1204 Results
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books
books
Title:
Visual Thinking
Visual Thinking
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For thirty-five years ''Visual Thinking'' has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of ''The Dynamics of Architectural Form'', ''Film as Art'', ''Toward a Psychology of Art'', and ''Art and Visual Perception'', asserts that all thinking (not just thinking related to art) is basically(...)
$40.95
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Summary:
For thirty-five years ''Visual Thinking'' has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of ''The Dynamics of Architectural Form'', ''Film as Art'', ''Toward a Psychology of Art'', and ''Art and Visual Perception'', asserts that all thinking (not just thinking related to art) is basically(...)
Title:
Visual Thinking
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$40.95
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Summary:
For thirty-five years ''Visual Thinking'' has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of ''The Dynamics of Architectural Form'', ''Film as Art'', ''Toward a Psychology of Art'', and ''Art and Visual Perception'', asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading. An indis-pensable tool for students and for those interested in the arts.
Visual Thinking
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$40.95
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Summary:
For thirty-five years ''Visual Thinking'' has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of ''The Dynamics of Architectural Form'', ''Film as Art'', ''Toward a Psychology of Art'', and ''Art and Visual Perception'', asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading. An indis-pensable tool for students and for those interested in the arts.
Form:
books
books
Publication:
April 2004
April 2004
Subject:
Art Theory
Art Theory
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books
books
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$45.95
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This volume brings together much of Brian O’Doherty’s most influential writing, including essays on major figures such as Edward Hopper, Mark Rothko, and Andy Warhol, and a substantial follow-up to his iconic ''Inside the White Cube''. New pieces specifically authored for this collection include a meditation on O’Doherty’s various alternate personae—most notably Patrick(...)
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Summary:
This volume brings together much of Brian O’Doherty’s most influential writing, including essays on major figures such as Edward Hopper, Mark Rothko, and Andy Warhol, and a substantial follow-up to his iconic ''Inside the White Cube''. New pieces specifically authored for this collection include a meditation on O’Doherty’s various alternate personae—most notably Patrick(...)
Title:
Brian O'Doherty : collected essays
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This volume brings together much of Brian O’Doherty’s most influential writing, including essays on major figures such as Edward Hopper, Mark Rothko, and Andy Warhol, and a substantial follow-up to his iconic ''Inside the White Cube''. New pieces specifically authored for this collection include a meditation on O’Doherty’s various alternate personae—most notably Patrick Ireland—and a reflection on his seminal ''Highway to Las Vegas'' from 1972, penned after a return visit in 2012. The texts, many of which have been unavailable in print, are insightfully introduced by art historian Anne-Marie Bonnet and complemented by forty-five color illustrations of artwork discussed in the essays as well as documentary photographs of O'Doherty and other major art-world figures.
Brian O'Doherty : collected essays
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Summary:
This volume brings together much of Brian O’Doherty’s most influential writing, including essays on major figures such as Edward Hopper, Mark Rothko, and Andy Warhol, and a substantial follow-up to his iconic ''Inside the White Cube''. New pieces specifically authored for this collection include a meditation on O’Doherty’s various alternate personae—most notably Patrick Ireland—and a reflection on his seminal ''Highway to Las Vegas'' from 1972, penned after a return visit in 2012. The texts, many of which have been unavailable in print, are insightfully introduced by art historian Anne-Marie Bonnet and complemented by forty-five color illustrations of artwork discussed in the essays as well as documentary photographs of O'Doherty and other major art-world figures.
Form:
books
books
Publication:
June 2018
June 2018
Subject:
Art Theory
Art Theory
Form:
books
books
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$39.95
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This study traces the history of a cultural and artistic landscape that has taken shape since the year 2000, with the Internet. Omar Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition.
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This study traces the history of a cultural and artistic landscape that has taken shape since the year 2000, with the Internet. Omar Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition.
Title:
Goodbye, world! Looking at art in the digital age
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This study traces the history of a cultural and artistic landscape that has taken shape since the year 2000, with the Internet. Omar Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition.
Goodbye, world! Looking at art in the digital age
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$39.95
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Summary:
This study traces the history of a cultural and artistic landscape that has taken shape since the year 2000, with the Internet. Omar Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition.
Form:
books
books
Publication:
June 2018
June 2018
Subject:
Art Theory
Art Theory
Form:
books
books
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$46.95
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Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw’s "The Love of(...)
$46.95
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Summary:
Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw’s "The Love of(...)
Title:
The love of painting: genealogy of a success medium
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$46.95
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Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw’s "The Love of Painting" considers the art form not as something fixed, but as a visual and discursive material formation with the potential to fascinate owing to its ability to produce the fantasy of liveliness. Thus, painting is not restricted to the limits of its own frame, but possesses a specific potential that is located in its material and physical signs. Its value is grounded in its capacity to both reveal and mystify its conditions of production. Alongside in-depth analyses of the work of artists like Édouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers, the book includes conversations with artists in which Graw’s insights are further discussed and put to the test.
The love of painting: genealogy of a success medium
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$46.95
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Summary:
Painting seems to have lost its dominant position in the field of the arts. However, looking more closely at exhibited photographs, assemblages, installations, or performances, it is evident how the rhetorics of painting still remain omnipresent. Following the tradition of classical theories of painting based on exchanges with artists, Isabelle Graw’s "The Love of Painting" considers the art form not as something fixed, but as a visual and discursive material formation with the potential to fascinate owing to its ability to produce the fantasy of liveliness. Thus, painting is not restricted to the limits of its own frame, but possesses a specific potential that is located in its material and physical signs. Its value is grounded in its capacity to both reveal and mystify its conditions of production. Alongside in-depth analyses of the work of artists like Édouard Manet, Jutta Koether, Martin Kippenberger, Jana Euler, and Marcel Broodthaers, the book includes conversations with artists in which Graw’s insights are further discussed and put to the test.
Form:
books
books
Publication:
March 2018
March 2018
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$60.00
(available in store)
Summary:
Peggy Guggenheim (1898–1979) and Nelly van Doesburg (1899–1975) were vital participants in the De Stijl movement, promoting, exhibiting and buying De Stijl at a time when few had interest in the geometric language of forms being developed by Theo van Doesburg, Piet Mondrian and others in the Netherlands. Guggenheim and van Doesburg’s efforts helped ensure that De Stijl(...)
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Summary:
Peggy Guggenheim (1898–1979) and Nelly van Doesburg (1899–1975) were vital participants in the De Stijl movement, promoting, exhibiting and buying De Stijl at a time when few had interest in the geometric language of forms being developed by Theo van Doesburg, Piet Mondrian and others in the Netherlands. Guggenheim and van Doesburg’s efforts helped ensure that De Stijl(...)
Title:
Peggy Guggenheim and Nelly van Doesburg: advocates of De Stijl
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Peggy Guggenheim (1898–1979) and Nelly van Doesburg (1899–1975) were vital participants in the De Stijl movement, promoting, exhibiting and buying De Stijl at a time when few had interest in the geometric language of forms being developed by Theo van Doesburg, Piet Mondrian and others in the Netherlands. Guggenheim and van Doesburg’s efforts helped ensure that De Stijl came to be recognized internationally as one of the most important art movements of the 20th century.
Peggy Guggenheim and Nelly van Doesburg: advocates of De Stijl
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Summary:
Peggy Guggenheim (1898–1979) and Nelly van Doesburg (1899–1975) were vital participants in the De Stijl movement, promoting, exhibiting and buying De Stijl at a time when few had interest in the geometric language of forms being developed by Theo van Doesburg, Piet Mondrian and others in the Netherlands. Guggenheim and van Doesburg’s efforts helped ensure that De Stijl came to be recognized internationally as one of the most important art movements of the 20th century.
Form:
books
books
Publication:
February 2018
February 2018
Subject:
Art Theory
Art Theory
Form:
books
books
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$34.50
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Summary:
"Being Public" is an anthology of essays investigating, from different perspectives, the notion of "public". "Public" is one of the most issued categories in current debates on culture, yet the notion itself remains largely un-reflected. The meaning of both "art publics" and "public space" have become complex in a time where boundaries between public and private are(...)
$34.50
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Summary:
"Being Public" is an anthology of essays investigating, from different perspectives, the notion of "public". "Public" is one of the most issued categories in current debates on culture, yet the notion itself remains largely un-reflected. The meaning of both "art publics" and "public space" have become complex in a time where boundaries between public and private are(...)
Title:
Being public: how art creates the public
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"Being Public" is an anthology of essays investigating, from different perspectives, the notion of "public". "Public" is one of the most issued categories in current debates on culture, yet the notion itself remains largely un-reflected. The meaning of both "art publics" and "public space" have become complex in a time where boundaries between public and private are shifting, and where "the public" actually comprises different groups of changing composition and identity. What does it mean to be public today? And what is the role of art in constituting both "public space" as well as "a public"? Taking these questions as a starting point, the book aims to create a better understanding of the relationships between art and the notion of the public.
Being public: how art creates the public
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$34.50
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Summary:
"Being Public" is an anthology of essays investigating, from different perspectives, the notion of "public". "Public" is one of the most issued categories in current debates on culture, yet the notion itself remains largely un-reflected. The meaning of both "art publics" and "public space" have become complex in a time where boundaries between public and private are shifting, and where "the public" actually comprises different groups of changing composition and identity. What does it mean to be public today? And what is the role of art in constituting both "public space" as well as "a public"? Taking these questions as a starting point, the book aims to create a better understanding of the relationships between art and the notion of the public.
Form:
books
books
Publication:
August 2017
August 2017
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$34.95
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Summary:
Ce livre se penche sur la réception différée des théories et des propositions artistiques à travers le langage, le contexte et la traduction. Il explore l'intervalle entre la publication initiale d'un texte dans une langue dite « originale » et sa traduction (prenant l'exemple de la French Theory), ou entre le moment de l'exposition inaugurale d'une œuvre et les(...)
$34.95
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Summary:
Ce livre se penche sur la réception différée des théories et des propositions artistiques à travers le langage, le contexte et la traduction. Il explore l'intervalle entre la publication initiale d'un texte dans une langue dite « originale » et sa traduction (prenant l'exemple de la French Theory), ou entre le moment de l'exposition inaugurale d'une œuvre et les(...)
Publication:
July 2018
July 2018
Title:
D’un discours qui ne serait pas du semblant / actors, networks, theories
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Ce livre se penche sur la réception différée des théories et des propositions artistiques à travers le langage, le contexte et la traduction. Il explore l'intervalle entre la publication initiale d'un texte dans une langue dite « originale » et sa traduction (prenant l'exemple de la French Theory), ou entre le moment de l'exposition inaugurale d'une œuvre et les occurrences de ses présentations subséquentes. Une réflexion critique sur les discours des pratiques artistiques contemporaines.
D’un discours qui ne serait pas du semblant / actors, networks, theories
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$34.95
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Summary:
Ce livre se penche sur la réception différée des théories et des propositions artistiques à travers le langage, le contexte et la traduction. Il explore l'intervalle entre la publication initiale d'un texte dans une langue dite « originale » et sa traduction (prenant l'exemple de la French Theory), ou entre le moment de l'exposition inaugurale d'une œuvre et les occurrences de ses présentations subséquentes. Une réflexion critique sur les discours des pratiques artistiques contemporaines.
Form:
books
books
Publication:
July 2018
July 2018
Form:
books
books
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$39.00
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Summary:
An examination of a 1970s Conceptual art project—advertisements for fictional shows by fictional artists in a fictional gallery—that hoodwinked the New York art world.
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An examination of a 1970s Conceptual art project—advertisements for fictional shows by fictional artists in a fictional gallery—that hoodwinked the New York art world.
Title:
The Jean Freeman gallery does not exist
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Summary:
An examination of a 1970s Conceptual art project—advertisements for fictional shows by fictional artists in a fictional gallery—that hoodwinked the New York art world.
The Jean Freeman gallery does not exist
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Summary:
An examination of a 1970s Conceptual art project—advertisements for fictional shows by fictional artists in a fictional gallery—that hoodwinked the New York art world.
Form:
books
books
Publication:
October 2018
October 2018
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$34.95
(available to order)
Summary:
“Craft” is a contested concept in art history and a vital category through which to understand contemporary art. Through craft, materials, techniques, and tools are investigated and their histories explored in order to reflect on the politics of labor and on the extraordinary complexity of the made world around us. This anthology offers an ethnography of craft, surveying(...)
$34.95
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Summary:
“Craft” is a contested concept in art history and a vital category through which to understand contemporary art. Through craft, materials, techniques, and tools are investigated and their histories explored in order to reflect on the politics of labor and on the extraordinary complexity of the made world around us. This anthology offers an ethnography of craft, surveying(...)
Title:
Craft
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“Craft” is a contested concept in art history and a vital category through which to understand contemporary art. Through craft, materials, techniques, and tools are investigated and their histories explored in order to reflect on the politics of labor and on the extraordinary complexity of the made world around us. This anthology offers an ethnography of craft, surveying its shape-shifting identities in the context of progressive art and design through writings by artists and makers as well as poetry, fiction, anthropology, and sociology. It maps a secret history of craft through lost and overlooked texts that consider pedagogy, design, folk art, the factory, and new media in ways that illuminate our understanding of current art practice.
Craft
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$34.95
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Summary:
“Craft” is a contested concept in art history and a vital category through which to understand contemporary art. Through craft, materials, techniques, and tools are investigated and their histories explored in order to reflect on the politics of labor and on the extraordinary complexity of the made world around us. This anthology offers an ethnography of craft, surveying its shape-shifting identities in the context of progressive art and design through writings by artists and makers as well as poetry, fiction, anthropology, and sociology. It maps a secret history of craft through lost and overlooked texts that consider pedagogy, design, folk art, the factory, and new media in ways that illuminate our understanding of current art practice.
Form:
books
books
Publication:
September 2018
September 2018
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Sherrie Levine
Sherrie Levine
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$32.00
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The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and “after” artists whose names have come to define modernism, making sculpture(...)
$32.00
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Summary:
The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and “after” artists whose names have come to define modernism, making sculpture(...)
Title:
Sherrie Levine
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$32.00
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Summary:
The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and “after” artists whose names have come to define modernism, making sculpture after Brancusi and Duchamp, paintings after Malevich and Blinky Palermo, watercolors after Matisse and Miro, photographs after Monet and Cezanne as well as Alfred Stieglitz. Throughout, Levine's practice effectively uncompleted, decentered, and extended works of art that were once singular and finished, posing critical rebuttals to some of the basic assumptions of modernist aesthetics. Her work was central to the theorization of postmodernism in the visual arts—most notably as it emerged in the pages of October magazine.
Sherrie Levine
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$32.00
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Summary:
The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and “after” artists whose names have come to define modernism, making sculpture after Brancusi and Duchamp, paintings after Malevich and Blinky Palermo, watercolors after Matisse and Miro, photographs after Monet and Cezanne as well as Alfred Stieglitz. Throughout, Levine's practice effectively uncompleted, decentered, and extended works of art that were once singular and finished, posing critical rebuttals to some of the basic assumptions of modernist aesthetics. Her work was central to the theorization of postmodernism in the visual arts—most notably as it emerged in the pages of October magazine.
Form:
books
books
Publication:
September 2018
September 2018
Subject:
Art Theory
Art Theory
