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This book accompanies the exhibition Street Art, Street Life: From 1950s to Now, on view at the Bronx Museum of the Arts, September 14, 2008 to January 25, 2009. Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for nearly forty international artists and photographers from 1950s to the present.
September 2008, New York, London
Street art street life: from 1950s to now
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This book accompanies the exhibition Street Art, Street Life: From 1950s to Now, on view at the Bronx Museum of the Arts, September 14, 2008 to January 25, 2009. Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for nearly forty international artists and photographers from 1950s to the present.
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Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own world? Conceived around the title Life on Mars, the 55th Carnegie International explores the increasingly relevant yet perplexing proposition of what it means to be human today. The question 'is there life on Mars?' is a rhetorical one, posed in the face of an increasingly(...)
August 2008, Amsterdam, New York, Pittsburgh
Life on mars: 55th Carnegie International, Carnegie Museum of Art
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Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own world? Conceived around the title Life on Mars, the 55th Carnegie International explores the increasingly relevant yet perplexing proposition of what it means to be human today. The question 'is there life on Mars?' is a rhetorical one, posed in the face of an increasingly accelerating world in which global events challenge and seem to threaten our everyday existence.
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Ce livre paraît à l'occasion de l'exposition LEGENDE 25 Mai - 28 Septembre 2008.
September 2008, Berlin, New York
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«Duction» se veut à la fois un ouvrage de réflexion sur les enjeux traductifs au sein de l'art contemporain, le recueil du fruit de la rencontre entre une commissaire et un artiste et leurs collaborateurs, un livre d'artiste et une exposition sous forme de livre d'une production contemporaine.
October 2002, Montréal
Duction
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«Duction» se veut à la fois un ouvrage de réflexion sur les enjeux traductifs au sein de l'art contemporain, le recueil du fruit de la rencontre entre une commissaire et un artiste et leurs collaborateurs, un livre d'artiste et une exposition sous forme de livre d'une production contemporaine.
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October 2002, Montréal
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La genèse de cette exposition remonte à une invitation lancée il y a deux ans à Raymond Gervais et à Jocelyn Robert, deux artistes aux affinités parfois apparentes, leur proposant de collaborer à une oeuvre qui ferait l'objet d'une exposition à la Galerie: une réflexion sur le son et le silence. Quelques temps plus tard Christof Migone, artiste qui travaille lui aussi le(...)
October 2006, Montréal
Cut: Raymond Gervais, Christof Migone, Jocelyn Robert
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La genèse de cette exposition remonte à une invitation lancée il y a deux ans à Raymond Gervais et à Jocelyn Robert, deux artistes aux affinités parfois apparentes, leur proposant de collaborer à une oeuvre qui ferait l'objet d'une exposition à la Galerie: une réflexion sur le son et le silence. Quelques temps plus tard Christof Migone, artiste qui travaille lui aussi le son, se joignait au projet proposant des oeuvres axées sur la répétition. Le temps passa, et chacun élobora des oeuvres d'envergure. Mon propos de commissaire aussi se transforma, s'éloignant de la question du son, déjà l'objet de nombreuses manifestations ici et ailleurs, pour se fixer sur la notion de coupe, de coupure et d'interruption dans l'oeuvre et dans sa conception. Michèle Thériault
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Celebrating tapestry, embroidery, stitching, textiles, knitting, and knotting as used by visual artists worldwide, "Vitamin T" is the latest in the celebrated series in which leading curators, critics, and art professionals nominate living artists for inclusion. As boundaries between art and craft have blurred, artists have increasingly embraced these materials and(...)
Vitamin T: threads and textiles in contemporary art
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Celebrating tapestry, embroidery, stitching, textiles, knitting, and knotting as used by visual artists worldwide, "Vitamin T" is the latest in the celebrated series in which leading curators, critics, and art professionals nominate living artists for inclusion. As boundaries between art and craft have blurred, artists have increasingly embraced these materials and methods, with the resulting works being coveted by collectors and exhibited in museums worldwide. Vitamin T is a vibrant and incredibly timely survey – the first of its kind.
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Wassily Kandinsky is often recognized as the first artist to paint shapes and colors without regard to visual references in the world. However, abstract paintings were being produced even before Kandinsky’s experiments with the form. In the middle of the nineteenth century, in England, Sweden, and Switzerland, respectively, Georgiana Houghton, Hilma af Klint, and Emma(...)
March 2019
World receivers: Georgianna Houghton, Hilma af Klint, Emma Kunz
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Wassily Kandinsky is often recognized as the first artist to paint shapes and colors without regard to visual references in the world. However, abstract paintings were being produced even before Kandinsky’s experiments with the form. In the middle of the nineteenth century, in England, Sweden, and Switzerland, respectively, Georgiana Houghton, Hilma af Klint, and Emma Kunz each developed their own abstract pictorial language. Though working completely independently from one another, these three artists shared a desire to make visible the laws of nature, the intellect, and the supernatural. Working within the context of the spiritual movements of their times—Houghton in Spiritism, AF Klint in theosophy, and Kunz in naturopathy—they each produced abstract paintings that bore witness to a “mediumistic” praxis.
$59.95
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Conçu en étroite collaboration avec l'artiste, avec des textes de Michel Racine, architecte paysagiste, et de Célia Bernasconi, conservateur en chef du Nouveau Musée National de Monaco, ce livre présente le regard de Latifa Echakhch sur les collections du musée, ainsi que son interprétation des représentations historiques du Jardin Exotique de Monaco, à travers un(...)
February 2019
Latifa Echakhch : le jardin mécanique
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Conçu en étroite collaboration avec l'artiste, avec des textes de Michel Racine, architecte paysagiste, et de Célia Bernasconi, conservateur en chef du Nouveau Musée National de Monaco, ce livre présente le regard de Latifa Echakhch sur les collections du musée, ainsi que son interprétation des représentations historiques du Jardin Exotique de Monaco, à travers un flipbook retranscrivant au fil des pages le mouvement de cinq vidéos produites pour l'exposition au NMNM.
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Peter Lindbergh, l'un des photographes les plus importants de sa génération, a réalisé des photographies inédites d'oeuvres d'Alberto Giacometti sélectionnées dans la collection de la Fondation Giacometti. Cet ouvrage richement illustré présente le résultat de ce travail singulier, en lien avec des sculptures et de nombreux dessins inédits de Giacometti. Ce face-a-face(...)
Alberto Giacometti / Peter Linbergh : saisir l'invisible
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Peter Lindbergh, l'un des photographes les plus importants de sa génération, a réalisé des photographies inédites d'oeuvres d'Alberto Giacometti sélectionnées dans la collection de la Fondation Giacometti. Cet ouvrage richement illustré présente le résultat de ce travail singulier, en lien avec des sculptures et de nombreux dessins inédits de Giacometti. Ce face-a-face montre le dialogue très intime qui s'est établi entre le photographe et les oeuvres du sculpteur, tout en révélant de nombreux points communs dans leurs manières d'appréhender la représentation du réel.
Is this tomorrow?
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For a major new presentation in 2019, Whitechapel Gallery in London is taking as a model its groundbreaking 1956 exhibition ''This Is Tomorrow.'' Organised by architect, writer and sculptor Theo Crosby, ''This Is Tomorrow'' featured 37 artists, architects, designers and writers who worked together in 12 small groups. At its core was the Independent Group, the proto-pop(...)
Is this tomorrow?
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For a major new presentation in 2019, Whitechapel Gallery in London is taking as a model its groundbreaking 1956 exhibition ''This Is Tomorrow.'' Organised by architect, writer and sculptor Theo Crosby, ''This Is Tomorrow'' featured 37 artists, architects, designers and writers who worked together in 12 small groups. At its core was the Independent Group, the proto-pop collective comprised of (at various stages) Reyner Banham, Lawrence Alloway, Nigel Henderson, Eduardo Paolozzi, Richard Hamilton, William Turnbull and John McHale. ''Is This Tomorrow?'' also features 12 groups of contemporary architects, artists and other cultural practitioners to highlight the potential of collaboration, address key issues we face today and offer a vision of the future.