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Image Bank began compiling artist’s addresses and image requests to prompt correspondence artworks using the postal system in 1970. These requests first appeared in print in General Idea’s & AA Bronson’s FILE Megazine issues 1, 2 and 3, and they were published in their own volume in 1972 by Talonbooks. Nearly fifty years after its initial release, this revised facsimile(...)
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Summary:
Image Bank began compiling artist’s addresses and image requests to prompt correspondence artworks using the postal system in 1970. These requests first appeared in print in General Idea’s & AA Bronson’s FILE Megazine issues 1, 2 and 3, and they were published in their own volume in 1972 by Talonbooks. Nearly fifty years after its initial release, this revised facsimile(...)
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International image exchange directory
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Image Bank began compiling artist’s addresses and image requests to prompt correspondence artworks using the postal system in 1970. These requests first appeared in print in General Idea’s & AA Bronson’s FILE Megazine issues 1, 2 and 3, and they were published in their own volume in 1972 by Talonbooks. Nearly fifty years after its initial release, this revised facsimile edition includes the original list of image requests from over 200 artists alongside examples of mail art from many compelling contributors as well as new archival images from Western Front and Michael Morris. ''Internation image exchange directory'' comprises an alphabetically ordered list of over 200 artist’s addresses and image requests. Looking at the publication now, the book itself could be seen perhaps as a white pages telephone book for mail art. In between the directory listings, pages of compelling visual imagery from selected contributors adds additional context as to what mail art looked like in its very beginning. The book's directory includes submissions from artists such as Anna Banana, Joseph Beuys, William Burroughs, Robert Cumming, Robert Filliou, General Idea, Gilbert and George, Ray Johnson, Sol Lewitt, Lucy Lippard, Ed Ruscha, Robert Rauschenberg and many more.
International image exchange directory
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Summary:
Image Bank began compiling artist’s addresses and image requests to prompt correspondence artworks using the postal system in 1970. These requests first appeared in print in General Idea’s & AA Bronson’s FILE Megazine issues 1, 2 and 3, and they were published in their own volume in 1972 by Talonbooks. Nearly fifty years after its initial release, this revised facsimile edition includes the original list of image requests from over 200 artists alongside examples of mail art from many compelling contributors as well as new archival images from Western Front and Michael Morris. ''Internation image exchange directory'' comprises an alphabetically ordered list of over 200 artist’s addresses and image requests. Looking at the publication now, the book itself could be seen perhaps as a white pages telephone book for mail art. In between the directory listings, pages of compelling visual imagery from selected contributors adds additional context as to what mail art looked like in its very beginning. The book's directory includes submissions from artists such as Anna Banana, Joseph Beuys, William Burroughs, Robert Cumming, Robert Filliou, General Idea, Gilbert and George, Ray Johnson, Sol Lewitt, Lucy Lippard, Ed Ruscha, Robert Rauschenberg and many more.
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books
books
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October 2021
October 2021
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« Formes et couleurs » est le titre d'un livre édité il y a cent ans exactement, en 1921, par la Librairie centrale des beaux-arts. L'auteur, Auguste Thomas, a réalisé au pochoir vingt planches de motifs décoratifs très richement colorés. C'est ce livre qui a inspiré l'idée de créer un répertoire d'images foisonnant sur la thématique des Arts décoratifs selon deux axes(...)
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« Formes et couleurs » est le titre d'un livre édité il y a cent ans exactement, en 1921, par la Librairie centrale des beaux-arts. L'auteur, Auguste Thomas, a réalisé au pochoir vingt planches de motifs décoratifs très richement colorés. C'est ce livre qui a inspiré l'idée de créer un répertoire d'images foisonnant sur la thématique des Arts décoratifs selon deux axes(...)
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April 2022
April 2022
Title:
Formes et couleurs : Les arts décoratifs dans le fonds de livres anciens de l'isdaT
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« Formes et couleurs » est le titre d'un livre édité il y a cent ans exactement, en 1921, par la Librairie centrale des beaux-arts. L'auteur, Auguste Thomas, a réalisé au pochoir vingt planches de motifs décoratifs très richement colorés. C'est ce livre qui a inspiré l'idée de créer un répertoire d'images foisonnant sur la thématique des Arts décoratifs selon deux axes stricts mais vastes : la forme et la couleur. L'invitation faite à Valérie du Chéné de travailler à deux voix avec Anne Jourdain, responsable du fonds ancien, selon des choix implicitement subjectifs, allait de soi : par sa recherche plastique sur la couleur, sur la forme dessinée en contours, et par la découverte qu'elle a faite du fonds ancien en arrivant à l'isdaT, venant de Paris où elle avait étudié aux beaux-arts. Il lui fallait transmettre aux étudiant·es de première année le « trésor » contenu dans ces livres anciens et les inciter à revenir les ouvrir comme des boîtes à images au fil de leurs années d'étude. Entre la pédagogie et le fonds ancien, l'enrichissement est mutuel, toujours.
Formes et couleurs : Les arts décoratifs dans le fonds de livres anciens de l'isdaT
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« Formes et couleurs » est le titre d'un livre édité il y a cent ans exactement, en 1921, par la Librairie centrale des beaux-arts. L'auteur, Auguste Thomas, a réalisé au pochoir vingt planches de motifs décoratifs très richement colorés. C'est ce livre qui a inspiré l'idée de créer un répertoire d'images foisonnant sur la thématique des Arts décoratifs selon deux axes stricts mais vastes : la forme et la couleur. L'invitation faite à Valérie du Chéné de travailler à deux voix avec Anne Jourdain, responsable du fonds ancien, selon des choix implicitement subjectifs, allait de soi : par sa recherche plastique sur la couleur, sur la forme dessinée en contours, et par la découverte qu'elle a faite du fonds ancien en arrivant à l'isdaT, venant de Paris où elle avait étudié aux beaux-arts. Il lui fallait transmettre aux étudiant·es de première année le « trésor » contenu dans ces livres anciens et les inciter à revenir les ouvrir comme des boîtes à images au fil de leurs années d'étude. Entre la pédagogie et le fonds ancien, l'enrichissement est mutuel, toujours.
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books
books
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April 2022
April 2022
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books
books
Title:
Beginning with the Seventies
Beginning with the Seventies
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Looking at the relationship between art, archives and activism, this publication begins with the 1970s, an era when social movements – feminism, environmentalism, LGBTQ2SIA+ rights, Indigenous rights, access to health services and housing – began to coalesce into models of self-organization that overlapped with the production of art and culture. Noting the resurgence of(...)
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Summary:
Looking at the relationship between art, archives and activism, this publication begins with the 1970s, an era when social movements – feminism, environmentalism, LGBTQ2SIA+ rights, Indigenous rights, access to health services and housing – began to coalesce into models of self-organization that overlapped with the production of art and culture. Noting the resurgence of(...)
Publication:
September 2020
September 2020
Title:
Beginning with the Seventies
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Looking at the relationship between art, archives and activism, this publication begins with the 1970s, an era when social movements – feminism, environmentalism, LGBTQ2SIA+ rights, Indigenous rights, access to health services and housing – began to coalesce into models of self-organization that overlapped with the production of art and culture. Noting the resurgence of art practice involved with social activism and an increasing interest in the 1970s from younger producers, the Belkin connected with diverse archives and activist networks to bring forward these histories, to commission new works of art and writing and to provide a space for discussion and debate. This book brings contemporary art practices into active dialogue with the past, interweaving archive with artwork, poetry, prose and critical investigation.
Beginning with the Seventies
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Looking at the relationship between art, archives and activism, this publication begins with the 1970s, an era when social movements – feminism, environmentalism, LGBTQ2SIA+ rights, Indigenous rights, access to health services and housing – began to coalesce into models of self-organization that overlapped with the production of art and culture. Noting the resurgence of art practice involved with social activism and an increasing interest in the 1970s from younger producers, the Belkin connected with diverse archives and activist networks to bring forward these histories, to commission new works of art and writing and to provide a space for discussion and debate. This book brings contemporary art practices into active dialogue with the past, interweaving archive with artwork, poetry, prose and critical investigation.
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books
books
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September 2020
September 2020
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This book accompanies the exhibition “Time Holds All the Answers,” at the Remai Modern- Postcommodity’s most significant museum presentation to date. Postcommodity is an interdisciplinary arts collective, currently comprised of Cristóbal Martínez and Kade L. Twist. The collective creates works of art that personify a shared Indigenous lens and voice, examining aspects of(...)
$49.95
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This book accompanies the exhibition “Time Holds All the Answers,” at the Remai Modern- Postcommodity’s most significant museum presentation to date. Postcommodity is an interdisciplinary arts collective, currently comprised of Cristóbal Martínez and Kade L. Twist. The collective creates works of art that personify a shared Indigenous lens and voice, examining aspects of(...)
Publication:
January 2022
January 2022
Title:
Postcommodity: Time holds all the answers
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This book accompanies the exhibition “Time Holds All the Answers,” at the Remai Modern- Postcommodity’s most significant museum presentation to date. Postcommodity is an interdisciplinary arts collective, currently comprised of Cristóbal Martínez and Kade L. Twist. The collective creates works of art that personify a shared Indigenous lens and voice, examining aspects of 21st-century life to inspire a uniquely Indigenous futurism. Using provocation as a tool, they spark constructive conversations that challenge the social, political and economic processes that destabilize communities and geographies.The publication generates a vital new body of knowledge on their work.
Postcommodity: Time holds all the answers
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$49.95
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This book accompanies the exhibition “Time Holds All the Answers,” at the Remai Modern- Postcommodity’s most significant museum presentation to date. Postcommodity is an interdisciplinary arts collective, currently comprised of Cristóbal Martínez and Kade L. Twist. The collective creates works of art that personify a shared Indigenous lens and voice, examining aspects of 21st-century life to inspire a uniquely Indigenous futurism. Using provocation as a tool, they spark constructive conversations that challenge the social, political and economic processes that destabilize communities and geographies.The publication generates a vital new body of knowledge on their work.
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books
books
Publication:
January 2022
January 2022
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books
books
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$45.00
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Le Nunatsiavut, région inuite du Canada qui possède une administration autonome depuis 2005, a une production artistique à part dans le monde de l’art canadien et de l’art inuit circumpolaire. Population inuite la plus méridionale au monde, le peuple côtier du Nunatsiavut a toujours vécu à cheval sur la limite forestière, et les artistes et artisans inuits du Nunatsiavut(...)
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Le Nunatsiavut, région inuite du Canada qui possède une administration autonome depuis 2005, a une production artistique à part dans le monde de l’art canadien et de l’art inuit circumpolaire. Population inuite la plus méridionale au monde, le peuple côtier du Nunatsiavut a toujours vécu à cheval sur la limite forestière, et les artistes et artisans inuits du Nunatsiavut(...)
Publication:
July 2017
July 2017
Title:
SakKijajuk: Art et artisanat du Nunatsiavut
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Le Nunatsiavut, région inuite du Canada qui possède une administration autonome depuis 2005, a une production artistique à part dans le monde de l’art canadien et de l’art inuit circumpolaire. Population inuite la plus méridionale au monde, le peuple côtier du Nunatsiavut a toujours vécu à cheval sur la limite forestière, et les artistes et artisans inuits du Nunatsiavut ont eu accès à une flore et une faune arctique et subarctique très diversifiées, à partir desquelles ils ont créé des œuvres d’une surprenante variété. Les artistes du territoire se sont traditionnellement servis de la pierre et du bois pour sculpter, de la fourrure, du cuir et de la peau de phoque pour l’art mobilier et des graminées marines pour la vannerie, ainsi que de la laine, du métal, du tissu, des perles et du papier. Plus récemment, ils ont travaillé avec des techniques que l’on retrouve en art contemporain, comme la peinture, le dessin, la gravure, la photographie, la vidéo et la céramique, sans pour autant délaisser les matériaux traditionnels, utilisés de manière novatrice et inusitée. ''SakKijâjuk. Art et artisanat du Nunatsiavut'' est la première publication d’importance sur l’art des Inuits du Labrador. Écrit pour accompagner une exposition itinérante majeure conçue par The Rooms Provincial Art Gallery Division de St. John’s, l’ouvrage comprend plus de 80 reproductions d’œuvres de 45 artistes, une présentation de ces derniers et un essai de fond sur l’art au Nunatsiavut signé par la commissaire Heather Igloliorte.
SakKijajuk: Art et artisanat du Nunatsiavut
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Le Nunatsiavut, région inuite du Canada qui possède une administration autonome depuis 2005, a une production artistique à part dans le monde de l’art canadien et de l’art inuit circumpolaire. Population inuite la plus méridionale au monde, le peuple côtier du Nunatsiavut a toujours vécu à cheval sur la limite forestière, et les artistes et artisans inuits du Nunatsiavut ont eu accès à une flore et une faune arctique et subarctique très diversifiées, à partir desquelles ils ont créé des œuvres d’une surprenante variété. Les artistes du territoire se sont traditionnellement servis de la pierre et du bois pour sculpter, de la fourrure, du cuir et de la peau de phoque pour l’art mobilier et des graminées marines pour la vannerie, ainsi que de la laine, du métal, du tissu, des perles et du papier. Plus récemment, ils ont travaillé avec des techniques que l’on retrouve en art contemporain, comme la peinture, le dessin, la gravure, la photographie, la vidéo et la céramique, sans pour autant délaisser les matériaux traditionnels, utilisés de manière novatrice et inusitée. ''SakKijâjuk. Art et artisanat du Nunatsiavut'' est la première publication d’importance sur l’art des Inuits du Labrador. Écrit pour accompagner une exposition itinérante majeure conçue par The Rooms Provincial Art Gallery Division de St. John’s, l’ouvrage comprend plus de 80 reproductions d’œuvres de 45 artistes, une présentation de ces derniers et un essai de fond sur l’art au Nunatsiavut signé par la commissaire Heather Igloliorte.
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books
books
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July 2017
July 2017
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books
books
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$22.00
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''In the face of war'' is the culmination of ''The war diary of Yevgenia Belorusets.'' In partnership with the Office of the President of Ukraine, it is presented alongside the wartime work of Ukrainian artists Nikita Kadan and Lesia Khomenko, on the occasion of their exhibition at the 59th Venice Biennale.
$22.00
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Summary:
''In the face of war'' is the culmination of ''The war diary of Yevgenia Belorusets.'' In partnership with the Office of the President of Ukraine, it is presented alongside the wartime work of Ukrainian artists Nikita Kadan and Lesia Khomenko, on the occasion of their exhibition at the 59th Venice Biennale.
Publication:
June 2022
June 2022
Title:
In the face of war : Ukraine 2022
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''In the face of war'' is the culmination of ''The war diary of Yevgenia Belorusets.'' In partnership with the Office of the President of Ukraine, it is presented alongside the wartime work of Ukrainian artists Nikita Kadan and Lesia Khomenko, on the occasion of their exhibition at the 59th Venice Biennale.
In the face of war : Ukraine 2022
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$22.00
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''In the face of war'' is the culmination of ''The war diary of Yevgenia Belorusets.'' In partnership with the Office of the President of Ukraine, it is presented alongside the wartime work of Ukrainian artists Nikita Kadan and Lesia Khomenko, on the occasion of their exhibition at the 59th Venice Biennale.
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books
books
Publication:
June 2022
June 2022
Form:
books
books
Title:
Conflict in my Outlook
Conflict in my Outlook
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$45.00
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We live in a hyper-mediated world, drowning in an ocean of images and information. ''Conflict in my outlook'' gathers contemporary artworks and new texts that shed light on human experience in an era of ubiquitous networked technologies. From digital intimacies and the weaponization of social media to invisible power structures, clickwork, and the 'gig' economy,(...)
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We live in a hyper-mediated world, drowning in an ocean of images and information. ''Conflict in my outlook'' gathers contemporary artworks and new texts that shed light on human experience in an era of ubiquitous networked technologies. From digital intimacies and the weaponization of social media to invisible power structures, clickwork, and the 'gig' economy,(...)
Publication:
June 2022
June 2022
Title:
Conflict in my Outlook
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$45.00
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We live in a hyper-mediated world, drowning in an ocean of images and information. ''Conflict in my outlook'' gathers contemporary artworks and new texts that shed light on human experience in an era of ubiquitous networked technologies. From digital intimacies and the weaponization of social media to invisible power structures, clickwork, and the 'gig' economy, contributors seek a better future in the context of algorithmic racism, machine learning, and the new colonial frontiers of surveillance capitalism. The anthology, which is published on the occasion of a two-part exhibition series at UQ Art Museum, focuses on art as a means to explore the techno-politics that define our age.
Conflict in my Outlook
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$45.00
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Summary:
We live in a hyper-mediated world, drowning in an ocean of images and information. ''Conflict in my outlook'' gathers contemporary artworks and new texts that shed light on human experience in an era of ubiquitous networked technologies. From digital intimacies and the weaponization of social media to invisible power structures, clickwork, and the 'gig' economy, contributors seek a better future in the context of algorithmic racism, machine learning, and the new colonial frontiers of surveillance capitalism. The anthology, which is published on the occasion of a two-part exhibition series at UQ Art Museum, focuses on art as a means to explore the techno-politics that define our age.
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books
books
Publication:
June 2022
June 2022
Form:
books
books
Price:
$39.95
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Summary:
The encounter of Native practices and influences with mainstream art created a community in which the relationship between art and indigenous sensibility was recognized and nurtured. These artists have shown in galleries in the heart of SoHo, written articles for publications such as Art in America, and produced work that incorporates the visual strategies of Abstract(...)
$39.95
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Summary:
The encounter of Native practices and influences with mainstream art created a community in which the relationship between art and indigenous sensibility was recognized and nurtured. These artists have shown in galleries in the heart of SoHo, written articles for publications such as Art in America, and produced work that incorporates the visual strategies of Abstract(...)
Publication:
August 2017
August 2017
Title:
No reservation: New York contemporary native American art movement
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The encounter of Native practices and influences with mainstream art created a community in which the relationship between art and indigenous sensibility was recognized and nurtured. These artists have shown in galleries in the heart of SoHo, written articles for publications such as Art in America, and produced work that incorporates the visual strategies of Abstract Expressionism, pop, conceptualism and various strains of postmodernism. Among the artists represented here are Leon Polk Smith, George Morrison, Jimmie Durham, Jaune Quick-to-See Smith, G. Peter Jemison, Jeffrey Gibson, Brad Kahlhamer and Lloyd R. Oxendine.
No reservation: New York contemporary native American art movement
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$39.95
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The encounter of Native practices and influences with mainstream art created a community in which the relationship between art and indigenous sensibility was recognized and nurtured. These artists have shown in galleries in the heart of SoHo, written articles for publications such as Art in America, and produced work that incorporates the visual strategies of Abstract Expressionism, pop, conceptualism and various strains of postmodernism. Among the artists represented here are Leon Polk Smith, George Morrison, Jimmie Durham, Jaune Quick-to-See Smith, G. Peter Jemison, Jeffrey Gibson, Brad Kahlhamer and Lloyd R. Oxendine.
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books
books
Publication:
August 2017
August 2017
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books
books
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$32.50
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Originally set up after a request from Winston Churchill, the Ministry of Defence’s UFO Desk ran for over 60 years, collating mysterious sightings and records of strange objects in the sky from observant members of the public. As well as letters and official reports, the UFO files contain photographs, drawings and even paintings of these curious sightings. David Clarke(...)
$32.50
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Summary:
Originally set up after a request from Winston Churchill, the Ministry of Defence’s UFO Desk ran for over 60 years, collating mysterious sightings and records of strange objects in the sky from observant members of the public. As well as letters and official reports, the UFO files contain photographs, drawings and even paintings of these curious sightings. David Clarke(...)
Publication:
February 2018
February 2018
Title:
UFO drawings from the National Archives
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Originally set up after a request from Winston Churchill, the Ministry of Defence’s UFO Desk ran for over 60 years, collating mysterious sightings and records of strange objects in the sky from observant members of the public. As well as letters and official reports, the UFO files contain photographs, drawings and even paintings of these curious sightings. David Clarke has selected examples from The National Archives to present a history of British UFO art and the remarkable stories behind these images, including an alien craft on the A1, flying saucers over Hampstead, and a spaceship landing at a primary school in Macclesfield.
UFO drawings from the National Archives
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Originally set up after a request from Winston Churchill, the Ministry of Defence’s UFO Desk ran for over 60 years, collating mysterious sightings and records of strange objects in the sky from observant members of the public. As well as letters and official reports, the UFO files contain photographs, drawings and even paintings of these curious sightings. David Clarke has selected examples from The National Archives to present a history of British UFO art and the remarkable stories behind these images, including an alien craft on the A1, flying saucers over Hampstead, and a spaceship landing at a primary school in Macclesfield.
Form:
books
books
Publication:
February 2018
February 2018
Form:
books
books
Title:
Women house
Women house
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$67.95
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« Women House » est la rencontre de deux notions : un genre – le féminin – et un espace – le domestique. L’architecture et l’espace public ont été masculins, tandis que l’espace domestique a été longtemps l’espace des femmes : cette évidence historique n’est pourtant pas une fatalité et l’exposition « Women House » nous le montre. Cette maison est-elle un refuge, une(...)
$67.95
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« Women House » est la rencontre de deux notions : un genre – le féminin – et un espace – le domestique. L’architecture et l’espace public ont été masculins, tandis que l’espace domestique a été longtemps l’espace des femmes : cette évidence historique n’est pourtant pas une fatalité et l’exposition « Women House » nous le montre. Cette maison est-elle un refuge, une(...)
Publication:
October 2017
October 2017
Title:
Women house
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$67.95
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« Women House » est la rencontre de deux notions : un genre – le féminin – et un espace – le domestique. L’architecture et l’espace public ont été masculins, tandis que l’espace domestique a été longtemps l’espace des femmes : cette évidence historique n’est pourtant pas une fatalité et l’exposition « Women House » nous le montre. Cette maison est-elle un refuge, une prison, ou peut-elle devenir un espace de création ?
Women house
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$67.95
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« Women House » est la rencontre de deux notions : un genre – le féminin – et un espace – le domestique. L’architecture et l’espace public ont été masculins, tandis que l’espace domestique a été longtemps l’espace des femmes : cette évidence historique n’est pourtant pas une fatalité et l’exposition « Women House » nous le montre. Cette maison est-elle un refuge, une prison, ou peut-elle devenir un espace de création ?
Form:
books
books
Publication:
October 2017
October 2017
