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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a(...)
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a(...)
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February 2018
February 2018
Title:
Brand new: art and commodity in the 1980s
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a legitimate gallery business in SoHo. Coinciding with the rise of modern branding and the onset of the information age, artists’ focus on commodities and consumerism began as satire but came to be much more complex: commodities and associated phenomena, such as advertising, now served as vessels for ideas, politics, and personal relationships in “brand-new” types of painting, sculpture, photography, installation, and performance.
Brand new: art and commodity in the 1980s
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a legitimate gallery business in SoHo. Coinciding with the rise of modern branding and the onset of the information age, artists’ focus on commodities and consumerism began as satire but came to be much more complex: commodities and associated phenomena, such as advertising, now served as vessels for ideas, politics, and personal relationships in “brand-new” types of painting, sculpture, photography, installation, and performance.
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February 2018
February 2018
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$84.95
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En 1945, l'artiste français Jean Dubuffet invente l'oxymore «Art Brut» pour désigner les œuvres réalisées par des autodidactes en marge du circuit officiel. Ayant réuni ces travaux sous forme de collection, il fera don de cet ensemble en 1971 à la Ville de Lausanne, qui inaugure la Collection de l' Art Brut en 1976. Cet ouvrage, publié à l'occasion des quarante ans du(...)
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En 1945, l'artiste français Jean Dubuffet invente l'oxymore «Art Brut» pour désigner les œuvres réalisées par des autodidactes en marge du circuit officiel. Ayant réuni ces travaux sous forme de collection, il fera don de cet ensemble en 1971 à la Ville de Lausanne, qui inaugure la Collection de l' Art Brut en 1976. Cet ouvrage, publié à l'occasion des quarante ans du(...)
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L'art brut de Jean Dubuffet : aux origines de la collection
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En 1945, l'artiste français Jean Dubuffet invente l'oxymore «Art Brut» pour désigner les œuvres réalisées par des autodidactes en marge du circuit officiel. Ayant réuni ces travaux sous forme de collection, il fera don de cet ensemble en 1971 à la Ville de Lausanne, qui inaugure la Collection de l' Art Brut en 1976. Cet ouvrage, publié à l'occasion des quarante ans du musée, revient sur la naissance de l'institution lausannoise et sur les moments clés qui ont jalonné son développement.
L'art brut de Jean Dubuffet : aux origines de la collection
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En 1945, l'artiste français Jean Dubuffet invente l'oxymore «Art Brut» pour désigner les œuvres réalisées par des autodidactes en marge du circuit officiel. Ayant réuni ces travaux sous forme de collection, il fera don de cet ensemble en 1971 à la Ville de Lausanne, qui inaugure la Collection de l' Art Brut en 1976. Cet ouvrage, publié à l'occasion des quarante ans du musée, revient sur la naissance de l'institution lausannoise et sur les moments clés qui ont jalonné son développement.
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books
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March 2016
March 2016
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books
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Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
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In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of(...)
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In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of(...)
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November 2019
November 2019
Title:
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
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In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of founding director Gyorgy Kepes, CAVS sought to repair the distance between practitioners of art and engineering within the halls of MIT. As a breeder of new art forms and future-oriented artistic education, CAVS became a pioneering model for the art, technology and media labs that proliferated worldwide.This first comprehensive history of CAVS presents an inside view, told through personal accounts, exhibit documentation, and groundbreaking artwork, and includes a new text on the genome of art and technology by Peter Weibel.
Centerbook: the Center for Advanced Visual Studies, the evolution of Art-Science-Technology at MIT
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In 1967, in a time of student unrest, the Massachusetts Institute of Technology did the unexpected: it established the first academic center for research and collaboration in art, science, and technology. The Center for Advanced Visual Studies (CAVS) brought artists to the MIT campus with radical expressions of a rapidly evolving technological era. The brainchild of founding director Gyorgy Kepes, CAVS sought to repair the distance between practitioners of art and engineering within the halls of MIT. As a breeder of new art forms and future-oriented artistic education, CAVS became a pioneering model for the art, technology and media labs that proliferated worldwide.This first comprehensive history of CAVS presents an inside view, told through personal accounts, exhibit documentation, and groundbreaking artwork, and includes a new text on the genome of art and technology by Peter Weibel.
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books
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November 2019
November 2019
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$78.00
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"The Bauhaus and Czechoslovakia 1919–1938" looks at the Central European context and legacy of Germany’s legendary Bauhaus school. This center of avant-garde learning, whose teachers included artists such as Walter Gropius, Paul Klee, Wassily Kandinsky, Josef Albers, László Moholy-Nagy and Adolf Meyer, was a place of meeting and mutual inspiration for artists, designers(...)
$78.00
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"The Bauhaus and Czechoslovakia 1919–1938" looks at the Central European context and legacy of Germany’s legendary Bauhaus school. This center of avant-garde learning, whose teachers included artists such as Walter Gropius, Paul Klee, Wassily Kandinsky, Josef Albers, László Moholy-Nagy and Adolf Meyer, was a place of meeting and mutual inspiration for artists, designers(...)
Publication:
February 2018
February 2018
Title:
The Bauhaus and Czechoslovakia 1919-1938
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"The Bauhaus and Czechoslovakia 1919–1938" looks at the Central European context and legacy of Germany’s legendary Bauhaus school. This center of avant-garde learning, whose teachers included artists such as Walter Gropius, Paul Klee, Wassily Kandinsky, Josef Albers, László Moholy-Nagy and Adolf Meyer, was a place of meeting and mutual inspiration for artists, designers and architects. Czech students brought their own original ideas and progressive techniques into this heady atmosphere. This volume, the result of years of scholarly research by Czech art historian Markéta Svobodová, is the first publication to survey the contributions of Czech students in this creative environment, offering a student-centered perspective on the famed institution.
The Bauhaus and Czechoslovakia 1919-1938
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"The Bauhaus and Czechoslovakia 1919–1938" looks at the Central European context and legacy of Germany’s legendary Bauhaus school. This center of avant-garde learning, whose teachers included artists such as Walter Gropius, Paul Klee, Wassily Kandinsky, Josef Albers, László Moholy-Nagy and Adolf Meyer, was a place of meeting and mutual inspiration for artists, designers and architects. Czech students brought their own original ideas and progressive techniques into this heady atmosphere. This volume, the result of years of scholarly research by Czech art historian Markéta Svobodová, is the first publication to survey the contributions of Czech students in this creative environment, offering a student-centered perspective on the famed institution.
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books
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February 2018
February 2018
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$52.95
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Avec « Black Dolls », sélection de poupées et de photographies de la collection Deborah Neff, La maison rouge clôture son cycle d’expositions consacrées aux collections privées. Conçues dans leur immense majorité entre 1840 et 1940 environ par des Africaines-Américaines, ces deux cents poupées noires, faites à la main en tissu et matériaux divers, sont des objets à la(...)
$52.95
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Avec « Black Dolls », sélection de poupées et de photographies de la collection Deborah Neff, La maison rouge clôture son cycle d’expositions consacrées aux collections privées. Conçues dans leur immense majorité entre 1840 et 1940 environ par des Africaines-Américaines, ces deux cents poupées noires, faites à la main en tissu et matériaux divers, sont des objets à la(...)
Publication:
March 2018
March 2018
Title:
Black dolls : la collection Deborah Neff
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Avec « Black Dolls », sélection de poupées et de photographies de la collection Deborah Neff, La maison rouge clôture son cycle d’expositions consacrées aux collections privées. Conçues dans leur immense majorité entre 1840 et 1940 environ par des Africaines-Américaines, ces deux cents poupées noires, faites à la main en tissu et matériaux divers, sont des objets à la fois pluriels et uniques. Substituts affectifs et archives intimes dans un monde où les familles noires américaines étaient bien souvent séparées, elles fonctionnèrent aussi comme des images de résistance sociale et politique. Elles s’imposent aujourd’hui comme d’admirables créations à la valeur artistique entière.
Black dolls : la collection Deborah Neff
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$52.95
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Summary:
Avec « Black Dolls », sélection de poupées et de photographies de la collection Deborah Neff, La maison rouge clôture son cycle d’expositions consacrées aux collections privées. Conçues dans leur immense majorité entre 1840 et 1940 environ par des Africaines-Américaines, ces deux cents poupées noires, faites à la main en tissu et matériaux divers, sont des objets à la fois pluriels et uniques. Substituts affectifs et archives intimes dans un monde où les familles noires américaines étaient bien souvent séparées, elles fonctionnèrent aussi comme des images de résistance sociale et politique. Elles s’imposent aujourd’hui comme d’admirables créations à la valeur artistique entière.
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books
books
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March 2018
March 2018
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books
books
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$85.00
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This book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works,(...)
$85.00
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Summary:
This book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works,(...)
Publication:
May 2016
May 2016
Title:
Unfinished: thoughts left visible
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This book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book explores the degrees to which instances of incompleteness were accidental or intentional, experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.
Unfinished: thoughts left visible
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$85.00
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Summary:
This book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book explores the degrees to which instances of incompleteness were accidental or intentional, experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.
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books
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May 2016
May 2016
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'What People Do for Money' is published on the occasion of the 11th edition of Manifesta, the European Biennial of Contemporary Art. Curated by artist Christian Jankowski, the biennial permeates the social fabric of Zurich by initiating collaborative projects between artists and citizens from different worlds of work. The catalogue features over thirty of these joint(...)
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Summary:
'What People Do for Money' is published on the occasion of the 11th edition of Manifesta, the European Biennial of Contemporary Art. Curated by artist Christian Jankowski, the biennial permeates the social fabric of Zurich by initiating collaborative projects between artists and citizens from different worlds of work. The catalogue features over thirty of these joint(...)
Publication:
July 2016
July 2016
Title:
Manifesta 11: What people do for money
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'What People Do for Money' is published on the occasion of the 11th edition of Manifesta, the European Biennial of Contemporary Art. Curated by artist Christian Jankowski, the biennial permeates the social fabric of Zurich by initiating collaborative projects between artists and citizens from different worlds of work. The catalogue features over thirty of these joint ventures along with illustrations of the thematic exhibition, documentation of the Pavillon of Refl ections on Lake Zurich, and coverage of the participatory artists’ guild at Cabaret Voltaire. Including commentaries from the artists’ collaborators, stills from the film programme, sociological research, and new literary texts, it presents a multifaceted portrait of Zurich one which by generating and gauging discussions serves to contextualise the Swiss capital within Europe today.
Manifesta 11: What people do for money
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'What People Do for Money' is published on the occasion of the 11th edition of Manifesta, the European Biennial of Contemporary Art. Curated by artist Christian Jankowski, the biennial permeates the social fabric of Zurich by initiating collaborative projects between artists and citizens from different worlds of work. The catalogue features over thirty of these joint ventures along with illustrations of the thematic exhibition, documentation of the Pavillon of Refl ections on Lake Zurich, and coverage of the participatory artists’ guild at Cabaret Voltaire. Including commentaries from the artists’ collaborators, stills from the film programme, sociological research, and new literary texts, it presents a multifaceted portrait of Zurich one which by generating and gauging discussions serves to contextualise the Swiss capital within Europe today.
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books
books
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July 2016
July 2016
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$54.95
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L'ouvrage Jean Nouvel / Claude Parent, Musées à venir est né de l'exposition présentée du 14 janvier au 28 février 2016 à la Galerie Azzedine Alaïa, plaçant en dialogue deux figures majeures de l'architecture contemporaine. Il inclut les documents de l'exposition, articulés autour de la présentation, et par Jean Nouvel, et par Claude Parent, de quatre projets de musées(...)
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L'ouvrage Jean Nouvel / Claude Parent, Musées à venir est né de l'exposition présentée du 14 janvier au 28 février 2016 à la Galerie Azzedine Alaïa, plaçant en dialogue deux figures majeures de l'architecture contemporaine. Il inclut les documents de l'exposition, articulés autour de la présentation, et par Jean Nouvel, et par Claude Parent, de quatre projets de musées(...)
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January 2016
January 2016
Title:
Jean Nouvel / Claude Parent, musées à venir
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L'ouvrage Jean Nouvel / Claude Parent, Musées à venir est né de l'exposition présentée du 14 janvier au 28 février 2016 à la Galerie Azzedine Alaïa, plaçant en dialogue deux figures majeures de l'architecture contemporaine. Il inclut les documents de l'exposition, articulés autour de la présentation, et par Jean Nouvel, et par Claude Parent, de quatre projets de musées non réalisés, du Plateau Beaubourg (1971) pensé par les deux architectes au Nouveau Musée de Claude Parent (2014-2015).
Jean Nouvel / Claude Parent, musées à venir
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L'ouvrage Jean Nouvel / Claude Parent, Musées à venir est né de l'exposition présentée du 14 janvier au 28 février 2016 à la Galerie Azzedine Alaïa, plaçant en dialogue deux figures majeures de l'architecture contemporaine. Il inclut les documents de l'exposition, articulés autour de la présentation, et par Jean Nouvel, et par Claude Parent, de quatre projets de musées non réalisés, du Plateau Beaubourg (1971) pensé par les deux architectes au Nouveau Musée de Claude Parent (2014-2015).
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books
books
Publication:
January 2016
January 2016
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books
books
Title:
Collection architecture
Collection architecture
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$114.95
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Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
$114.95
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Summary:
Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
Title:
Collection architecture
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$114.95
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Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
Collection architecture
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$114.95
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Conçu sous la forme d'un abécédaire, cet ouvrage présente l'architecture moderne et contemporaine à travers des maquettes, dessins, photomontages et esquisses de projets, qu'ils aient été utopiques (villes volantes, villes flottantes antisismiques) ou effectivement construits.
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books
books
Publication:
July 2016
July 2016
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books
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$49.95
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L'ouvrage présente les oeuvres de 109 artistes classés de A à Z, apparus sur la scène internationale depuis 1990 et pour lesquels le dessin est un moyen d'expression artistique privilégié.
$49.95
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L'ouvrage présente les oeuvres de 109 artistes classés de A à Z, apparus sur la scène internationale depuis 1990 et pour lesquels le dessin est un moyen d'expression artistique privilégié.
Title:
Vitamine D : nouvelles perspectives en dessin
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L'ouvrage présente les oeuvres de 109 artistes classés de A à Z, apparus sur la scène internationale depuis 1990 et pour lesquels le dessin est un moyen d'expression artistique privilégié.
Vitamine D : nouvelles perspectives en dessin
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$49.95
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L'ouvrage présente les oeuvres de 109 artistes classés de A à Z, apparus sur la scène internationale depuis 1990 et pour lesquels le dessin est un moyen d'expression artistique privilégié.
Form:
books
books
Publication:
July 2016
July 2016
