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The encounter of Native practices and influences with mainstream art created a community in which the relationship between art and indigenous sensibility was recognized and nurtured. These artists have shown in galleries in the heart of SoHo, written articles for publications such as Art in America, and produced work that incorporates the visual strategies of Abstract(...)
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The encounter of Native practices and influences with mainstream art created a community in which the relationship between art and indigenous sensibility was recognized and nurtured. These artists have shown in galleries in the heart of SoHo, written articles for publications such as Art in America, and produced work that incorporates the visual strategies of Abstract(...)
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August 2017
August 2017
Title:
No reservation: New York contemporary native American art movement
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The encounter of Native practices and influences with mainstream art created a community in which the relationship between art and indigenous sensibility was recognized and nurtured. These artists have shown in galleries in the heart of SoHo, written articles for publications such as Art in America, and produced work that incorporates the visual strategies of Abstract Expressionism, pop, conceptualism and various strains of postmodernism. Among the artists represented here are Leon Polk Smith, George Morrison, Jimmie Durham, Jaune Quick-to-See Smith, G. Peter Jemison, Jeffrey Gibson, Brad Kahlhamer and Lloyd R. Oxendine.
No reservation: New York contemporary native American art movement
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The encounter of Native practices and influences with mainstream art created a community in which the relationship between art and indigenous sensibility was recognized and nurtured. These artists have shown in galleries in the heart of SoHo, written articles for publications such as Art in America, and produced work that incorporates the visual strategies of Abstract Expressionism, pop, conceptualism and various strains of postmodernism. Among the artists represented here are Leon Polk Smith, George Morrison, Jimmie Durham, Jaune Quick-to-See Smith, G. Peter Jemison, Jeffrey Gibson, Brad Kahlhamer and Lloyd R. Oxendine.
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books
books
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August 2017
August 2017
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books
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$32.50
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Originally set up after a request from Winston Churchill, the Ministry of Defence’s UFO Desk ran for over 60 years, collating mysterious sightings and records of strange objects in the sky from observant members of the public. As well as letters and official reports, the UFO files contain photographs, drawings and even paintings of these curious sightings. David Clarke(...)
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Originally set up after a request from Winston Churchill, the Ministry of Defence’s UFO Desk ran for over 60 years, collating mysterious sightings and records of strange objects in the sky from observant members of the public. As well as letters and official reports, the UFO files contain photographs, drawings and even paintings of these curious sightings. David Clarke(...)
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February 2018
February 2018
Title:
UFO drawings from the National Archives
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Originally set up after a request from Winston Churchill, the Ministry of Defence’s UFO Desk ran for over 60 years, collating mysterious sightings and records of strange objects in the sky from observant members of the public. As well as letters and official reports, the UFO files contain photographs, drawings and even paintings of these curious sightings. David Clarke has selected examples from The National Archives to present a history of British UFO art and the remarkable stories behind these images, including an alien craft on the A1, flying saucers over Hampstead, and a spaceship landing at a primary school in Macclesfield.
UFO drawings from the National Archives
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Originally set up after a request from Winston Churchill, the Ministry of Defence’s UFO Desk ran for over 60 years, collating mysterious sightings and records of strange objects in the sky from observant members of the public. As well as letters and official reports, the UFO files contain photographs, drawings and even paintings of these curious sightings. David Clarke has selected examples from The National Archives to present a history of British UFO art and the remarkable stories behind these images, including an alien craft on the A1, flying saucers over Hampstead, and a spaceship landing at a primary school in Macclesfield.
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books
books
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February 2018
February 2018
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books
books
Title:
Women house
Women house
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« Women House » est la rencontre de deux notions : un genre – le féminin – et un espace – le domestique. L’architecture et l’espace public ont été masculins, tandis que l’espace domestique a été longtemps l’espace des femmes : cette évidence historique n’est pourtant pas une fatalité et l’exposition « Women House » nous le montre. Cette maison est-elle un refuge, une(...)
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« Women House » est la rencontre de deux notions : un genre – le féminin – et un espace – le domestique. L’architecture et l’espace public ont été masculins, tandis que l’espace domestique a été longtemps l’espace des femmes : cette évidence historique n’est pourtant pas une fatalité et l’exposition « Women House » nous le montre. Cette maison est-elle un refuge, une(...)
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October 2017
October 2017
Title:
Women house
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« Women House » est la rencontre de deux notions : un genre – le féminin – et un espace – le domestique. L’architecture et l’espace public ont été masculins, tandis que l’espace domestique a été longtemps l’espace des femmes : cette évidence historique n’est pourtant pas une fatalité et l’exposition « Women House » nous le montre. Cette maison est-elle un refuge, une prison, ou peut-elle devenir un espace de création ?
Women house
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$67.95
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« Women House » est la rencontre de deux notions : un genre – le féminin – et un espace – le domestique. L’architecture et l’espace public ont été masculins, tandis que l’espace domestique a été longtemps l’espace des femmes : cette évidence historique n’est pourtant pas une fatalité et l’exposition « Women House » nous le montre. Cette maison est-elle un refuge, une prison, ou peut-elle devenir un espace de création ?
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books
books
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October 2017
October 2017
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books
books
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$75.00
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a(...)
$75.00
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a(...)
Publication:
February 2018
February 2018
Title:
Brand new: art and commodity in the 1980s
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a legitimate gallery business in SoHo. Coinciding with the rise of modern branding and the onset of the information age, artists’ focus on commodities and consumerism began as satire but came to be much more complex: commodities and associated phenomena, such as advertising, now served as vessels for ideas, politics, and personal relationships in “brand-new” types of painting, sculpture, photography, installation, and performance.
Brand new: art and commodity in the 1980s
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$75.00
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Summary:
An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a legitimate gallery business in SoHo. Coinciding with the rise of modern branding and the onset of the information age, artists’ focus on commodities and consumerism began as satire but came to be much more complex: commodities and associated phenomena, such as advertising, now served as vessels for ideas, politics, and personal relationships in “brand-new” types of painting, sculpture, photography, installation, and performance.
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books
books
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February 2018
February 2018
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books
books
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$44.00
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This new survey covers the rich and varied history of participatory art, from early happenings and performances to current practices that demand audience interaction. As the hallmarks of Web 2.0—browsing, sharing, collecting, producing—increasingly permeate every aspect of society, this timely project reveals the ways in which artists and viewers have approached the(...)
$44.00
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Summary:
This new survey covers the rich and varied history of participatory art, from early happenings and performances to current practices that demand audience interaction. As the hallmarks of Web 2.0—browsing, sharing, collecting, producing—increasingly permeate every aspect of society, this timely project reveals the ways in which artists and viewers have approached the(...)
Publication:
November 2008, New York, London, San Francisco
November 2008, New York, London, San Francisco
Title:
The art of participation: 1950 to now
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This new survey covers the rich and varied history of participatory art, from early happenings and performances to current practices that demand audience interaction. As the hallmarks of Web 2.0—browsing, sharing, collecting, producing—increasingly permeate every aspect of society, this timely project reveals the ways in which artists and viewers have approached the creation of open works of art. The featured artists include Marina Abramovic and Ulay, Vito Acconci, Joseph Beuys, John Cage, Janet Cardiff, Lygia Clark, Kit Galloway and Sherrie Rabinowitz, Dan Graham, Hans Haacke, Allan Kaprow, Lynn Hershman Leeson, Antoni Muntadas, Yoko Ono, Nam June Paik, and Erwin Wurm. Original essays by Rudolf Frieling, Boris Groys, Robert Atkins, and Lev Manovich identify seminal moments in participatory practice from the 1950s to the present day. A rich array of plates introduce work by all the artists in the accompanying exhibition, with reproductions of significant projects by other major figures—from Helio Oiticica, Joan Jonas, and Gordon Matta-Clark to Rirkrit Tiravanija and SUPERFLEX—rounding out the survey.
The art of participation: 1950 to now
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$44.00
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Summary:
This new survey covers the rich and varied history of participatory art, from early happenings and performances to current practices that demand audience interaction. As the hallmarks of Web 2.0—browsing, sharing, collecting, producing—increasingly permeate every aspect of society, this timely project reveals the ways in which artists and viewers have approached the creation of open works of art. The featured artists include Marina Abramovic and Ulay, Vito Acconci, Joseph Beuys, John Cage, Janet Cardiff, Lygia Clark, Kit Galloway and Sherrie Rabinowitz, Dan Graham, Hans Haacke, Allan Kaprow, Lynn Hershman Leeson, Antoni Muntadas, Yoko Ono, Nam June Paik, and Erwin Wurm. Original essays by Rudolf Frieling, Boris Groys, Robert Atkins, and Lev Manovich identify seminal moments in participatory practice from the 1950s to the present day. A rich array of plates introduce work by all the artists in the accompanying exhibition, with reproductions of significant projects by other major figures—from Helio Oiticica, Joan Jonas, and Gordon Matta-Clark to Rirkrit Tiravanija and SUPERFLEX—rounding out the survey.
Form:
books
books
Publication:
November 2008, New York, London, San Francisco
November 2008, New York, London, San Francisco
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books
books
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$37.00
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Publication de l'exposition Musée Ziem, Martigues, 7 avril - 10 juin 2001. Cette exposition rassemble des oeuvres issues des collections du Fonds régional d'art contemporain Provence-Alpes-Côte d'Azur et du Fonds national d'art contemporain autour du thème architecture et fiction. Une architecture parasitée par des fictions diverses, qu'elles soient poétiques,(...)
$37.00
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Publication de l'exposition Musée Ziem, Martigues, 7 avril - 10 juin 2001. Cette exposition rassemble des oeuvres issues des collections du Fonds régional d'art contemporain Provence-Alpes-Côte d'Azur et du Fonds national d'art contemporain autour du thème architecture et fiction. Une architecture parasitée par des fictions diverses, qu'elles soient poétiques,(...)
Publication:
March 2001
March 2001
Title:
(Que saurions nous construire d'autre?)
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Publication de l'exposition Musée Ziem, Martigues, 7 avril - 10 juin 2001. Cette exposition rassemble des oeuvres issues des collections du Fonds régional d'art contemporain Provence-Alpes-Côte d'Azur et du Fonds national d'art contemporain autour du thème architecture et fiction. Une architecture parasitée par des fictions diverses, qu'elles soient poétiques, humoristiques, ou dérisoires. Le titre de l'exposition est emprunté à Kafka dans Le Château, phrase qui permet d'appréhender l'architecture telle que les artistes l'envisagent, sous la forme de digresssions et de décalages. Chaque artiste invité apporte une proposition qui déjoue toute volonté de système.
(Que saurions nous construire d'autre?)
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$37.00
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Publication de l'exposition Musée Ziem, Martigues, 7 avril - 10 juin 2001. Cette exposition rassemble des oeuvres issues des collections du Fonds régional d'art contemporain Provence-Alpes-Côte d'Azur et du Fonds national d'art contemporain autour du thème architecture et fiction. Une architecture parasitée par des fictions diverses, qu'elles soient poétiques, humoristiques, ou dérisoires. Le titre de l'exposition est emprunté à Kafka dans Le Château, phrase qui permet d'appréhender l'architecture telle que les artistes l'envisagent, sous la forme de digresssions et de décalages. Chaque artiste invité apporte une proposition qui déjoue toute volonté de système.
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books
books
Publication:
March 2001
March 2001
Form:
books
books
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$45.00
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In a supportive article covering the 4th Berlin Biennial, critic Steven Henry Madoff took a moment to question what many have termed "Biennial Fever," writing, "Are [biennials] here to capture trends or to advance artists' voices in a larger social dialogue? Do they promote international understanding or local interests? Are they bully pulpits for curators turned(...)
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Summary:
In a supportive article covering the 4th Berlin Biennial, critic Steven Henry Madoff took a moment to question what many have termed "Biennial Fever," writing, "Are [biennials] here to capture trends or to advance artists' voices in a larger social dialogue? Do they promote international understanding or local interests? Are they bully pulpits for curators turned(...)
Publication:
September 2008, Zurich
September 2008, Zurich
Title:
5th Berlin Biennial for Contemporary Art
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In a supportive article covering the 4th Berlin Biennial, critic Steven Henry Madoff took a moment to question what many have termed "Biennial Fever," writing, "Are [biennials] here to capture trends or to advance artists' voices in a larger social dialogue? Do they promote international understanding or local interests? Are they bully pulpits for curators turned ideologues, or are they simply there to tap the art market's stopwatch till the next survey of hot new things draws the attention of an ever expanding universe of collectors?" For the 2008 edition of this always-provocative international fair, Curators Adam Szymczyk and Elena Filipovic brought together primarily newly commissioned work by 50 emerging and established international artists for a round-the-clock exhibition that included 63 nightly events. This expansive volume documents it all, and contains contributions by writers, critics and artists including Beatriz Colomina, Bettina Viesmann, Cameron Jamie, Gabriel Kuri, Babette Mangolte, Ahmet Ogut and Katerina Seda.
5th Berlin Biennial for Contemporary Art
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$45.00
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Summary:
In a supportive article covering the 4th Berlin Biennial, critic Steven Henry Madoff took a moment to question what many have termed "Biennial Fever," writing, "Are [biennials] here to capture trends or to advance artists' voices in a larger social dialogue? Do they promote international understanding or local interests? Are they bully pulpits for curators turned ideologues, or are they simply there to tap the art market's stopwatch till the next survey of hot new things draws the attention of an ever expanding universe of collectors?" For the 2008 edition of this always-provocative international fair, Curators Adam Szymczyk and Elena Filipovic brought together primarily newly commissioned work by 50 emerging and established international artists for a round-the-clock exhibition that included 63 nightly events. This expansive volume documents it all, and contains contributions by writers, critics and artists including Beatriz Colomina, Bettina Viesmann, Cameron Jamie, Gabriel Kuri, Babette Mangolte, Ahmet Ogut and Katerina Seda.
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books
books
Publication:
September 2008, Zurich
September 2008, Zurich
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books
books
Title:
Prospect 1: New Orleans
Prospect 1: New Orleans
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Following the physical devastation of New Orleans triggered by Hurricane Katrina in 2005, curator Dan Cameron responded by organizing a citywide initiative that would attract thousands of art-loving visitors to south Louisiana, many for the first time. Prospect.1 New Orleans inaugurates what is planned to be a biennial tradition, joining JazzFest and Mardi Gras as one of(...)
$60.00
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Summary:
Following the physical devastation of New Orleans triggered by Hurricane Katrina in 2005, curator Dan Cameron responded by organizing a citywide initiative that would attract thousands of art-loving visitors to south Louisiana, many for the first time. Prospect.1 New Orleans inaugurates what is planned to be a biennial tradition, joining JazzFest and Mardi Gras as one of(...)
Publication:
November 2008, Brooklyn
November 2008, Brooklyn
Title:
Prospect 1: New Orleans
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$60.00
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Following the physical devastation of New Orleans triggered by Hurricane Katrina in 2005, curator Dan Cameron responded by organizing a citywide initiative that would attract thousands of art-loving visitors to south Louisiana, many for the first time. Prospect.1 New Orleans inaugurates what is planned to be a biennial tradition, joining JazzFest and Mardi Gras as one of the city’s important cultural celebrations. For Prospect.1, eighty-one artists have come together from thirty-eight countries to present their work in twenty different locations throughout the city, transforming New Orleans into an expansive showcase for new art.
Prospect 1: New Orleans
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$60.00
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Summary:
Following the physical devastation of New Orleans triggered by Hurricane Katrina in 2005, curator Dan Cameron responded by organizing a citywide initiative that would attract thousands of art-loving visitors to south Louisiana, many for the first time. Prospect.1 New Orleans inaugurates what is planned to be a biennial tradition, joining JazzFest and Mardi Gras as one of the city’s important cultural celebrations. For Prospect.1, eighty-one artists have come together from thirty-eight countries to present their work in twenty different locations throughout the city, transforming New Orleans into an expansive showcase for new art.
Form:
books
books
Publication:
November 2008, Brooklyn
November 2008, Brooklyn
Form:
books
books
Title:
The chatter of culture
The chatter of culture
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$18.95
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Published in conjunction with an exhibition by Robyn Laba held May 26 - June 23, 2007, and an exhibition by Lorna Brown and David Zink Yi held April 7 - May 12, 2007, at Artspeak, Vancouver.
$18.95
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Published in conjunction with an exhibition by Robyn Laba held May 26 - June 23, 2007, and an exhibition by Lorna Brown and David Zink Yi held April 7 - May 12, 2007, at Artspeak, Vancouver.
Publication:
January 2008, Vancouver
January 2008, Vancouver
Title:
The chatter of culture
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$18.95
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Published in conjunction with an exhibition by Robyn Laba held May 26 - June 23, 2007, and an exhibition by Lorna Brown and David Zink Yi held April 7 - May 12, 2007, at Artspeak, Vancouver.
The chatter of culture
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$18.95
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Published in conjunction with an exhibition by Robyn Laba held May 26 - June 23, 2007, and an exhibition by Lorna Brown and David Zink Yi held April 7 - May 12, 2007, at Artspeak, Vancouver.
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books
books
Publication:
January 2008, Vancouver
January 2008, Vancouver
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books
books
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$52.00
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav(...)
$52.00
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Summary:
Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav(...)
Publication:
July 2008, Köln
July 2008, Köln
Title:
Ausstellungen generali foundation exhibitions 1989-2008
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav Metzger, Walter Pichler, Martha Rosler, Adrian Piper and Allan Sekula have all shown there, often for their first solo outing. Generali has also commissioned works by artists such as Maria Eichhorn, Andrea Fraser, Hans Haacke, Dorit Margreiter, Mathias Poledna, Marjetica Potrc and Heimo Zobernig. In this power-packed book, numerous installation views and texts provide a review of the foundation's comprehensive program, whose context and genesis are discussed in a conversation between the foundation's long-time Director Sabine Breitwieser and art critic Sabeth Buchmann.
Ausstellungen generali foundation exhibitions 1989-2008
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$52.00
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav Metzger, Walter Pichler, Martha Rosler, Adrian Piper and Allan Sekula have all shown there, often for their first solo outing. Generali has also commissioned works by artists such as Maria Eichhorn, Andrea Fraser, Hans Haacke, Dorit Margreiter, Mathias Poledna, Marjetica Potrc and Heimo Zobernig. In this power-packed book, numerous installation views and texts provide a review of the foundation's comprehensive program, whose context and genesis are discussed in a conversation between the foundation's long-time Director Sabine Breitwieser and art critic Sabeth Buchmann.
Form:
books
books
Publication:
July 2008, Köln
July 2008, Köln
