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books
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U-turn volume 1
U-turn volume 1
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U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 1, covering the period between 1978 and 1982, was launched at the recent Art Basel. It includes segments on the Stars Group,(...)
$26.50
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Summary:
U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 1, covering the period between 1978 and 1982, was launched at the recent Art Basel. It includes segments on the Stars Group,(...)
Publication:
October 2009
October 2009
Title:
U-turn volume 1
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$26.50
(available in store)
Summary:
U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 1, covering the period between 1978 and 1982, was launched at the recent Art Basel. It includes segments on the Stars Group, No Name Painting Society, April Photographic Society, and Scar Art, which together comprise the first stirrings of a contemporary art scene in post-Cultural Revolution China.
U-turn volume 1
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$26.50
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Summary:
U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 1, covering the period between 1978 and 1982, was launched at the recent Art Basel. It includes segments on the Stars Group, No Name Painting Society, April Photographic Society, and Scar Art, which together comprise the first stirrings of a contemporary art scene in post-Cultural Revolution China.
Form:
books
books
Publication:
October 2009
October 2009
Form:
books
books
Title:
U-turn volume 2
U-turn volume 2
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$26.50
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Summary:
U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 2 focuses on the critical period between 1983 and 1987 known as the "’85 Art New Wave," with analysis of the Northern Art(...)
$26.50
(available in store)
Summary:
U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 2 focuses on the critical period between 1983 and 1987 known as the "’85 Art New Wave," with analysis of the Northern Art(...)
Publication:
October 2009
October 2009
Title:
U-turn volume 2
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$26.50
(available in store)
Summary:
U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 2 focuses on the critical period between 1983 and 1987 known as the "’85 Art New Wave," with analysis of the Northern Art Group, Southwest Painting Research Society, Xiamen Dada, and the ‘85 Art New Space exhibition in Hangzhou.
U-turn volume 2
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$26.50
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Summary:
U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 2 focuses on the critical period between 1983 and 1987 known as the "’85 Art New Wave," with analysis of the Northern Art Group, Southwest Painting Research Society, Xiamen Dada, and the ‘85 Art New Space exhibition in Hangzhou.
Form:
books
books
Publication:
October 2009
October 2009
Form:
books
books
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$95.00
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Summary:
This publication is an up-to-the-minute survey of current global developments in contemporary sculpture and its close relative, installation. The book is presenting a cross-generational survey of contemporary artists from 27 countries. Chosen from more than 500 nominations by international critics, curators, art historians and creative writers, Vitamin 3-D’s 117(...)
$95.00
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Summary:
This publication is an up-to-the-minute survey of current global developments in contemporary sculpture and its close relative, installation. The book is presenting a cross-generational survey of contemporary artists from 27 countries. Chosen from more than 500 nominations by international critics, curators, art historians and creative writers, Vitamin 3-D’s 117(...)
Title:
Vitamin 3-D : new perspective in sculpture and installation
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$95.00
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This publication is an up-to-the-minute survey of current global developments in contemporary sculpture and its close relative, installation. The book is presenting a cross-generational survey of contemporary artists from 27 countries. Chosen from more than 500 nominations by international critics, curators, art historians and creative writers, Vitamin 3-D’s 117 established and emerging artists were selected on the basis that they have made a significant contribution to sculpture and installation (in their broadest sense) in the last five years. Vitamin 3-D allows the reader to look at the medium in detail, to study sculpture’s unique properties in relation to itself, in relation to contemporary art and in relation to the world at large. An ongoing fascination with the key issues of modern sculpture, from the readymade to the specific object, today drives many artists to return to those issues again and again, with fresh and often surprising results.
Vitamin 3-D : new perspective in sculpture and installation
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$95.00
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Summary:
This publication is an up-to-the-minute survey of current global developments in contemporary sculpture and its close relative, installation. The book is presenting a cross-generational survey of contemporary artists from 27 countries. Chosen from more than 500 nominations by international critics, curators, art historians and creative writers, Vitamin 3-D’s 117 established and emerging artists were selected on the basis that they have made a significant contribution to sculpture and installation (in their broadest sense) in the last five years. Vitamin 3-D allows the reader to look at the medium in detail, to study sculpture’s unique properties in relation to itself, in relation to contemporary art and in relation to the world at large. An ongoing fascination with the key issues of modern sculpture, from the readymade to the specific object, today drives many artists to return to those issues again and again, with fresh and often surprising results.
Form:
books
books
Publication:
May 2009
May 2009
Form:
books
books
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Price:
$110.00
(available to order)
Summary:
Like the most recent exhibitions curated by Daniel Birnbaum, the Art Biennale 2009 will present worlds in the making. A work of art is more than an object, he says, more than a commodity. It represents a vision of the world, and, if taken seriously, it can be seen as a way of world-making. It is Birnbaum’s ambition to create a show that, although articulated into(...)
$110.00
(available to order)
Summary:
Like the most recent exhibitions curated by Daniel Birnbaum, the Art Biennale 2009 will present worlds in the making. A work of art is more than an object, he says, more than a commodity. It represents a vision of the world, and, if taken seriously, it can be seen as a way of world-making. It is Birnbaum’s ambition to create a show that, although articulated into(...)
Publication:
November 2009
November 2009
Title:
Making worlds: 53rd Venice Biennale
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$110.00
(available to order)
Summary:
Like the most recent exhibitions curated by Daniel Birnbaum, the Art Biennale 2009 will present worlds in the making. A work of art is more than an object, he says, more than a commodity. It represents a vision of the world, and, if taken seriously, it can be seen as a way of world-making. It is Birnbaum’s ambition to create a show that, although articulated into individual zones of intensity, remains fundamentally a unique exhibition.
Making worlds: 53rd Venice Biennale
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Price:
$110.00
(available to order)
Summary:
Like the most recent exhibitions curated by Daniel Birnbaum, the Art Biennale 2009 will present worlds in the making. A work of art is more than an object, he says, more than a commodity. It represents a vision of the world, and, if taken seriously, it can be seen as a way of world-making. It is Birnbaum’s ambition to create a show that, although articulated into individual zones of intensity, remains fundamentally a unique exhibition.
Form:
books
books
Publication:
November 2009
November 2009
Form:
books
books
Actions:
Price:
$108.00
(available to order)
Summary:
This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists(...)
$108.00
(available to order)
Summary:
This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists(...)
Publication:
March 2010
March 2010
Title:
In numbers : serial publications by artists since 1955
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$108.00
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Summary:
This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists have seized on magazine and postcard formats as forms in themselves. These are not publications that print criticism, manifestos or reproductions of artworks; rather, they are themselves artworks, in large part they are produced by younger artists operating at the peripheries of mainstream art cultures, or by established artists looking for an alternative to the marketplace. Dating from 1955 to the present, "In Numbers" begins with Wallace Berman's Semina and continues through Joe Brainard's C Comics, Situationist Times, Eleanor Antin's 100 Boots, Ian Hamilton Finlay's Poor.Old.Tired.Horse, Fluxus, amid contemporary examples such as North Drive Press, LTTR and Continuous Project.
In numbers : serial publications by artists since 1955
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Price:
$108.00
(available to order)
Summary:
This publication is the first volume to address an overlooked art form that is neither artist's book nor ephemera, but is entirely its own unique entity: the artist's serial publication. Across such groundswell moments as the small press boom of the 1960s, the correspondence art movement of the early 1970s and the DIY zine culture of the 1980s and early 1990s, artists have seized on magazine and postcard formats as forms in themselves. These are not publications that print criticism, manifestos or reproductions of artworks; rather, they are themselves artworks, in large part they are produced by younger artists operating at the peripheries of mainstream art cultures, or by established artists looking for an alternative to the marketplace. Dating from 1955 to the present, "In Numbers" begins with Wallace Berman's Semina and continues through Joe Brainard's C Comics, Situationist Times, Eleanor Antin's 100 Boots, Ian Hamilton Finlay's Poor.Old.Tired.Horse, Fluxus, amid contemporary examples such as North Drive Press, LTTR and Continuous Project.
Form:
books
books
Publication:
March 2010
March 2010
Form:
books
books
Price:
$180.00
(available to order)
Summary:
Willoughby Sharp and Liza Béar founded Avalanche shortly after they met in 1968 in New York. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. This boxed facsimile edition of Avalanche's(...)
$180.00
(available to order)
Summary:
Willoughby Sharp and Liza Béar founded Avalanche shortly after they met in 1968 in New York. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. This boxed facsimile edition of Avalanche's(...)
Publication:
March 2010
March 2010
Title:
Avalanche
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$180.00
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Summary:
Willoughby Sharp and Liza Béar founded Avalanche shortly after they met in 1968 in New York. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single newsprint paperback.
Avalanche
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Price:
$180.00
(available to order)
Summary:
Willoughby Sharp and Liza Béar founded Avalanche shortly after they met in 1968 in New York. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single newsprint paperback.
Form:
books
books
Publication:
March 2010
March 2010
Form:
books
books
Title:
Not to play with dead things
Not to play with dead things
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$42.00
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Summary:
From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status(...)
$42.00
(available in store)
Summary:
From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status(...)
Publication:
March 2010
March 2010
Title:
Not to play with dead things
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$42.00
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Summary:
From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status becomes ambiguous once the action is over. Not to Play with Dead Things pays overdue attention to these frequently orphaned props of performance art, documenting works from the 1960s to the present by artists as diverse as Richard Jackson, Paul McCarthy, Roman Signer, Mike Kelley, Franz West, Jim Shaw, Guy de Cointet, John Bock, Spartacus Chetwynd, Catherine Sullivan and Erwin Wurm. Not to Play with Dead Things asks: are these objects relics of their own making? And is their hybridity a kind of resistance to the streamlining of art?
Not to play with dead things
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$42.00
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Summary:
From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status becomes ambiguous once the action is over. Not to Play with Dead Things pays overdue attention to these frequently orphaned props of performance art, documenting works from the 1960s to the present by artists as diverse as Richard Jackson, Paul McCarthy, Roman Signer, Mike Kelley, Franz West, Jim Shaw, Guy de Cointet, John Bock, Spartacus Chetwynd, Catherine Sullivan and Erwin Wurm. Not to Play with Dead Things asks: are these objects relics of their own making? And is their hybridity a kind of resistance to the streamlining of art?
Form:
books
books
Publication:
March 2010
March 2010
Form:
books
books
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$66.00
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Summary:
Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul(...)
$66.00
(available in store)
Summary:
Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul(...)
Publication:
February 2010
February 2010
Title:
Kiosk: Modes of multiplication
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$66.00
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul Biennial. To date, it contains more than 7,000 publications by approximately 500 independent art publishing projects, from magazines, fanzines, newspapers, journals, audio and video labels to institutional publishing, covering the entire bandwidth of publishing possibilities. On the occasion of the archive's final public presentation at the Kunstbibliothek, Berlin, this overview on independent art publishing activities today surveys the Kiosk project. This catalogue contains documentary illustrations and provides information on the contributing publishing projects.
Kiosk: Modes of multiplication
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Price:
$66.00
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Summary:
Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul Biennial. To date, it contains more than 7,000 publications by approximately 500 independent art publishing projects, from magazines, fanzines, newspapers, journals, audio and video labels to institutional publishing, covering the entire bandwidth of publishing possibilities. On the occasion of the archive's final public presentation at the Kunstbibliothek, Berlin, this overview on independent art publishing activities today surveys the Kiosk project. This catalogue contains documentary illustrations and provides information on the contributing publishing projects.
Form:
books
books
Publication:
February 2010
February 2010
Form:
books
books
Actions:
Price:
$55.00
(available to order)
Summary:
This publication intends to show different aspects of the mural art form. It features the work of the Soninke women of Mauritania, the paintings in dots of clay on a red ground by the Thai artist Sakarin Krue-On, and artists who generally intervene in public places.
$55.00
(available to order)
Summary:
This publication intends to show different aspects of the mural art form. It features the work of the Soninke women of Mauritania, the paintings in dots of clay on a red ground by the Thai artist Sakarin Krue-On, and artists who generally intervene in public places.
Publication:
June 2010
June 2010
Title:
Murals: pràtiques, murals, contemporànies
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$55.00
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Summary:
This publication intends to show different aspects of the mural art form. It features the work of the Soninke women of Mauritania, the paintings in dots of clay on a red ground by the Thai artist Sakarin Krue-On, and artists who generally intervene in public places.
Murals: pràtiques, murals, contemporànies
Actions:
Price:
$55.00
(available to order)
Summary:
This publication intends to show different aspects of the mural art form. It features the work of the Soninke women of Mauritania, the paintings in dots of clay on a red ground by the Thai artist Sakarin Krue-On, and artists who generally intervene in public places.
Form:
books
books
Publication:
June 2010
June 2010
Form:
books
books
Title:
Women building history
Women building history
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$56.95
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Summary:
This book is an addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure,(...)
$56.95
(available to order)
Summary:
This book is an addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure,(...)
Title:
Women building history
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Price:
$56.95
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Summary:
This book is an addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure, including the murals by Mary Cassatt and Mary MacMonnies, Corn uncovers an unspoken but consensual program to visualize a history of the female sex and promote an expansion of modern woman's opportunities. Beautifully written, with informative sidebars by Annelise K. Madsen and artist biographies by Charlene G. Garfinkle, this volume illuminates the originality of the public images female artists created in 1893 and inserts them into the complex discourse of fin de siècle woman's politics. The Woman's Building offered female artists an unprecedented opportunity to create public art and imagine an historical narrative that put women rather than men at its center.
Women building history
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Price:
$56.95
(available to order)
Summary:
This book is an addition to the history of women during America's Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman's Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman's progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure, including the murals by Mary Cassatt and Mary MacMonnies, Corn uncovers an unspoken but consensual program to visualize a history of the female sex and promote an expansion of modern woman's opportunities. Beautifully written, with informative sidebars by Annelise K. Madsen and artist biographies by Charlene G. Garfinkle, this volume illuminates the originality of the public images female artists created in 1893 and inserts them into the complex discourse of fin de siècle woman's politics. The Woman's Building offered female artists an unprecedented opportunity to create public art and imagine an historical narrative that put women rather than men at its center.
Form:
books
books
Publication:
September 2010
September 2010
