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Monographie la plus récente de la peintre canadienne Janet Werner.
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Monographie la plus récente de la peintre canadienne Janet Werner.
Title:
Janet Werner: another perfect day
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Monographie la plus récente de la peintre canadienne Janet Werner.
Janet Werner: another perfect day
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Summary:
Monographie la plus récente de la peintre canadienne Janet Werner.
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books
books
Publication:
March 2014
March 2014
Subject:
Canadian art
Canadian art
Form:
books
books
Title:
Alison Norlen: luna
Alison Norlen: luna
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Alison Nolen's intricate welded architectural installations reconstitute monumental, 20th-century sites of leisure, fantasy and cultural artifice, such as the Crystal Palace, Luna Park, Brighton Pier, and Las Vegas. Sensational and fantastic spaces have always inspired Norlen, from her early theme park sculptures and pinball landscapes, to her series of drawn Floats with(...)
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Alison Nolen's intricate welded architectural installations reconstitute monumental, 20th-century sites of leisure, fantasy and cultural artifice, such as the Crystal Palace, Luna Park, Brighton Pier, and Las Vegas. Sensational and fantastic spaces have always inspired Norlen, from her early theme park sculptures and pinball landscapes, to her series of drawn Floats with(...)
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Alison Norlen: luna
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Alison Nolen's intricate welded architectural installations reconstitute monumental, 20th-century sites of leisure, fantasy and cultural artifice, such as the Crystal Palace, Luna Park, Brighton Pier, and Las Vegas. Sensational and fantastic spaces have always inspired Norlen, from her early theme park sculptures and pinball landscapes, to her series of drawn Floats with their tangled collisions of rural fairgrounds, roadside attractions, and construction sites. 64
Alison Norlen: luna
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Alison Nolen's intricate welded architectural installations reconstitute monumental, 20th-century sites of leisure, fantasy and cultural artifice, such as the Crystal Palace, Luna Park, Brighton Pier, and Las Vegas. Sensational and fantastic spaces have always inspired Norlen, from her early theme park sculptures and pinball landscapes, to her series of drawn Floats with their tangled collisions of rural fairgrounds, roadside attractions, and construction sites. 64
Form:
books
books
Publication:
May 2014
May 2014
Subject:
Canadian art
Canadian art
Form:
books
books
Title:
Y & G #12 (curtain walls)
Y & G #12 (curtain walls)
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The artistic practice of Daniel Young and Christian Giroux exists at the intersection of art and architecture. From their respective positions as art historian and architect they create sculptures, installations and films that reflect upon the successes and failures of the built environment. This publication brings together for the first time three sculptures (Coaptation,(...)
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The artistic practice of Daniel Young and Christian Giroux exists at the intersection of art and architecture. From their respective positions as art historian and architect they create sculptures, installations and films that reflect upon the successes and failures of the built environment. This publication brings together for the first time three sculptures (Coaptation,(...)
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Y & G #12 (curtain walls)
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The artistic practice of Daniel Young and Christian Giroux exists at the intersection of art and architecture. From their respective positions as art historian and architect they create sculptures, installations and films that reflect upon the successes and failures of the built environment. This publication brings together for the first time three sculptures (Coaptation, Chagrin, and Eunoia) and a film (Camera Tracking a Spiral Drawn Between the Two Curved Towers of Viljo Revell's Toronto City Hall).
Y & G #12 (curtain walls)
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Summary:
The artistic practice of Daniel Young and Christian Giroux exists at the intersection of art and architecture. From their respective positions as art historian and architect they create sculptures, installations and films that reflect upon the successes and failures of the built environment. This publication brings together for the first time three sculptures (Coaptation, Chagrin, and Eunoia) and a film (Camera Tracking a Spiral Drawn Between the Two Curved Towers of Viljo Revell's Toronto City Hall).
Form:
books
books
Publication:
May 2014
May 2014
Subject:
Canadian art
Canadian art
Form:
books
books
Title:
Quelques parts / somewheres
Quelques parts / somewheres
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A survey of the work of thirteen emerging contemporary artists living in the Maritimes and their engagement with the question of region. The publication’s title reflects the multiplicity and uncertain origin of the region's identity, defined as much by dreams and myths of escape as by any inherent qualities. One of the most enduring tropes about the creative process is(...)
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A survey of the work of thirteen emerging contemporary artists living in the Maritimes and their engagement with the question of region. The publication’s title reflects the multiplicity and uncertain origin of the region's identity, defined as much by dreams and myths of escape as by any inherent qualities. One of the most enduring tropes about the creative process is(...)
Title:
Quelques parts / somewheres
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A survey of the work of thirteen emerging contemporary artists living in the Maritimes and their engagement with the question of region. The publication’s title reflects the multiplicity and uncertain origin of the region's identity, defined as much by dreams and myths of escape as by any inherent qualities. One of the most enduring tropes about the creative process is the notion that the largest gathering of people generates the most interaction, and thus the greatest production of new ideas. Countering this myth is the proposition that large centres often produce homogeneity, and that incessant communication can even lead to a kind of cultural sameness. It may be precisely the very hindrance to communication - geography, distance, isolation - that produce the new approaches that loom large in the work featured here.
Quelques parts / somewheres
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Summary:
A survey of the work of thirteen emerging contemporary artists living in the Maritimes and their engagement with the question of region. The publication’s title reflects the multiplicity and uncertain origin of the region's identity, defined as much by dreams and myths of escape as by any inherent qualities. One of the most enduring tropes about the creative process is the notion that the largest gathering of people generates the most interaction, and thus the greatest production of new ideas. Countering this myth is the proposition that large centres often produce homogeneity, and that incessant communication can even lead to a kind of cultural sameness. It may be precisely the very hindrance to communication - geography, distance, isolation - that produce the new approaches that loom large in the work featured here.
Form:
books
books
Publication:
May 2014
May 2014
Subject:
Canadian art
Canadian art
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books
books
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Ce livre jette un regard rétrospectif sur l’œuvre de Kathy Kennedy, qui depuis plus de trois décennies propose une approche singulière de l’art sonore. Ses créations puisent dans la musique classique aussi bien que dans le domaine des arts visuels. Pour l’essentiel, les créations de Kennedy incarnent des manières alternatives d’embrasser la pratique du chant. Au fil(...)
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Ce livre jette un regard rétrospectif sur l’œuvre de Kathy Kennedy, qui depuis plus de trois décennies propose une approche singulière de l’art sonore. Ses créations puisent dans la musique classique aussi bien que dans le domaine des arts visuels. Pour l’essentiel, les créations de Kennedy incarnent des manières alternatives d’embrasser la pratique du chant. Au fil(...)
Title:
Chanter hors piste / Singing off the grid
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Ce livre jette un regard rétrospectif sur l’œuvre de Kathy Kennedy, qui depuis plus de trois décennies propose une approche singulière de l’art sonore. Ses créations puisent dans la musique classique aussi bien que dans le domaine des arts visuels. Pour l’essentiel, les créations de Kennedy incarnent des manières alternatives d’embrasser la pratique du chant. Au fil des années l’artiste a étudié, exploré et repoussé les limites de l’art vocal en créant des œuvres axées sur le chant comme moyen de découverte et de transformation de soi, aussi bien qu’outil social pouvant contribuer au renforcement communautaire. Rejetant la posture traditionnelle du chanteur ou de la chanteuse, les compositions de Kennedy se fondent sur l’inclusion, l’exploration de l’identité personnelle dans l’espace public et la conscience environnementale. Puisqu’il est beaucoup question d’audition dans ce livre, on y trouve de nombreux liens menant à des documents audiovisuels témoignant des œuvres mentionnées. De plus, trois spécialistes ont écrit sur des pièces phares du répertoire de l’artiste.
Chanter hors piste / Singing off the grid
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Summary:
Ce livre jette un regard rétrospectif sur l’œuvre de Kathy Kennedy, qui depuis plus de trois décennies propose une approche singulière de l’art sonore. Ses créations puisent dans la musique classique aussi bien que dans le domaine des arts visuels. Pour l’essentiel, les créations de Kennedy incarnent des manières alternatives d’embrasser la pratique du chant. Au fil des années l’artiste a étudié, exploré et repoussé les limites de l’art vocal en créant des œuvres axées sur le chant comme moyen de découverte et de transformation de soi, aussi bien qu’outil social pouvant contribuer au renforcement communautaire. Rejetant la posture traditionnelle du chanteur ou de la chanteuse, les compositions de Kennedy se fondent sur l’inclusion, l’exploration de l’identité personnelle dans l’espace public et la conscience environnementale. Puisqu’il est beaucoup question d’audition dans ce livre, on y trouve de nombreux liens menant à des documents audiovisuels témoignant des œuvres mentionnées. De plus, trois spécialistes ont écrit sur des pièces phares du répertoire de l’artiste.
Form:
books
books
Publication:
May 2025
May 2025
Subject:
Canadian art
Canadian art
Form:
books
books
Price:
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Summary:
Cette nouvelle éditon regroupe les informations de plus de cent dix-huit centres d’artistes du Québec et du Canada. Le Répertoire des centres d’artistes autogérés du Québec et du Canada fournit des renseignements à jour sur cent dix-huit centres d’artistes autogérés et regroupe près de 800 adresses d’institutions, services et ressources reliés aux arts visuels. Le(...)
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Cette nouvelle éditon regroupe les informations de plus de cent dix-huit centres d’artistes du Québec et du Canada. Le Répertoire des centres d’artistes autogérés du Québec et du Canada fournit des renseignements à jour sur cent dix-huit centres d’artistes autogérés et regroupe près de 800 adresses d’institutions, services et ressources reliés aux arts visuels. Le(...)
Title:
Répertoire des centres d'artistes autogérés du Québec et du Canada
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Cette nouvelle éditon regroupe les informations de plus de cent dix-huit centres d’artistes du Québec et du Canada. Le Répertoire des centres d’artistes autogérés du Québec et du Canada fournit des renseignements à jour sur cent dix-huit centres d’artistes autogérés et regroupe près de 800 adresses d’institutions, services et ressources reliés aux arts visuels. Le Répertoire est une source d’information des plus complètes pour qui veut connaître, découvrir ou simplement fréquenter le réseau de l’art actuel québécois et canadien. Un texte de Jocelyn Robert éclaire les fondements et l’évolution des centres d’artistes alors que celui de Jonathan Middleton et Daniel Roy expose le contexte canadien actuel. Une identification visuelle et un index permettent de retrouver rapidement les centres d’artistes qui, en plus d’assurer la diffusion, accueillent des artistes en résidence, ont des activités d’édition, rendent possible la consultation d’archives et de documentation ou donnent accès à des équipements ou à des espaces de production. Un ouvrage conçu pour les artistes et les nombreux intervenants du milieu culturel. Un guide indispensable pour qui s’intéresse à l’art contemporain.
Répertoire des centres d'artistes autogérés du Québec et du Canada
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Cette nouvelle éditon regroupe les informations de plus de cent dix-huit centres d’artistes du Québec et du Canada. Le Répertoire des centres d’artistes autogérés du Québec et du Canada fournit des renseignements à jour sur cent dix-huit centres d’artistes autogérés et regroupe près de 800 adresses d’institutions, services et ressources reliés aux arts visuels. Le Répertoire est une source d’information des plus complètes pour qui veut connaître, découvrir ou simplement fréquenter le réseau de l’art actuel québécois et canadien. Un texte de Jocelyn Robert éclaire les fondements et l’évolution des centres d’artistes alors que celui de Jonathan Middleton et Daniel Roy expose le contexte canadien actuel. Une identification visuelle et un index permettent de retrouver rapidement les centres d’artistes qui, en plus d’assurer la diffusion, accueillent des artistes en résidence, ont des activités d’édition, rendent possible la consultation d’archives et de documentation ou donnent accès à des équipements ou à des espaces de production. Un ouvrage conçu pour les artistes et les nombreux intervenants du milieu culturel. Un guide indispensable pour qui s’intéresse à l’art contemporain.
Form:
books
books
Publication:
May 2007, Montréal
May 2007, Montréal
Form:
books
books
Title:
David Altmejd: the index
David Altmejd: the index
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Catalogue d'une exposition organisée par la Galerie de l'UQAM et présentée au Pavillon du Canada dans le cadre de la 52e Biennale de Venise, Italie, du 10 juin au 21 novembre 2007.
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Catalogue d'une exposition organisée par la Galerie de l'UQAM et présentée au Pavillon du Canada dans le cadre de la 52e Biennale de Venise, Italie, du 10 juin au 21 novembre 2007.
Publication:
June 2007, Montréal
June 2007, Montréal
Title:
David Altmejd: the index
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Catalogue d'une exposition organisée par la Galerie de l'UQAM et présentée au Pavillon du Canada dans le cadre de la 52e Biennale de Venise, Italie, du 10 juin au 21 novembre 2007.
David Altmejd: the index
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Catalogue d'une exposition organisée par la Galerie de l'UQAM et présentée au Pavillon du Canada dans le cadre de la 52e Biennale de Venise, Italie, du 10 juin au 21 novembre 2007.
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books
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Publication:
June 2007, Montréal
June 2007, Montréal
Form:
books
books
Title:
Drawings by Marcel Dzama
Drawings by Marcel Dzama
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Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most(...)
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Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most(...)
Publication:
January 2005, Windsor
January 2005, Windsor
Title:
Drawings by Marcel Dzama
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Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most comprehensive publication on Dzama's work to date, Patten examines the seminal evolution of Dzama's idiosyncratic approach to drawing between 1996 and 2001. Referring to Mikhail Bakhtin's concept of grotesque humour and the carnivalesque, he demonstrates how each drawing is an amalgam of allusions to 20th century popular culture. With an introduction by Wayne Baerwaldt, director of the Power Plant. Originally from Winnipeg, Marcel Dzama has had numerous solo exhibitions, notably at the Los Angeles Invitational Biennial, Richard Heller Gallery of Santa Monica and Sies + Hoke of Dusseldorf. He has also exhibited widely as a member of the Royal Art Lodge, most recently at New York's Drawing Room.
Drawings by Marcel Dzama
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Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most comprehensive publication on Dzama's work to date, Patten examines the seminal evolution of Dzama's idiosyncratic approach to drawing between 1996 and 2001. Referring to Mikhail Bakhtin's concept of grotesque humour and the carnivalesque, he demonstrates how each drawing is an amalgam of allusions to 20th century popular culture. With an introduction by Wayne Baerwaldt, director of the Power Plant. Originally from Winnipeg, Marcel Dzama has had numerous solo exhibitions, notably at the Los Angeles Invitational Biennial, Richard Heller Gallery of Santa Monica and Sies + Hoke of Dusseldorf. He has also exhibited widely as a member of the Royal Art Lodge, most recently at New York's Drawing Room.
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books
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Publication:
January 2005, Windsor
January 2005, Windsor
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books
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Summary:
Carole Forget propose dans ses livres de poésie une interrogation sur le lieu et l'espace. "Comme si le vide avait un lieu" : poésie d'après trois photographies de Melvin Charney.
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Carole Forget propose dans ses livres de poésie une interrogation sur le lieu et l'espace. "Comme si le vide avait un lieu" : poésie d'après trois photographies de Melvin Charney.
Publication:
May 2006, Outremont
May 2006, Outremont
Title:
Comme si le vide avait un lieu
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Carole Forget propose dans ses livres de poésie une interrogation sur le lieu et l'espace. "Comme si le vide avait un lieu" : poésie d'après trois photographies de Melvin Charney.
Comme si le vide avait un lieu
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Carole Forget propose dans ses livres de poésie une interrogation sur le lieu et l'espace. "Comme si le vide avait un lieu" : poésie d'après trois photographies de Melvin Charney.
Form:
books
books
Publication:
May 2006, Outremont
May 2006, Outremont
Form:
books
books
Title:
Archetypes: David K. Ross
Archetypes: David K. Ross
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$64.95
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Summary:
Archetypes features a recent series by Canadian artist David K. Ross, who works at the interface of photography, film, and installation. His images of architectural mock-ups, staged at night with dramatic lighting that isolates structures from their surroundings, demonstrate how these objects have become a charged form of proto-architecture. They also change how we view(...)
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Summary:
Archetypes features a recent series by Canadian artist David K. Ross, who works at the interface of photography, film, and installation. His images of architectural mock-ups, staged at night with dramatic lighting that isolates structures from their surroundings, demonstrate how these objects have become a charged form of proto-architecture. They also change how we view(...)
Subject:
Canadian art
Canadian art
Publication:
August 2021
August 2021
Title:
Archetypes: David K. Ross
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$64.95
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Summary:
Archetypes features a recent series by Canadian artist David K. Ross, who works at the interface of photography, film, and installation. His images of architectural mock-ups, staged at night with dramatic lighting that isolates structures from their surroundings, demonstrate how these objects have become a charged form of proto-architecture. They also change how we view the practice of architecture by documenting and framing unseen aspects of its emergence. Built at full scale, these architectural fragments—to be removed from construction sites as buildings near completion—ensure that a project can be executed exactly to design, and they provide clients with a simulation of a building that leaves little space for speculation. The task of mock-up documentation is usually left to architects and contractors, who take quick snapshots for their reference during site visits.The book offers a platform to consider what it means to pre-construct fragments of buildings in all their complexity.
Archetypes: David K. Ross
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Price:
$64.95
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Summary:
Archetypes features a recent series by Canadian artist David K. Ross, who works at the interface of photography, film, and installation. His images of architectural mock-ups, staged at night with dramatic lighting that isolates structures from their surroundings, demonstrate how these objects have become a charged form of proto-architecture. They also change how we view the practice of architecture by documenting and framing unseen aspects of its emergence. Built at full scale, these architectural fragments—to be removed from construction sites as buildings near completion—ensure that a project can be executed exactly to design, and they provide clients with a simulation of a building that leaves little space for speculation. The task of mock-up documentation is usually left to architects and contractors, who take quick snapshots for their reference during site visits.The book offers a platform to consider what it means to pre-construct fragments of buildings in all their complexity.
Form:
books
books
Publication:
August 2021
August 2021
Subject:
Canadian art
Canadian art
