100 Copenhagen typologies
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"100 Copenhagen typologies" presents 100 examples of re-use, adaptation and mixed-use architecture. In this book, Martin Marker and his students from The Royal Danish Academy - Architecture, Design, Conservation at the Institute of Architecture, Urbanism and Landscape - BA Programme investigate Copenhagen as a Wunderkammer of architectural typologies. Leaving the focus on(...)
100 Copenhagen typologies
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"100 Copenhagen typologies" presents 100 examples of re-use, adaptation and mixed-use architecture. In this book, Martin Marker and his students from The Royal Danish Academy - Architecture, Design, Conservation at the Institute of Architecture, Urbanism and Landscape - BA Programme investigate Copenhagen as a Wunderkammer of architectural typologies. Leaving the focus on materiality and visual aesthetics aside, the book explores how programmatic complexities and existing structures can form foundations for future urbanism in a rapidly changing world with a growing population, climate changes, and limited resources. This book extends a welcoming invitation to explore and examine our urban structures, sparking a vital conversation that encourage a fresh perspective on our existing typologies, ensuring their continued relevance for the people who inhabit them.
Architecture since 1900, Europe
Prishtina in 53 buildings
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"Prishtina in 53 Buildings" draws a multifaceted portrait of Kosovo’s capital city by using architecture as a prism to understand political, cultural and economic processes. Essays on fifty-three built structures, written by different authors with different geographical background and different professional perspective, add up to multilayered account of the city’s history(...)
Architecture since 1900, Europe
October 2023
Prishtina in 53 buildings
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"Prishtina in 53 Buildings" draws a multifaceted portrait of Kosovo’s capital city by using architecture as a prism to understand political, cultural and economic processes. Essays on fifty-three built structures, written by different authors with different geographical background and different professional perspective, add up to multilayered account of the city’s history and present. "Prishtina in 53 Buildings" is more than a guide book for visitors or residents of the city. Buildings are not only the materialization of design principles or architectonic ideas, but the outcome of socio-economic processes. The built environment is constantly re-appropriated, re-interpreted and re-valuated as architects do not have the final say as to the meaning and the function of an edifice. By conceptualizing architecture as materialization of societal processes, "Prishtina in 53 Buildings" pushes beyond notions that assume an intrinsic and coherent "logic" of cities. The editors Donika Luzhnica and Jonas König show that a polyphonic approach is more apposite to depict the often-contradictory trajectories of urban development.
Architecture since 1900, Europe
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Développant certains des thèmes abordés au cours des sept premières années des « Swiss Talks », nés en 2017 d'un partenariat culturel entre l'Istituto Svizzero et la revue d'architecture Casabella, cette publication témoigne de la richesse des échanges culturels entre l'Italie et la Suisse dans le champ de l'architecture.
Architecture since 1900, Europe
November 2024
Conversations on architecture: Swiss talks, about and beyond
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Développant certains des thèmes abordés au cours des sept premières années des « Swiss Talks », nés en 2017 d'un partenariat culturel entre l'Istituto Svizzero et la revue d'architecture Casabella, cette publication témoigne de la richesse des échanges culturels entre l'Italie et la Suisse dans le champ de l'architecture.
Architecture since 1900, Europe
Ceci n'est pas un portrait.
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"Ceci n'est pas un portrait" is a possible comprehensive depiction of the production of a new generation of Portuguese practices. The publication brings together a collection of more than 300 photographs by Francisco Ascensão illustrating about 70 projects made by young architecture offices in Portugal."Today, it is nearly impossible to distinguish architectural schools(...)
Architecture since 1900, Europe
December 2024
Ceci n'est pas un portrait.
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"Ceci n'est pas un portrait" is a possible comprehensive depiction of the production of a new generation of Portuguese practices. The publication brings together a collection of more than 300 photographs by Francisco Ascensão illustrating about 70 projects made by young architecture offices in Portugal."Today, it is nearly impossible to distinguish architectural schools or styles. Regional schools are homogenized by a universal system of education and references, temporal periodization is absorbed by the ‘contemporary’. In the book there is no claim about a certain tendency. The absence of captions is programmatic. Rather than competing for clients and attention the images show a culture of generosity and mutual curiosity, a culture of openness and collectivity, immediacy and care, optimism and liveliness. A new beginning." - Philip Ursprung, 2024
Architecture since 1900, Europe
Hansaviertel portraits
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A former debris-strewn wasteland in the inner city—some 300 out of 343 residential buildings were destroyed during the Second World War—the Hansaviertel is one of the most defining architecture projects of the postwar period in Berlin. In 1952, an international ideas competition was held under the title die stadt von morgen (the city of tomorrow); more than fifty(...)
Architecture since 1900, Europe
October 2024
Hansaviertel portraits
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A former debris-strewn wasteland in the inner city—some 300 out of 343 residential buildings were destroyed during the Second World War—the Hansaviertel is one of the most defining architecture projects of the postwar period in Berlin. In 1952, an international ideas competition was held under the title die stadt von morgen (the city of tomorrow); more than fifty architects presented plans for the rebuilding of West Berlin, including leading practitioners of Western modernist architecture like Alvar Aalto, Werner Düttmann, Egon Eiermann, Walter Gropius, Arne Jacobsen, Oscar Niemeyer, and Max Taut. Construction based on their designs in the redevelopment area began in 1956. The result was a neighborhood designed for people and their needs—largely without predetermined paths, with lots of greenery, flexible floor plans, space for small businesses, and facilities for everyday needs. Visiting the area and its people today, one can still feel the designers’ visionary resolve to establish new ways of residential living. Locals are united by their fascination with architecture and design and their love for their neighborhood, which over the decades has developed an authentic patina and now stands as witness to a key chapter in the city’s more recent history.
Architecture since 1900, Europe
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A large part of the photographs presented here were originally commissioned by the architect or client. However, there are also locations included that Tiainen has chosen himself, in order to highlight something essential about the state of modern-day Finland. He aims to show what is timelesss and enduring in architecture. Through photography, Tiainen builds a bridge(...)
Contemporary Finnish architecture
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A large part of the photographs presented here were originally commissioned by the architect or client. However, there are also locations included that Tiainen has chosen himself, in order to highlight something essential about the state of modern-day Finland. He aims to show what is timelesss and enduring in architecture. Through photography, Tiainen builds a bridge between architecture and people and emphasizes that architecture belongs not only to architects but to everyone.
Architecture since 1900, Europe
Architecture now! vol 2
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The fine line between art and architecture is rapidly becoming harder to perceive. With the aid of sophisticated computer programs, today's most innovative architects are working on designs so conceptual they could not be realized in the physical world. Nevertheless, these sorts of forward-thinking projects are an important influence on the architectural climate. At(...)
Architecture now! vol 2
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The fine line between art and architecture is rapidly becoming harder to perceive. With the aid of sophisticated computer programs, today's most innovative architects are working on designs so conceptual they could not be realized in the physical world. Nevertheless, these sorts of forward-thinking projects are an important influence on the architectural climate. At the dawn of the 21st century, architecture is entering a paradigm shift; no longer can it be completely distinguished from art. Be they built from bytes or bricks, the projects in this book represent the imagination of the planet's most talented and creative architects. For all the latest and most important architectural projects and trends, look no further than this volume, the follow-up to our popular and groundbreaking book Architecture Now! Including: Allmann Sattler, Wappner, Tadao Ando, Shigeru Ban, Behnisch, Behnisch & Partner, Bolles & Wilson, Simeon Bruner/Cott & Associates, Santiago Calatrava, Alberto Campo Baeza, Coop Himmelb(l)au, Neil Denari, Diller & Scofidio, Winka Dubbeldam, Jean-Marie Duthilleul, Frank O. Gehry, Sean Godsell, Nicholas Grimshaw, Heikkinen-Komonen, John Hejduk, Steven Holl, Hans Hollein, Toyo Ito, Jakob + MacFarlane, Michael Jantzen, Jones, Partners, Rick Joy, Rei Kawakubo, Waro Kishi, Kohn Shnier Architects, Rem Koolhaas, Kengo Kuma, Lacaton & Vassal, Greg Lynn, Richard Meier, Samuel Mockbee + Rural Studio, Morphosis, Jean Nouvel, Marcos Novak, NOX, Manolo Nunez-Yanofsky, Oosterhuis.nl, Pei Partnership, Pugh + Scarpa, Michele Saee, Harry Seidler, Snøhetta Architects, Julie Snow, Jyrki Tasa, Bernard Tschumi, James Turrell, UN Studio, Ben van Berkel, Various Architects, Hendrik Vermoortel, Makoto Sei Watanabe, Wesley Wei, Williams + Tsien, Jean-Michel Wilmotte
Architecture since 1900, Europe
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With contributions by John Allan, Tadao Ando, Geert Bekaert, Jan Birksted, Franziska Bollerey, Jean-Louis Cohen, Maristella Casciato,(...)
Architecture since 1900, Europe
January 1900, Rotterdam
Back from Utopia : the challenge of the modern movement
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With contributions by John Allan, Tadao Ando, Geert Bekaert, Jan Birksted, Franziska Bollerey, Jean-Louis Cohen, Maristella Casciato, Catherine Cooke, Bruno De Meulder, Balkrishna V. Doshi, Norman Foster, Kenneth Frampton, Alice Friedman, Miles Glendinning, John Habraken, Louis Hellman, Hubert-Jan Henket, Herman Hertzberger, Hilde Heynen, Wessel de Jonge, Hasan-Uddin Khan, Rem Koolhaas, Kisho Kurokawa, Hannah Lewi, William Lim, Nils-Ole Lund, Mary Mcleod, Marco De Michelis, Otakar Mácel, Oscar Niemeyer, Marie-Françoise Plissart, Moshe Safdie, Jagdish Sagar, Harry Seidler, Dennis Sharp, Julius Shulman, Hiroyuki Suzuki, Kenzo Tange, Marie-Josée Therrien, Susana Torre, Panayotis Tournikiotis, France Vanlaethem, Anthony Vidler and David Wild
Architecture since 1900, Europe
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There are all kinds of indications that architecture in the nineties has set off in a new direction after the domination of the two last decades by postmodernism as a style or attitude. This trend, which can be seen in the work of architectural firms like OMA, Jean Nouvel, Dominique Perrault, Herzog & De Meuron and Toyo Ito, can be connected with one of the dominant(...)
Supermodernism : architecture in the age of globalization / enlarged edition
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There are all kinds of indications that architecture in the nineties has set off in a new direction after the domination of the two last decades by postmodernism as a style or attitude. This trend, which can be seen in the work of architectural firms like OMA, Jean Nouvel, Dominique Perrault, Herzog & De Meuron and Toyo Ito, can be connected with one of the dominant forces of the present time: the globalization that is taking place in virtually every field. One of the consequences for architecture is the erosion of the postmodern (and deconstructivist) axiom of the uniqueness of the site. The context, let alone contextualism, no longer seems to play an important role in an increasing number of designs and buildings. Semiotic expressiveness - another postmodern theme - is also often lacking in this architecture. The author explores this new trend towards abstract, neutral architecture, which in various respects can be seen as the last word of modern architecture of the postwar International Style. This enlarged edition of "Supermodernism" includes a new final chapter in which Ibelings charts the latest examples of supermodernism, as well as a revised introduction and conclusion in which he responds to the numerous reactions his provocative stance has triggered.
Architecture since 1900, Europe
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"Out of Site" accompanies the eponymous exhibition featuring fictional architectural spaces and topographies that reflect how digital technology, virtual reality, urban and suburban growth, and global expansion have had an impact on contemporary culture. Advances in technology and communication have begun to blur the distinctions between what is real and virtual, interior(...)
Out of site : fictional architectural sites
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"Out of Site" accompanies the eponymous exhibition featuring fictional architectural spaces and topographies that reflect how digital technology, virtual reality, urban and suburban growth, and global expansion have had an impact on contemporary culture. Advances in technology and communication have begun to blur the distinctions between what is real and virtual, interior and exterior, natural and artificial, local and global. The artists in "Out of Site" have responded to these developments by re-organizing and re-articulating space using a wide range of media. The "fictional" spaces in the work in "Out of Site" point to new ways of experiencing and navigating space, both physically in our homes, workplaces, and neighborhoods as well as on the Internet, and are informed by the history of utopian proposals, science fiction, and major shifts in architectural discourse and building in recent years.
Architecture since 1900, Europe