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Like a visual diary, these sketchbooks became a record of Mark Andresen's impressions of New Orleans covering the 18 years he lived there. This book is a selection of drawings taken from those rescued sketchbooks.
Architecture since 1900, Europe
January 2006, Corte Madera
New Orleans as it was : sketchbook drawings by Mark Andresen, 1988 - Hurricane katrina
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Like a visual diary, these sketchbooks became a record of Mark Andresen's impressions of New Orleans covering the 18 years he lived there. This book is a selection of drawings taken from those rescued sketchbooks.
Architecture since 1900, Europe
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Contemporary Austrian architecture has received widespread international recognition over the last few decades. But is there really a specifically Austrian architecture? Six critics, including Walter Chramosta, Bart Lootsma and Ute Woltron present a personal selection of recent projects, mostly small buildings, in an attempt to identify typical regional qualities.
Architecture since 1900, Europe
January 1900, Brakel
Just! architecture from Austria, critic's choice
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Contemporary Austrian architecture has received widespread international recognition over the last few decades. But is there really a specifically Austrian architecture? Six critics, including Walter Chramosta, Bart Lootsma and Ute Woltron present a personal selection of recent projects, mostly small buildings, in an attempt to identify typical regional qualities.
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January 1900, Brakel
Architecture since 1900, Europe
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This book proposes two goals: to analyze the innovations that the twenty-first century is introducing to the world of design, to the passage from the strong and concentrated modernity of the twentieth century to the weak and diffuse current one, and to investigate whether there is, in this passage, the possibility of imagining a future for non-figurative architecture. An(...)
Weak and diffuse modernity : the world of projects at the beginning of the 21st century
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This book proposes two goals: to analyze the innovations that the twenty-first century is introducing to the world of design, to the passage from the strong and concentrated modernity of the twentieth century to the weak and diffuse current one, and to investigate whether there is, in this passage, the possibility of imagining a future for non-figurative architecture. An architecture that becomes an urban semiosphere, surpassing its constructing limits and becoming a producer of immaterial qualities that change over time. […] Today’s urban condition is made up of services, information technologies networks, product systems, environmental componential practice, microclimates, commercial information, and above all perceptive structures that produce systems of sensorial and intelligent tunnels that are contained within architecture, but cannot be represented by architecture’s figurative codes. […] It’s not the first time that architecture attempts to go ‘beyond architecture’, but in the twenty-first century this utopia seems to be for the most part realized within the contemporary city.” This is a long essay comprising a decade of reflections and designs, in an attempt to reconcile conceptual reflections on architecture and the contemporary city, with a constant inclination towards a vision for the future. With this text, Andrea Branzi gives us a courageous act of faith and optimism towards an architecture that is still capable of listening to the city’s heart, while at the same time giving never-before-seen answers for the future of living together.
Architecture since 1900, Europe
New York, New York : fifty years of art, architecture, cinema, performance, photography and video
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After the second world war, New York became a laboratory for the avant-garde, a role it would maintain for decades. Despite the increasing globalisation and decentralization of the centers of artistic creativity, New York continues to embody some of the most significant artistic trends of the 20th century. Published on the occasion of the major exhibition at the Grimaldi(...)
Architecture since 1900, Europe
August 2006, Milano
New York, New York : fifty years of art, architecture, cinema, performance, photography and video
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After the second world war, New York became a laboratory for the avant-garde, a role it would maintain for decades. Despite the increasing globalisation and decentralization of the centers of artistic creativity, New York continues to embody some of the most significant artistic trends of the 20th century. Published on the occasion of the major exhibition at the Grimaldi Forum, the book is the first to explore this topic, broadly interpreted to encompass the fields of architecture, cinema, photography, music, performance and video. By selectively focusing on the successive arts movements of those decades (including Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, and Postmodernism ), it highlights the dominant role that American artists have, through their work, played in the art world; these American artists turned New York into a unique place to express themselves as fully as possible, and to become known and established on the international arts scene. The artists, photographers, architects, musicians and filmmakers included in the book: Vito Acconci, Laurie Anderson, Carl Andre, Diane Arbus, Richard Artschwager, Richard Avedon, Matthew Barney, Jean-Michel Basquiat, John Cage, John Chamberlain, Gregory Crewdson, Merce Cunningham, John Currin, Bruce Davidson, Willem de Kooning, Jim Dine, Mark di Suvero, Elliot Erwitt, Richard Estes, Eric Fischl, Dan Flavin, Robert Frank, Helen Frankenthaler, Lee Friedlander, Tom Friedman, Robert Gober, Nan Goldin, Felix Gonzalez-Torres, Eva Hesse, Hans Hoffman, Jenny Holzer, Peter Hujar, Jasper Johns, Donald Judd, Alex Katz, Ellsworth Kelly, Andrés Kertész, Franz Kline, Joseph Kosuth, Barbara Kruger, Annie Leibovitz, Sol LeWitt, Roy Lichtenstein, Robert Longo, Philip-Lorca diCorcia, Morris Louis, Robert Mapplethorpe, Brice Marden, Mary Ellen Mark, Agnes Martin, Susan Meiselas, Joel Meyerowitz, Duane Michals, Joan Mitchell, Robert Morris, Robert Motherwell, Bruce Nauman, Barnet Newman, Claes Oldenburg, Nam June Paik, Irving Penn, Gilles Peress, Sylvia Plachy, Jackson Pollock, Richard Prince, Robert Rauschenberg, Ad Reinhardt, Eugene Richards, James Rosenquist, Mark Rothko, Susan Rothenberg, Robert Ryman, David Salle, Lucas Samaras, Tom Sachs, Andres Serrano, Joel Shapiro, Julian Schnabel, Richard Serra, Cindy Sherman, Laurie Simmons, David Smith, Doug and Mike Starn, Frank Stella, Haim Steinbach, Joel Sternfeld, Clyfford Still, Cy Twombly, Kara Walker, Andy Warhol, Lawrence Weiner, Tom Wesselman, Brian Weil, Sue Williams, Garry Winogrand, David Wojnarowicz, Christopher Wool.
Architecture since 1900, Europe
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After the destruction of the World Trade Center in New York on September 11th 2001, the photographer Joel Meyerowitz felt compelled to visit the site. On his return Meyerowitz soon made his way to the scene where, upon raising his camera, he was reminded by a police officer that this was a crime scene and that no photographs were allowed. Meyerowitz duly left the scene(...)
Architecture since 1900, Europe
September 2006, London
Aftermath : world trade center archive
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After the destruction of the World Trade Center in New York on September 11th 2001, the photographer Joel Meyerowitz felt compelled to visit the site. On his return Meyerowitz soon made his way to the scene where, upon raising his camera, he was reminded by a police officer that this was a crime scene and that no photographs were allowed. Meyerowitz duly left the scene but within a few blocks the officer’s reminder had turned into consciousness. To Meyerowitz, ‘no photographs meant no history’ and he decided at that moment to find a way in and make an archive for the City of New York. Within days he had established strong links with many of the firefighters, policemen and construction workers contributing to the clean up. With their assistance he became the only photographer to be granted unimpeded access to Ground Zero. Once there he systematically began to document the wreckage followed by the necessary demolition, excavation and removal of tens of thousands of tonnes of debris that would transform the site from one of total devastation to level ground. Soon after the Museum of the City of New York officially engaged Meyerowitz to create an archive of the destruction and recovery at Ground Zero. The 9/11 Photographic Archive numbers in excess of 5,000 images and will become part of the permanent collections of the Museum of the City of New York.
Architecture since 1900, Europe
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The Berkeley hills offer great natural beauty and sensitive landscape design that skillfully incorporates the architecture into the natural environment. In the early 20th century, architects inspired by the Arts and Crafts movement worked to integrate the hills large outcrops of rock (known to geologists as Northbrae rhyolite) into the city's development. At once a(...)
Architecture since 1900, Europe
September 2006, Berkeley
Berkeley rocks : building with nature
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The Berkeley hills offer great natural beauty and sensitive landscape design that skillfully incorporates the architecture into the natural environment. In the early 20th century, architects inspired by the Arts and Crafts movement worked to integrate the hills large outcrops of rock (known to geologists as Northbrae rhyolite) into the city's development. At once a historical architectural reference and a captivating art book, "Berkeley rocks" documents the unique harmony between Berkeley's distinctive geography, homes, and local ideals.
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September 2006, Berkeley
Architecture since 1900, Europe
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Home to the New York Yankees, the Bronx Zoo, and the Grand Concourse, the Bronx was at one time a haven for upwardly mobile second-generation immigrants eager to leave the crowded tenements of Manhattan in pursuit of the American dream. Once hailed as a "wonder borough" of beautiful homes, parks, and universities, the Bronx became—during the 1960s and 1970s — a national(...)
Architecture since 1900, Europe
December 2006, New York
The Bronx
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Home to the New York Yankees, the Bronx Zoo, and the Grand Concourse, the Bronx was at one time a haven for upwardly mobile second-generation immigrants eager to leave the crowded tenements of Manhattan in pursuit of the American dream. Once hailed as a "wonder borough" of beautiful homes, parks, and universities, the Bronx became—during the 1960s and 1970s — a national symbol of urban deterioration. Thriving neighbourhoods that had long been home to generations of families dissolved under waves of arson, crime, and housing abandonment, turning blocks of apartment buildings into gutted, graffiti-covered shells and empty, trash-filled lots. In this revealing history of the Bronx, Evelyn Gonzalez describes how the once-infamous New York City borough underwent one of the most successful and inspiring community revivals in American history.
Architecture since 1900, Europe
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Published to mark the 800th anniversary in 2007 of the founding of modern Liverpool by King John, Liverpool 800 is the definitive biography of this magnificent world city. Contributors explore the life of Liverpool over eight centuries, looking at the town’s early development, the eighteenth-century foundations of its mercantile economy, the golden period of the(...)
Architecture since 1900, Europe
September 2006, Liverpool
Liverpool 800 : culture, character & history
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Published to mark the 800th anniversary in 2007 of the founding of modern Liverpool by King John, Liverpool 800 is the definitive biography of this magnificent world city. Contributors explore the life of Liverpool over eight centuries, looking at the town’s early development, the eighteenth-century foundations of its mercantile economy, the golden period of the nineteenth and early twentieth centuries, the difficult inter-war years, the fifties boom and the subsequent disastrous and seemingly irreversible decline – seemingly, because the winning of European Capital of Culture status for 2008 reflects Liverpool’s contemporary renaissance, an aspect of current history which is also reflected upon by the contributors. Ranging widely over politics and government, famous and infamous personalities, domestic lives and global connections, and culture both high and low, "Liverpool 800" offers a warts and all portrait of a city which has inspired contempt (‘a black spot on the Mersey’) and adulation (‘the centre of consciousness of the human universe’) but rarely indifference. This publication includes over 300 illustrations, many of which have never been published before.
Architecture since 1900, Europe
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How can the different strands of modern architecture in Britain be understood? For many British people, it remains an alien cultural import and minority taste, yet British architecture has never stood higher in world esteem than at the close of the twentieth century. In this book Alan Powers shows how beneath today’s achievements in architecture, past conflicts have not(...)
Britain : modern architecture in history
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How can the different strands of modern architecture in Britain be understood? For many British people, it remains an alien cultural import and minority taste, yet British architecture has never stood higher in world esteem than at the close of the twentieth century. In this book Alan Powers shows how beneath today’s achievements in architecture, past conflicts have not been resolved, as the country that invented industrial civilization has struggled to control its effect on cities and countryside. He examines developments and changes from 1900 to the present day in a series of thematic chapters, giving equal weight to technical, economic and moral aspects and demonstrating how architecture has responded to specific social needs and political pressures. Rather than giving a conventional account of stylistic tendencies, Powers listens to the arguments and conversations of the time in order to recapture the dominating issues of each decade, and locate the moments of transition in architecture and in the wider culture. Featuring more than 220 images, including both recent and historical photographs, "Britain" is an authoritative yet highly accessible account of twentieth-century British architecture. Giving due regard to the separate identities of England, Scotland and Wales, the book also adds a new and original dimension to the perennial problem of defining ‘Britain’ in the modern world.
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July 2006, London
Architecture since 1900, Europe
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Beuk Peroviæ Architects, Dekleva Gregoriè Architectsi, Elastik, Maechtig Vrhunc Architects, Ofis and Sadar Vuga Architects are the architectural practices introduced here. Some 80 projects are briefly examined, accompanied by photographs, models, texts and plans in this useful survey of a new generation who are defining the current state of contemporary Slovenian architecture.
Architecture since 1900, Europe
April 2006, Ljubljana
6ix pack : contemporary Slovenian architecture, 2005
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Beuk Peroviæ Architects, Dekleva Gregoriè Architectsi, Elastik, Maechtig Vrhunc Architects, Ofis and Sadar Vuga Architects are the architectural practices introduced here. Some 80 projects are briefly examined, accompanied by photographs, models, texts and plans in this useful survey of a new generation who are defining the current state of contemporary Slovenian architecture.
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April 2006, Ljubljana
Architecture since 1900, Europe
 
 
 
 
 
