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Stolen and appropriated imagery has proved to be the principle means by which artists have challenged the image industry that they must constantly compete with. Drawing on the vast resources of the Rubell family collection, this massive catalogue appraises the landmarks of appropriation art. Among the artists featured are Maurizio Cattelan, Peter Coffin, Aaron Curry,(...)
$55.00
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Summary:
Stolen and appropriated imagery has proved to be the principle means by which artists have challenged the image industry that they must constantly compete with. Drawing on the vast resources of the Rubell family collection, this massive catalogue appraises the landmarks of appropriation art. Among the artists featured are Maurizio Cattelan, Peter Coffin, Aaron Curry,(...)
Publication:
August 2010
August 2010
Title:
Beg, borrow and steel : Rubell Family Collection
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Stolen and appropriated imagery has proved to be the principle means by which artists have challenged the image industry that they must constantly compete with. Drawing on the vast resources of the Rubell family collection, this massive catalogue appraises the landmarks of appropriation art. Among the artists featured are Maurizio Cattelan, Peter Coffin, Aaron Curry, Marcel Duchamp, Elmgreen & Dragset, Hans-Peter Feldmann, Urs Fischer, Robert Gober, David Hammons, Mark Handforth, Rachel Harrison, Jenny Holzer, Jonathan Horowitz, Rashid Johnson, Jeff Koons, Barbara Kruger, Louise Lawler, Mark Leckey, Sherrie Levine, Glenn Ligon, Robert Longo, Kris Martin, Paul McCarthy, Takashi Murakami, Cady Noland, Richard Prince, Charles Ray, Jason Rhoades, Thomas Ruff, David Salle, Philip Taaffe, Hank Willis Thomas, Piotr Uklanski, Meyer Vaisman, Kelley Walker, Wang Ziwei, Christopher Wool and Zhang Huan.
Beg, borrow and steel : Rubell Family Collection
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Summary:
Stolen and appropriated imagery has proved to be the principle means by which artists have challenged the image industry that they must constantly compete with. Drawing on the vast resources of the Rubell family collection, this massive catalogue appraises the landmarks of appropriation art. Among the artists featured are Maurizio Cattelan, Peter Coffin, Aaron Curry, Marcel Duchamp, Elmgreen & Dragset, Hans-Peter Feldmann, Urs Fischer, Robert Gober, David Hammons, Mark Handforth, Rachel Harrison, Jenny Holzer, Jonathan Horowitz, Rashid Johnson, Jeff Koons, Barbara Kruger, Louise Lawler, Mark Leckey, Sherrie Levine, Glenn Ligon, Robert Longo, Kris Martin, Paul McCarthy, Takashi Murakami, Cady Noland, Richard Prince, Charles Ray, Jason Rhoades, Thomas Ruff, David Salle, Philip Taaffe, Hank Willis Thomas, Piotr Uklanski, Meyer Vaisman, Kelley Walker, Wang Ziwei, Christopher Wool and Zhang Huan.
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books
books
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August 2010
August 2010
Form:
books
books
Title:
Linie, line, linea
Linie, line, linea
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This survey examines the state of drawing in Germany through the lens of 19 artists working in the medium, among them Irina Baschlakow, Marc Brandenburg, Monika Brandmeier, Fernando Bryce, Marcel van Eeden, Pia Linz, Theresa Lükenwerk, Nanne Meyer, Christian Pilz, Alexander Roob, Malte Spohr, German Stegmaier, Markus Vater, Jorinde Voigt and Ralf Ziervogel.
$72.00
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Summary:
This survey examines the state of drawing in Germany through the lens of 19 artists working in the medium, among them Irina Baschlakow, Marc Brandenburg, Monika Brandmeier, Fernando Bryce, Marcel van Eeden, Pia Linz, Theresa Lükenwerk, Nanne Meyer, Christian Pilz, Alexander Roob, Malte Spohr, German Stegmaier, Markus Vater, Jorinde Voigt and Ralf Ziervogel.
Publication:
August 2010
August 2010
Title:
Linie, line, linea
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$72.00
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Summary:
This survey examines the state of drawing in Germany through the lens of 19 artists working in the medium, among them Irina Baschlakow, Marc Brandenburg, Monika Brandmeier, Fernando Bryce, Marcel van Eeden, Pia Linz, Theresa Lükenwerk, Nanne Meyer, Christian Pilz, Alexander Roob, Malte Spohr, German Stegmaier, Markus Vater, Jorinde Voigt and Ralf Ziervogel.
Linie, line, linea
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$72.00
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Summary:
This survey examines the state of drawing in Germany through the lens of 19 artists working in the medium, among them Irina Baschlakow, Marc Brandenburg, Monika Brandmeier, Fernando Bryce, Marcel van Eeden, Pia Linz, Theresa Lükenwerk, Nanne Meyer, Christian Pilz, Alexander Roob, Malte Spohr, German Stegmaier, Markus Vater, Jorinde Voigt and Ralf Ziervogel.
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books
books
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August 2010
August 2010
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books
books
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$29.95
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Ce Cahier de l'Institut du patrimoine rend compte des réflexions préparées sur le sujet par des historiens d'art et de l'architecture, des architectes ainsi que des praticiens de la conservation et de la restauration, en marge des activités de l'équipe de recherche réunie autour du projet «Réexposition, réactualisation et pérennité de l'art contemporain?» de l'Alliance de(...)
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Ce Cahier de l'Institut du patrimoine rend compte des réflexions préparées sur le sujet par des historiens d'art et de l'architecture, des architectes ainsi que des praticiens de la conservation et de la restauration, en marge des activités de l'équipe de recherche réunie autour du projet «Réexposition, réactualisation et pérennité de l'art contemporain?» de l'Alliance de(...)
Publication:
November 2010
November 2010
Title:
Conservation de l'art et de l'architecture moderne: l'authenticité en question
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Ce Cahier de l'Institut du patrimoine rend compte des réflexions préparées sur le sujet par des historiens d'art et de l'architecture, des architectes ainsi que des praticiens de la conservation et de la restauration, en marge des activités de l'équipe de recherche réunie autour du projet «Réexposition, réactualisation et pérennité de l'art contemporain?» de l'Alliance de recherche DOCAM (Documentation et conservation du Patrimoine des arts médiatiques) et de l'organisme Docomomo (Documentation et conservation de l'architecture du mouvement moderne).
Conservation de l'art et de l'architecture moderne: l'authenticité en question
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Ce Cahier de l'Institut du patrimoine rend compte des réflexions préparées sur le sujet par des historiens d'art et de l'architecture, des architectes ainsi que des praticiens de la conservation et de la restauration, en marge des activités de l'équipe de recherche réunie autour du projet «Réexposition, réactualisation et pérennité de l'art contemporain?» de l'Alliance de recherche DOCAM (Documentation et conservation du Patrimoine des arts médiatiques) et de l'organisme Docomomo (Documentation et conservation de l'architecture du mouvement moderne).
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books
books
Publication:
November 2010
November 2010
Form:
books
books
Title:
La peinture aujourd'hui
La peinture aujourd'hui
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$90.00
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Cet ouvrage propose une étude de la peinture à travers le monde des années 1970 à nos jours.
$90.00
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Summary:
Cet ouvrage propose une étude de la peinture à travers le monde des années 1970 à nos jours.
Title:
La peinture aujourd'hui
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$90.00
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Cet ouvrage propose une étude de la peinture à travers le monde des années 1970 à nos jours.
La peinture aujourd'hui
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$90.00
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Cet ouvrage propose une étude de la peinture à travers le monde des années 1970 à nos jours.
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books
books
Publication:
November 2010
November 2010
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books
books
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$54.95
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Beginning around 1910, vanguard artists demanded that true art go beyond the intellectual and transform daily life. This volume highlights the work of six influential European artists who took this idea into the wider world, where it merged enthusiastically with demands in the industrial marketplace, the nascent mass media, and urban popular culture.
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Summary:
Beginning around 1910, vanguard artists demanded that true art go beyond the intellectual and transform daily life. This volume highlights the work of six influential European artists who took this idea into the wider world, where it merged enthusiastically with demands in the industrial marketplace, the nascent mass media, and urban popular culture.
Publication:
July 2011
July 2011
Title:
Avant-garde art in everyday life: early twentieth-century european modernism
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Beginning around 1910, vanguard artists demanded that true art go beyond the intellectual and transform daily life. This volume highlights the work of six influential European artists who took this idea into the wider world, where it merged enthusiastically with demands in the industrial marketplace, the nascent mass media, and urban popular culture.
Avant-garde art in everyday life: early twentieth-century european modernism
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$54.95
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Summary:
Beginning around 1910, vanguard artists demanded that true art go beyond the intellectual and transform daily life. This volume highlights the work of six influential European artists who took this idea into the wider world, where it merged enthusiastically with demands in the industrial marketplace, the nascent mass media, and urban popular culture.
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books
books
Publication:
July 2011
July 2011
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books
books
Title:
Suspended spaces- Framagusta
Suspended spaces- Framagusta
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Une ville fantôme sur l'île de Chypre comme métaphore d'une reconstruction esthétique et politique dans les marges de l'Europe : une approche artistique de questionnements contemporains sensibles liés à une situation réelle, avec une trentaine d'artistes et des auteurs issus des champs de la philosophie, de l'anthropologie, de l'histoire politique ou de la sociologie.
$54.95
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Summary:
Une ville fantôme sur l'île de Chypre comme métaphore d'une reconstruction esthétique et politique dans les marges de l'Europe : une approche artistique de questionnements contemporains sensibles liés à une situation réelle, avec une trentaine d'artistes et des auteurs issus des champs de la philosophie, de l'anthropologie, de l'histoire politique ou de la sociologie.
Publication:
March 2011
March 2011
Title:
Suspended spaces- Framagusta
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Une ville fantôme sur l'île de Chypre comme métaphore d'une reconstruction esthétique et politique dans les marges de l'Europe : une approche artistique de questionnements contemporains sensibles liés à une situation réelle, avec une trentaine d'artistes et des auteurs issus des champs de la philosophie, de l'anthropologie, de l'histoire politique ou de la sociologie.
Suspended spaces- Framagusta
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$54.95
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Summary:
Une ville fantôme sur l'île de Chypre comme métaphore d'une reconstruction esthétique et politique dans les marges de l'Europe : une approche artistique de questionnements contemporains sensibles liés à une situation réelle, avec une trentaine d'artistes et des auteurs issus des champs de la philosophie, de l'anthropologie, de l'histoire politique ou de la sociologie.
Form:
books
books
Publication:
March 2011
March 2011
Form:
books
books
Title:
Laurie Anderson, Trisha Brown, Gordon Matta-Clark: pioneers of the downtown scene New York 1970s
Laurie Anderson, Trisha Brown, Gordon Matta-Clark: pioneers of the downtown scene New York 1970s
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Collaborators and friends, Laurie Anderson, Trisha Brown, and Gordon Matta-Clark were at the cutting edge of Manhattan’s burgeoning downtown art scene during the 1970s. This catalogue accompanies an exhibition at Barbican Art Gallery in London, which examines the crossover of these artists’ practices and the influence of their work on each other. Focusing on their mutual(...)
$54.95
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Summary:
Collaborators and friends, Laurie Anderson, Trisha Brown, and Gordon Matta-Clark were at the cutting edge of Manhattan’s burgeoning downtown art scene during the 1970s. This catalogue accompanies an exhibition at Barbican Art Gallery in London, which examines the crossover of these artists’ practices and the influence of their work on each other. Focusing on their mutual(...)
Title:
Laurie Anderson, Trisha Brown, Gordon Matta-Clark: pioneers of the downtown scene New York 1970s
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$54.95
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Summary:
Collaborators and friends, Laurie Anderson, Trisha Brown, and Gordon Matta-Clark were at the cutting edge of Manhattan’s burgeoning downtown art scene during the 1970s. This catalogue accompanies an exhibition at Barbican Art Gallery in London, which examines the crossover of these artists’ practices and the influence of their work on each other. Focusing on their mutual themes of performance, the body, the urban environment and found spaces, the book is divided into four sections: Downtown New York; Drawing and Performing; Urban Inventions; and Performance and Interaction. The city of New York in the 1970s, faced with bankruptcy, rising crime rates and unemployment, plays its own starring role in the book, as these artists worked in derelict city buildings for their large-scale projects and engaged directly with the public out of doors.
Laurie Anderson, Trisha Brown, Gordon Matta-Clark: pioneers of the downtown scene New York 1970s
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Price:
$54.95
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Summary:
Collaborators and friends, Laurie Anderson, Trisha Brown, and Gordon Matta-Clark were at the cutting edge of Manhattan’s burgeoning downtown art scene during the 1970s. This catalogue accompanies an exhibition at Barbican Art Gallery in London, which examines the crossover of these artists’ practices and the influence of their work on each other. Focusing on their mutual themes of performance, the body, the urban environment and found spaces, the book is divided into four sections: Downtown New York; Drawing and Performing; Urban Inventions; and Performance and Interaction. The city of New York in the 1970s, faced with bankruptcy, rising crime rates and unemployment, plays its own starring role in the book, as these artists worked in derelict city buildings for their large-scale projects and engaged directly with the public out of doors.
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books
books
Publication:
March 2011
March 2011
Form:
books
books
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$110.00
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Summary:
Like the most recent exhibitions curated by Daniel Birnbaum, the Art Biennale 2009 will present worlds in the making. A work of art is more than an object, he says, more than a commodity. It represents a vision of the world, and, if taken seriously, it can be seen as a way of world-making. It is Birnbaum’s ambition to create a show that, although articulated into(...)
$110.00
(available to order)
Summary:
Like the most recent exhibitions curated by Daniel Birnbaum, the Art Biennale 2009 will present worlds in the making. A work of art is more than an object, he says, more than a commodity. It represents a vision of the world, and, if taken seriously, it can be seen as a way of world-making. It is Birnbaum’s ambition to create a show that, although articulated into(...)
Publication:
November 2009
November 2009
Title:
Making worlds: 53rd Venice Biennale
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$110.00
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Summary:
Like the most recent exhibitions curated by Daniel Birnbaum, the Art Biennale 2009 will present worlds in the making. A work of art is more than an object, he says, more than a commodity. It represents a vision of the world, and, if taken seriously, it can be seen as a way of world-making. It is Birnbaum’s ambition to create a show that, although articulated into individual zones of intensity, remains fundamentally a unique exhibition.
Making worlds: 53rd Venice Biennale
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$110.00
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Summary:
Like the most recent exhibitions curated by Daniel Birnbaum, the Art Biennale 2009 will present worlds in the making. A work of art is more than an object, he says, more than a commodity. It represents a vision of the world, and, if taken seriously, it can be seen as a way of world-making. It is Birnbaum’s ambition to create a show that, although articulated into individual zones of intensity, remains fundamentally a unique exhibition.
Form:
books
books
Publication:
November 2009
November 2009
Form:
books
books
Actions:
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$108.00
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Summary:
This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists(...)
$108.00
(available to order)
Summary:
This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists(...)
Publication:
March 2010
March 2010
Title:
In numbers : serial publications by artists since 1955
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$108.00
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Summary:
This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists have seized on magazine and postcard formats as forms in themselves. These are not publications that print criticism, manifestos or reproductions of artworks; rather, they are themselves artworks, in large part they are produced by younger artists operating at the peripheries of mainstream art cultures, or by established artists looking for an alternative to the marketplace. Dating from 1955 to the present, "In Numbers" begins with Wallace Berman's Semina and continues through Joe Brainard's C Comics, Situationist Times, Eleanor Antin's 100 Boots, Ian Hamilton Finlay's Poor.Old.Tired.Horse, Fluxus, amid contemporary examples such as North Drive Press, LTTR and Continuous Project.
In numbers : serial publications by artists since 1955
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Price:
$108.00
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Summary:
This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists have seized on magazine and postcard formats as forms in themselves. These are not publications that print criticism, manifestos or reproductions of artworks; rather, they are themselves artworks, in large part they are produced by younger artists operating at the peripheries of mainstream art cultures, or by established artists looking for an alternative to the marketplace. Dating from 1955 to the present, "In Numbers" begins with Wallace Berman's Semina and continues through Joe Brainard's C Comics, Situationist Times, Eleanor Antin's 100 Boots, Ian Hamilton Finlay's Poor.Old.Tired.Horse, Fluxus, amid contemporary examples such as North Drive Press, LTTR and Continuous Project.
Form:
books
books
Publication:
March 2010
March 2010
Form:
books
books
Price:
$180.00
(available to order)
Summary:
Willoughby Sharp and Liza Béar founded Avalanche shortly after they met in 1968 in New York. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. This boxed facsimile edition of Avalanche's(...)
$180.00
(available to order)
Summary:
Willoughby Sharp and Liza Béar founded Avalanche shortly after they met in 1968 in New York. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. This boxed facsimile edition of Avalanche's(...)
Publication:
March 2010
March 2010
Title:
Avalanche
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$180.00
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Summary:
Willoughby Sharp and Liza Béar founded Avalanche shortly after they met in 1968 in New York. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single newsprint paperback.
Avalanche
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$180.00
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Summary:
Willoughby Sharp and Liza Béar founded Avalanche shortly after they met in 1968 in New York. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single newsprint paperback.
Form:
books
books
Publication:
March 2010
March 2010
