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In the age of the Anthropocene, in which humanity acts on cycles and systems with all its power and capital, architecture and energy together mean more than operational or embodied energy, active and passive solutions. In the face of the climate crisis, beyond the phase-out of fossil fuels, architecture has a mediating role; it is about socio-cultural rethinking.(...)
Disquietude: Architecture and energy in Portugal
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In the age of the Anthropocene, in which humanity acts on cycles and systems with all its power and capital, architecture and energy together mean more than operational or embodied energy, active and passive solutions. In the face of the climate crisis, beyond the phase-out of fossil fuels, architecture has a mediating role; it is about socio-cultural rethinking. Disquietude addresses the entanglement between architecture and energy in the 20th century, using Portugal as an example. Featuring different local Portuguese voices, the publication identifies the potential for a transition that could be local, sustainable, diverse, and just and be meaningful also in an international perspective.
Architecture since 1900, Europe
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Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians(...)
Untimely moderns: How twentieth-centry architecture reimagined the past
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Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians Henri Focillon, George Kubler, Sibyl Moholy-Nagy, and Vincent Scully. These figures were unified by their resistance to the idea that, to be considered modern, art and architecture had to be of its time, as well as by the pivotal role that Yale University held as a backdrop to their thinking. These thinkers sponsored a new kind of approach, one that Eeva-Liisa Pelkonen terms ''untimely,'' emphasizing a departure from a sequential course of events. Ideas about temporal duration, new tradition, the presence of the past, and the shape of time were among the concepts they explored. With an interdisciplinary focus, Pelkonen reveals previously unexplored connections among key figures of American intellectual and artistic culture at midcentury whose works and words would shape modern architecture.
Architecture since 1900, Europe
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Spaarndammerhart in Amsterdam is designed by the architectural offices of Korth Tielens and Marcel Lok_Architect, artist Martijn Sandberg, and the landscape architects of DS Landschapsarchitecten. Photography of Max Hart Nibbrig, Dennis De Smet, and Raimond Wouda (who has been commissioned to document the life in and of Spaarndammerhart), and texts by Fred Feddes, Hans(...)
May 2023
Spaarndammerhart: A story of the city
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Spaarndammerhart in Amsterdam is designed by the architectural offices of Korth Tielens and Marcel Lok_Architect, artist Martijn Sandberg, and the landscape architects of DS Landschapsarchitecten. Photography of Max Hart Nibbrig, Dennis De Smet, and Raimond Wouda (who has been commissioned to document the life in and of Spaarndammerhart), and texts by Fred Feddes, Hans Ibelings, Vincent Kompier, and Hannah Schubert document and discuss this housing complex, in which architecture, art, courtyard, gardens and street form a comprehensive whole.
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Covering twenty-seven examples, illustrated by newly commissioned drawings and photographs, this volume reflects on the architectural ambitions and lived realities of these quotidian buildings. Architectural and urban designer Karin Templin considers the ways in which the mansion block came to define large areas of the city from Westminster and South Kensington in the(...)
Architecture since 1900, Europe
July 2023
At home in London: The mansion block. Architecture Foundation.
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Covering twenty-seven examples, illustrated by newly commissioned drawings and photographs, this volume reflects on the architectural ambitions and lived realities of these quotidian buildings. Architectural and urban designer Karin Templin considers the ways in which the mansion block came to define large areas of the city from Westminster and South Kensington in the nineteenth century to Kilburn and Stratford in the twenty-first. Reflecting London’s development from its consolidation as a metropolis in the high Victorian era to its present efforts to address a longstanding housing crisis, this volume explores the mansion block’s centrality to the capital’s identity and its wider relevance to discussions of housing and urban planning. This book is first in a series on types of London housing, reflecting on the place of the home in the city in the light of its longstanding housing crisis.
Architecture since 1900, Europe
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Christiania 1971-2021. L'enclave alternative de Copenhague fête ses 50 ans. Ancien camp militaire squatté en 1971 par une population hétéroclite d'idéalistes et de mal-logés, cette bourgade d'un millier d'habitants est devenue une oasis semi-rurale de 34 hectares au cœur de la capitale du pays. Présentée ici en cinq décennies, son histoire en fait un exemple unique en Occident.
Christiania : Une cité libre au cœur du Danemark
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Christiania 1971-2021. L'enclave alternative de Copenhague fête ses 50 ans. Ancien camp militaire squatté en 1971 par une population hétéroclite d'idéalistes et de mal-logés, cette bourgade d'un millier d'habitants est devenue une oasis semi-rurale de 34 hectares au cœur de la capitale du pays. Présentée ici en cinq décennies, son histoire en fait un exemple unique en Occident.
Architecture since 1900, Europe
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De la commune d'Etterbeek à celle de Schaerbeek, de la place Royale au parc du Cinquantenaire, Nicholas Lewis nous guide lors d'une déambulation sensible dans les rues de Bruxelles afin d'examiner en profondeur le rapport qu'entretient la société belge à son histoire coloniale. La présence durable de noms de rues, de monuments, de bâtiments et d'institutions glorifiant(...)
Traces et tensions en terrain colonial : Bruxelles et la colonisation belge du Congo
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De la commune d'Etterbeek à celle de Schaerbeek, de la place Royale au parc du Cinquantenaire, Nicholas Lewis nous guide lors d'une déambulation sensible dans les rues de Bruxelles afin d'examiner en profondeur le rapport qu'entretient la société belge à son histoire coloniale. La présence durable de noms de rues, de monuments, de bâtiments et d'institutions glorifiant explicitement la colonisation du Congo constitue un point d'entrée pour regarder en face les déclinaisons de la négrophobie contemporaine. L'ouvrage formule ainsi une remise en question radicale des structures du pouvoir colonial et racial à travers une critique politique et esthétique de l'espace public bruxellois.
Architecture since 1900, Europe
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"Young architects" is an annual review of the most important designers as selected by the Architectural Leaugue of New York. "City limits", the third volume in the series, explores possibilities for urban development in clever texts and dazzling graphics.
Architecture since 1900, Europe
May 2002, New York
Young architects 3 : city limits
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"Young architects" is an annual review of the most important designers as selected by the Architectural Leaugue of New York. "City limits", the third volume in the series, explores possibilities for urban development in clever texts and dazzling graphics.
Architecture since 1900, Europe
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Forced to find beauty in mediocrity, poetry in pragmatism, history in the absence of monuments and the future in the past, Crimson has been shaped by the experience of living and working in Rotterdam, the city that never thinks. Over the past seven years they have produced research projects, plans and initiatives that range from purely historical studies, book reviews and(...)
Architecture since 1900, Europe
January 1900, Rotterdam
Too blessed to be depressed : Crimson architectural historians 1994-2002
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Forced to find beauty in mediocrity, poetry in pragmatism, history in the absence of monuments and the future in the past, Crimson has been shaped by the experience of living and working in Rotterdam, the city that never thinks. Over the past seven years they have produced research projects, plans and initiatives that range from purely historical studies, book reviews and critiques of contemporary architecture to exhibitions, panoramas and urban planning schemes. For them, history is not a clear-cut period in the past but a total panoramic experience in which mythology, truth, writing, building and demolition intermingle. The Crimson historians don’t keep their distance, they dive right in. Too Blessed To Be Depressed is a coming-of-age book, one that shows the development of a practice and an attitude towards the outside world based not on analysis and simplification but on an endless quest for all the narratives, contradi ctions, and obsessions that make the city what it is. It presents an initial selection of work by Crimson divided among three themes: History (what to make of it, how to deal with it), Obsession (theirs along with those of others) and Top Down (the impact of large-scale infrastructural and other interventions on the city).
Architecture since 1900, Europe
1950-2000 Arts contemporains
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Cet ouvrage dresse un état des lieux assez réussi des arts contemporains du dernier demi-siècle. Entouré de critiques spécialisés, Camille Saint-Jacques évoque à grands traits l’histoire de plusieurs disciplines. Le livre aborde des domaines artistiques aussi divers et variés que l’architecture, la musique, la danse, le cirque, le graphisme, la bande dessinée, le cinéma,(...)
Architecture since 1900, Europe
November 2002, Paris
1950-2000 Arts contemporains
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Cet ouvrage dresse un état des lieux assez réussi des arts contemporains du dernier demi-siècle. Entouré de critiques spécialisés, Camille Saint-Jacques évoque à grands traits l’histoire de plusieurs disciplines. Le livre aborde des domaines artistiques aussi divers et variés que l’architecture, la musique, la danse, le cirque, le graphisme, la bande dessinée, le cinéma, la photographie, les arts plastiques, le théâtre et le design. Il invite à découvrir des disciplines moins familières et situe dans leur contexte les artistes et tendances connues. Un historique de chaque discipline, ponctué par des figures marquantes de chaque domaine, suit ces interrogations.
Architecture since 1900, Europe
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La médiocrité esthétique et le fonctionnalisme primaire de la reconstruction post 1945 sécrète une crise durable qui affecte l’architecture et l’urbanisme dans l’ensemble du monde occidental. A la "Cité radieuse" des années 1930 succède, au milieu du siècle, une nouvelle utopie la "Mégastructure". Hybride colossal traversant des territoires sans frontières, elle règle du(...)
October 2004, Paris
Superarchitecture : le futur de l'architecture 1950-1970
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La médiocrité esthétique et le fonctionnalisme primaire de la reconstruction post 1945 sécrète une crise durable qui affecte l’architecture et l’urbanisme dans l’ensemble du monde occidental. A la "Cité radieuse" des années 1930 succède, au milieu du siècle, une nouvelle utopie la "Mégastructure". Hybride colossal traversant des territoires sans frontières, elle règle du même élan, et l’architecture, et l’urbanisme, et les infrastructures. Mais l’engouement pour ces grandes machines sensées résoudre les problèmes à l’échelle planétaire s’émousse durant les sixties. La "Mégastructure" cède le pas à l’"Architecture radicale", ce faisant on assiste au basculement d’une approche de l’architecture dont les références sont le besoin et la construction à une autre dont les références sont l’immédiateté et la consommation, les objets mobiles et le plaisir du corps. Cette transformation correspond au passage d’une architecture conçue en terme de progrès social et de bonheur humain, à une architecture de la révélation du monde existant. Première monographie exhaustive sur la période, Superarchitecture est abondamment illustrée à l’aide d’une iconographie originale issue des archives des Smithson, d’Hollein, de Fuller, Friedman, Archigram, Price, Archizoom, Superstudio, etc. De l’utopie critique qui se dégage des projets de ces acteurs et de la puissance évocatrice de leurs dessins, les architectes contemporains comme Koolhaas, Tschumi ou MRDV se sont fortement inspirés pour construire leur univers conceptuel.