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Catalogue de l'exposition autour des livres d'artistes et imprimés issus de la collection de Jean-Paul Guy, cet ouvrage porte son regard sur l'art résultant de pratiques éditoriales, et sur ce que devient le livre lorsque cet objet est investi par les artistes. Présentant 68 ouvrages, notamment ceux de Ed Ruscha, Dieter Roth, Michael Snow et Robert Barry.
$36.95
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Catalogue de l'exposition autour des livres d'artistes et imprimés issus de la collection de Jean-Paul Guy, cet ouvrage porte son regard sur l'art résultant de pratiques éditoriales, et sur ce que devient le livre lorsque cet objet est investi par les artistes. Présentant 68 ouvrages, notamment ceux de Ed Ruscha, Dieter Roth, Michael Snow et Robert Barry.
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April 2017
April 2017
Title:
Ce que l’édition fait à l’art : extraits d’une collection
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Catalogue de l'exposition autour des livres d'artistes et imprimés issus de la collection de Jean-Paul Guy, cet ouvrage porte son regard sur l'art résultant de pratiques éditoriales, et sur ce que devient le livre lorsque cet objet est investi par les artistes. Présentant 68 ouvrages, notamment ceux de Ed Ruscha, Dieter Roth, Michael Snow et Robert Barry.
Ce que l’édition fait à l’art : extraits d’une collection
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$36.95
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Catalogue de l'exposition autour des livres d'artistes et imprimés issus de la collection de Jean-Paul Guy, cet ouvrage porte son regard sur l'art résultant de pratiques éditoriales, et sur ce que devient le livre lorsque cet objet est investi par les artistes. Présentant 68 ouvrages, notamment ceux de Ed Ruscha, Dieter Roth, Michael Snow et Robert Barry.
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books
books
Publication:
April 2017
April 2017
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books
books
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$131.95
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''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising(...)
$131.95
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''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising(...)
Publication:
August 2016
August 2016
Title:
Nature's truth: photography, painting, and science in Victorian Britain
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''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising disciplines of science, which offered new insights into physical phenomena, vision, and perception. Drawing on sources ranging from artists' letters to scientific treatises, ''Nature's Truth'' illuminates the dynamic relationship between art and science throughout the nineteenth century. Helmreich's study shows that this relatively short-lived movement had a profound effect on modern British art and changed conceptions of truth and the role of art in modern society.
Nature's truth: photography, painting, and science in Victorian Britain
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''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising disciplines of science, which offered new insights into physical phenomena, vision, and perception. Drawing on sources ranging from artists' letters to scientific treatises, ''Nature's Truth'' illuminates the dynamic relationship between art and science throughout the nineteenth century. Helmreich's study shows that this relatively short-lived movement had a profound effect on modern British art and changed conceptions of truth and the role of art in modern society.
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books
books
Publication:
August 2016
August 2016
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books
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$84.95
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À travers près de 300 illustrations, cette publication explore un chapitre méconnu de l'histoire de l'avant-garde russe : la rencontre de Marc Chagall avec les protagonistes de l'art abstrait El Lissitzky et Kazimir Malévitch, autour du projet d'une École populaire d'art fondée par Chagall dans sa ville natale, Vitebsk. Chacun des trois artistes élabore à sa façon, aux(...)
$84.95
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À travers près de 300 illustrations, cette publication explore un chapitre méconnu de l'histoire de l'avant-garde russe : la rencontre de Marc Chagall avec les protagonistes de l'art abstrait El Lissitzky et Kazimir Malévitch, autour du projet d'une École populaire d'art fondée par Chagall dans sa ville natale, Vitebsk. Chacun des trois artistes élabore à sa façon, aux(...)
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Chagall Lissitzky Malevitch : l'avant-garde russe à Vitebsk, 1918-1922
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À travers près de 300 illustrations, cette publication explore un chapitre méconnu de l'histoire de l'avant-garde russe : la rencontre de Marc Chagall avec les protagonistes de l'art abstrait El Lissitzky et Kazimir Malévitch, autour du projet d'une École populaire d'art fondée par Chagall dans sa ville natale, Vitebsk. Chacun des trois artistes élabore à sa façon, aux côtés des étudiants, un art nouveau - un art révolutionnaire. Une anthologie de textes inédits et une chronologie détaillée complètent l'ouvrage.
Chagall Lissitzky Malevitch : l'avant-garde russe à Vitebsk, 1918-1922
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À travers près de 300 illustrations, cette publication explore un chapitre méconnu de l'histoire de l'avant-garde russe : la rencontre de Marc Chagall avec les protagonistes de l'art abstrait El Lissitzky et Kazimir Malévitch, autour du projet d'une École populaire d'art fondée par Chagall dans sa ville natale, Vitebsk. Chacun des trois artistes élabore à sa façon, aux côtés des étudiants, un art nouveau - un art révolutionnaire. Une anthologie de textes inédits et une chronologie détaillée complètent l'ouvrage.
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books
books
Publication:
June 2018
June 2018
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books
books
Title:
L'art de la lecture
L'art de la lecture
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Chaque livre raconte une histoire, mais l’objet livre peut lui aussi être au cœur d’un récit mystérieux, fascinant et familier. Cet ouvrage en témoigne : le livre est tour à tour symbole de l’intellect dans des portraits, allégorie de la piété dans les tableaux religieux, sujet d’étude dans les natures mortes, ou encore matière première dans les installations(...)
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Summary:
Chaque livre raconte une histoire, mais l’objet livre peut lui aussi être au cœur d’un récit mystérieux, fascinant et familier. Cet ouvrage en témoigne : le livre est tour à tour symbole de l’intellect dans des portraits, allégorie de la piété dans les tableaux religieux, sujet d’étude dans les natures mortes, ou encore matière première dans les installations(...)
Title:
L'art de la lecture
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Chaque livre raconte une histoire, mais l’objet livre peut lui aussi être au cœur d’un récit mystérieux, fascinant et familier. Cet ouvrage en témoigne : le livre est tour à tour symbole de l’intellect dans des portraits, allégorie de la piété dans les tableaux religieux, sujet d’étude dans les natures mortes, ou encore matière première dans les installations contemporaines. "L’Art de la lecture" présente des œuvres issues de musées ou de collections du monde entier, rassemblées dans un superbe hommage à l’écriture et à son rôle majeur dans le monde.
L'art de la lecture
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$45.00
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Chaque livre raconte une histoire, mais l’objet livre peut lui aussi être au cœur d’un récit mystérieux, fascinant et familier. Cet ouvrage en témoigne : le livre est tour à tour symbole de l’intellect dans des portraits, allégorie de la piété dans les tableaux religieux, sujet d’étude dans les natures mortes, ou encore matière première dans les installations contemporaines. "L’Art de la lecture" présente des œuvres issues de musées ou de collections du monde entier, rassemblées dans un superbe hommage à l’écriture et à son rôle majeur dans le monde.
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books
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Publication:
June 2018
June 2018
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books
books
Title:
Hairy Who? 1966-1969
Hairy Who? 1966-1969
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This illustrated catalogue explores the history and significance of the Hairy Who, a group of six Chicago artists who transformed imagery from popular culture into highly personal works of art in a variety of media. New scholarship based on documentary materials—including exhibition checklists, installation views, and artist-made ephemera—reconstructs the group's six(...)
$65.00
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Summary:
This illustrated catalogue explores the history and significance of the Hairy Who, a group of six Chicago artists who transformed imagery from popular culture into highly personal works of art in a variety of media. New scholarship based on documentary materials—including exhibition checklists, installation views, and artist-made ephemera—reconstructs the group's six(...)
Publication:
October 2018
October 2018
Title:
Hairy Who? 1966-1969
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This illustrated catalogue explores the history and significance of the Hairy Who, a group of six Chicago artists who transformed imagery from popular culture into highly personal works of art in a variety of media. New scholarship based on documentary materials—including exhibition checklists, installation views, and artist-made ephemera—reconstructs the group's six exhibitions, held between 1966 and 1969, and offers a reassessment of the Hairy Who's idiosyncratic place within the cultural and political context of its time and place.
Hairy Who? 1966-1969
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$65.00
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Summary:
This illustrated catalogue explores the history and significance of the Hairy Who, a group of six Chicago artists who transformed imagery from popular culture into highly personal works of art in a variety of media. New scholarship based on documentary materials—including exhibition checklists, installation views, and artist-made ephemera—reconstructs the group's six exhibitions, held between 1966 and 1969, and offers a reassessment of the Hairy Who's idiosyncratic place within the cultural and political context of its time and place.
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books
books
Publication:
October 2018
October 2018
Form:
books
books
Title:
Russian Dada 1914-1924
Russian Dada 1914-1924
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This is the first book to approach Russian avant-garde art from the perspective of the anti-art canons associated with the international Dada movement. The works described and documented in Russian Dada were produced at the height of Dada's flourishing, between World War I and the death of Vladimir Lenin—who, incidentally, was a frequent visitor to Cabaret Voltaire in(...)
$64.95
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Summary:
This is the first book to approach Russian avant-garde art from the perspective of the anti-art canons associated with the international Dada movement. The works described and documented in Russian Dada were produced at the height of Dada's flourishing, between World War I and the death of Vladimir Lenin—who, incidentally, was a frequent visitor to Cabaret Voltaire in(...)
Publication:
September 2018
September 2018
Title:
Russian Dada 1914-1924
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$64.95
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This is the first book to approach Russian avant-garde art from the perspective of the anti-art canons associated with the international Dada movement. The works described and documented in Russian Dada were produced at the height of Dada's flourishing, between World War I and the death of Vladimir Lenin—who, incidentally, was a frequent visitor to Cabaret Voltaire in Zurich, the founding site of Dada. Like the Dadaists, the Russian avant-gardists whose works appear in this volume strove for internationalism, fused the verbal and visual, and engaged in eccentric practices and pacifist actions, including outrageous performances and anti-war campaigns. ''Russian Dada'', which accompanies a major exhibition at the Museo Reina Sofia, Madrid, includes 250 images and essays by leading art historians.
Russian Dada 1914-1924
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$64.95
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This is the first book to approach Russian avant-garde art from the perspective of the anti-art canons associated with the international Dada movement. The works described and documented in Russian Dada were produced at the height of Dada's flourishing, between World War I and the death of Vladimir Lenin—who, incidentally, was a frequent visitor to Cabaret Voltaire in Zurich, the founding site of Dada. Like the Dadaists, the Russian avant-gardists whose works appear in this volume strove for internationalism, fused the verbal and visual, and engaged in eccentric practices and pacifist actions, including outrageous performances and anti-war campaigns. ''Russian Dada'', which accompanies a major exhibition at the Museo Reina Sofia, Madrid, includes 250 images and essays by leading art historians.
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books
books
Publication:
September 2018
September 2018
Form:
books
books
Title:
Myths of the marble
Myths of the marble
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"Myths of the Marble" documents a group exhibition that took place in 2017 at the Henie Onstad Kunstsenter, Norway (HOK) and the Institute of Contemporary Art, University of Pennsylvania (ICA). Coorganized by curators Alex Klein (ICA) and Milena Hoegsberg (HOK), the exhibition reflects upon how the virtual has been engaged by contemporary artists as a way to consider the(...)
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Summary:
"Myths of the Marble" documents a group exhibition that took place in 2017 at the Henie Onstad Kunstsenter, Norway (HOK) and the Institute of Contemporary Art, University of Pennsylvania (ICA). Coorganized by curators Alex Klein (ICA) and Milena Hoegsberg (HOK), the exhibition reflects upon how the virtual has been engaged by contemporary artists as a way to consider the(...)
Publication:
March 2018
March 2018
Title:
Myths of the marble
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$45.95
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"Myths of the Marble" documents a group exhibition that took place in 2017 at the Henie Onstad Kunstsenter, Norway (HOK) and the Institute of Contemporary Art, University of Pennsylvania (ICA). Coorganized by curators Alex Klein (ICA) and Milena Hoegsberg (HOK), the exhibition reflects upon how the virtual has been engaged by contemporary artists as a way to consider the world as a site of possibility and limitation that both permeates physical space and online experience.
Myths of the marble
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$45.95
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Summary:
"Myths of the Marble" documents a group exhibition that took place in 2017 at the Henie Onstad Kunstsenter, Norway (HOK) and the Institute of Contemporary Art, University of Pennsylvania (ICA). Coorganized by curators Alex Klein (ICA) and Milena Hoegsberg (HOK), the exhibition reflects upon how the virtual has been engaged by contemporary artists as a way to consider the world as a site of possibility and limitation that both permeates physical space and online experience.
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books
books
Publication:
March 2018
March 2018
Form:
books
books
Title:
Is this tomorrow?
Is this tomorrow?
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For a major new presentation in 2019, Whitechapel Gallery in London is taking as a model its groundbreaking 1956 exhibition ''This Is Tomorrow.'' Organised by architect, writer and sculptor Theo Crosby, ''This Is Tomorrow'' featured 37 artists, architects, designers and writers who worked together in 12 small groups. At its core was the Independent Group, the proto-pop(...)
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Summary:
For a major new presentation in 2019, Whitechapel Gallery in London is taking as a model its groundbreaking 1956 exhibition ''This Is Tomorrow.'' Organised by architect, writer and sculptor Theo Crosby, ''This Is Tomorrow'' featured 37 artists, architects, designers and writers who worked together in 12 small groups. At its core was the Independent Group, the proto-pop(...)
Title:
Is this tomorrow?
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For a major new presentation in 2019, Whitechapel Gallery in London is taking as a model its groundbreaking 1956 exhibition ''This Is Tomorrow.'' Organised by architect, writer and sculptor Theo Crosby, ''This Is Tomorrow'' featured 37 artists, architects, designers and writers who worked together in 12 small groups. At its core was the Independent Group, the proto-pop collective comprised of (at various stages) Reyner Banham, Lawrence Alloway, Nigel Henderson, Eduardo Paolozzi, Richard Hamilton, William Turnbull and John McHale. ''Is This Tomorrow?'' also features 12 groups of contemporary architects, artists and other cultural practitioners to highlight the potential of collaboration, address key issues we face today and offer a vision of the future.
Is this tomorrow?
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For a major new presentation in 2019, Whitechapel Gallery in London is taking as a model its groundbreaking 1956 exhibition ''This Is Tomorrow.'' Organised by architect, writer and sculptor Theo Crosby, ''This Is Tomorrow'' featured 37 artists, architects, designers and writers who worked together in 12 small groups. At its core was the Independent Group, the proto-pop collective comprised of (at various stages) Reyner Banham, Lawrence Alloway, Nigel Henderson, Eduardo Paolozzi, Richard Hamilton, William Turnbull and John McHale. ''Is This Tomorrow?'' also features 12 groups of contemporary architects, artists and other cultural practitioners to highlight the potential of collaboration, address key issues we face today and offer a vision of the future.
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books
books
Publication:
May 2019
May 2019
Form:
books
books
Price:
$90.00
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Summary:
Située dans le centre de Téhéran, la rue Enghelab, rue de la Révolution, est l'une des principales artères de la ville et un haut lieu de la vie culturelle qui comporte de nombreuses librairies. Cet ouvrage présente la collection de livres de photographies et de livres de textes politiques rassemblée par l'artiste iranienne Hannah Darabi. Au fil de ces ouvrages publiés(...)
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Summary:
Située dans le centre de Téhéran, la rue Enghelab, rue de la Révolution, est l'une des principales artères de la ville et un haut lieu de la vie culturelle qui comporte de nombreuses librairies. Cet ouvrage présente la collection de livres de photographies et de livres de textes politiques rassemblée par l'artiste iranienne Hannah Darabi. Au fil de ces ouvrages publiés(...)
Publication:
January 2019
January 2019
Title:
Hannah Darabi : rue Enghelab, la révolution par les livres, Iran 1979-1983
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Située dans le centre de Téhéran, la rue Enghelab, rue de la Révolution, est l'une des principales artères de la ville et un haut lieu de la vie culturelle qui comporte de nombreuses librairies. Cet ouvrage présente la collection de livres de photographies et de livres de textes politiques rassemblée par l'artiste iranienne Hannah Darabi. Au fil de ces ouvrages publiés entre 1979 et 1983 - années correspondant à une courte période de liberté d'expression, entre la fin du régime de Shah et le début du gouvernement islamique - , Hannah Darabi nous mène au coeur d'une période d'intense activité artistique et culturelle, un moment exceptionnel de l'histoire iranienne.
Hannah Darabi : rue Enghelab, la révolution par les livres, Iran 1979-1983
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Située dans le centre de Téhéran, la rue Enghelab, rue de la Révolution, est l'une des principales artères de la ville et un haut lieu de la vie culturelle qui comporte de nombreuses librairies. Cet ouvrage présente la collection de livres de photographies et de livres de textes politiques rassemblée par l'artiste iranienne Hannah Darabi. Au fil de ces ouvrages publiés entre 1979 et 1983 - années correspondant à une courte période de liberté d'expression, entre la fin du régime de Shah et le début du gouvernement islamique - , Hannah Darabi nous mène au coeur d'une période d'intense activité artistique et culturelle, un moment exceptionnel de l'histoire iranienne.
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books
books
Publication:
January 2019
January 2019
Form:
books
books
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$39.95
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In the summer of 1970, the Museum of Modern Art in New York mounted the now legendary exhibition 'Information', one of the first surveys of conceptual art. Conceived by MoMA’s curator Kynaston McShine as an 'international report' on contemporary trends, the show and attendant catalog together assembled the work of more than 150 artists from 15 countries to explore the(...)
$39.95
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Summary:
In the summer of 1970, the Museum of Modern Art in New York mounted the now legendary exhibition 'Information', one of the first surveys of conceptual art. Conceived by MoMA’s curator Kynaston McShine as an 'international report' on contemporary trends, the show and attendant catalog together assembled the work of more than 150 artists from 15 countries to explore the(...)
Publication:
October 2019
October 2019
Title:
Information: 50th anniversary edition
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$39.95
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In the summer of 1970, the Museum of Modern Art in New York mounted the now legendary exhibition 'Information', one of the first surveys of conceptual art. Conceived by MoMA’s curator Kynaston McShine as an 'international report' on contemporary trends, the show and attendant catalog together assembled the work of more than 150 artists from 15 countries to explore the parameters and possibilities of the emerging art practices of the era. This facsimile edition of the original 'Information' catalog, which has long been out of print, invites reengagement with MoMA’s landmark exhibition while illuminating the early history of conceptual art.
Information: 50th anniversary edition
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$39.95
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Summary:
In the summer of 1970, the Museum of Modern Art in New York mounted the now legendary exhibition 'Information', one of the first surveys of conceptual art. Conceived by MoMA’s curator Kynaston McShine as an 'international report' on contemporary trends, the show and attendant catalog together assembled the work of more than 150 artists from 15 countries to explore the parameters and possibilities of the emerging art practices of the era. This facsimile edition of the original 'Information' catalog, which has long been out of print, invites reengagement with MoMA’s landmark exhibition while illuminating the early history of conceptual art.
Form:
books
books
Publication:
October 2019
October 2019
