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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav(...)
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav(...)
Publication:
July 2008, Köln
July 2008, Köln
Title:
Ausstellungen generali foundation exhibitions 1989-2008
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav Metzger, Walter Pichler, Martha Rosler, Adrian Piper and Allan Sekula have all shown there, often for their first solo outing. Generali has also commissioned works by artists such as Maria Eichhorn, Andrea Fraser, Hans Haacke, Dorit Margreiter, Mathias Poledna, Marjetica Potrc and Heimo Zobernig. In this power-packed book, numerous installation views and texts provide a review of the foundation's comprehensive program, whose context and genesis are discussed in a conversation between the foundation's long-time Director Sabine Breitwieser and art critic Sabeth Buchmann.
Ausstellungen generali foundation exhibitions 1989-2008
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav Metzger, Walter Pichler, Martha Rosler, Adrian Piper and Allan Sekula have all shown there, often for their first solo outing. Generali has also commissioned works by artists such as Maria Eichhorn, Andrea Fraser, Hans Haacke, Dorit Margreiter, Mathias Poledna, Marjetica Potrc and Heimo Zobernig. In this power-packed book, numerous installation views and texts provide a review of the foundation's comprehensive program, whose context and genesis are discussed in a conversation between the foundation's long-time Director Sabine Breitwieser and art critic Sabeth Buchmann.
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books
books
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July 2008, Köln
July 2008, Köln
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books
books
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Imaginary coordinates
Imaginary coordinates
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This book has been published in conjunction with the exhibition Imaginary Coordinates, organized by Spertus Museum, Chicago, and on view May 2 - September 7, 2008. It juxtaposes the museum's extensive collection of antique Holy Land maps with contemporary artwork by Israeli and Palestinian women. Text by Jessica Dubow, Rhoda Rosen, Ilana Segal.
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This book has been published in conjunction with the exhibition Imaginary Coordinates, organized by Spertus Museum, Chicago, and on view May 2 - September 7, 2008. It juxtaposes the museum's extensive collection of antique Holy Land maps with contemporary artwork by Israeli and Palestinian women. Text by Jessica Dubow, Rhoda Rosen, Ilana Segal.
Publication:
July 2008, Chicago
July 2008, Chicago
Title:
Imaginary coordinates
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This book has been published in conjunction with the exhibition Imaginary Coordinates, organized by Spertus Museum, Chicago, and on view May 2 - September 7, 2008. It juxtaposes the museum's extensive collection of antique Holy Land maps with contemporary artwork by Israeli and Palestinian women. Text by Jessica Dubow, Rhoda Rosen, Ilana Segal.
Imaginary coordinates
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This book has been published in conjunction with the exhibition Imaginary Coordinates, organized by Spertus Museum, Chicago, and on view May 2 - September 7, 2008. It juxtaposes the museum's extensive collection of antique Holy Land maps with contemporary artwork by Israeli and Palestinian women. Text by Jessica Dubow, Rhoda Rosen, Ilana Segal.
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books
books
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July 2008, Chicago
July 2008, Chicago
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas(...)
$69.00
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas(...)
Publication:
August 2008, London
August 2008, London
Title:
Psycho Buildings: Artists Take On Architecture
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas Saraceno, Do-Ho Suh and Rachel Whiteread--who create habitat-like structures and architectural environments that are mental and perceptual spaces as much as physical ones. The works in this book revisit and reanimate the history of Modernist design while reminding us that built spaces can be defined in social, political, psychological, physical and aesthetic terms. An invaluable exploration of this contemporary trend, the volume includes essays by Hayward Director Ralph Rugoff, Jane Rendell and Brian Dillon. In addition, each artist profile includes a text by a different author, including Francis McKee, Tumelo Mosaka, Midori Matsui, Brian Dillon, Paulo Herkenhoff, David Greene, Francesco Manacorda, Tom Morton, Miwon Kwon and Iain Sinclair.
Psycho Buildings: Artists Take On Architecture
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Psycho Buildings: Artists and Architecture marks the fortieth anniversary of London's Hayward gallery--itself an architectural icon, and one of the few remaining examples of the 1960s Brutalist style. The exhibition brings together the work of artists--including Atelier Bow-Wow, Michael Beutler, Los Carpinteros, Gelitin, Mike Nelson, Ernesto Neto, Tobias Putrih, Tomas Saraceno, Do-Ho Suh and Rachel Whiteread--who create habitat-like structures and architectural environments that are mental and perceptual spaces as much as physical ones. The works in this book revisit and reanimate the history of Modernist design while reminding us that built spaces can be defined in social, political, psychological, physical and aesthetic terms. An invaluable exploration of this contemporary trend, the volume includes essays by Hayward Director Ralph Rugoff, Jane Rendell and Brian Dillon. In addition, each artist profile includes a text by a different author, including Francis McKee, Tumelo Mosaka, Midori Matsui, Brian Dillon, Paulo Herkenhoff, David Greene, Francesco Manacorda, Tom Morton, Miwon Kwon and Iain Sinclair.
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books
books
Publication:
August 2008, London
August 2008, London
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books
books
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$42.00
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This book accompanies the exhibition Street Art, Street Life: From 1950s to Now, on view at the Bronx Museum of the Arts, September 14, 2008 to January 25, 2009. Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for nearly forty international artists and photographers from 1950s to the present.
$42.00
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This book accompanies the exhibition Street Art, Street Life: From 1950s to Now, on view at the Bronx Museum of the Arts, September 14, 2008 to January 25, 2009. Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for nearly forty international artists and photographers from 1950s to the present.
Publication:
September 2008, New York, London
September 2008, New York, London
Title:
Street art street life: from 1950s to now
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This book accompanies the exhibition Street Art, Street Life: From 1950s to Now, on view at the Bronx Museum of the Arts, September 14, 2008 to January 25, 2009. Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for nearly forty international artists and photographers from 1950s to the present.
Street art street life: from 1950s to now
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This book accompanies the exhibition Street Art, Street Life: From 1950s to Now, on view at the Bronx Museum of the Arts, September 14, 2008 to January 25, 2009. Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for nearly forty international artists and photographers from 1950s to the present.
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books
books
Publication:
September 2008, New York, London
September 2008, New York, London
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books
books
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$42.00
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Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own world? Conceived around the title Life on Mars, the 55th Carnegie International explores the increasingly relevant yet perplexing proposition of what it means to be human today. The question 'is there life on Mars?' is a rhetorical one, posed in the face of an increasingly(...)
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Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own world? Conceived around the title Life on Mars, the 55th Carnegie International explores the increasingly relevant yet perplexing proposition of what it means to be human today. The question 'is there life on Mars?' is a rhetorical one, posed in the face of an increasingly(...)
Publication:
August 2008, Amsterdam, New York, Pittsburgh
August 2008, Amsterdam, New York, Pittsburgh
Title:
Life on mars: 55th Carnegie International, Carnegie Museum of Art
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Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own world? Conceived around the title Life on Mars, the 55th Carnegie International explores the increasingly relevant yet perplexing proposition of what it means to be human today. The question 'is there life on Mars?' is a rhetorical one, posed in the face of an increasingly accelerating world in which global events challenge and seem to threaten our everyday existence.
Life on mars: 55th Carnegie International, Carnegie Museum of Art
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Are we alone in the universe? Do aliens exist? Or are we, ourselves, the strangers in our own world? Conceived around the title Life on Mars, the 55th Carnegie International explores the increasingly relevant yet perplexing proposition of what it means to be human today. The question 'is there life on Mars?' is a rhetorical one, posed in the face of an increasingly accelerating world in which global events challenge and seem to threaten our everyday existence.
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books
books
Publication:
August 2008, Amsterdam, New York, Pittsburgh
August 2008, Amsterdam, New York, Pittsburgh
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books
books
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$27.50
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Ce livre paraît à l'occasion de l'exposition LEGENDE 25 Mai - 28 Septembre 2008.
$27.50
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Ce livre paraît à l'occasion de l'exposition LEGENDE 25 Mai - 28 Septembre 2008.
Publication:
September 2008, Berlin, New York
September 2008, Berlin, New York
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books
books
Publication:
September 2008, Berlin, New York
September 2008, Berlin, New York
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books
books
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$25.00
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«Duction» se veut à la fois un ouvrage de réflexion sur les enjeux traductifs au sein de l'art contemporain, le recueil du fruit de la rencontre entre une commissaire et un artiste et leurs collaborateurs, un livre d'artiste et une exposition sous forme de livre d'une production contemporaine.
$25.00
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«Duction» se veut à la fois un ouvrage de réflexion sur les enjeux traductifs au sein de l'art contemporain, le recueil du fruit de la rencontre entre une commissaire et un artiste et leurs collaborateurs, un livre d'artiste et une exposition sous forme de livre d'une production contemporaine.
Publication:
October 2002, Montréal
October 2002, Montréal
Title:
Duction
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«Duction» se veut à la fois un ouvrage de réflexion sur les enjeux traductifs au sein de l'art contemporain, le recueil du fruit de la rencontre entre une commissaire et un artiste et leurs collaborateurs, un livre d'artiste et une exposition sous forme de livre d'une production contemporaine.
Duction
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«Duction» se veut à la fois un ouvrage de réflexion sur les enjeux traductifs au sein de l'art contemporain, le recueil du fruit de la rencontre entre une commissaire et un artiste et leurs collaborateurs, un livre d'artiste et une exposition sous forme de livre d'une production contemporaine.
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books
books
Publication:
October 2002, Montréal
October 2002, Montréal
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books
books
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$18.00
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La genèse de cette exposition remonte à une invitation lancée il y a deux ans à Raymond Gervais et à Jocelyn Robert, deux artistes aux affinités parfois apparentes, leur proposant de collaborer à une oeuvre qui ferait l'objet d'une exposition à la Galerie: une réflexion sur le son et le silence. Quelques temps plus tard Christof Migone, artiste qui travaille lui aussi le(...)
$18.00
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Summary:
La genèse de cette exposition remonte à une invitation lancée il y a deux ans à Raymond Gervais et à Jocelyn Robert, deux artistes aux affinités parfois apparentes, leur proposant de collaborer à une oeuvre qui ferait l'objet d'une exposition à la Galerie: une réflexion sur le son et le silence. Quelques temps plus tard Christof Migone, artiste qui travaille lui aussi le(...)
Publication:
October 2006, Montréal
October 2006, Montréal
Title:
Cut: Raymond Gervais, Christof Migone, Jocelyn Robert
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La genèse de cette exposition remonte à une invitation lancée il y a deux ans à Raymond Gervais et à Jocelyn Robert, deux artistes aux affinités parfois apparentes, leur proposant de collaborer à une oeuvre qui ferait l'objet d'une exposition à la Galerie: une réflexion sur le son et le silence. Quelques temps plus tard Christof Migone, artiste qui travaille lui aussi le son, se joignait au projet proposant des oeuvres axées sur la répétition. Le temps passa, et chacun élobora des oeuvres d'envergure. Mon propos de commissaire aussi se transforma, s'éloignant de la question du son, déjà l'objet de nombreuses manifestations ici et ailleurs, pour se fixer sur la notion de coupe, de coupure et d'interruption dans l'oeuvre et dans sa conception. Michèle Thériault
Cut: Raymond Gervais, Christof Migone, Jocelyn Robert
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La genèse de cette exposition remonte à une invitation lancée il y a deux ans à Raymond Gervais et à Jocelyn Robert, deux artistes aux affinités parfois apparentes, leur proposant de collaborer à une oeuvre qui ferait l'objet d'une exposition à la Galerie: une réflexion sur le son et le silence. Quelques temps plus tard Christof Migone, artiste qui travaille lui aussi le son, se joignait au projet proposant des oeuvres axées sur la répétition. Le temps passa, et chacun élobora des oeuvres d'envergure. Mon propos de commissaire aussi se transforma, s'éloignant de la question du son, déjà l'objet de nombreuses manifestations ici et ailleurs, pour se fixer sur la notion de coupe, de coupure et d'interruption dans l'oeuvre et dans sa conception. Michèle Thériault
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books
books
Publication:
October 2006, Montréal
October 2006, Montréal
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books
books
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$47.25
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560 Broadway is the first book to explore one of this country’s most remarkable private collections of modern and contemporary American drawings. Featuring such artists as Sol LeWitt, Mel Bochner, Jasper Johns, and Agnes Martin, the collection of Wynn Kramarsky has won high praise for its diversity, chronological sweep, and quality. Moreover, Kramarsky’s exhibition space(...)
$47.25
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Summary:
560 Broadway is the first book to explore one of this country’s most remarkable private collections of modern and contemporary American drawings. Featuring such artists as Sol LeWitt, Mel Bochner, Jasper Johns, and Agnes Martin, the collection of Wynn Kramarsky has won high praise for its diversity, chronological sweep, and quality. Moreover, Kramarsky’s exhibition space(...)
Publication:
February 2008, New Haven, London
February 2008, New Haven, London
Title:
560 Broadway: a New York drawing collection at work, 1991-2006
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560 Broadway is the first book to explore one of this country’s most remarkable private collections of modern and contemporary American drawings. Featuring such artists as Sol LeWitt, Mel Bochner, Jasper Johns, and Agnes Martin, the collection of Wynn Kramarsky has won high praise for its diversity, chronological sweep, and quality. Moreover, Kramarsky’s exhibition space at 560 Broadway in New York City, in operation from 1991 to 2006, served as a pivotal meeting place for museum and gallery professionals, as well as emerging artists.
560 Broadway: a New York drawing collection at work, 1991-2006
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Summary:
560 Broadway is the first book to explore one of this country’s most remarkable private collections of modern and contemporary American drawings. Featuring such artists as Sol LeWitt, Mel Bochner, Jasper Johns, and Agnes Martin, the collection of Wynn Kramarsky has won high praise for its diversity, chronological sweep, and quality. Moreover, Kramarsky’s exhibition space at 560 Broadway in New York City, in operation from 1991 to 2006, served as a pivotal meeting place for museum and gallery professionals, as well as emerging artists.
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books
books
Publication:
February 2008, New Haven, London
February 2008, New Haven, London
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books
books
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$42.00
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Catalogue de la 9e Biennale d'art contemporain de Lyon (19 septembre 2007 – 6 janvier 2008), conçu suivant les principes qui régissent la programmation de la manifestation organisée par Stéphanie Moisdon et Hans Ulrich Obrist. Cet ouvrage relève à la fois du jeu, de la cartographie et de l'expérience d'une écriture collective. Pensé comme un livre d'histoire et de(...)
$42.00
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Summary:
Catalogue de la 9e Biennale d'art contemporain de Lyon (19 septembre 2007 – 6 janvier 2008), conçu suivant les principes qui régissent la programmation de la manifestation organisée par Stéphanie Moisdon et Hans Ulrich Obrist. Cet ouvrage relève à la fois du jeu, de la cartographie et de l'expérience d'une écriture collective. Pensé comme un livre d'histoire et de(...)
Publication:
October 2007, Lyon, Dijon, Zürich
October 2007, Lyon, Dijon, Zürich
Title:
Biennale de Lyon 2007 : 00's - L'histoire d'une décennie qui n'est pas encore nommée
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Catalogue de la 9e Biennale d'art contemporain de Lyon (19 septembre 2007 – 6 janvier 2008), conçu suivant les principes qui régissent la programmation de la manifestation organisée par Stéphanie Moisdon et Hans Ulrich Obrist. Cet ouvrage relève à la fois du jeu, de la cartographie et de l'expérience d'une écriture collective. Pensé comme un livre d'histoire et de géographie de l'art contemporain, il est le résultat d'une série d'investigations et de programmations des concepteurs de la manifestation et de Thierry Raspail. Réunissant 70 « joueurs » du monde entier (artistes, critiques et commissaires d'exposition) répartis entre deux cercles selon le type d'intervention demandé, le projet s'est développé autour d'une question centrale : « Comment définir la décennie actuelle ? ». S'il était proposé au premier cercle de choisir de choisir des réponses parmi ce que les artistes produisent aujourd'hui, il était demandé aux joueurs du second cercle de séquencer leurs choix ou de les confronter à d'autres. L'ensemble de ces subjectivités, cadrées par quelques règles de présentation (qui ? pourquoi ? comment ?), participent ici à un exercice de délimitation, de détourage et de recadrage d'une décennie et d'un objet – l'art – dont le tracé est de plus en plus indispensable. La publication s'accompagne d'essais inédits de et d'entretiens avec Mehdi Belhaj-Kacem, Stefano Boeri, François Cusset, Okwui Enwezor, Michel Houellebecq, Anselm Jappe, Paul Veyne et Ralph Rugoff.
Biennale de Lyon 2007 : 00's - L'histoire d'une décennie qui n'est pas encore nommée
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Catalogue de la 9e Biennale d'art contemporain de Lyon (19 septembre 2007 – 6 janvier 2008), conçu suivant les principes qui régissent la programmation de la manifestation organisée par Stéphanie Moisdon et Hans Ulrich Obrist. Cet ouvrage relève à la fois du jeu, de la cartographie et de l'expérience d'une écriture collective. Pensé comme un livre d'histoire et de géographie de l'art contemporain, il est le résultat d'une série d'investigations et de programmations des concepteurs de la manifestation et de Thierry Raspail. Réunissant 70 « joueurs » du monde entier (artistes, critiques et commissaires d'exposition) répartis entre deux cercles selon le type d'intervention demandé, le projet s'est développé autour d'une question centrale : « Comment définir la décennie actuelle ? ». S'il était proposé au premier cercle de choisir de choisir des réponses parmi ce que les artistes produisent aujourd'hui, il était demandé aux joueurs du second cercle de séquencer leurs choix ou de les confronter à d'autres. L'ensemble de ces subjectivités, cadrées par quelques règles de présentation (qui ? pourquoi ? comment ?), participent ici à un exercice de délimitation, de détourage et de recadrage d'une décennie et d'un objet – l'art – dont le tracé est de plus en plus indispensable. La publication s'accompagne d'essais inédits de et d'entretiens avec Mehdi Belhaj-Kacem, Stefano Boeri, François Cusset, Okwui Enwezor, Michel Houellebecq, Anselm Jappe, Paul Veyne et Ralph Rugoff.
Form:
books
books
Publication:
October 2007, Lyon, Dijon, Zürich
October 2007, Lyon, Dijon, Zürich
