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In the age of the Anthropocene, in which humanity acts on cycles and systems with all its power and capital, architecture and energy together mean more than operational or embodied energy, active and passive solutions. In the face of the climate crisis, beyond the phase-out of fossil fuels, architecture has a mediating role; it is about socio-cultural rethinking.(...)
Disquietude: Architecture and energy in Portugal
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In the age of the Anthropocene, in which humanity acts on cycles and systems with all its power and capital, architecture and energy together mean more than operational or embodied energy, active and passive solutions. In the face of the climate crisis, beyond the phase-out of fossil fuels, architecture has a mediating role; it is about socio-cultural rethinking. Disquietude addresses the entanglement between architecture and energy in the 20th century, using Portugal as an example. Featuring different local Portuguese voices, the publication identifies the potential for a transition that could be local, sustainable, diverse, and just and be meaningful also in an international perspective.
Architecture since 1900, Europe
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Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians(...)
Untimely moderns: How twentieth-centry architecture reimagined the past
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Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians Henri Focillon, George Kubler, Sibyl Moholy-Nagy, and Vincent Scully. These figures were unified by their resistance to the idea that, to be considered modern, art and architecture had to be of its time, as well as by the pivotal role that Yale University held as a backdrop to their thinking. These thinkers sponsored a new kind of approach, one that Eeva-Liisa Pelkonen terms ''untimely,'' emphasizing a departure from a sequential course of events. Ideas about temporal duration, new tradition, the presence of the past, and the shape of time were among the concepts they explored. With an interdisciplinary focus, Pelkonen reveals previously unexplored connections among key figures of American intellectual and artistic culture at midcentury whose works and words would shape modern architecture.
Architecture since 1900, Europe
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Spaarndammerhart in Amsterdam is designed by the architectural offices of Korth Tielens and Marcel Lok_Architect, artist Martijn Sandberg, and the landscape architects of DS Landschapsarchitecten. Photography of Max Hart Nibbrig, Dennis De Smet, and Raimond Wouda (who has been commissioned to document the life in and of Spaarndammerhart), and texts by Fred Feddes, Hans(...)
May 2023
Spaarndammerhart: A story of the city
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Spaarndammerhart in Amsterdam is designed by the architectural offices of Korth Tielens and Marcel Lok_Architect, artist Martijn Sandberg, and the landscape architects of DS Landschapsarchitecten. Photography of Max Hart Nibbrig, Dennis De Smet, and Raimond Wouda (who has been commissioned to document the life in and of Spaarndammerhart), and texts by Fred Feddes, Hans Ibelings, Vincent Kompier, and Hannah Schubert document and discuss this housing complex, in which architecture, art, courtyard, gardens and street form a comprehensive whole.
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Covering twenty-seven examples, illustrated by newly commissioned drawings and photographs, this volume reflects on the architectural ambitions and lived realities of these quotidian buildings. Architectural and urban designer Karin Templin considers the ways in which the mansion block came to define large areas of the city from Westminster and South Kensington in the(...)
July 2023
At home in London: The mansion block. Architecture Foundation.
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Covering twenty-seven examples, illustrated by newly commissioned drawings and photographs, this volume reflects on the architectural ambitions and lived realities of these quotidian buildings. Architectural and urban designer Karin Templin considers the ways in which the mansion block came to define large areas of the city from Westminster and South Kensington in the nineteenth century to Kilburn and Stratford in the twenty-first. Reflecting London’s development from its consolidation as a metropolis in the high Victorian era to its present efforts to address a longstanding housing crisis, this volume explores the mansion block’s centrality to the capital’s identity and its wider relevance to discussions of housing and urban planning. This book is first in a series on types of London housing, reflecting on the place of the home in the city in the light of its longstanding housing crisis.
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Christiania 1971-2021. L'enclave alternative de Copenhague fête ses 50 ans. Ancien camp militaire squatté en 1971 par une population hétéroclite d'idéalistes et de mal-logés, cette bourgade d'un millier d'habitants est devenue une oasis semi-rurale de 34 hectares au cœur de la capitale du pays. Présentée ici en cinq décennies, son histoire en fait un exemple unique en Occident.
Christiania : Une cité libre au cœur du Danemark
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Christiania 1971-2021. L'enclave alternative de Copenhague fête ses 50 ans. Ancien camp militaire squatté en 1971 par une population hétéroclite d'idéalistes et de mal-logés, cette bourgade d'un millier d'habitants est devenue une oasis semi-rurale de 34 hectares au cœur de la capitale du pays. Présentée ici en cinq décennies, son histoire en fait un exemple unique en Occident.
Architecture since 1900, Europe
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From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s(...)
Architecture since 1900, Europe
December 2002, Cambridge / London
The glass state : the technology of the spectacle - Paris, 1981-1998
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From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions. Fierro employs a "discourse of the detail," in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building’s design and construction. She examines the paradox of the most pared down architectural configurations being used to support the most complex meanings. Intrinsic to Mitterrand’s glass buildings in Paris, for example, is a political concept: the metaphor of accessibility as a means of breaking open cultural institutions previously closed to the public. In addition to the structures of the Grands Projets--the Institut du Monde Arabe, the Grande and Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at La Villette and Andre Citroën, and the Bibliothèque nationale de France--Fierro discusses the Fondation Cartier and two precedent structures, the Centre Georges Pompidou and the Eiffel Tower.
Architecture since 1900, Europe
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A view of contemporary Australian architecture from the past ten years is provided, featuring the work of fourteen architectural practices. Most are "young" firms with a recognisable body of built work.
Architecture since 1900, Europe
May 2001, Balmain
New directions in australian architecture
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A view of contemporary Australian architecture from the past ten years is provided, featuring the work of fourteen architectural practices. Most are "young" firms with a recognisable body of built work.
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May 2001, Balmain
Architecture since 1900, Europe
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Portuguese architecture, and its place on the international scene, has been receiving a lot of attention in the specialised press for some time now. The work of such great Portuguese architects as Fernando Távora, Álvaro Siza and Gonçalo Byrne has formed generations of internationally known figures, figures like Eduardo Souto de Moura, Adalberto Dias, Carrilho de Graça(...)
Architecture since 1900, Europe
January 1900, Barcelona
2G 20 : Portuguese architecture, a new generation
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Portuguese architecture, and its place on the international scene, has been receiving a lot of attention in the specialised press for some time now. The work of such great Portuguese architects as Fernando Távora, Álvaro Siza and Gonçalo Byrne has formed generations of internationally known figures, figures like Eduardo Souto de Moura, Adalberto Dias, Carrilho de Graça and Álvaro Rocha. The aim of this issue of 2G is to present the architecture of a generation of architects whose work opens up new perspectives on Portuguese architecture, despite the latter being usually submitted to the scrutiny of the masters. Young architects who would form a more or less homogeneous "third generation", one caught between its ongoing marginality in geographical terms and an attentiveness to what is happening on the international scene.
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January 1900, Barcelona
Architecture since 1900, Europe
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In this age of ever-increasing environmental awareness, the issue of sustainability is set to become the dominant factor in architectural design. At a time when, like most professions, architectural practice is increasingly governed by legal guidelines and requirements, competing policy demands require architects to aim for economic, social and environmental(...)
Architecture since 1900, Europe
December 2001, Chichester
Sustaining architecture in the anti-machine age
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In this age of ever-increasing environmental awareness, the issue of sustainability is set to become the dominant factor in architectural design. At a time when, like most professions, architectural practice is increasingly governed by legal guidelines and requirements, competing policy demands require architects to aim for economic, social and environmental sustainability whilst also trying to effect social progress. "Sustaining Architecture in the Anti-Machine Age" asks whether these two ambitions can be reconciled. Featuring contributions from architects, journalists, academics and legal consultants, the book takes a balanced look at the subject, giving the full range of sometimes opposing views. Examining all the key issues, it considers why the industrial development of town and country is considered unsustainable rather than socially imperative, and whether the aim of raising the level, standard and performance of arhcitectural production conflicts with the promotion of sustainability.
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December 2001, Chichester
Architecture since 1900, Europe
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Looking to the most innovative talents from around the world, "Futurehouse" presents ninety private and community projects that challenge the accepted norms of our living spaces and offer a dazzling array of solutions to meet the changing needs and desires of our global society. These designers – most of whom were raised at the dawn of the digital age – are radically(...)
Architecture since 1900, Europe
May 2002, New York
Archilab's futurehouse : radical experiments in living space
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Looking to the most innovative talents from around the world, "Futurehouse" presents ninety private and community projects that challenge the accepted norms of our living spaces and offer a dazzling array of solutions to meet the changing needs and desires of our global society. These designers – most of whom were raised at the dawn of the digital age – are radically reimagining how we can live. Essays by international critics such as Frédéric Migayrou (France), Bart Lootsma (The Netherlands), Andreas Ruby (Germany), Manuel Gausa (Spain), Kyong Park (U.S.A.) and Christian Girard (France) complement the work of avant-garde and experimental architects from every corner of the globe.
Architecture since 1900, Europe