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Title:
Le Corbusier
Le Corbusier
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Le Corbusier is probably the most famous and certainly the most controversial architect of the twentieth century. His impact on the urban fabric around us and on the way we live has been gigantic because of the richness and variety of his work and his(...)
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Le Corbusier is probably the most famous and certainly the most controversial architect of the twentieth century. His impact on the urban fabric around us and on the way we live has been gigantic because of the richness and variety of his work and his(...)
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Le Corbusier
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Le Corbusier is probably the most famous and certainly the most controversial architect of the twentieth century. His impact on the urban fabric around us and on the way we live has been gigantic because of the richness and variety of his work and his passionately expressed philosophy of architecture. Weaving through his long and prolific life are certain recurrent themes — his perennial drive toward new types of dwelling, from the early white villas to the U'ité d'Habitation at Marseille; his evolving concepts of urban form, including the Plan Voisin of 1925 with its cruciform towers imposed on the city of Paris and his work at Chandigarh in India; and his belief in a new technocratic order. The distinguished critic and historian Kenneth Frampton reexamines all these facets of his artistic and philosophical worldview in the light of recent discoveries, and presents us with a Le Corbusier for the twenty-first century.
Le Corbusier
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Le Corbusier is probably the most famous and certainly the most controversial architect of the twentieth century. His impact on the urban fabric around us and on the way we live has been gigantic because of the richness and variety of his work and his passionately expressed philosophy of architecture. Weaving through his long and prolific life are certain recurrent themes — his perennial drive toward new types of dwelling, from the early white villas to the U'ité d'Habitation at Marseille; his evolving concepts of urban form, including the Plan Voisin of 1925 with its cruciform towers imposed on the city of Paris and his work at Chandigarh in India; and his belief in a new technocratic order. The distinguished critic and historian Kenneth Frampton reexamines all these facets of his artistic and philosophical worldview in the light of recent discoveries, and presents us with a Le Corbusier for the twenty-first century.
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books
books
Publication:
June 2001, London
June 2001, London
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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This volume contains work, both built and unbuilt, both large-scale and small, designed in the 1990s by the firm of Philip Johnson/Alan Ritchie Architects. Alan Ritchie has worked with Johnson since 1969; the firm was established in 1994. The projects shown may be divided into two groups. Johnson’s interest in the past decade in sculptural form - or the way in which(...)
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This volume contains work, both built and unbuilt, both large-scale and small, designed in the 1990s by the firm of Philip Johnson/Alan Ritchie Architects. Alan Ritchie has worked with Johnson since 1969; the firm was established in 1994. The projects shown may be divided into two groups. Johnson’s interest in the past decade in sculptural form - or the way in which(...)
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Architecture Monographs
Architecture Monographs
Publication:
January 2003, New York
January 2003, New York
Title:
Philip Johnson / Alan Ritchie architects
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This volume contains work, both built and unbuilt, both large-scale and small, designed in the 1990s by the firm of Philip Johnson/Alan Ritchie Architects. Alan Ritchie has worked with Johnson since 1969; the firm was established in 1994. The projects shown may be divided into two groups. Johnson’s interest in the past decade in sculptural form - or the way in which sculptural form translates into architectural presence - has led to designs that involve both new kinds of shapes and new ways of using classic architectural form to make entirely new works of architecture. Such sculptural works, for the most part small in scale, include Da Monsta, the new visitors pavilion at Johnson’s famed Glass House in New Canaan, Connecticut, and a spectacular folly consisting of four pyramids made of chain-link fencing at an estate in New York State. Simultaneously, the firm has continued its ongoing work with larger projects, such as a 27-story apartment tower for Tribeca, in lower Manhattan; the Cathedral of Hope in Dallas; an addition to the Amon Carter Museum, originally designed by Johnson in 1961, in Forth Worth, Texas; and a proposal for the architecture school at Texas A University in College Station. Also included are a pair of proposals for La Défense in Paris; three large houses; a new china design for the Four Seasons restaurant in New York; and a new public clock, sponsored by Movado, for Lincoln Center. Introduction by Paul Goldberger.
Philip Johnson / Alan Ritchie architects
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This volume contains work, both built and unbuilt, both large-scale and small, designed in the 1990s by the firm of Philip Johnson/Alan Ritchie Architects. Alan Ritchie has worked with Johnson since 1969; the firm was established in 1994. The projects shown may be divided into two groups. Johnson’s interest in the past decade in sculptural form - or the way in which sculptural form translates into architectural presence - has led to designs that involve both new kinds of shapes and new ways of using classic architectural form to make entirely new works of architecture. Such sculptural works, for the most part small in scale, include Da Monsta, the new visitors pavilion at Johnson’s famed Glass House in New Canaan, Connecticut, and a spectacular folly consisting of four pyramids made of chain-link fencing at an estate in New York State. Simultaneously, the firm has continued its ongoing work with larger projects, such as a 27-story apartment tower for Tribeca, in lower Manhattan; the Cathedral of Hope in Dallas; an addition to the Amon Carter Museum, originally designed by Johnson in 1961, in Forth Worth, Texas; and a proposal for the architecture school at Texas A University in College Station. Also included are a pair of proposals for La Défense in Paris; three large houses; a new china design for the Four Seasons restaurant in New York; and a new public clock, sponsored by Movado, for Lincoln Center. Introduction by Paul Goldberger.
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books
books
Publication:
January 2003, New York
January 2003, New York
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$60.00
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"This is an experiential architecture, not a theoretical one. It is grounded in reality, not in abstract dogma, yet it seeks the transcendent, every bit as earnestly - perhaps even more so - then architecture that is built on pure theory. It is the way space, texture, light, materials actually feel that motivates these architects, and it is their skill at manipulating(...)
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"This is an experiential architecture, not a theoretical one. It is grounded in reality, not in abstract dogma, yet it seeks the transcendent, every bit as earnestly - perhaps even more so - then architecture that is built on pure theory. It is the way space, texture, light, materials actually feel that motivates these architects, and it is their skill at manipulating(...)
Title:
Olsen Sundberg Kunding Allen : connecting architecture, art, and craft in twelve residential projects
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"This is an experiential architecture, not a theoretical one. It is grounded in reality, not in abstract dogma, yet it seeks the transcendent, every bit as earnestly - perhaps even more so - then architecture that is built on pure theory. It is the way space, texture, light, materials actually feel that motivates these architects, and it is their skill at manipulating these elements that gives their work the rigor and strength it possesses. This architecture is marked by a sense of a self-assured and sensual presence, shaped by light, texture, materiality and scale. It should almost go without saying at this point that in an age in which most architects actively seek to achieve the identity of a "look," Olson Sundberg's work eschews simple similarities. Certain principles are evident from one building to another, as is the absence of direct historical replication, but consistency is not the same as a packageable style. Indeed, a single, easily identifiable style is something that these architects not only do not have but seem actively to discourage, as if its presence could be taken as a sign that their firm was not sufficiently cognizant of the widely varying demands that are inherent in different clients' programs, sites and esthetic preferences. They seem determined to prove that consistency of belief need not yield similarity of visual appearance – and that it is possible to produce a coherent body of work that does not look precisely the same." Excerpted from the introduction written by Paul Goldberger.
Olsen Sundberg Kunding Allen : connecting architecture, art, and craft in twelve residential projects
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"This is an experiential architecture, not a theoretical one. It is grounded in reality, not in abstract dogma, yet it seeks the transcendent, every bit as earnestly - perhaps even more so - then architecture that is built on pure theory. It is the way space, texture, light, materials actually feel that motivates these architects, and it is their skill at manipulating these elements that gives their work the rigor and strength it possesses. This architecture is marked by a sense of a self-assured and sensual presence, shaped by light, texture, materiality and scale. It should almost go without saying at this point that in an age in which most architects actively seek to achieve the identity of a "look," Olson Sundberg's work eschews simple similarities. Certain principles are evident from one building to another, as is the absence of direct historical replication, but consistency is not the same as a packageable style. Indeed, a single, easily identifiable style is something that these architects not only do not have but seem actively to discourage, as if its presence could be taken as a sign that their firm was not sufficiently cognizant of the widely varying demands that are inherent in different clients' programs, sites and esthetic preferences. They seem determined to prove that consistency of belief need not yield similarity of visual appearance – and that it is possible to produce a coherent body of work that does not look precisely the same." Excerpted from the introduction written by Paul Goldberger.
Form:
books
books
Publication:
June 2001, New York
June 2001, New York
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$14.95
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Summary:
Based on the collection of drawings at Sir John Soane's Museum.
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Based on the collection of drawings at Sir John Soane's Museum.
Title:
Robert Adam - the creative mind : from the sketch to the finished drawing
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Based on the collection of drawings at Sir John Soane's Museum.
Robert Adam - the creative mind : from the sketch to the finished drawing
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Based on the collection of drawings at Sir John Soane's Museum.
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books
books
Publication:
January 1996, London
January 1996, London
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
Robert Adam's castles
Robert Adam's castles
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Summary:
In the last fifteen years of his life, Robert Adam produced a series of picturesque landscape fantasies which he never exhibitied, but which were the recreation of his leisure hours. He also made amny designs for buildings in the Castle Style; both these groups form the subject of this exhibition catalogue which explores this compartively neglected aspect(...)
$15.95
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Summary:
In the last fifteen years of his life, Robert Adam produced a series of picturesque landscape fantasies which he never exhibitied, but which were the recreation of his leisure hours. He also made amny designs for buildings in the Castle Style; both these groups form the subject of this exhibition catalogue which explores this compartively neglected aspect(...)
Title:
Robert Adam's castles
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$15.95
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In the last fifteen years of his life, Robert Adam produced a series of picturesque landscape fantasies which he never exhibitied, but which were the recreation of his leisure hours. He also made amny designs for buildings in the Castle Style; both these groups form the subject of this exhibition catalogue which explores this compartively neglected aspect of Adam's work. The works are taken from the collection of Sir John Soane's Museum.
Robert Adam's castles
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In the last fifteen years of his life, Robert Adam produced a series of picturesque landscape fantasies which he never exhibitied, but which were the recreation of his leisure hours. He also made amny designs for buildings in the Castle Style; both these groups form the subject of this exhibition catalogue which explores this compartively neglected aspect of Adam's work. The works are taken from the collection of Sir John Soane's Museum.
Form:
books
books
Publication:
January 2000, London
January 2000, London
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$29.50
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Summary:
This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil(...)
$29.50
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Summary:
This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 1999, London
January 1999, London
Title:
Visions of ruin : architectural fantasies & designs for garden follies
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This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil ruins, and in Paris the great chef Antoine Carême served blancmanges in the shape of Roman ruins. John Soane represents the climax of this fascination. In the garden of his Museum at No.13 Lincoln's Inn Fields is the 'Monk's Yard', a mock-ruin assembled from medieval fragments of the Palace of Westminster. At his country house, Pitzhanger Manor in Ealing, he pretended that a mock-classical ruin was a Roman temple he had discovered at the bottom of the garden. He commemorated the completion of his masterpiece, the Bank of England, by exhibiting a series of astonishing views of the structure as if a ruin. He even wrote a narrative, "Crude Hints Towards the History of My House", in which he imagined an archaeologist of future centuries inspecting the fragments of his home. The transcribed text is reprinted in this publication. Architects and artists include Robert Adam, William Chambers, Hubert Robert, Piranesi, Clerrisseau, Richard Wilson, J. M. W. Turner, Gustave Doré and John Martin.
Visions of ruin : architectural fantasies & designs for garden follies
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$29.50
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Summary:
This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil ruins, and in Paris the great chef Antoine Carême served blancmanges in the shape of Roman ruins. John Soane represents the climax of this fascination. In the garden of his Museum at No.13 Lincoln's Inn Fields is the 'Monk's Yard', a mock-ruin assembled from medieval fragments of the Palace of Westminster. At his country house, Pitzhanger Manor in Ealing, he pretended that a mock-classical ruin was a Roman temple he had discovered at the bottom of the garden. He commemorated the completion of his masterpiece, the Bank of England, by exhibiting a series of astonishing views of the structure as if a ruin. He even wrote a narrative, "Crude Hints Towards the History of My House", in which he imagined an archaeologist of future centuries inspecting the fragments of his home. The transcribed text is reprinted in this publication. Architects and artists include Robert Adam, William Chambers, Hubert Robert, Piranesi, Clerrisseau, Richard Wilson, J. M. W. Turner, Gustave Doré and John Martin.
Form:
books
books
Publication:
January 1999, London
January 1999, London
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$112.50
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Summary:
Making full use of the Soane Museum and country house archives, Ptolemy Dean here examines ten country house projects, reconstructing the creative transactions between client and architect, architect and skilled craftsman. It is impossible to understand Soane's intentions without the drawings, sketches and letters which enable us to trace the process(...)
$112.50
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Summary:
Making full use of the Soane Museum and country house archives, Ptolemy Dean here examines ten country house projects, reconstructing the creative transactions between client and architect, architect and skilled craftsman. It is impossible to understand Soane's intentions without the drawings, sketches and letters which enable us to trace the process(...)
Title:
Sir John Soane and the country estate
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Making full use of the Soane Museum and country house archives, Ptolemy Dean here examines ten country house projects, reconstructing the creative transactions between client and architect, architect and skilled craftsman. It is impossible to understand Soane's intentions without the drawings, sketches and letters which enable us to trace the process of design. With the author's own drawings in watercolor to illustrate Soane's use of light and space, and photographs by Martin Charles, Sir "John Soane and the Country Estate" offers an insight into the work of a great architect.
Sir John Soane and the country estate
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$112.50
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Summary:
Making full use of the Soane Museum and country house archives, Ptolemy Dean here examines ten country house projects, reconstructing the creative transactions between client and architect, architect and skilled craftsman. It is impossible to understand Soane's intentions without the drawings, sketches and letters which enable us to trace the process of design. With the author's own drawings in watercolor to illustrate Soane's use of light and space, and photographs by Martin Charles, Sir "John Soane and the Country Estate" offers an insight into the work of a great architect.
Form:
books
books
Publication:
October 1999, Aldershot
October 1999, Aldershot
Subject:
Architecture Monographs
Architecture Monographs
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books
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$130.00
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Summary:
Adalberto Libera, l'un des plus grands protagonistes de l'architecture italienne du XXe siècle, a su inventer dans l'entre-deux-guerre, une architecture apte à se confronter aux recherches les plus avancées au niveau international, et à fournir la réponse italienne aux expérimentations des architectes du Mouvement moderne. Projets et réalisations sont accompagnées de(...)
$130.00
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Adalberto Libera, l'un des plus grands protagonistes de l'architecture italienne du XXe siècle, a su inventer dans l'entre-deux-guerre, une architecture apte à se confronter aux recherches les plus avancées au niveau international, et à fournir la réponse italienne aux expérimentations des architectes du Mouvement moderne. Projets et réalisations sont accompagnées de(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 2005, Sassari, Italy
January 2005, Sassari, Italy
Title:
Adalberto Libera de l'après-guerre
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Adalberto Libera, l'un des plus grands protagonistes de l'architecture italienne du XXe siècle, a su inventer dans l'entre-deux-guerre, une architecture apte à se confronter aux recherches les plus avancées au niveau international, et à fournir la réponse italienne aux expérimentations des architectes du Mouvement moderne. Projets et réalisations sont accompagnées de maquettes, plans détaillés et photos.
Adalberto Libera de l'après-guerre
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Adalberto Libera, l'un des plus grands protagonistes de l'architecture italienne du XXe siècle, a su inventer dans l'entre-deux-guerre, une architecture apte à se confronter aux recherches les plus avancées au niveau international, et à fournir la réponse italienne aux expérimentations des architectes du Mouvement moderne. Projets et réalisations sont accompagnées de maquettes, plans détaillés et photos.
Form:
books
books
Publication:
January 2005, Sassari, Italy
January 2005, Sassari, Italy
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$90.00
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Summary:
This book provides a critical retrospective of the architecture, urbanism, and design of Robert Venturi, Denise Scott Brown and Associates, ranging from the Sainsbury Wing at the National Gallery in London to the revitalization of Washington Avenue in Miami to the group of historically inspired chairs for Knoll. Filled with colour plates, many illustrating a variety of(...)
$90.00
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Summary:
This book provides a critical retrospective of the architecture, urbanism, and design of Robert Venturi, Denise Scott Brown and Associates, ranging from the Sainsbury Wing at the National Gallery in London to the revitalization of Washington Avenue in Miami to the group of historically inspired chairs for Knoll. Filled with colour plates, many illustrating a variety of(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
June 2001, New Haven
June 2001, New Haven
Title:
BACK IN STOCK!: Venturi, Brown and associates: out of the ordinary
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This book provides a critical retrospective of the architecture, urbanism, and design of Robert Venturi, Denise Scott Brown and Associates, ranging from the Sainsbury Wing at the National Gallery in London to the revitalization of Washington Avenue in Miami to the group of historically inspired chairs for Knoll. Filled with colour plates, many illustrating a variety of energetic drawings, the book shows the diversity of the firm's creative output and the singularity of the architects' visions. This book serves as a catalogue and accompanies the exhibition organised by the Philadelphia Museum of Art.
BACK IN STOCK!: Venturi, Brown and associates: out of the ordinary
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$90.00
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Summary:
This book provides a critical retrospective of the architecture, urbanism, and design of Robert Venturi, Denise Scott Brown and Associates, ranging from the Sainsbury Wing at the National Gallery in London to the revitalization of Washington Avenue in Miami to the group of historically inspired chairs for Knoll. Filled with colour plates, many illustrating a variety of energetic drawings, the book shows the diversity of the firm's creative output and the singularity of the architects' visions. This book serves as a catalogue and accompanies the exhibition organised by the Philadelphia Museum of Art.
Form:
books
books
Publication:
June 2001, New Haven
June 2001, New Haven
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Frank Gehry architect
Frank Gehry architect
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$120.00
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Since the 1997 completion of what many consider his greatest achievement - the stunning Guggenheim Museum in Bilbao, Spain - Frank O. Gehry has soared to the forefront of contemporary American architecture. Long recognized by his peers for his innovative designs, Gehry now enjoys a new level of prominence in the popular imagination. This book, the catalogue of the first(...)
$120.00
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Summary:
Since the 1997 completion of what many consider his greatest achievement - the stunning Guggenheim Museum in Bilbao, Spain - Frank O. Gehry has soared to the forefront of contemporary American architecture. Long recognized by his peers for his innovative designs, Gehry now enjoys a new level of prominence in the popular imagination. This book, the catalogue of the first(...)
Title:
Frank Gehry architect
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$120.00
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Summary:
Since the 1997 completion of what many consider his greatest achievement - the stunning Guggenheim Museum in Bilbao, Spain - Frank O. Gehry has soared to the forefront of contemporary American architecture. Long recognized by his peers for his innovative designs, Gehry now enjoys a new level of prominence in the popular imagination. This book, the catalogue of the first large-scale retrospective of Gehry's work in 15 years, examines the architect's unique vision and provides the historical perspective with which to interpret his audacious accomplishments. Essays by noted museum curators and architectural historians explore his iconoclastic spirit and trace his melding of unconventional materials and forms. Photographs, drawings, plans, and scale models communicate the breadth and complexity of Gehry's work and show how, in his view of architecture as sculptural space, Gehry has opened up a world of new possibilities for architecture. With texts by Jean-Louis Cohen, Beatriz Colomina, Mildred Friedman, William J. Mitchell, and J. Fiona Ragheb.
Frank Gehry architect
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$120.00
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Summary:
Since the 1997 completion of what many consider his greatest achievement - the stunning Guggenheim Museum in Bilbao, Spain - Frank O. Gehry has soared to the forefront of contemporary American architecture. Long recognized by his peers for his innovative designs, Gehry now enjoys a new level of prominence in the popular imagination. This book, the catalogue of the first large-scale retrospective of Gehry's work in 15 years, examines the architect's unique vision and provides the historical perspective with which to interpret his audacious accomplishments. Essays by noted museum curators and architectural historians explore his iconoclastic spirit and trace his melding of unconventional materials and forms. Photographs, drawings, plans, and scale models communicate the breadth and complexity of Gehry's work and show how, in his view of architecture as sculptural space, Gehry has opened up a world of new possibilities for architecture. With texts by Jean-Louis Cohen, Beatriz Colomina, Mildred Friedman, William J. Mitchell, and J. Fiona Ragheb.
Form:
books
books
Publication:
May 2001, New York
May 2001, New York
Subject:
Architecture Monographs
Architecture Monographs
