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Gio Ponti (1891–1979) was a giant of Italian Modernism, contributing to a multitude of fields: architecture, industrial design, furniture design, education, art criticism and publishing. From 1923 to 1930, Ponti served as the artistic director of the now cult Italian tableware manufacturer Richard Ginori. In 1928, he founded the internationally renowned magazine Domus,(...)
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Gio Ponti (1891–1979) was a giant of Italian Modernism, contributing to a multitude of fields: architecture, industrial design, furniture design, education, art criticism and publishing. From 1923 to 1930, Ponti served as the artistic director of the now cult Italian tableware manufacturer Richard Ginori. In 1928, he founded the internationally renowned magazine Domus,(...)
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Architecture Monographs
Architecture Monographs
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October 2025
October 2025
Title:
More than one: Gio Ponti. Critic, editor, graphic artist, architect
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Gio Ponti (1891–1979) was a giant of Italian Modernism, contributing to a multitude of fields: architecture, industrial design, furniture design, education, art criticism and publishing. From 1923 to 1930, Ponti served as the artistic director of the now cult Italian tableware manufacturer Richard Ginori. In 1928, he founded the internationally renowned magazine Domus, which, apart from a break in the 1940s, he continued to direct for the rest of his life. In the postwar era, Ponti and his associates Antonio Fornaroli and Alberto Rosselli shaped the architectural image of Milan but were also active across the globe from Caracas to Tehran, Denver, Islamabad and Eindhoven. "More than one: Gio Ponti" delves into the many components of Ponti’s creative contribution to the 20th century and traces his enduring influence in Italy and across the globe.
More than one: Gio Ponti. Critic, editor, graphic artist, architect
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Gio Ponti (1891–1979) was a giant of Italian Modernism, contributing to a multitude of fields: architecture, industrial design, furniture design, education, art criticism and publishing. From 1923 to 1930, Ponti served as the artistic director of the now cult Italian tableware manufacturer Richard Ginori. In 1928, he founded the internationally renowned magazine Domus, which, apart from a break in the 1940s, he continued to direct for the rest of his life. In the postwar era, Ponti and his associates Antonio Fornaroli and Alberto Rosselli shaped the architectural image of Milan but were also active across the globe from Caracas to Tehran, Denver, Islamabad and Eindhoven. "More than one: Gio Ponti" delves into the many components of Ponti’s creative contribution to the 20th century and traces his enduring influence in Italy and across the globe.
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books
books
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October 2025
October 2025
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$79.00
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"Perfection blocks any form of participation and also causes an excessive consumption of resources." In "Form Follows Love," Anna Heringer describes her understanding of architecture. For her new book, she traveled to Bangladesh with Iwan Baan to visit the buildings created there as well as her women's empowerment project, Dipdii Textiles. Dutch photographer Iwan Baan is(...)
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"Perfection blocks any form of participation and also causes an excessive consumption of resources." In "Form Follows Love," Anna Heringer describes her understanding of architecture. For her new book, she traveled to Bangladesh with Iwan Baan to visit the buildings created there as well as her women's empowerment project, Dipdii Textiles. Dutch photographer Iwan Baan is(...)
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Architecture is a tool to improve lives
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"Perfection blocks any form of participation and also causes an excessive consumption of resources." In "Form Follows Love," Anna Heringer describes her understanding of architecture. For her new book, she traveled to Bangladesh with Iwan Baan to visit the buildings created there as well as her women's empowerment project, Dipdii Textiles. Dutch photographer Iwan Baan is best known for his images that show life and interactions in architecture. In Bangladesh, he created intense and sensual images that, between documentation and art, bear witness to what architecture can achieve when it is not about representation but about social benefit.
Architecture is a tool to improve lives
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"Perfection blocks any form of participation and also causes an excessive consumption of resources." In "Form Follows Love," Anna Heringer describes her understanding of architecture. For her new book, she traveled to Bangladesh with Iwan Baan to visit the buildings created there as well as her women's empowerment project, Dipdii Textiles. Dutch photographer Iwan Baan is best known for his images that show life and interactions in architecture. In Bangladesh, he created intense and sensual images that, between documentation and art, bear witness to what architecture can achieve when it is not about representation but about social benefit.
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books
books
Publication:
May 2026
May 2026
Subject:
Architecture Monographs
Architecture Monographs
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books
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$72.95
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On croit connaître Jean Prouvé. On évoque le proche de Charlotte Perriand et de Le Corbusier, le créateur de mobilier industrialisé dont les pièces alimentent désormais le marché de l’art. On célèbre l’inventeur de la tôle pliée, le pionnier du mur-rideau, le constructeur visionnaire qui transforma durablement l’usage du métal dans l’architecture. À travers des textes(...)
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On croit connaître Jean Prouvé. On évoque le proche de Charlotte Perriand et de Le Corbusier, le créateur de mobilier industrialisé dont les pièces alimentent désormais le marché de l’art. On célèbre l’inventeur de la tôle pliée, le pionnier du mur-rideau, le constructeur visionnaire qui transforma durablement l’usage du métal dans l’architecture. À travers des textes(...)
Title:
Jean Prouvé : Tortilleur de tôle
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On croit connaître Jean Prouvé. On évoque le proche de Charlotte Perriand et de Le Corbusier, le créateur de mobilier industrialisé dont les pièces alimentent désormais le marché de l’art. On célèbre l’inventeur de la tôle pliée, le pionnier du mur-rideau, le constructeur visionnaire qui transforma durablement l’usage du métal dans l’architecture. À travers des textes rédigés entre 1944 et 1982 — conférences, articles, lettres, hommages, prises de position parfois indignées — se révèle une voix singulière, libre, exigeante. Celle d’un constructeur qui refusait les étiquettes, se méfiait du mot « designer », se disait simplement « tortilleur de tôle », parfois industriel, constructeur ou entrepreneur, mais pas architecte ou ingénieur. Il rejetait les querelles de chapelle : « Architecte ? Ingénieur ?… Il s’agit de bâtir. ». Ces écrits, conservés à la bibliothèque Kandinsky du Centre Pompidou et réunis ici pour la première fois dans leur cohérence, dévoilent un Jean Prouvé théoricien malgré lui, pédagogue passionné, humaniste convaincu que l’industrie pouvait être mise au service du plus grand nombre. On y découvre son engagement dans la Reconstruction, sa foi inébranlable dans l’industrialisation du bâtiment, sa résilience après la perte de son usine de Maxéville, son attention constante aux jeunes architectes et aux étudiants du Conservatoire national des arts et métiers.
Jean Prouvé : Tortilleur de tôle
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On croit connaître Jean Prouvé. On évoque le proche de Charlotte Perriand et de Le Corbusier, le créateur de mobilier industrialisé dont les pièces alimentent désormais le marché de l’art. On célèbre l’inventeur de la tôle pliée, le pionnier du mur-rideau, le constructeur visionnaire qui transforma durablement l’usage du métal dans l’architecture. À travers des textes rédigés entre 1944 et 1982 — conférences, articles, lettres, hommages, prises de position parfois indignées — se révèle une voix singulière, libre, exigeante. Celle d’un constructeur qui refusait les étiquettes, se méfiait du mot « designer », se disait simplement « tortilleur de tôle », parfois industriel, constructeur ou entrepreneur, mais pas architecte ou ingénieur. Il rejetait les querelles de chapelle : « Architecte ? Ingénieur ?… Il s’agit de bâtir. ». Ces écrits, conservés à la bibliothèque Kandinsky du Centre Pompidou et réunis ici pour la première fois dans leur cohérence, dévoilent un Jean Prouvé théoricien malgré lui, pédagogue passionné, humaniste convaincu que l’industrie pouvait être mise au service du plus grand nombre. On y découvre son engagement dans la Reconstruction, sa foi inébranlable dans l’industrialisation du bâtiment, sa résilience après la perte de son usine de Maxéville, son attention constante aux jeunes architectes et aux étudiants du Conservatoire national des arts et métiers.
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books
books
Publication:
May 2026
May 2026
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$47.95
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Maison familiale de l'architecte Jean-Raphaël Hébrard, construite à Arcangues (64) en 1971, au cœur du Pays basque, Chérenda est mise en lumière dans cet ouvrage pour sa capacité à traiter un programme domestique sans aucun signe de servilité par rapport à l'«?obsession régionaliste?», développant au contraire une affinité élective entre lieu, culture et invention, une(...)
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Maison familiale de l'architecte Jean-Raphaël Hébrard, construite à Arcangues (64) en 1971, au cœur du Pays basque, Chérenda est mise en lumière dans cet ouvrage pour sa capacité à traiter un programme domestique sans aucun signe de servilité par rapport à l'«?obsession régionaliste?», développant au contraire une affinité élective entre lieu, culture et invention, une(...)
Title:
Maison Chérenda : Jean-Raphaël Hébrard architecte
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Maison familiale de l'architecte Jean-Raphaël Hébrard, construite à Arcangues (64) en 1971, au cœur du Pays basque, Chérenda est mise en lumière dans cet ouvrage pour sa capacité à traiter un programme domestique sans aucun signe de servilité par rapport à l'«?obsession régionaliste?», développant au contraire une affinité élective entre lieu, culture et invention, une modernité située. Pour ses qualités, elle est labellisée en 2020 « Architecture contemporaine remarquable » par le ministère de la Culture. Caroline Mazel rend ici compte d'une partie de ses recherches, engagées de longue date autour de cet architecte, cofondateur avec André Grésy de l'agence AAA (Aquitaine Architectes Associés), qui a marqué la région par l'ampleur et la valeur de ses réalisations entre les années 1950 et 1980. Elle participe à l'enrichissement de la connaissance scientifique sur sa production et à sa reconnaissance, alors que dénaturation et destruction la mettent déjà en péril.
Maison Chérenda : Jean-Raphaël Hébrard architecte
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Maison familiale de l'architecte Jean-Raphaël Hébrard, construite à Arcangues (64) en 1971, au cœur du Pays basque, Chérenda est mise en lumière dans cet ouvrage pour sa capacité à traiter un programme domestique sans aucun signe de servilité par rapport à l'«?obsession régionaliste?», développant au contraire une affinité élective entre lieu, culture et invention, une modernité située. Pour ses qualités, elle est labellisée en 2020 « Architecture contemporaine remarquable » par le ministère de la Culture. Caroline Mazel rend ici compte d'une partie de ses recherches, engagées de longue date autour de cet architecte, cofondateur avec André Grésy de l'agence AAA (Aquitaine Architectes Associés), qui a marqué la région par l'ampleur et la valeur de ses réalisations entre les années 1950 et 1980. Elle participe à l'enrichissement de la connaissance scientifique sur sa production et à sa reconnaissance, alors que dénaturation et destruction la mettent déjà en péril.
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books
books
Publication:
June 2026
June 2026
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$59.25
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From Vaux-le-Vicomte to Versailles, the buildings of Louis Le Vau shaped the image of French court society. None, however, has had as dramatic an effect as Mazarin's Collège (1661-70), the Parisian landmark that now houses the Institut de France. In this first English-language book on Louis XIV's celebrated architect, Hilary Ballon deftly portrays the brilliance and(...)
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From Vaux-le-Vicomte to Versailles, the buildings of Louis Le Vau shaped the image of French court society. None, however, has had as dramatic an effect as Mazarin's Collège (1661-70), the Parisian landmark that now houses the Institut de France. In this first English-language book on Louis XIV's celebrated architect, Hilary Ballon deftly portrays the brilliance and(...)
Title:
Louis Le Vau : Mazarin's Collège, Colbert's revenge
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From Vaux-le-Vicomte to Versailles, the buildings of Louis Le Vau shaped the image of French court society. None, however, has had as dramatic an effect as Mazarin's Collège (1661-70), the Parisian landmark that now houses the Institut de France. In this first English-language book on Louis XIV's celebrated architect, Hilary Ballon deftly portrays the brilliance and controversy of Le Vau's late career through an exploration of this masterpiece, a hybrid of baroque and classical styles. She tracks the design and construction of the Collège on the basis of splendid drawings, fully illustrated here, integrating into this account previously unknown dimensions of Le Vau's creative personality, his financial entanglements, and his feuds with government leaders. The story of the Collège begins in 1661 with the death of Cardinal Mazarin, who left an extravagant sum of money for a school to be built in his memory. Le Vau responded with an ambitious architectural tribute intended to launch the development of Paris in a new artistic direction. As Ballon shows, many personal factors figured into the final product, including Le Vau's activities as a real estate developer and entrepreneur, and his explosive response to the Italian baroque master Gianlorenzo Bernini, who visited Paris in 1665. The project ended up significantly over budget, and officials charged Le Vau shortly after his death with embezzling funds. The chief minister, Jean-Baptiste Colbert, led the attack on Le Vau, turning the ethical scandal into an aesthetic crusade to maintain a "classical" look for central Paris. By relating the intriguing context in which the Collège was created, Ballon explains why traditional definitions of the baroque and classical styles have failed to offer a cohesive understanding of the building. Her examination of the elements informing Le Vau's personal style and his relationship with Colbert brings into sharper focus the phenomenon of royal patronage and opens a new perspective on the development of French classicism at a turning point in Parisian architectural history.
Louis Le Vau : Mazarin's Collège, Colbert's revenge
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Summary:
From Vaux-le-Vicomte to Versailles, the buildings of Louis Le Vau shaped the image of French court society. None, however, has had as dramatic an effect as Mazarin's Collège (1661-70), the Parisian landmark that now houses the Institut de France. In this first English-language book on Louis XIV's celebrated architect, Hilary Ballon deftly portrays the brilliance and controversy of Le Vau's late career through an exploration of this masterpiece, a hybrid of baroque and classical styles. She tracks the design and construction of the Collège on the basis of splendid drawings, fully illustrated here, integrating into this account previously unknown dimensions of Le Vau's creative personality, his financial entanglements, and his feuds with government leaders. The story of the Collège begins in 1661 with the death of Cardinal Mazarin, who left an extravagant sum of money for a school to be built in his memory. Le Vau responded with an ambitious architectural tribute intended to launch the development of Paris in a new artistic direction. As Ballon shows, many personal factors figured into the final product, including Le Vau's activities as a real estate developer and entrepreneur, and his explosive response to the Italian baroque master Gianlorenzo Bernini, who visited Paris in 1665. The project ended up significantly over budget, and officials charged Le Vau shortly after his death with embezzling funds. The chief minister, Jean-Baptiste Colbert, led the attack on Le Vau, turning the ethical scandal into an aesthetic crusade to maintain a "classical" look for central Paris. By relating the intriguing context in which the Collège was created, Ballon explains why traditional definitions of the baroque and classical styles have failed to offer a cohesive understanding of the building. Her examination of the elements informing Le Vau's personal style and his relationship with Colbert brings into sharper focus the phenomenon of royal patronage and opens a new perspective on the development of French classicism at a turning point in Parisian architectural history.
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books
books
Publication:
January 1900, Princeton
January 1900, Princeton
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$25.00
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Summary:
Introduction by Antoine Predock.
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Introduction by Antoine Predock.
Title:
Rebecca Binder : spatial dynamics
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Introduction by Antoine Predock.
Rebecca Binder : spatial dynamics
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Introduction by Antoine Predock.
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books
books
Publication:
January 1900, Milano
January 1900, Milano
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
Alvar Aalto
Alvar Aalto
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Reprint of the book first published in 1974.
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Reprint of the book first published in 1974.
Title:
Alvar Aalto
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$26.95
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Reprint of the book first published in 1974.
Alvar Aalto
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Reprint of the book first published in 1974.
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books
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Publication:
September 1999, Basel
September 1999, Basel
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$157.00
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This is the second volume in the four-part series of the Complete Works of Jean Prouvé (1901–84), one of the most significant designers and constructors of this century. This publication(...)
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This is the second volume in the four-part series of the Complete Works of Jean Prouvé (1901–84), one of the most significant designers and constructors of this century. This publication(...)
Title:
Jean Prouvé, oeuvre complète / complete works, volume 2: 1934-1944
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This is the second volume in the four-part series of the Complete Works of Jean Prouvé (1901–84), one of the most significant designers and constructors of this century. This publication covers an important period in Prouvé's life when he designed and produced the lecture theatre seating at the Ecole des Sciences Politiques in Paris and the office furniture for the Parisian electric company. He also created furniture made of stainless steel for a school in Suresnes. In 1934 Prouvé began with the factory production of prefabricated buildings using sheet-steel of which the club house at Buc Airport and the Maison du Peuple in Clichy, one of the most outstanding buildings of Functionalism, are excellent examples. Complementing this detailed catalogue are previously unpublished conversations with Prouvé himself.
Jean Prouvé, oeuvre complète / complete works, volume 2: 1934-1944
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This is the second volume in the four-part series of the Complete Works of Jean Prouvé (1901–84), one of the most significant designers and constructors of this century. This publication covers an important period in Prouvé's life when he designed and produced the lecture theatre seating at the Ecole des Sciences Politiques in Paris and the office furniture for the Parisian electric company. He also created furniture made of stainless steel for a school in Suresnes. In 1934 Prouvé began with the factory production of prefabricated buildings using sheet-steel of which the club house at Buc Airport and the Maison du Peuple in Clichy, one of the most outstanding buildings of Functionalism, are excellent examples. Complementing this detailed catalogue are previously unpublished conversations with Prouvé himself.
Form:
books
books
Publication:
December 1999, Basel
December 1999, Basel
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$65.00
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Summary:
Buckminster Fuller was one of the most revolutionary technological visionaries of this century. As an architect, engineer, entrepreneur, and poet, he was the quintessential American self-made man. But he was also an outsider, a technical expert with a poet's (...)
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Buckminster Fuller was one of the most revolutionary technological visionaries of this century. As an architect, engineer, entrepreneur, and poet, he was the quintessential American self-made man. But he was also an outsider, a technical expert with a poet's (...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
December 1999, Baden
December 1999, Baden
Title:
Your private sky : R. Buckminster Fuller - the art of design science
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Buckminster Fuller was one of the most revolutionary technological visionaries of this century. As an architect, engineer, entrepreneur, and poet, he was the quintessential American self-made man. But he was also an outsider, a technical expert with a poet's imagination who by the 1930s had already developed theories on environmental issues and anticipated the rapid globalization of our planet. This visual reader documents and examines Fuller's theories, ideas, designs, and projects. It also takes an analytical look at his ideology of technology as panacea. It contains numerous illustrations, many published here for the first time, as well as texts by Fuller and the editors.
Your private sky : R. Buckminster Fuller - the art of design science
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Buckminster Fuller was one of the most revolutionary technological visionaries of this century. As an architect, engineer, entrepreneur, and poet, he was the quintessential American self-made man. But he was also an outsider, a technical expert with a poet's imagination who by the 1930s had already developed theories on environmental issues and anticipated the rapid globalization of our planet. This visual reader documents and examines Fuller's theories, ideas, designs, and projects. It also takes an analytical look at his ideology of technology as panacea. It contains numerous illustrations, many published here for the first time, as well as texts by Fuller and the editors.
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books
books
Publication:
December 1999, Baden
December 1999, Baden
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$56.00
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The projects presented in this monograph include the competition-winning designs for the Women's Memorial and Education Center at Arlington National Cemetery and the Olympia Fields Park and Community Center in Illinois; urban infrastructure proposals,(...)
$56.00
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Summary:
The projects presented in this monograph include the competition-winning designs for the Women's Memorial and Education Center at Arlington National Cemetery and the Olympia Fields Park and Community Center in Illinois; urban infrastructure proposals,(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 1960, New York
January 1960, New York
Title:
Site specific : the work of Weiss/Manfredi Architects
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The projects presented in this monograph include the competition-winning designs for the Women's Memorial and Education Center at Arlington National Cemetery and the Olympia Fields Park and Community Center in Illinois; urban infrastructure proposals, such as their interventions at the Brooklyn Bridge and Columbus Circle in New York; and interior renovations, including those at Columbia University.
Site specific : the work of Weiss/Manfredi Architects
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$56.00
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The projects presented in this monograph include the competition-winning designs for the Women's Memorial and Education Center at Arlington National Cemetery and the Olympia Fields Park and Community Center in Illinois; urban infrastructure proposals, such as their interventions at the Brooklyn Bridge and Columbus Circle in New York; and interior renovations, including those at Columbia University.
Form:
books
books
Publication:
January 1960, New York
January 1960, New York
Subject:
Architecture Monographs
Architecture Monographs
