Drawing redefined: Roni Horn, Esther Klas, Joelle Tuerlinckx, Richard Tuttle and Jorinde Voigt
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Drawing Redefined offers an original, critical look at the distinctive role drawing plays in the processes of five influential contemporary artists. For Roni Horn, Esther Klas, Joelle Tuerlinckx, Richard Tuttle, and Jorinde Voigt drawing is an essential medium in their multimedia and object-based work. Drawing affirms these artists' tactile engagement with the world and(...)
November 2015
Drawing redefined: Roni Horn, Esther Klas, Joelle Tuerlinckx, Richard Tuttle and Jorinde Voigt
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$44.00
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Drawing Redefined offers an original, critical look at the distinctive role drawing plays in the processes of five influential contemporary artists. For Roni Horn, Esther Klas, Joelle Tuerlinckx, Richard Tuttle, and Jorinde Voigt drawing is an essential medium in their multimedia and object-based work. Drawing affirms these artists' tactile engagement with the world and serves as a means for aesthetic experimentation and inquiry.
$62.95
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The Way of the Shovel offers a balance among excursions into the situation of contemporary art, broad philosophical arguments around the subjects of history and the archive, and cultural analysis. Opening up the discussion of the archaeological imaginary in art to adjacent fields, the book includes several essays that create an overarching narrative for the exhibition and(...)
November 2013
The way of the shovel : on the archaeological imagery in Art
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The Way of the Shovel offers a balance among excursions into the situation of contemporary art, broad philosophical arguments around the subjects of history and the archive, and cultural analysis. Opening up the discussion of the archaeological imaginary in art to adjacent fields, the book includes several essays that create an overarching narrative for the exhibition and introduce readers to the workings of history in art.
Vehicules: art brut series
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From the remarkable Art Brut Collection in Lausanne, Switzerland, comes Vehicles, the first book in an exciting new series. The Art Brut Collection has created the Biennale de l’Art Brut, a project that capitalizes on the diversity of this superb collection of more than 60,000 works by grouping a selection of them into themed exhibitions.
November 2013
Vehicules: art brut series
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From the remarkable Art Brut Collection in Lausanne, Switzerland, comes Vehicles, the first book in an exciting new series. The Art Brut Collection has created the Biennale de l’Art Brut, a project that capitalizes on the diversity of this superb collection of more than 60,000 works by grouping a selection of them into themed exhibitions.
$41.00
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Studio life is an archive of the creative practices and collected curiosities of 100 contemporary artists working in the United States. The book is an alternative approach to understanding art: an insider's view of the artistic process.
September 2013
Studio life : rituals, collections, tools and observations on the artistic process
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Studio life is an archive of the creative practices and collected curiosities of 100 contemporary artists working in the United States. The book is an alternative approach to understanding art: an insider's view of the artistic process.
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We live in times of great social ambiguity. A recent exhibition, curated by Onomatopee director Freek Lomme, used the work of a wide range of contemporary artists to illustrate the dichotomy between the collective and the individual in ever-changing contemporary society.
Who told you so?! The collective story vs. the individual narrative
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We live in times of great social ambiguity. A recent exhibition, curated by Onomatopee director Freek Lomme, used the work of a wide range of contemporary artists to illustrate the dichotomy between the collective and the individual in ever-changing contemporary society.
$67.95
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Comment concilier l'appel au rêve et le souci du réel, la psychanalyse et le matérialisme dialectique? La question se pose au surréalisme à la fin des années vingt, lorsque le mouvement, fondé par André Breton, se met «au service de la révolution». Cette allégeance suppose une remise en cause du rôle social de l'artiste, de la fétichisation marchande de ses œuvres, à quoi(...)
January 2014
Dictionnaire de l'objet surréaliste
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Comment concilier l'appel au rêve et le souci du réel, la psychanalyse et le matérialisme dialectique? La question se pose au surréalisme à la fin des années vingt, lorsque le mouvement, fondé par André Breton, se met «au service de la révolution». Cette allégeance suppose une remise en cause du rôle social de l'artiste, de la fétichisation marchande de ses œuvres, à quoi répond l'invention de l'objet surréaliste. Ce dictionnaire-catalogue qui accompagne l'exposition «Le surréalisme et l'objet», présentée au Centre Pompidou du 30 octobre 2013 au 3 mars 2014, retrace les étapes d'un questionnement, d'une création, qui provoque l'avènement de l'objet, fait proliférer la figure du mannequin et conduit à la mise en scène des expositions.
Flowers & mushrooms
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Flowers and Mushrooms takes readers inside the rich and diverse symbolism of its eponymous subjects. Flowers have at times stood for freshness and fertility, transience and death. In addition to its ubiquitous and much-maligned image as a hallucinogen, the mushroom has throughout history signified health and life and served as an important symbol within religious ritual.(...)
Flowers & mushrooms
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Flowers and Mushrooms takes readers inside the rich and diverse symbolism of its eponymous subjects. Flowers have at times stood for freshness and fertility, transience and death. In addition to its ubiquitous and much-maligned image as a hallucinogen, the mushroom has throughout history signified health and life and served as an important symbol within religious ritual. In recent years though, flowers and mushrooms have become a focus in contemporary art, with artists manipulating the many clichés that surround them and adapting their representation to produce new and unexpected layers of meaning, from social criticism to feminism and the conceptual framework of the erotic.
$120.00
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In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a(...)
February 2014
When attitudes become form: Bern 1969/Venice 2013
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In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a dialogue with the Bern Kunsthalle, and Celant has reprised its spirit by placing the works in dialogue with the Ca’ Corner della Regina--a very different building, in its Venetian grandeur, to the Kunsthalle.
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Despite the famous pedagogical philosophy and teachers of the Bauhaus, the school's students have never received their due recognition. This historic publication includes works by Theo Balden, Eugen Batz, Max Bill, Marianne Brandt, Werner Drewes, Werner Gilles, Werner Graeff, Carl Marx, Erich Mende, Karl Peter Rohl, Wera Meyer-Waldeck and Fritz Winter.
February 2014
Bauhaus: the art of the students
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Despite the famous pedagogical philosophy and teachers of the Bauhaus, the school's students have never received their due recognition. This historic publication includes works by Theo Balden, Eugen Batz, Max Bill, Marianne Brandt, Werner Drewes, Werner Gilles, Werner Graeff, Carl Marx, Erich Mende, Karl Peter Rohl, Wera Meyer-Waldeck and Fritz Winter.
Drawing time, reading time
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This publication accompanies parallel exhibitions at The Drawing Center, New York, and Drawing Room, London, that explore the relationship between linguistic communication and drawing in recent art. Throughout the twentieth century, and in particular since the 1960s, artists have mined language for the subject and matter of their art, incorporating the mode, format and(...)
Drawing time, reading time
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$30.00
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This publication accompanies parallel exhibitions at The Drawing Center, New York, and Drawing Room, London, that explore the relationship between linguistic communication and drawing in recent art. Throughout the twentieth century, and in particular since the 1960s, artists have mined language for the subject and matter of their art, incorporating the mode, format and meaning of text into their work. Together the two exhibitions present an international selection of artists spanning the 1960s to today, including, at The Drawing Center, Carl Andre, Pavel Büchler, Guy de Cointet, Mirtha Dermisache, Sean Landers, Allen Ruppersberg, Nina Papaconstantinou, Deb Sokolow and Molly Springfield; and at Drawing Room, Pavel Büchler, Johanna Calle, Annabel Daou, Matias Faldbakken, Karl Holmqvist, Bernardo Ortiz and Shahzia Sikander.