$55.00
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Stolen and appropriated imagery has proved to be the principle means by which artists have challenged the image industry that they must constantly compete with. Drawing on the vast resources of the Rubell family collection, this massive catalogue appraises the landmarks of appropriation art. Among the artists featured are Maurizio Cattelan, Peter Coffin, Aaron Curry,(...)
August 2010
Beg, borrow and steel : Rubell Family Collection
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Stolen and appropriated imagery has proved to be the principle means by which artists have challenged the image industry that they must constantly compete with. Drawing on the vast resources of the Rubell family collection, this massive catalogue appraises the landmarks of appropriation art. Among the artists featured are Maurizio Cattelan, Peter Coffin, Aaron Curry, Marcel Duchamp, Elmgreen & Dragset, Hans-Peter Feldmann, Urs Fischer, Robert Gober, David Hammons, Mark Handforth, Rachel Harrison, Jenny Holzer, Jonathan Horowitz, Rashid Johnson, Jeff Koons, Barbara Kruger, Louise Lawler, Mark Leckey, Sherrie Levine, Glenn Ligon, Robert Longo, Kris Martin, Paul McCarthy, Takashi Murakami, Cady Noland, Richard Prince, Charles Ray, Jason Rhoades, Thomas Ruff, David Salle, Philip Taaffe, Hank Willis Thomas, Piotr Uklanski, Meyer Vaisman, Kelley Walker, Wang Ziwei, Christopher Wool and Zhang Huan.
Linie, line, linea
$72.00
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This survey examines the state of drawing in Germany through the lens of 19 artists working in the medium, among them Irina Baschlakow, Marc Brandenburg, Monika Brandmeier, Fernando Bryce, Marcel van Eeden, Pia Linz, Theresa Lükenwerk, Nanne Meyer, Christian Pilz, Alexander Roob, Malte Spohr, German Stegmaier, Markus Vater, Jorinde Voigt and Ralf Ziervogel.
August 2010
Linie, line, linea
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This survey examines the state of drawing in Germany through the lens of 19 artists working in the medium, among them Irina Baschlakow, Marc Brandenburg, Monika Brandmeier, Fernando Bryce, Marcel van Eeden, Pia Linz, Theresa Lükenwerk, Nanne Meyer, Christian Pilz, Alexander Roob, Malte Spohr, German Stegmaier, Markus Vater, Jorinde Voigt and Ralf Ziervogel.
$29.95
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Ce Cahier de l'Institut du patrimoine rend compte des réflexions préparées sur le sujet par des historiens d'art et de l'architecture, des architectes ainsi que des praticiens de la conservation et de la restauration, en marge des activités de l'équipe de recherche réunie autour du projet «Réexposition, réactualisation et pérennité de l'art contemporain?» de l'Alliance de(...)
November 2010
Conservation de l'art et de l'architecture moderne: l'authenticité en question
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Ce Cahier de l'Institut du patrimoine rend compte des réflexions préparées sur le sujet par des historiens d'art et de l'architecture, des architectes ainsi que des praticiens de la conservation et de la restauration, en marge des activités de l'équipe de recherche réunie autour du projet «Réexposition, réactualisation et pérennité de l'art contemporain?» de l'Alliance de recherche DOCAM (Documentation et conservation du Patrimoine des arts médiatiques) et de l'organisme Docomomo (Documentation et conservation de l'architecture du mouvement moderne).
La peinture aujourd'hui
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Cet ouvrage propose une étude de la peinture à travers le monde des années 1970 à nos jours.
La peinture aujourd'hui
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Cet ouvrage propose une étude de la peinture à travers le monde des années 1970 à nos jours.
$54.95
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Beginning around 1910, vanguard artists demanded that true art go beyond the intellectual and transform daily life. This volume highlights the work of six influential European artists who took this idea into the wider world, where it merged enthusiastically with demands in the industrial marketplace, the nascent mass media, and urban popular culture.
July 2011
Avant-garde art in everyday life: early twentieth-century european modernism
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Beginning around 1910, vanguard artists demanded that true art go beyond the intellectual and transform daily life. This volume highlights the work of six influential European artists who took this idea into the wider world, where it merged enthusiastically with demands in the industrial marketplace, the nascent mass media, and urban popular culture.
Suspended spaces- Framagusta
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Une ville fantôme sur l'île de Chypre comme métaphore d'une reconstruction esthétique et politique dans les marges de l'Europe : une approche artistique de questionnements contemporains sensibles liés à une situation réelle, avec une trentaine d'artistes et des auteurs issus des champs de la philosophie, de l'anthropologie, de l'histoire politique ou de la sociologie.
March 2011
Suspended spaces- Framagusta
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Une ville fantôme sur l'île de Chypre comme métaphore d'une reconstruction esthétique et politique dans les marges de l'Europe : une approche artistique de questionnements contemporains sensibles liés à une situation réelle, avec une trentaine d'artistes et des auteurs issus des champs de la philosophie, de l'anthropologie, de l'histoire politique ou de la sociologie.
$40.00
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This catalogue was published in conjunction with the exhibition "Skyscraper: Art and Architecture Against Gravity," organized by the Museum of Contemporary Art Chicago; curated by Michael Darling, James W. Alsdorf Chief Curator, and Joanna Szupinska, Marjorie Susman Curatorial Fellow; and presented at the Museum of Contemporary Art Chicago, June 30-September 23, 2012.
August 2012
Skyscraper: Art and architecture against gravity
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This catalogue was published in conjunction with the exhibition "Skyscraper: Art and Architecture Against Gravity," organized by the Museum of Contemporary Art Chicago; curated by Michael Darling, James W. Alsdorf Chief Curator, and Joanna Szupinska, Marjorie Susman Curatorial Fellow; and presented at the Museum of Contemporary Art Chicago, June 30-September 23, 2012.
$19.95
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The longest line on the London Underground network, the Central line opened in 1900 and has nearly quadrupled in size, now serving 49 stations and spanning 74 km (46 miles). The Central line’s sheer size presents significant challenges for personal interaction amongst its 1,408 operational staff. Artworks in the Central Line Series take the theme of ‘communication’ as a(...)
August 2012
Central lines series: art on the underground
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The longest line on the London Underground network, the Central line opened in 1900 and has nearly quadrupled in size, now serving 49 stations and spanning 74 km (46 miles). The Central line’s sheer size presents significant challenges for personal interaction amongst its 1,408 operational staff. Artworks in the Central Line Series take the theme of ‘communication’ as a starting point to explore ideas around interaction, engagement and exchange, in the context of the Central line, and specific locations along the line.
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One Thing Leads to Another - Everything is Connected is part of a new series in collaboration with Art on the Underground. Each year Art on the Underground focuses its temporary commissions programme on a specific tube line on the London Underground network and this book centres on the Jubilee Line.
August 2012
One thing leads to another - everything is connected
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One Thing Leads to Another - Everything is Connected is part of a new series in collaboration with Art on the Underground. Each year Art on the Underground focuses its temporary commissions programme on a specific tube line on the London Underground network and this book centres on the Jubilee Line.
Jana Sterbak: Velleitas
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A l'occasion d'une exposition rétrospective des travaux de Sterbak, Murray met en lumière les composantes architecturale et géométrique présentes dans l'oeuvre de l'artiste. Noble décèle dans l'oeuvre une dialectique situant le corps entre autonomie et confinement. Comprend des anecdotes relatées par l'artiste, deux extraits d'écrits de Calvino et De Azua, ainsi qu'une(...)
Jana Sterbak: Velleitas
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$50.00
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A l'occasion d'une exposition rétrospective des travaux de Sterbak, Murray met en lumière les composantes architecturale et géométrique présentes dans l'oeuvre de l'artiste. Noble décèle dans l'oeuvre une dialectique situant le corps entre autonomie et confinement. Comprend des anecdotes relatées par l'artiste, deux extraits d'écrits de Calvino et De Azua, ainsi qu'une nouvelle de Bowles. On the occasion of a retrospective exhibition of Sterbak's work, Murray brings to light architectural and geometrical components in the artist's work. Noble uncovers a dialectic in the work which situates the body between autonomy and containment. Includes anecdotes by the artist, two excerpts from Calvino and De Azua, and a short story by Bowles.