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Déclarée en avril 1931, attaquée le 18 juillet 1936 par l'armée de Franco, écrasée le 28 mars 1939, la Seconde République espagnole fut brève mais l'idéologie républicaine a durablement influencé le développement moderne de la culture et notamment de l'architecture et de l'urbanisme. Cette période unique a ainsi permis l'éclosion de nombreux projets et réalisations dans(...)
Modernité en architecture dans l'Espagne républicaine
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Déclarée en avril 1931, attaquée le 18 juillet 1936 par l'armée de Franco, écrasée le 28 mars 1939, la Seconde République espagnole fut brève mais l'idéologie républicaine a durablement influencé le développement moderne de la culture et notamment de l'architecture et de l'urbanisme. Cette période unique a ainsi permis l'éclosion de nombreux projets et réalisations dans tous les domaines de la construction, que ce soit les immeubles collectifs, les maisons individuelles, les infrastructures industrielles ou la réorganisation et l'extension de villes comme Barcelone et Madrid. Ce livre présente un panorama complet et illustré du travail de toute une génération d'architectes, replacé dans son contexte historique qui se caractérise principalement par une attitude progressiste tendant à combiner l'austérité formelle d'un paysage urbain rationalisé et une éthique civique, aspiration qui, comme tant d'autres, fut anéantie par la guerre civile. En annexe, les biographies de quarante architectes espagnols de la période.
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May 2003, Marseilles
Architecture since 1900, Europe
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Published to accompany an exhibition he has conceived for the Fondation Cartier in Paris, this book examines the philosophical issues raised by our confrontation with accidents and their impact on our world. Accidents capture our attention, surprise or shock us, disrupt or ultimately alter the course of our existence. Whether significant or insignificant, benign or(...)
Unknown quantity
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Published to accompany an exhibition he has conceived for the Fondation Cartier in Paris, this book examines the philosophical issues raised by our confrontation with accidents and their impact on our world. Accidents capture our attention, surprise or shock us, disrupt or ultimately alter the course of our existence. Whether significant or insignificant, benign or disastrous, accidents always reveal something about ourselves and the systems we construct. For Virilio, to invent the ship is to invent the shipwreck, to invent electricity is to invent electrocution. Accidents are consequently, in his view, inherent in all technological systems. This catalogue features over 200 illustrations, including press photographs, paintings, and engravings representing natural and industrial accidents from the past three centuries. It also contains reproductions of the works of the many artists included in the exhibit, most notably Lebbeus Woods, Nancy Rubins, Stephen Vitiello, Cai Guo Qiang, Bruce Conner, Tony Oursler, Jonas Mekas, and Jem Cohen.
Architecture since 1900, Europe
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The third volume in this exciting series presenting young architecture and design talents, ArchiLab's Earth Buildings turns its focus to building with the land. Projects from thirty of the most innovative young practices of today—including Field Operations, Tom Leader, NOX, Servo, Vicente Guallart, and Kengo Kuma—confront and offer proposals and solutions to issues such(...)
Architecture since 1900, Europe
May 2003, London
Archilab's earth buildings: radical experiments in land architecture
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The third volume in this exciting series presenting young architecture and design talents, ArchiLab's Earth Buildings turns its focus to building with the land. Projects from thirty of the most innovative young practices of today—including Field Operations, Tom Leader, NOX, Servo, Vicente Guallart, and Kengo Kuma—confront and offer proposals and solutions to issues such as dwindling natural resources, land engineering, the city as ecosystem, and the sensitive development of brown sites. Presented through extensive plans, computer renderings, and photographs, buildings and large-scale schemes reveal an almost infinite array of breathtaking ideas for the future, an inspiration for a generation of designers, practitioners, and policymakers. Essays by international critics Frédéric Migayrou, Bart Lootsma, Manuel Gausa, and others consider the earth's economy and suggest how contemporary architects might best and most responsibly respond to our fragile planet in a technology-driven age.
Architecture since 1900, Europe
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L'architecture contemporaine
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En analysant douze exemples de réalisations emblématiques, l'ouvrage tente de dégager quelques lignes de force qui sous-tendent la création architecturale contemporaine. Architectures réhabilitées, bâtiments perpétuant certaines influences culturelles, constructions dialoguant avec la nature, formes plasticiennes, architectures véhiculant des valeurs symboliques : autant(...)
L'architecture contemporaine
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En analysant douze exemples de réalisations emblématiques, l'ouvrage tente de dégager quelques lignes de force qui sous-tendent la création architecturale contemporaine. Architectures réhabilitées, bâtiments perpétuant certaines influences culturelles, constructions dialoguant avec la nature, formes plasticiennes, architectures véhiculant des valeurs symboliques : autant de voies différentes empruntées par les bâtisseurs de ces logements, équipements publics ou lieux culturels.
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December 2004, Paris
Architecture since 1900, Europe
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Avec la collaboration de Frédéric Migayrou; Olivier Cinqualbre; Christian Derouet; Nigel Whiteley; Reyner Banham; Randa Kamel; Bernard Cache; et des notes de lecture par Catherine de Smet, Hugues Fontenas, et Guillemette Morel Journel.
Les cahiers du Musée national d'art moderne 82 : architecture
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Avec la collaboration de Frédéric Migayrou; Olivier Cinqualbre; Christian Derouet; Nigel Whiteley; Reyner Banham; Randa Kamel; Bernard Cache; et des notes de lecture par Catherine de Smet, Hugues Fontenas, et Guillemette Morel Journel.
Architecture since 1900, Europe
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"The architectural project" considers the practice of architectural design as it has developed during the last two centuries. In this challenging interpretation of design education and its effect on design process and products, Argentinean scholar Alfonso Corona-Martínez emphasizes the distinction between an architectural project, created in the architect's mind(...)
Architecture since 1900, Europe
January 2003, Coolege Station
The architectural project - number six : studies in architecture and culture
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"The architectural project" considers the practice of architectural design as it has developed during the last two centuries. In this challenging interpretation of design education and its effect on design process and products, Argentinean scholar Alfonso Corona-Martínez emphasizes the distinction between an architectural project, created in the architect's mind and materialized as a set of drawings on paper, and the realized three-dimensional building. Corona-Martínez demonstrates how representation plays a substantial role in determining both the notion and the character of architecture, and he traces this relationship from the Renaissance into the Modern era, giving detailed considerations of Functionalism and Typology. His argument clarifies the continuity in the practice of design method through the nineteenth and twentieth centuries, a continuity that has been obscured by the emphasis on changing goals instead of design procedures.
Architecture since 1900, Europe
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"Architects in Germany" Presents 13 innovative and diverse German architecture offices, including Kleihues + Kleihues, Fritsch und Tschaidse, b, and Hentschel und Oestreich Architekten. Each firm is presented subjectively, through the architects' own statements about the tensions between tradition and visions of the future, ecology and cost awareness, and their own(...)
Architects in Germany / Architekten in Deutschland
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"Architects in Germany" Presents 13 innovative and diverse German architecture offices, including Kleihues + Kleihues, Fritsch und Tschaidse, b, and Hentschel und Oestreich Architekten. Each firm is presented subjectively, through the architects' own statements about the tensions between tradition and visions of the future, ecology and cost awareness, and their own creative ideas and the wishes of developers.
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March 2003, Berlin
Architecture since 1900, Europe
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The NAi Prize is to be awarded every two years to the best building by a young Dutch architectural practice. This book documents the five short-listed buildings by VMX Architecten, NL Architects, Korteknie Stuhlmacher Architecten, MVRDV and René van Zuuk Architekten and analyses the current position held by young Dutch architects. Are they following in the footsteps of(...)
Architecture since 1900, Europe
March 2003, Rotterdam
Fresh facts : the best buildings by young architects in the Netherlands
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The NAi Prize is to be awarded every two years to the best building by a young Dutch architectural practice. This book documents the five short-listed buildings by VMX Architecten, NL Architects, Korteknie Stuhlmacher Architecten, MVRDV and René van Zuuk Architekten and analyses the current position held by young Dutch architects. Are they following in the footsteps of their forebears or blazing a trail of their own? Is there greater leeway in the Netherlands for experiment or can comparable architecture be found elsewhere? And can these five practices be regarded as a barometer for the latest generation of designers? The short-listed projects were presented during the Venice Biennale 2002. Photography: Ralph Kämena, design: Coppens en Alberts.
Architecture since 1900, Europe
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The book reconstructs the story of Serbian modernism as a local history within a major movement and views the buildings designed in Belgrade in the 1920s and 1930s as part of a larger cultural phenomenon. Because so many of the buildings discussed are disintegrating or have been destroyed or altered beyond recognition, the book serves not only as a documentary and(...)
Architecture since 1900, Europe
June 2003, Cambridge, Mass.
Modernism in Serbia : the elusive margins of Belgrade architecture 1919-1941
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The book reconstructs the story of Serbian modernism as a local history within a major movement and views the buildings designed in Belgrade in the 1920s and 1930s as part of a larger cultural phenomenon. Because so many of the buildings discussed are disintegrating or have been destroyed or altered beyond recognition, the book serves not only as a documentary and critical study but also as a preservation resource. Most of the photographs and plans have never been published outside of Serbia, if at all. In restoring this work to its rightful place in the history of modern architecture, the book also sheds new light on a number of other stories. These include the influence of Le Corbusier and of the Yugoslav avant-garde movement Zenitism and the impact of international modern movements on the theoretical underpinnings of Serbian modernism. One of the subplots follows the story of the Group of Architects of the Modern Movement in Belgrade and its four founding members, Milan Zlokovic, Branislav Kojic, Jan Dubovy, and Dusan Babic. Through anexamination of their work and that of other modern architects, most notably Dragisa Brasovan and Nikola Dobrovic, the book discusses the identity of Serbian modernism as it was established in the period from 1925 to 1940. The book also identifies those buildings that represent the purest examples of Serbian modernism and analyzes the qualities that make them quintessentially local forms while part of the larger modernist movement
Architecture since 1900, Europe
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"The organic approach to architecture" is a multi-disciplinary investigation of emerging forms in the context of ecology, social and physical infrastructures, and electronic technologies. It brings together renowned figures from the fields of architecture, engineering, mathematics, computer graphics, biology and critical theory to share their investigations related to(...)
Architecture since 1900, Europe
February 2003, Chichester
The organic approach to architecture
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"The organic approach to architecture" is a multi-disciplinary investigation of emerging forms in the context of ecology, social and physical infrastructures, and electronic technologies. It brings together renowned figures from the fields of architecture, engineering, mathematics, computer graphics, biology and critical theory to share their investigations related to the production and perception of space. Drawn from a symposium organised by the editors Deborah Gans and Zehra Kuz, the chapters and panel discussions address topical issues of genetic technologies, cyber and geometric morphing, environmentalism, landscape and infrastructure.
Architecture since 1900, Europe