened in autumn 2006. The two partners who lead SANAA, Ryue(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
November 2006, Basel
November 2006, Basel
Title:
Sanaa / Sejima + Nishizawa, works byWalter Niedermayr : Novatis campus- Fabrikstrasse 4
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Novartis Campus at Basel will be characterized by far-reaching visions of urban space and architecture. The first new building on the Campus – "Forum 3" by Diener, Federle, Wiederin – was finished in 2005, followed by "Fabrikstrasse 6" of Peter Märkli. The third building – "Fabrikstrasse 4" by SANAA – was opened in autumn 2006. The two partners who lead SANAA, Ryue Nishizawa and Kazuyo Sejima, have designed a building that disregards all the rules of historical architecture: a rack, without a façade, with no hierarchy in its structure, and not responding in any way to the maxim of the pre-modern city. Essentially there are two materials: a light-coloured structure in in-situ concrete clad with glass. This publication presents works by Walter Niedermayr as well as numerous plans. With an introduction Ulrike by Jehle-Schulte Strathaus, texts by Aaron Betsky, Valerio Olgiati and Moritz Küng. Inventory by SANAA.
Sanaa / Sejima + Nishizawa, works byWalter Niedermayr : Novatis campus- Fabrikstrasse 4
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Novartis Campus at Basel will be characterized by far-reaching visions of urban space and architecture. The first new building on the Campus – "Forum 3" by Diener, Federle, Wiederin – was finished in 2005, followed by "Fabrikstrasse 6" of Peter Märkli. The third building – "Fabrikstrasse 4" by SANAA – was opened in autumn 2006. The two partners who lead SANAA, Ryue Nishizawa and Kazuyo Sejima, have designed a building that disregards all the rules of historical architecture: a rack, without a façade, with no hierarchy in its structure, and not responding in any way to the maxim of the pre-modern city. Essentially there are two materials: a light-coloured structure in in-situ concrete clad with glass. This publication presents works by Walter Niedermayr as well as numerous plans. With an introduction Ulrike by Jehle-Schulte Strathaus, texts by Aaron Betsky, Valerio Olgiati and Moritz Küng. Inventory by SANAA.
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books
books
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November 2006, Basel
November 2006, Basel
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Architecture Monographs
Architecture Monographs
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books
books
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«La arquitectura es un oficio de servicio, pues eso es lo que es: un servicio. La arquitectura es un ofocio complejo porque el momento expresivo formal es un momento de sintesis fecundado por todo aquello que se encuentra detras de la arquitectura: la historia, la sociedad, el mundo real de la gente, sus emociones, esperanzas y esperas; la geografia y la antropologia, el(...)
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«La arquitectura es un oficio de servicio, pues eso es lo que es: un servicio. La arquitectura es un ofocio complejo porque el momento expresivo formal es un momento de sintesis fecundado por todo aquello que se encuentra detras de la arquitectura: la historia, la sociedad, el mundo real de la gente, sus emociones, esperanzas y esperas; la geografia y la antropologia, el(...)
Title:
Renzo Piano: Conversacion con Renzo Cassigoli
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«La arquitectura es un oficio de servicio, pues eso es lo que es: un servicio. La arquitectura es un ofocio complejo porque el momento expresivo formal es un momento de sintesis fecundado por todo aquello que se encuentra detras de la arquitectura: la historia, la sociedad, el mundo real de la gente, sus emociones, esperanzas y esperas; la geografia y la antropologia, el clima, la cultura de cada pais donde se va a trabajar; y, de nuevo, la ciencia y del arte. La arquitectura es un oficio artistico, aunque al mismo tiempo tambien es un oficio cientifico; éste es justamente su hecho distintivo.»
Renzo Piano: Conversacion con Renzo Cassigoli
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«La arquitectura es un oficio de servicio, pues eso es lo que es: un servicio. La arquitectura es un ofocio complejo porque el momento expresivo formal es un momento de sintesis fecundado por todo aquello que se encuentra detras de la arquitectura: la historia, la sociedad, el mundo real de la gente, sus emociones, esperanzas y esperas; la geografia y la antropologia, el clima, la cultura de cada pais donde se va a trabajar; y, de nuevo, la ciencia y del arte. La arquitectura es un oficio artistico, aunque al mismo tiempo tambien es un oficio cientifico; éste es justamente su hecho distintivo.»
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books
books
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January 2006, Barcelona
January 2006, Barcelona
Subject:
Architecture Monographs
Architecture Monographs
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books
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$100.00
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Lina Bo Bardi, the Rome-born architect, emigrated after World War Two to Brazil, a country where she undertook her professional career. The outcome of her personal experience and of a wish to get closer to the culture and ways of life of the people, Bo Bardi’s creativity moved in the direction of an architecture that prized simplicity, spontaneity, the residual and the(...)
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Lina Bo Bardi, the Rome-born architect, emigrated after World War Two to Brazil, a country where she undertook her professional career. The outcome of her personal experience and of a wish to get closer to the culture and ways of life of the people, Bo Bardi’s creativity moved in the direction of an architecture that prized simplicity, spontaneity, the residual and the(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
June 2006, Barcelona, Sao Paulo
June 2006, Barcelona, Sao Paulo
Title:
Subtle substances : the architecture of Lina Bo Bardi
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Lina Bo Bardi, the Rome-born architect, emigrated after World War Two to Brazil, a country where she undertook her professional career. The outcome of her personal experience and of a wish to get closer to the culture and ways of life of the people, Bo Bardi’s creativity moved in the direction of an architecture that prized simplicity, spontaneity, the residual and the ephemeral; an architecture understood as 'an organism suitable for life' which incorporated everydayness and the energy of the people who use it. As a result she used the word ‘substances’, rather than ‘materials’, to explain what her architecture was made of. These substances are air, light, nature and art, to which the author, Olivia de Oliveira, adds time. The work of Lina Bo Bardi, then, is presented here via a huge array of previously unpublished drawings, images, writings and projects that enable the reader to grasp in a kaleidoscopic way the power and current importance of her architecture as a critical confrontation with established reality.
Subtle substances : the architecture of Lina Bo Bardi
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Lina Bo Bardi, the Rome-born architect, emigrated after World War Two to Brazil, a country where she undertook her professional career. The outcome of her personal experience and of a wish to get closer to the culture and ways of life of the people, Bo Bardi’s creativity moved in the direction of an architecture that prized simplicity, spontaneity, the residual and the ephemeral; an architecture understood as 'an organism suitable for life' which incorporated everydayness and the energy of the people who use it. As a result she used the word ‘substances’, rather than ‘materials’, to explain what her architecture was made of. These substances are air, light, nature and art, to which the author, Olivia de Oliveira, adds time. The work of Lina Bo Bardi, then, is presented here via a huge array of previously unpublished drawings, images, writings and projects that enable the reader to grasp in a kaleidoscopic way the power and current importance of her architecture as a critical confrontation with established reality.
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books
books
Publication:
June 2006, Barcelona, Sao Paulo
June 2006, Barcelona, Sao Paulo
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
Gottfried Böhm
Gottfried Böhm
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In 1986, when Gottfried Böhm won the Pritzker Prize, the award was only a few years old, but it was already regarded as the greatest international accolade in architecture. Böhm, the first and only German ever to receive the prize, was honored by the Pritzker committee in part for his work from the 1950s and 60s, which was almost exclusively devoted to the construction(...)
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In 1986, when Gottfried Böhm won the Pritzker Prize, the award was only a few years old, but it was already regarded as the greatest international accolade in architecture. Böhm, the first and only German ever to receive the prize, was honored by the Pritzker committee in part for his work from the 1950s and 60s, which was almost exclusively devoted to the construction(...)
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Gottfried Böhm
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In 1986, when Gottfried Böhm won the Pritzker Prize, the award was only a few years old, but it was already regarded as the greatest international accolade in architecture. Böhm, the first and only German ever to receive the prize, was honored by the Pritzker committee in part for his work from the 1950s and 60s, which was almost exclusively devoted to the construction and reconstruction of churches. Böhm's Pilgrimage Church in Neviges, Germany (1964-68), for example, is a crystalline ecclesiastical building modeled in exposed concrete, and a beautiful example of Böhm's virtuosity. In Böhm's work of this era, the utopian ideas of Expressionist architects, who had dreamed of massive buildings that would generate a sense of community, found a late and surprising outlet in the bosom of the Catholic Church.
Gottfried Böhm
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In 1986, when Gottfried Böhm won the Pritzker Prize, the award was only a few years old, but it was already regarded as the greatest international accolade in architecture. Böhm, the first and only German ever to receive the prize, was honored by the Pritzker committee in part for his work from the 1950s and 60s, which was almost exclusively devoted to the construction and reconstruction of churches. Böhm's Pilgrimage Church in Neviges, Germany (1964-68), for example, is a crystalline ecclesiastical building modeled in exposed concrete, and a beautiful example of Böhm's virtuosity. In Böhm's work of this era, the utopian ideas of Expressionist architects, who had dreamed of massive buildings that would generate a sense of community, found a late and surprising outlet in the bosom of the Catholic Church.
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books
books
Publication:
March 2007, Berlin
March 2007, Berlin
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$88.00
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Large bunk beds line the walls of a luminous all-white basement; "elephant drum" tables double as dancing podiums; a huge bed (for 45 people) fills the "Bed Baroque" room: this is the Supperclub nightclub and restaurant in Rome, designed by the Dutch design firm Concrete. The group's design concept has been a success in Amsterdam, Rome and San Francisco, and will land(...)
$88.00
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Large bunk beds line the walls of a luminous all-white basement; "elephant drum" tables double as dancing podiums; a huge bed (for 45 people) fills the "Bed Baroque" room: this is the Supperclub nightclub and restaurant in Rome, designed by the Dutch design firm Concrete. The group's design concept has been a success in Amsterdam, Rome and San Francisco, and will land(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
July 2007, Rotterdam
July 2007, Rotterdam
Title:
The world according to concrete
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Large bunk beds line the walls of a luminous all-white basement; "elephant drum" tables double as dancing podiums; a huge bed (for 45 people) fills the "Bed Baroque" room: this is the Supperclub nightclub and restaurant in Rome, designed by the Dutch design firm Concrete. The group's design concept has been a success in Amsterdam, Rome and San Francisco, and will land soon in New York City. It has also mutated into Supperclub on Location and the Supperclub Cruise. Over the past decade, Concrete has set tongues wagging with their subtle amalgamation of architecture, advertising, fashion and product design for clients including De Lairesse Pharmacy in Amsterdam (winner, along with Supperclub, of the Lensvelt-de Architect Interior Prize), Rituals Home & Body Cosmetics, Australian Homemade, The Coffee Company, London's Laundry Industry, the Centraal Museum in Utrecht and the Van Gogh Museum, Amsterdam. It has also made its mark with projects for Hyundai in Seoul, the UberFluss design hotel in Bremen and the recently completed designs for the restaurants and shops at the Mercedes-Benz Museum Stuttgart (a building designed by UN Studio architects), which have already garnered much critical admiration. The World According to Concrete examines this chic young bureau's working methods and its position within the world of (interior) architecture. Featuring 300 color images and essays by esteemed design critic Timo de Rijk among others, it provides a timely appraisal of one of the boldest and most innovative design companies on the international scene.
The world according to concrete
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Large bunk beds line the walls of a luminous all-white basement; "elephant drum" tables double as dancing podiums; a huge bed (for 45 people) fills the "Bed Baroque" room: this is the Supperclub nightclub and restaurant in Rome, designed by the Dutch design firm Concrete. The group's design concept has been a success in Amsterdam, Rome and San Francisco, and will land soon in New York City. It has also mutated into Supperclub on Location and the Supperclub Cruise. Over the past decade, Concrete has set tongues wagging with their subtle amalgamation of architecture, advertising, fashion and product design for clients including De Lairesse Pharmacy in Amsterdam (winner, along with Supperclub, of the Lensvelt-de Architect Interior Prize), Rituals Home & Body Cosmetics, Australian Homemade, The Coffee Company, London's Laundry Industry, the Centraal Museum in Utrecht and the Van Gogh Museum, Amsterdam. It has also made its mark with projects for Hyundai in Seoul, the UberFluss design hotel in Bremen and the recently completed designs for the restaurants and shops at the Mercedes-Benz Museum Stuttgart (a building designed by UN Studio architects), which have already garnered much critical admiration. The World According to Concrete examines this chic young bureau's working methods and its position within the world of (interior) architecture. Featuring 300 color images and essays by esteemed design critic Timo de Rijk among others, it provides a timely appraisal of one of the boldest and most innovative design companies on the international scene.
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books
books
Publication:
July 2007, Rotterdam
July 2007, Rotterdam
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
Louis I Kahn
Louis I Kahn
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Louis I. Kahn (1901-1974) a exercé une influence majeure sur l'architecture mondiale de la seconde moitié du XXe siècle. Cet ouvrage propose une présentation approfondie du travail de l'architecte à travers l'étude chronologique de ses œuvres ainsi que l'examen des thème fondamentaux qui l'ont guidé et leur évolution tout au long de sa carrière. Chacun des principaux(...)
$89.95
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Louis I. Kahn (1901-1974) a exercé une influence majeure sur l'architecture mondiale de la seconde moitié du XXe siècle. Cet ouvrage propose une présentation approfondie du travail de l'architecte à travers l'étude chronologique de ses œuvres ainsi que l'examen des thème fondamentaux qui l'ont guidé et leur évolution tout au long de sa carrière. Chacun des principaux(...)
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Louis I Kahn
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Louis I. Kahn (1901-1974) a exercé une influence majeure sur l'architecture mondiale de la seconde moitié du XXe siècle. Cet ouvrage propose une présentation approfondie du travail de l'architecte à travers l'étude chronologique de ses œuvres ainsi que l'examen des thème fondamentaux qui l'ont guidé et leur évolution tout au long de sa carrière. Chacun des principaux bâtiments de Kahn, qu'ils aient été réalisés ou qu'ils soient restés à l'état de projet, y sont analysés, depuis le processus de conception et les idées maîtresses jusqu'aux techniques et matériaux employés, avant de continuer par une " traversée " des espaces eux-mêmes, suivant ainsi le souci premier de Kahn : l'espace intérieur et ce qu'il communique à son occupant. Chaque projet, accompagné de nombreuses photographies qui traduisent l'esprit animant l'œuvre de Kahn, est en outre doté d'un dossier illustré retraçant et documentant l'élaboration conceptuelle et les sources d'inspiration et idées qui ont conduit au projet définitif. Robert McCarter expose, à travers ce texte qui fait autorité, de quelle manière Louis I. Kahn a redéfini l'architecture moderne. Richement documenté, cet ouvrage propose une sélection de dessins originaux et de photographies provenant des Louis I. Kahn Archives ainsi que des plans redessinés récemment. Il comprend également des écrits inédits de Kahn ainsi que la publication, pour la première fois, de la chronologie intégrale de ses réalisations et projets, établie par William Whitaker, conservateur en chef des Louis I. Kahn Archives. Cette monographie constitue ainsi un ouvrage de référence essentiel consacré à ce grand nom de l'architecture.
Louis I Kahn
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Louis I. Kahn (1901-1974) a exercé une influence majeure sur l'architecture mondiale de la seconde moitié du XXe siècle. Cet ouvrage propose une présentation approfondie du travail de l'architecte à travers l'étude chronologique de ses œuvres ainsi que l'examen des thème fondamentaux qui l'ont guidé et leur évolution tout au long de sa carrière. Chacun des principaux bâtiments de Kahn, qu'ils aient été réalisés ou qu'ils soient restés à l'état de projet, y sont analysés, depuis le processus de conception et les idées maîtresses jusqu'aux techniques et matériaux employés, avant de continuer par une " traversée " des espaces eux-mêmes, suivant ainsi le souci premier de Kahn : l'espace intérieur et ce qu'il communique à son occupant. Chaque projet, accompagné de nombreuses photographies qui traduisent l'esprit animant l'œuvre de Kahn, est en outre doté d'un dossier illustré retraçant et documentant l'élaboration conceptuelle et les sources d'inspiration et idées qui ont conduit au projet définitif. Robert McCarter expose, à travers ce texte qui fait autorité, de quelle manière Louis I. Kahn a redéfini l'architecture moderne. Richement documenté, cet ouvrage propose une sélection de dessins originaux et de photographies provenant des Louis I. Kahn Archives ainsi que des plans redessinés récemment. Il comprend également des écrits inédits de Kahn ainsi que la publication, pour la première fois, de la chronologie intégrale de ses réalisations et projets, établie par William Whitaker, conservateur en chef des Louis I. Kahn Archives. Cette monographie constitue ainsi un ouvrage de référence essentiel consacré à ce grand nom de l'architecture.
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books
books
Publication:
March 2007, Paris
March 2007, Paris
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$67.00
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Summary:
Is it possible to design a building without a context? How can an architect react to something that does not yet exist? For an office building in Digital Media City, a new section of Seoul that is still on the drawing board, Berlin-based architects Frank Barkow and Regine Leibinger developed an unusual strategy. The methodic treatment of themes such as "place" or(...)
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Is it possible to design a building without a context? How can an architect react to something that does not yet exist? For an office building in Digital Media City, a new section of Seoul that is still on the drawing board, Berlin-based architects Frank Barkow and Regine Leibinger developed an unusual strategy. The methodic treatment of themes such as "place" or(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
August 2007, Ostfildern
August 2007, Ostfildern
Title:
Barkow Leibinger : reflect : building in the Digital Media City Seoul, Korea
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Is it possible to design a building without a context? How can an architect react to something that does not yet exist? For an office building in Digital Media City, a new section of Seoul that is still on the drawing board, Berlin-based architects Frank Barkow and Regine Leibinger developed an unusual strategy. The methodic treatment of themes such as "place" or "history" did not come into play at all, and the designs for the neighboring parcels of land were unknown. The architects gave their building the ability to kaleidoscopically reflect its future surroundings in a folded façade. This book documents the process of designing and constructing the building, which was completed in early 2007. Texts, photographs, and video stills provide commentary on the emergence of a versatile face in the midst of facelessness. With DVD-video "Reflect observed" by Corinne Rose.
Barkow Leibinger : reflect : building in the Digital Media City Seoul, Korea
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Is it possible to design a building without a context? How can an architect react to something that does not yet exist? For an office building in Digital Media City, a new section of Seoul that is still on the drawing board, Berlin-based architects Frank Barkow and Regine Leibinger developed an unusual strategy. The methodic treatment of themes such as "place" or "history" did not come into play at all, and the designs for the neighboring parcels of land were unknown. The architects gave their building the ability to kaleidoscopically reflect its future surroundings in a folded façade. This book documents the process of designing and constructing the building, which was completed in early 2007. Texts, photographs, and video stills provide commentary on the emergence of a versatile face in the midst of facelessness. With DVD-video "Reflect observed" by Corinne Rose.
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books
books
Publication:
August 2007, Ostfildern
August 2007, Ostfildern
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$42.00
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Hugh Stubbins, who began his career as an assistant to Walter Gropius at Harvard, is undoubtedly among the important international architects of postwar Modernism. His high-rise buildings, in particular the Citicorp Building in New York, helped him to achieve world fame. In Germany, too, he has left behind an example of his skill : the Berlin Congress Hall of 1957. The(...)
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Hugh Stubbins, who began his career as an assistant to Walter Gropius at Harvard, is undoubtedly among the important international architects of postwar Modernism. His high-rise buildings, in particular the Citicorp Building in New York, helped him to achieve world fame. In Germany, too, he has left behind an example of his skill : the Berlin Congress Hall of 1957. The(...)
Title:
The architect Hugh Stubbins : fifties American modernism in Berlin
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Hugh Stubbins, who began his career as an assistant to Walter Gropius at Harvard, is undoubtedly among the important international architects of postwar Modernism. His high-rise buildings, in particular the Citicorp Building in New York, helped him to achieve world fame. In Germany, too, he has left behind an example of his skill : the Berlin Congress Hall of 1957. The exciting story of this expressive symbol of postwar Modernism shows the way in which architecture was politicized at that time. This book examines in detail the origin and construction of this unique building, as well as the diversity of the American architect’s work.
The architect Hugh Stubbins : fifties American modernism in Berlin
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Hugh Stubbins, who began his career as an assistant to Walter Gropius at Harvard, is undoubtedly among the important international architects of postwar Modernism. His high-rise buildings, in particular the Citicorp Building in New York, helped him to achieve world fame. In Germany, too, he has left behind an example of his skill : the Berlin Congress Hall of 1957. The exciting story of this expressive symbol of postwar Modernism shows the way in which architecture was politicized at that time. This book examines in detail the origin and construction of this unique building, as well as the diversity of the American architect’s work.
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books
books
Publication:
November 2007, Berlin
November 2007, Berlin
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$89.95
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Summary:
De Paris à New York et à Rio, en passant par Pékin et Beyrouth, cette monographie dévoile les réalisations récentes et les projets en cours de l’architecte, mais aussi quelques « fictions » qui ne seront pas réalisées, comme le So Bella à Las Vegas qui en illustre la couverture. Seul lauréat français du Pritzker Architecture Prize, Christian de Portzamparc construit dans(...)
$89.95
(available to order)
Summary:
De Paris à New York et à Rio, en passant par Pékin et Beyrouth, cette monographie dévoile les réalisations récentes et les projets en cours de l’architecte, mais aussi quelques « fictions » qui ne seront pas réalisées, comme le So Bella à Las Vegas qui en illustre la couverture. Seul lauréat français du Pritzker Architecture Prize, Christian de Portzamparc construit dans(...)
Title:
Christian De Portzamparc : rêver la ville
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Price:
$89.95
(available to order)
Summary:
De Paris à New York et à Rio, en passant par Pékin et Beyrouth, cette monographie dévoile les réalisations récentes et les projets en cours de l’architecte, mais aussi quelques « fictions » qui ne seront pas réalisées, comme le So Bella à Las Vegas qui en illustre la couverture. Seul lauréat français du Pritzker Architecture Prize, Christian de Portzamparc construit dans le monde entier des bâtiments singuliers, des lieux dédiés à la musique : Cidade da musica à Rio de Janeiro, New York City Opera… ; des « morceaux » de ville : des îlots ouverts sur l’east river à New-York, le quartier Masséna à Paris… ; des logements : Block 1 à Almere, Pays-Bas… ; des tours sculpturales : Tour Granite à la Défense, 400 Park Avenue à New-York… Chaque projet sélectionné raconte une histoire singulière, une aventure humaine relevant parfois de l’épopée. L’approche thématique choisie dans cette monographie s’appuie sur la présentation de projets récents majeurs et leurs connexions avec l’ensemble de l’œuvre.
Christian De Portzamparc : rêver la ville
Actions:
Price:
$89.95
(available to order)
Summary:
De Paris à New York et à Rio, en passant par Pékin et Beyrouth, cette monographie dévoile les réalisations récentes et les projets en cours de l’architecte, mais aussi quelques « fictions » qui ne seront pas réalisées, comme le So Bella à Las Vegas qui en illustre la couverture. Seul lauréat français du Pritzker Architecture Prize, Christian de Portzamparc construit dans le monde entier des bâtiments singuliers, des lieux dédiés à la musique : Cidade da musica à Rio de Janeiro, New York City Opera… ; des « morceaux » de ville : des îlots ouverts sur l’east river à New-York, le quartier Masséna à Paris… ; des logements : Block 1 à Almere, Pays-Bas… ; des tours sculpturales : Tour Granite à la Défense, 400 Park Avenue à New-York… Chaque projet sélectionné raconte une histoire singulière, une aventure humaine relevant parfois de l’épopée. L’approche thématique choisie dans cette monographie s’appuie sur la présentation de projets récents majeurs et leurs connexions avec l’ensemble de l’œuvre.
Form:
books
books
Publication:
May 2007, Paris
May 2007, Paris
Subject:
Architecture Monographs
Architecture Monographs
