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In the age of the Anthropocene, in which humanity acts on cycles and systems with all its power and capital, architecture and energy together mean more than operational or embodied energy, active and passive solutions. In the face of the climate crisis, beyond the phase-out of fossil fuels, architecture has a mediating role; it is about socio-cultural rethinking.(...)
Disquietude: Architecture and energy in Portugal
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In the age of the Anthropocene, in which humanity acts on cycles and systems with all its power and capital, architecture and energy together mean more than operational or embodied energy, active and passive solutions. In the face of the climate crisis, beyond the phase-out of fossil fuels, architecture has a mediating role; it is about socio-cultural rethinking. Disquietude addresses the entanglement between architecture and energy in the 20th century, using Portugal as an example. Featuring different local Portuguese voices, the publication identifies the potential for a transition that could be local, sustainable, diverse, and just and be meaningful also in an international perspective.
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Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians(...)
Untimely moderns: How twentieth-centry architecture reimagined the past
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Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians Henri Focillon, George Kubler, Sibyl Moholy-Nagy, and Vincent Scully. These figures were unified by their resistance to the idea that, to be considered modern, art and architecture had to be of its time, as well as by the pivotal role that Yale University held as a backdrop to their thinking. These thinkers sponsored a new kind of approach, one that Eeva-Liisa Pelkonen terms ''untimely,'' emphasizing a departure from a sequential course of events. Ideas about temporal duration, new tradition, the presence of the past, and the shape of time were among the concepts they explored. With an interdisciplinary focus, Pelkonen reveals previously unexplored connections among key figures of American intellectual and artistic culture at midcentury whose works and words would shape modern architecture.
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Spaarndammerhart in Amsterdam is designed by the architectural offices of Korth Tielens and Marcel Lok_Architect, artist Martijn Sandberg, and the landscape architects of DS Landschapsarchitecten. Photography of Max Hart Nibbrig, Dennis De Smet, and Raimond Wouda (who has been commissioned to document the life in and of Spaarndammerhart), and texts by Fred Feddes, Hans(...)
mai 2023
Spaarndammerhart: A story of the city
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Spaarndammerhart in Amsterdam is designed by the architectural offices of Korth Tielens and Marcel Lok_Architect, artist Martijn Sandberg, and the landscape architects of DS Landschapsarchitecten. Photography of Max Hart Nibbrig, Dennis De Smet, and Raimond Wouda (who has been commissioned to document the life in and of Spaarndammerhart), and texts by Fred Feddes, Hans Ibelings, Vincent Kompier, and Hannah Schubert document and discuss this housing complex, in which architecture, art, courtyard, gardens and street form a comprehensive whole.
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Covering twenty-seven examples, illustrated by newly commissioned drawings and photographs, this volume reflects on the architectural ambitions and lived realities of these quotidian buildings. Architectural and urban designer Karin Templin considers the ways in which the mansion block came to define large areas of the city from Westminster and South Kensington in the(...)
juillet 2023
At home in London: The mansion block. Architecture Foundation.
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Covering twenty-seven examples, illustrated by newly commissioned drawings and photographs, this volume reflects on the architectural ambitions and lived realities of these quotidian buildings. Architectural and urban designer Karin Templin considers the ways in which the mansion block came to define large areas of the city from Westminster and South Kensington in the nineteenth century to Kilburn and Stratford in the twenty-first. Reflecting London’s development from its consolidation as a metropolis in the high Victorian era to its present efforts to address a longstanding housing crisis, this volume explores the mansion block’s centrality to the capital’s identity and its wider relevance to discussions of housing and urban planning. This book is first in a series on types of London housing, reflecting on the place of the home in the city in the light of its longstanding housing crisis.
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Christiania 1971-2021. L'enclave alternative de Copenhague fête ses 50 ans. Ancien camp militaire squatté en 1971 par une population hétéroclite d'idéalistes et de mal-logés, cette bourgade d'un millier d'habitants est devenue une oasis semi-rurale de 34 hectares au cœur de la capitale du pays. Présentée ici en cinq décennies, son histoire en fait un exemple unique en Occident.
Christiania : Une cité libre au cœur du Danemark
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Christiania 1971-2021. L'enclave alternative de Copenhague fête ses 50 ans. Ancien camp militaire squatté en 1971 par une population hétéroclite d'idéalistes et de mal-logés, cette bourgade d'un millier d'habitants est devenue une oasis semi-rurale de 34 hectares au cœur de la capitale du pays. Présentée ici en cinq décennies, son histoire en fait un exemple unique en Occident.
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This book traces the growth of New York from its initial settlement on the tip of Manhattan through the destruction wrought by the Revolutionary War to its rise as the nation’s premier commercial capital and industrial center and as a magnet for immigrant hopes and dreams in the 19th century to its standing as a beacon of modern culture in the 20th century and as a(...)
janvier 2021
New York: An illustrated history, revised and expanded
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This book traces the growth of New York from its initial settlement on the tip of Manhattan through the destruction wrought by the Revolutionary War to its rise as the nation’s premier commercial capital and industrial center and as a magnet for immigrant hopes and dreams in the 19th century to its standing as a beacon of modern culture in the 20th century and as a worldwide symbol of resilience in the 21st century.
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Contemporary Athens is characterized by a building type that transformed the Greek capital into a modern metropolis within a few decades in the 20th century: the polykatoikia, a small-scale urban apartment block. For almost forty years the unchallenged residential ideal for all social classes, the polykatoikia by the end of the century had become synonymous with the(...)
Athens' Polykatoikia 1930-1975
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Contemporary Athens is characterized by a building type that transformed the Greek capital into a modern metropolis within a few decades in the 20th century: the polykatoikia, a small-scale urban apartment block. For almost forty years the unchallenged residential ideal for all social classes, the polykatoikia by the end of the century had become synonymous with the rushed mass production of the postwar period and inhospitable living conditions in the inner city. This book sets out to trace the architectural origins of this typology. For the first time, it provides a comprehensive examination of the architectural concepts developed by Greek architects for the polykatoikia.
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Since the foundation of the country in 1830, architecture in Belgium has been an expression of the key issues of modern Western societies. In "Something completely different," Christophe Van Gerrewey uses this small European country as a case study to describe, interpret, and criticize more universal spatial problems and behaviors. In seven wide-ranging essays, he looks(...)
Something completely different: Architecture in Belgium
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Since the foundation of the country in 1830, architecture in Belgium has been an expression of the key issues of modern Western societies. In "Something completely different," Christophe Van Gerrewey uses this small European country as a case study to describe, interpret, and criticize more universal spatial problems and behaviors. In seven wide-ranging essays, he looks at the activities of architects from the past two centuries to better understand political evolutions, social gaps, aesthetic considerations, housing and planning, transport and infrastructure, order and chaos, and culture and ecology. The result is a literary text full of surprises and discoveries, showing both the shortcomings and the merits of what architects do.
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This publication explores a paradigm shift in architecture, transitioning from abstract design to the artistry of construction and materials. Drawing its inspiration from the exhibition ‘'SUPER DANISH – Art and Craftsmanship in New Danish Architecture'’ in Aalborg, it delves into the innovative works of Danish architects who embrace resource-conscious practices. From(...)
Works: New Danish architecture
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This publication explores a paradigm shift in architecture, transitioning from abstract design to the artistry of construction and materials. Drawing its inspiration from the exhibition ‘'SUPER DANISH – Art and Craftsmanship in New Danish Architecture'’ in Aalborg, it delves into the innovative works of Danish architects who embrace resource-conscious practices. From detailed precision to elegantly weathered creations, these architects showcase a merger of sculptural form and material poetry. Contributing architects include Johansen Skovsted Arkitekter, Panum & Kappel, Lynge Lynge Arkitekter, Reværk, Hahn Lavsens, Jespersen Nødtvedt, Noaa, and several more.
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In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural(...)
octobre 2021
From Brussels with love: Office Kersten Geers David Van Severen
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In 2016, an article in The New York Times with a probing title: “Why Brussels Is the New Berlin?” brought mainstream confirmation of a trend Brussels has been undergoing, with international artists flocking into the city, and galleries and art events following. As with so many other cities that have experienced similar trends, there are many reasons for this cultural flourishing, but they can be broken down to the simple conditions of the city itself: it is cosmopolitan and cheap. And there is available space. Beyond the visible art venues – museums and galleries, theatres and concert halls, established institutions, or converted industrial spaces – there is space where artists can live and work, go out and exchange ideas. The production of culture happens (also) in clubs and salons, offices and lofts, studios and ateliers. Our aim was to investigate these spaces and identify an urban prerequisite for such an elusive category as culture. Furthermore, we wanted to examine how spatial types can be appropriated for a new (cultural) practice.