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Title:
1985 : Mondes-images
1985 : Mondes-images
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Comment les images produites dans les années 1980 ont-elles transformé notre histoire culturelle?? En quoi ont-elles contribué à façonner la pensée du XXIe siècle?? Pour souligner son 40e anniversaire, VOX a présenté une manifestation artistique qui, en phase avec sa mission de soutenir la recherche et la diffusion des pratiques de l’image, revisitait une période ayant(...)
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Comment les images produites dans les années 1980 ont-elles transformé notre histoire culturelle?? En quoi ont-elles contribué à façonner la pensée du XXIe siècle?? Pour souligner son 40e anniversaire, VOX a présenté une manifestation artistique qui, en phase avec sa mission de soutenir la recherche et la diffusion des pratiques de l’image, revisitait une période ayant(...)
Title:
1985 : Mondes-images
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Comment les images produites dans les années 1980 ont-elles transformé notre histoire culturelle?? En quoi ont-elles contribué à façonner la pensée du XXIe siècle?? Pour souligner son 40e anniversaire, VOX a présenté une manifestation artistique qui, en phase avec sa mission de soutenir la recherche et la diffusion des pratiques de l’image, revisitait une période ayant marqué son histoire et celle du Québec. L’exposition a réuni près d’une quarantaine d’œuvres photographiques et vidéographiques et de référents visuels emblématiques de cette époque. La présente publication comporte quant à elle les essais, les entretiens et les interventions artistiques d’une quinzaine de chercheur·euses et artistes qui examinent l’impact des années 1980 sur le monde actuel. Leurs contributions issues de champs variés – politique, littérature, études sur la nuit, la mode, l’environnement, les transformations technologiques, l’écosystème de l’art, la condition des artistes, l’histoire des expositions – offre une lecture transversale et stimulante de cette période complexe. Une décennie dont les résonances critiques et créatives continuent de modeler notre présent.
1985 : Mondes-images
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Comment les images produites dans les années 1980 ont-elles transformé notre histoire culturelle?? En quoi ont-elles contribué à façonner la pensée du XXIe siècle?? Pour souligner son 40e anniversaire, VOX a présenté une manifestation artistique qui, en phase avec sa mission de soutenir la recherche et la diffusion des pratiques de l’image, revisitait une période ayant marqué son histoire et celle du Québec. L’exposition a réuni près d’une quarantaine d’œuvres photographiques et vidéographiques et de référents visuels emblématiques de cette époque. La présente publication comporte quant à elle les essais, les entretiens et les interventions artistiques d’une quinzaine de chercheur·euses et artistes qui examinent l’impact des années 1980 sur le monde actuel. Leurs contributions issues de champs variés – politique, littérature, études sur la nuit, la mode, l’environnement, les transformations technologiques, l’écosystème de l’art, la condition des artistes, l’histoire des expositions – offre une lecture transversale et stimulante de cette période complexe. Une décennie dont les résonances critiques et créatives continuent de modeler notre présent.
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books
books
Publication:
November 2025
November 2025
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books
books
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The book ''Archive of Dreams'' is published in conjunction with the exhibition of the same name that will open the ''Archiv der Avantgarden''. Marking the hundredth anniversary of the first surrealist manifesto and the founding of the Bureau of Surrealist Research in Paris in 1924, the volume is dedicated to the surrealist movement as well as the networks it engendered(...)
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The book ''Archive of Dreams'' is published in conjunction with the exhibition of the same name that will open the ''Archiv der Avantgarden''. Marking the hundredth anniversary of the first surrealist manifesto and the founding of the Bureau of Surrealist Research in Paris in 1924, the volume is dedicated to the surrealist movement as well as the networks it engendered(...)
Publication:
December 2025
December 2025
Title:
Archive of dreams: A surrealist impulse
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The book ''Archive of Dreams'' is published in conjunction with the exhibition of the same name that will open the ''Archiv der Avantgarden''. Marking the hundredth anniversary of the first surrealist manifesto and the founding of the Bureau of Surrealist Research in Paris in 1924, the volume is dedicated to the surrealist movement as well as the networks it engendered and the artistic stimuli it provided in the twentieth century. The idea was for the Bureau to collect dream testimonies in whatever form, not only to preserve and analyse them but also to give active expression to them in artistic processes. The publication shows how the practices of the avantgardes blurred the boundaries between dream and reality, between the traditional, passive notion of the archive and the idea of active, innovative artistic experiment — and thus ultimately also between the past, the present, and possible futures. Works and documents from the period before, during, and after the Second World War shed light on the working methods of international artists and the global network they were involved in. They are complemented by diverse reflections on global protest movements and the traumas of war, thus connecting, too, to everyday experiences in a Europe beset by warfare.
Archive of dreams: A surrealist impulse
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The book ''Archive of Dreams'' is published in conjunction with the exhibition of the same name that will open the ''Archiv der Avantgarden''. Marking the hundredth anniversary of the first surrealist manifesto and the founding of the Bureau of Surrealist Research in Paris in 1924, the volume is dedicated to the surrealist movement as well as the networks it engendered and the artistic stimuli it provided in the twentieth century. The idea was for the Bureau to collect dream testimonies in whatever form, not only to preserve and analyse them but also to give active expression to them in artistic processes. The publication shows how the practices of the avantgardes blurred the boundaries between dream and reality, between the traditional, passive notion of the archive and the idea of active, innovative artistic experiment — and thus ultimately also between the past, the present, and possible futures. Works and documents from the period before, during, and after the Second World War shed light on the working methods of international artists and the global network they were involved in. They are complemented by diverse reflections on global protest movements and the traumas of war, thus connecting, too, to everyday experiences in a Europe beset by warfare.
Form:
books
books
Publication:
December 2025
December 2025
Form:
books
books
Price:
$44.95
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Summary:
''Staging Ground: infrastructures, performance, and bodies'' in movement assembles on-site investigations, critical reflections, and performance scores offering new ways to think, make, and inhabit mobility infrastructures. Grounded in the metropole of Grand Paris, they aim to offer strategies to be staged anywhere that infrastructural transformations are shifting urban(...)
$44.95
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Summary:
''Staging Ground: infrastructures, performance, and bodies'' in movement assembles on-site investigations, critical reflections, and performance scores offering new ways to think, make, and inhabit mobility infrastructures. Grounded in the metropole of Grand Paris, they aim to offer strategies to be staged anywhere that infrastructural transformations are shifting urban(...)
Title:
Staging ground: Infrastructure, performance, and bodies in movement
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''Staging Ground: infrastructures, performance, and bodies'' in movement assembles on-site investigations, critical reflections, and performance scores offering new ways to think, make, and inhabit mobility infrastructures. Grounded in the metropole of Grand Paris, they aim to offer strategies to be staged anywhere that infrastructural transformations are shifting urban grounds. The book stems from a residency programme hosted by Theatrum Mundi in Grand Paris as part of the LINA European Architecture Programme. From 2023 to 2025, it invited six LINA fellows – emerging spatial practitioners and artists – to move and think in the changing landscapes of north-eastern Paris and Plaine Commune. Accompanying their work, four commissioned essays and a photo series frame the urgency of new tools able to bridge infrastructural and bodily scales, and reflect on the learnings offered by the residency projects. A design concept by Athens-based practice Typical Organization draws on and subverts the visual language of the French road sign system.
Staging ground: Infrastructure, performance, and bodies in movement
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''Staging Ground: infrastructures, performance, and bodies'' in movement assembles on-site investigations, critical reflections, and performance scores offering new ways to think, make, and inhabit mobility infrastructures. Grounded in the metropole of Grand Paris, they aim to offer strategies to be staged anywhere that infrastructural transformations are shifting urban grounds. The book stems from a residency programme hosted by Theatrum Mundi in Grand Paris as part of the LINA European Architecture Programme. From 2023 to 2025, it invited six LINA fellows – emerging spatial practitioners and artists – to move and think in the changing landscapes of north-eastern Paris and Plaine Commune. Accompanying their work, four commissioned essays and a photo series frame the urgency of new tools able to bridge infrastructural and bodily scales, and reflect on the learnings offered by the residency projects. A design concept by Athens-based practice Typical Organization draws on and subverts the visual language of the French road sign system.
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books
books
Publication:
October 2025
October 2025
Form:
books
books
Price:
$49.95
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Summary:
Qillaniq nous offre un art polyphonique et multidisciplinaire, riche d’improvisations. Un art inspiré des valeurs autochtones qui privilégient l’apport au bien commun sous toutes les formes. Un art qui exprime une joie profonde, le message d’artistes qui voient tous les possibles dans nos communautés, qui fait place aux gens qui font évoluer notre monde en faisant fi des(...)
$49.95
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Qillaniq nous offre un art polyphonique et multidisciplinaire, riche d’improvisations. Un art inspiré des valeurs autochtones qui privilégient l’apport au bien commun sous toutes les formes. Un art qui exprime une joie profonde, le message d’artistes qui voient tous les possibles dans nos communautés, qui fait place aux gens qui font évoluer notre monde en faisant fi des(...)
Title:
Qillaniq
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Qillaniq nous offre un art polyphonique et multidisciplinaire, riche d’improvisations. Un art inspiré des valeurs autochtones qui privilégient l’apport au bien commun sous toutes les formes. Un art qui exprime une joie profonde, le message d’artistes qui voient tous les possibles dans nos communautés, qui fait place aux gens qui font évoluer notre monde en faisant fi des normes dictées par la colonisation. C’est, surtout, un art qui célèbre ceux et celles qui brandissent l’amour devant les écueils.// The art in Qillaniq is multi-vocal, multi-disciplinary, and improvisational; it’s inspired by Indigenous values of contributing to community in as many ways as possible. It’s also an expression of radical joy, an exploration of what the artists tell us is possible in our communities, of holding space for the people who change our world – despite not always fitting into the norms of colonizing institutions. Most of all, it celebrates those who share love as an answer to difficulty. Qillaniq – that shimmering, bright light – honours the circumpolar world’s badass artists who tell us all that our existence is enough.
Qillaniq
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$49.95
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Qillaniq nous offre un art polyphonique et multidisciplinaire, riche d’improvisations. Un art inspiré des valeurs autochtones qui privilégient l’apport au bien commun sous toutes les formes. Un art qui exprime une joie profonde, le message d’artistes qui voient tous les possibles dans nos communautés, qui fait place aux gens qui font évoluer notre monde en faisant fi des normes dictées par la colonisation. C’est, surtout, un art qui célèbre ceux et celles qui brandissent l’amour devant les écueils.// The art in Qillaniq is multi-vocal, multi-disciplinary, and improvisational; it’s inspired by Indigenous values of contributing to community in as many ways as possible. It’s also an expression of radical joy, an exploration of what the artists tell us is possible in our communities, of holding space for the people who change our world – despite not always fitting into the norms of colonizing institutions. Most of all, it celebrates those who share love as an answer to difficulty. Qillaniq – that shimmering, bright light – honours the circumpolar world’s badass artists who tell us all that our existence is enough.
Form:
books
books
Publication:
June 2026
June 2026
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books
books
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$61.95
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The exhibition "Design en main. Du langage à l'objet" [Design in Hand. From Language to Object] is built around six popular expressions related to the hand. Placed within the field of design, these expressions reveal an intimate relationship between language and form. Words and objects converse, whether they pertain to everyday use or iconic creations. Enhanced by essays(...)
$61.95
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The exhibition "Design en main. Du langage à l'objet" [Design in Hand. From Language to Object] is built around six popular expressions related to the hand. Placed within the field of design, these expressions reveal an intimate relationship between language and form. Words and objects converse, whether they pertain to everyday use or iconic creations. Enhanced by essays(...)
Publication:
June 2026
June 2026
Title:
Design en main : Du langage à l'objet – Galerie nationale du design, Saint-Étienne
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The exhibition "Design en main. Du langage à l'objet" [Design in Hand. From Language to Object] is built around six popular expressions related to the hand. Placed within the field of design, these expressions reveal an intimate relationship between language and form. Words and objects converse, whether they pertain to everyday use or iconic creations. Enhanced by essays from international authors, punctuated by comments from designers, explanatory notes, and rich iconography, this book, along with the materials it contains, can be held in hand before being shared.
Design en main : Du langage à l'objet – Galerie nationale du design, Saint-Étienne
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The exhibition "Design en main. Du langage à l'objet" [Design in Hand. From Language to Object] is built around six popular expressions related to the hand. Placed within the field of design, these expressions reveal an intimate relationship between language and form. Words and objects converse, whether they pertain to everyday use or iconic creations. Enhanced by essays from international authors, punctuated by comments from designers, explanatory notes, and rich iconography, this book, along with the materials it contains, can be held in hand before being shared.
Form:
books
books
Publication:
June 2026
June 2026
Form:
books
books
Price:
$75.00
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Summary:
Reasoned catalogue edited by MUSAC. It deals with the presentation of the first volume of the MUSAC Collection, composed of more than 900 works. The 700 page edition is bilingual. Editorial Coordination was under Isabel Yáñez and Carlos Ordás and design by Ipsum Planet. The catalogue is structured around six critical texts, written by Estrella de Diego, Octavio Zaya,(...)
$75.00
(available to order)
Summary:
Reasoned catalogue edited by MUSAC. It deals with the presentation of the first volume of the MUSAC Collection, composed of more than 900 works. The 700 page edition is bilingual. Editorial Coordination was under Isabel Yáñez and Carlos Ordás and design by Ipsum Planet. The catalogue is structured around six critical texts, written by Estrella de Diego, Octavio Zaya,(...)
Publication:
March 2006, Barcelona
March 2006, Barcelona
Title:
MUSAC : Museo de arte comtemporaneo de Castilla y Leon, coleccion Vol. I
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Reasoned catalogue edited by MUSAC. It deals with the presentation of the first volume of the MUSAC Collection, composed of more than 900 works. The 700 page edition is bilingual. Editorial Coordination was under Isabel Yáñez and Carlos Ordás and design by Ipsum Planet. The catalogue is structured around six critical texts, written by Estrella de Diego, Octavio Zaya, Agustín Pérez Rubio, Carlos Ordás, Tania Pardo y Javier Hernando. The section of reasoned works presents in alphabetical order the 153 artists of this first volume. Together with a short biography of each one of the artists, images accompanied by technical data are shown. These data have been elaborated by Carlos Ordás, Tania Pardo, Belén Sola, Kristine Guzmán e Isabel Yáñez.
MUSAC : Museo de arte comtemporaneo de Castilla y Leon, coleccion Vol. I
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$75.00
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Summary:
Reasoned catalogue edited by MUSAC. It deals with the presentation of the first volume of the MUSAC Collection, composed of more than 900 works. The 700 page edition is bilingual. Editorial Coordination was under Isabel Yáñez and Carlos Ordás and design by Ipsum Planet. The catalogue is structured around six critical texts, written by Estrella de Diego, Octavio Zaya, Agustín Pérez Rubio, Carlos Ordás, Tania Pardo y Javier Hernando. The section of reasoned works presents in alphabetical order the 153 artists of this first volume. Together with a short biography of each one of the artists, images accompanied by technical data are shown. These data have been elaborated by Carlos Ordás, Tania Pardo, Belén Sola, Kristine Guzmán e Isabel Yáñez.
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books
books
Publication:
March 2006, Barcelona
March 2006, Barcelona
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books
books
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$35.00
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Summary:
Some, like the Tasmanian tiger, are considered extinct--yet sightings are still reported. Some, like the giant squid, existed only as rumors until hard evidence finally appeared. And then there are the others, who roam a shadowy realm between myth, hucksterism and science--for example, Bigfoot and the Loch Ness Monster. Cryptozoology is the quest for unidentified and(...)
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Summary:
Some, like the Tasmanian tiger, are considered extinct--yet sightings are still reported. Some, like the giant squid, existed only as rumors until hard evidence finally appeared. And then there are the others, who roam a shadowy realm between myth, hucksterism and science--for example, Bigfoot and the Loch Ness Monster. Cryptozoology is the quest for unidentified and(...)
Publication:
February 2007, Zurich
February 2007, Zurich
Title:
Cryptology : out of the place scale
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Some, like the Tasmanian tiger, are considered extinct--yet sightings are still reported. Some, like the giant squid, existed only as rumors until hard evidence finally appeared. And then there are the others, who roam a shadowy realm between myth, hucksterism and science--for example, Bigfoot and the Loch Ness Monster. Cryptozoology is the quest for unidentified and elusive species, and as such is often treated as a marginalized science more akin to farcical adventure. However, the subject makes for a perfectly fascinating zone of inquiry for contemporary artists interested in the fertile edges of the history of science and museums, taxonomy, myth, spectacle and fraud. Cryptozoology: Out of Time Place Scale mines the theoretical and design terrains of the twenty-first-century graphic novel and the medieval curio cabinet or Wunderkammer, exploring cryptozoology in art and popular culture. Originally exhibited at Maine's Bates College Museum of Art, it begins with Mark Dion's installation of a bureaucratic government agency, the Federal Wildlife Commission's Department of Cryptozoology, Bureau for the Investigation of Paranormal Phenomena and National Institute of Comparative Astrobiology, and features drawings, paintings, dioramas, taxidermy and performative photos by artists Rachel Berwick, Sarina Brewer, Walmor Correa, Ellen Lesperance, Robert Marbury, Jill Miller, Vic Muniz, Jeanine Oleson, Rosamond Purcell, Alexis Rockman, Marc Swanson, Jeffrey Vallance and Jamie Wyeth.
Cryptology : out of the place scale
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Some, like the Tasmanian tiger, are considered extinct--yet sightings are still reported. Some, like the giant squid, existed only as rumors until hard evidence finally appeared. And then there are the others, who roam a shadowy realm between myth, hucksterism and science--for example, Bigfoot and the Loch Ness Monster. Cryptozoology is the quest for unidentified and elusive species, and as such is often treated as a marginalized science more akin to farcical adventure. However, the subject makes for a perfectly fascinating zone of inquiry for contemporary artists interested in the fertile edges of the history of science and museums, taxonomy, myth, spectacle and fraud. Cryptozoology: Out of Time Place Scale mines the theoretical and design terrains of the twenty-first-century graphic novel and the medieval curio cabinet or Wunderkammer, exploring cryptozoology in art and popular culture. Originally exhibited at Maine's Bates College Museum of Art, it begins with Mark Dion's installation of a bureaucratic government agency, the Federal Wildlife Commission's Department of Cryptozoology, Bureau for the Investigation of Paranormal Phenomena and National Institute of Comparative Astrobiology, and features drawings, paintings, dioramas, taxidermy and performative photos by artists Rachel Berwick, Sarina Brewer, Walmor Correa, Ellen Lesperance, Robert Marbury, Jill Miller, Vic Muniz, Jeanine Oleson, Rosamond Purcell, Alexis Rockman, Marc Swanson, Jeffrey Vallance and Jamie Wyeth.
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books
books
Publication:
February 2007, Zurich
February 2007, Zurich
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books
books
Title:
Out of Beirut
Out of Beirut
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Beirut had been a renowned resort and a center of culture and style for hundreds of years, when, in the late twentieth century, it became the site of terrible violence and trauma. More than 15 years after the official end of Lebanon's civil war in 1990, political instability, bombings and assassinations still dominate the international headlines, obscuring years of swift(...)
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Beirut had been a renowned resort and a center of culture and style for hundreds of years, when, in the late twentieth century, it became the site of terrible violence and trauma. More than 15 years after the official end of Lebanon's civil war in 1990, political instability, bombings and assassinations still dominate the international headlines, obscuring years of swift(...)
Publication:
January 2007, Oxford
January 2007, Oxford
Title:
Out of Beirut
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Beirut had been a renowned resort and a center of culture and style for hundreds of years, when, in the late twentieth century, it became the site of terrible violence and trauma. More than 15 years after the official end of Lebanon's civil war in 1990, political instability, bombings and assassinations still dominate the international headlines, obscuring years of swift change. In that time, Beirut became fertile ground for radical and innovative art-making and critical thought. "Out of Beirut" introduces new and recent work by artists who have been at the forefront of that activity, and who, in this new time of turmoil and change, will be watching Beirut's fate closely, chronicling it, and perhaps by their responses, changing it. With work by Fadi Abdallah, Gilbert Hage, Heartland, Bernard Khoury, Rabib Mroué, Walid Raad, Walid Sadek, Jalal Toufic, Paola Yacoub and Michel Lasserre and Akram Zaatari, among others.
Out of Beirut
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Beirut had been a renowned resort and a center of culture and style for hundreds of years, when, in the late twentieth century, it became the site of terrible violence and trauma. More than 15 years after the official end of Lebanon's civil war in 1990, political instability, bombings and assassinations still dominate the international headlines, obscuring years of swift change. In that time, Beirut became fertile ground for radical and innovative art-making and critical thought. "Out of Beirut" introduces new and recent work by artists who have been at the forefront of that activity, and who, in this new time of turmoil and change, will be watching Beirut's fate closely, chronicling it, and perhaps by their responses, changing it. With work by Fadi Abdallah, Gilbert Hage, Heartland, Bernard Khoury, Rabib Mroué, Walid Raad, Walid Sadek, Jalal Toufic, Paola Yacoub and Michel Lasserre and Akram Zaatari, among others.
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books
books
Publication:
January 2007, Oxford
January 2007, Oxford
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books
books
Price:
$47.25
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Summary:
560 Broadway is the first book to explore one of this country’s most remarkable private collections of modern and contemporary American drawings. Featuring such artists as Sol LeWitt, Mel Bochner, Jasper Johns, and Agnes Martin, the collection of Wynn Kramarsky has won high praise for its diversity, chronological sweep, and quality. Moreover, Kramarsky’s exhibition space(...)
$47.25
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Summary:
560 Broadway is the first book to explore one of this country’s most remarkable private collections of modern and contemporary American drawings. Featuring such artists as Sol LeWitt, Mel Bochner, Jasper Johns, and Agnes Martin, the collection of Wynn Kramarsky has won high praise for its diversity, chronological sweep, and quality. Moreover, Kramarsky’s exhibition space(...)
Publication:
February 2008, New Haven, London
February 2008, New Haven, London
Title:
560 Broadway: a New York drawing collection at work, 1991-2006
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560 Broadway is the first book to explore one of this country’s most remarkable private collections of modern and contemporary American drawings. Featuring such artists as Sol LeWitt, Mel Bochner, Jasper Johns, and Agnes Martin, the collection of Wynn Kramarsky has won high praise for its diversity, chronological sweep, and quality. Moreover, Kramarsky’s exhibition space at 560 Broadway in New York City, in operation from 1991 to 2006, served as a pivotal meeting place for museum and gallery professionals, as well as emerging artists.
560 Broadway: a New York drawing collection at work, 1991-2006
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560 Broadway is the first book to explore one of this country’s most remarkable private collections of modern and contemporary American drawings. Featuring such artists as Sol LeWitt, Mel Bochner, Jasper Johns, and Agnes Martin, the collection of Wynn Kramarsky has won high praise for its diversity, chronological sweep, and quality. Moreover, Kramarsky’s exhibition space at 560 Broadway in New York City, in operation from 1991 to 2006, served as a pivotal meeting place for museum and gallery professionals, as well as emerging artists.
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books
books
Publication:
February 2008, New Haven, London
February 2008, New Haven, London
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books
books
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$42.00
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Catalogue de la 9e Biennale d'art contemporain de Lyon (19 septembre 2007 – 6 janvier 2008), conçu suivant les principes qui régissent la programmation de la manifestation organisée par Stéphanie Moisdon et Hans Ulrich Obrist. Cet ouvrage relève à la fois du jeu, de la cartographie et de l'expérience d'une écriture collective. Pensé comme un livre d'histoire et de(...)
$42.00
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Summary:
Catalogue de la 9e Biennale d'art contemporain de Lyon (19 septembre 2007 – 6 janvier 2008), conçu suivant les principes qui régissent la programmation de la manifestation organisée par Stéphanie Moisdon et Hans Ulrich Obrist. Cet ouvrage relève à la fois du jeu, de la cartographie et de l'expérience d'une écriture collective. Pensé comme un livre d'histoire et de(...)
Publication:
October 2007, Lyon, Dijon, Zürich
October 2007, Lyon, Dijon, Zürich
Title:
Biennale de Lyon 2007 : 00's - L'histoire d'une décennie qui n'est pas encore nommée
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Catalogue de la 9e Biennale d'art contemporain de Lyon (19 septembre 2007 – 6 janvier 2008), conçu suivant les principes qui régissent la programmation de la manifestation organisée par Stéphanie Moisdon et Hans Ulrich Obrist. Cet ouvrage relève à la fois du jeu, de la cartographie et de l'expérience d'une écriture collective. Pensé comme un livre d'histoire et de géographie de l'art contemporain, il est le résultat d'une série d'investigations et de programmations des concepteurs de la manifestation et de Thierry Raspail. Réunissant 70 « joueurs » du monde entier (artistes, critiques et commissaires d'exposition) répartis entre deux cercles selon le type d'intervention demandé, le projet s'est développé autour d'une question centrale : « Comment définir la décennie actuelle ? ». S'il était proposé au premier cercle de choisir de choisir des réponses parmi ce que les artistes produisent aujourd'hui, il était demandé aux joueurs du second cercle de séquencer leurs choix ou de les confronter à d'autres. L'ensemble de ces subjectivités, cadrées par quelques règles de présentation (qui ? pourquoi ? comment ?), participent ici à un exercice de délimitation, de détourage et de recadrage d'une décennie et d'un objet – l'art – dont le tracé est de plus en plus indispensable. La publication s'accompagne d'essais inédits de et d'entretiens avec Mehdi Belhaj-Kacem, Stefano Boeri, François Cusset, Okwui Enwezor, Michel Houellebecq, Anselm Jappe, Paul Veyne et Ralph Rugoff.
Biennale de Lyon 2007 : 00's - L'histoire d'une décennie qui n'est pas encore nommée
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Summary:
Catalogue de la 9e Biennale d'art contemporain de Lyon (19 septembre 2007 – 6 janvier 2008), conçu suivant les principes qui régissent la programmation de la manifestation organisée par Stéphanie Moisdon et Hans Ulrich Obrist. Cet ouvrage relève à la fois du jeu, de la cartographie et de l'expérience d'une écriture collective. Pensé comme un livre d'histoire et de géographie de l'art contemporain, il est le résultat d'une série d'investigations et de programmations des concepteurs de la manifestation et de Thierry Raspail. Réunissant 70 « joueurs » du monde entier (artistes, critiques et commissaires d'exposition) répartis entre deux cercles selon le type d'intervention demandé, le projet s'est développé autour d'une question centrale : « Comment définir la décennie actuelle ? ». S'il était proposé au premier cercle de choisir de choisir des réponses parmi ce que les artistes produisent aujourd'hui, il était demandé aux joueurs du second cercle de séquencer leurs choix ou de les confronter à d'autres. L'ensemble de ces subjectivités, cadrées par quelques règles de présentation (qui ? pourquoi ? comment ?), participent ici à un exercice de délimitation, de détourage et de recadrage d'une décennie et d'un objet – l'art – dont le tracé est de plus en plus indispensable. La publication s'accompagne d'essais inédits de et d'entretiens avec Mehdi Belhaj-Kacem, Stefano Boeri, François Cusset, Okwui Enwezor, Michel Houellebecq, Anselm Jappe, Paul Veyne et Ralph Rugoff.
Form:
books
books
Publication:
October 2007, Lyon, Dijon, Zürich
October 2007, Lyon, Dijon, Zürich
