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Spécialiste internationalement reconnu de l'œuvre et de la pensée de Kandinsky, Philippe Sers présente le cheminement de l'artiste dans sa cohérence et dans son évolution interne. Son analyse s'appuie sur la documentation exceptionnelle à laquelle il a eu accès .depuis le début de ses travaux, dans l'atelier même de l'artiste : les écrits autobiographiques, les textes(...)
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Spécialiste internationalement reconnu de l'œuvre et de la pensée de Kandinsky, Philippe Sers présente le cheminement de l'artiste dans sa cohérence et dans son évolution interne. Son analyse s'appuie sur la documentation exceptionnelle à laquelle il a eu accès .depuis le début de ses travaux, dans l'atelier même de l'artiste : les écrits autobiographiques, les textes(...)
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Kandinsky: l'aventure de l'art abstrait
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Spécialiste internationalement reconnu de l'œuvre et de la pensée de Kandinsky, Philippe Sers présente le cheminement de l'artiste dans sa cohérence et dans son évolution interne. Son analyse s'appuie sur la documentation exceptionnelle à laquelle il a eu accès .depuis le début de ses travaux, dans l'atelier même de l'artiste : les écrits autobiographiques, les textes théoriques et la correspondance du peintre apportent un éclairage radicalement nouveau sur un parcours créatif d'une exceptionnelle fécondité.
Kandinsky: l'aventure de l'art abstrait
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Spécialiste internationalement reconnu de l'œuvre et de la pensée de Kandinsky, Philippe Sers présente le cheminement de l'artiste dans sa cohérence et dans son évolution interne. Son analyse s'appuie sur la documentation exceptionnelle à laquelle il a eu accès .depuis le début de ses travaux, dans l'atelier même de l'artiste : les écrits autobiographiques, les textes théoriques et la correspondance du peintre apportent un éclairage radicalement nouveau sur un parcours créatif d'une exceptionnelle fécondité.
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books
books
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December 2015
December 2015
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Contemporary Art Monographs
Contemporary Art Monographs
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books
Title:
Le monde de Picasso
Le monde de Picasso
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Pablo Picasso est l'un des artistes les plus célèbres et les plus fascinants au monde, laissant à la postérité une quantité impressionnante de peintures, de dessins, de lithographies, de céramiques et de sculptures. Depuis ses fameuses guitares en papier collé, en corde et en bois jusqu'à l'incontournable Guernica, il fut toute sa vie un novateur, et un créateur(...)
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Pablo Picasso est l'un des artistes les plus célèbres et les plus fascinants au monde, laissant à la postérité une quantité impressionnante de peintures, de dessins, de lithographies, de céramiques et de sculptures. Depuis ses fameuses guitares en papier collé, en corde et en bois jusqu'à l'incontournable Guernica, il fut toute sa vie un novateur, et un créateur(...)
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Le monde de Picasso
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Pablo Picasso est l'un des artistes les plus célèbres et les plus fascinants au monde, laissant à la postérité une quantité impressionnante de peintures, de dessins, de lithographies, de céramiques et de sculptures. Depuis ses fameuses guitares en papier collé, en corde et en bois jusqu'à l'incontournable Guernica, il fut toute sa vie un novateur, et un créateur infatigable. Fondateur reconnu du mouvement cubiste, Picasso s'est distingué dans de nombreux autres styles - réaliste, surréaliste et classique. Ses oeuvres, en marge de son temps, sont paradoxalement une illustration parfaite du XXe siècle ; son art n'a cessé de bousculer les conventions et d'interpeller le public. Cet ouvrage retrace la vie de Picasso à travers son oeuvre. Croquis, lettres et photographies dévoilent les événements, les personnes et les lieux qui ont façonné et influencé cet artiste d'exception.
Le monde de Picasso
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Pablo Picasso est l'un des artistes les plus célèbres et les plus fascinants au monde, laissant à la postérité une quantité impressionnante de peintures, de dessins, de lithographies, de céramiques et de sculptures. Depuis ses fameuses guitares en papier collé, en corde et en bois jusqu'à l'incontournable Guernica, il fut toute sa vie un novateur, et un créateur infatigable. Fondateur reconnu du mouvement cubiste, Picasso s'est distingué dans de nombreux autres styles - réaliste, surréaliste et classique. Ses oeuvres, en marge de son temps, sont paradoxalement une illustration parfaite du XXe siècle ; son art n'a cessé de bousculer les conventions et d'interpeller le public. Cet ouvrage retrace la vie de Picasso à travers son oeuvre. Croquis, lettres et photographies dévoilent les événements, les personnes et les lieux qui ont façonné et influencé cet artiste d'exception.
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books
books
Publication:
December 2015
December 2015
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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John Craske was a Norfolk fisherman who became too ill to go to sea and so he began to make paintings and embroideries of the sea, in order to keep close to everything he missed so much.
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John Craske was a Norfolk fisherman who became too ill to go to sea and so he began to make paintings and embroideries of the sea, in order to keep close to everything he missed so much.
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Threads: the delicate life of John Craske
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John Craske was a Norfolk fisherman who became too ill to go to sea and so he began to make paintings and embroideries of the sea, in order to keep close to everything he missed so much.
Threads: the delicate life of John Craske
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John Craske was a Norfolk fisherman who became too ill to go to sea and so he began to make paintings and embroideries of the sea, in order to keep close to everything he missed so much.
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books
books
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December 2015
December 2015
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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Title:
3DIS/LOCATIONs
3DIS/LOCATIONs
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This new volume looks back on the 3 last locations of DARE-DARE’s mobile unit: Cabot Square, Walter-Stewart Park and the Quartier des spectacles. Five authors address various realities of artistic practices in public space, including instrumentalization, (in)visibility and the anti-spectacle.
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This new volume looks back on the 3 last locations of DARE-DARE’s mobile unit: Cabot Square, Walter-Stewart Park and the Quartier des spectacles. Five authors address various realities of artistic practices in public space, including instrumentalization, (in)visibility and the anti-spectacle.
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3DIS/LOCATIONs
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This new volume looks back on the 3 last locations of DARE-DARE’s mobile unit: Cabot Square, Walter-Stewart Park and the Quartier des spectacles. Five authors address various realities of artistic practices in public space, including instrumentalization, (in)visibility and the anti-spectacle.
3DIS/LOCATIONs
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This new volume looks back on the 3 last locations of DARE-DARE’s mobile unit: Cabot Square, Walter-Stewart Park and the Quartier des spectacles. Five authors address various realities of artistic practices in public space, including instrumentalization, (in)visibility and the anti-spectacle.
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books
books
Publication:
December 2015
December 2015
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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Cet ouvrage se penche sur les 3 derniers lieux d'amarrage de l'abri mobile de DARE-DARE, soit le square Cabot, le parc Walter-Stewart et le Quartier des spectacles, et propose les réflexions de cinq auteurs sur diverses réalités des pratiques artistiques dans l'espace public : (in)visibilité, anti- spectacle, instrumentalisation de l'art au profit du politique.
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Cet ouvrage se penche sur les 3 derniers lieux d'amarrage de l'abri mobile de DARE-DARE, soit le square Cabot, le parc Walter-Stewart et le Quartier des spectacles, et propose les réflexions de cinq auteurs sur diverses réalités des pratiques artistiques dans l'espace public : (in)visibilité, anti- spectacle, instrumentalisation de l'art au profit du politique.
Title:
3DIS/LOCATIONs : Projet d'articulation urbaine
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Cet ouvrage se penche sur les 3 derniers lieux d'amarrage de l'abri mobile de DARE-DARE, soit le square Cabot, le parc Walter-Stewart et le Quartier des spectacles, et propose les réflexions de cinq auteurs sur diverses réalités des pratiques artistiques dans l'espace public : (in)visibilité, anti- spectacle, instrumentalisation de l'art au profit du politique.
3DIS/LOCATIONs : Projet d'articulation urbaine
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Cet ouvrage se penche sur les 3 derniers lieux d'amarrage de l'abri mobile de DARE-DARE, soit le square Cabot, le parc Walter-Stewart et le Quartier des spectacles, et propose les réflexions de cinq auteurs sur diverses réalités des pratiques artistiques dans l'espace public : (in)visibilité, anti- spectacle, instrumentalisation de l'art au profit du politique.
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books
books
Publication:
December 2015
December 2015
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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$34.00
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Summary:
Author and artist Edmund de Waal gives us an intimate narrative history of his lifelong obsession with porcelain, or 'white gold.' A potter who has been working with porcelain for more than forty years, de Waal describes how he set out on five journeys to places where porcelain was dreamed about, refined, collected and coveted - and that would help him understand the(...)
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Author and artist Edmund de Waal gives us an intimate narrative history of his lifelong obsession with porcelain, or 'white gold.' A potter who has been working with porcelain for more than forty years, de Waal describes how he set out on five journeys to places where porcelain was dreamed about, refined, collected and coveted - and that would help him understand the(...)
Publication:
September 2015
September 2015
Title:
The white road: journey into an obsession
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Author and artist Edmund de Waal gives us an intimate narrative history of his lifelong obsession with porcelain, or 'white gold.' A potter who has been working with porcelain for more than forty years, de Waal describes how he set out on five journeys to places where porcelain was dreamed about, refined, collected and coveted - and that would help him understand the clay's mysterious allure. From his studio in London, he starts by travelling to three 'white hills' - sites in China, Germany and England that are key to porcelain's creation. But his search eventually takes him around the globe and reveals more than a history of cups and figurines; rather, he is forced to confront some of the darkest moments of twentieth-century history.
The white road: journey into an obsession
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Author and artist Edmund de Waal gives us an intimate narrative history of his lifelong obsession with porcelain, or 'white gold.' A potter who has been working with porcelain for more than forty years, de Waal describes how he set out on five journeys to places where porcelain was dreamed about, refined, collected and coveted - and that would help him understand the clay's mysterious allure. From his studio in London, he starts by travelling to three 'white hills' - sites in China, Germany and England that are key to porcelain's creation. But his search eventually takes him around the globe and reveals more than a history of cups and figurines; rather, he is forced to confront some of the darkest moments of twentieth-century history.
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Publication:
September 2015
September 2015
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$75.00
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Agnes Martin (1912–2004) wrote Religion of Love, a late statement on her work and thought, sometime in the 1990s. Composed of short, aphoristic statements and paragraphs, it lucidly states her art credo and life advice: "Love makes us want to do all the good things. Get up in the morning and work for life." "The part of the mind that's aware of perfection tells us(...)
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Agnes Martin (1912–2004) wrote Religion of Love, a late statement on her work and thought, sometime in the 1990s. Composed of short, aphoristic statements and paragraphs, it lucidly states her art credo and life advice: "Love makes us want to do all the good things. Get up in the morning and work for life." "The part of the mind that's aware of perfection tells us(...)
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Agnes Martin & Richard Tuttle: religion of love
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Agnes Martin (1912–2004) wrote Religion of Love, a late statement on her work and thought, sometime in the 1990s. Composed of short, aphoristic statements and paragraphs, it lucidly states her art credo and life advice: "Love makes us want to do all the good things. Get up in the morning and work for life." "The part of the mind that's aware of perfection tells us everything that is good." "You can contact the mind by asking for help." Somewhat uncharacteristically, Martin asked her friend Richard Tuttle to illustrate it. As Tuttle writes in his introduction, "on the one hand, it reconfirms her most classical thought (Beauty is the mystery of life), and, on the other, adds new thought with an urgency only found in a mature artist of her age and persuasion." This beautiful, slim volume constitutes both an important artist's statement and a great collaboration.
Agnes Martin & Richard Tuttle: religion of love
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Agnes Martin (1912–2004) wrote Religion of Love, a late statement on her work and thought, sometime in the 1990s. Composed of short, aphoristic statements and paragraphs, it lucidly states her art credo and life advice: "Love makes us want to do all the good things. Get up in the morning and work for life." "The part of the mind that's aware of perfection tells us everything that is good." "You can contact the mind by asking for help." Somewhat uncharacteristically, Martin asked her friend Richard Tuttle to illustrate it. As Tuttle writes in his introduction, "on the one hand, it reconfirms her most classical thought (Beauty is the mystery of life), and, on the other, adds new thought with an urgency only found in a mature artist of her age and persuasion." This beautiful, slim volume constitutes both an important artist's statement and a great collaboration.
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books
books
Publication:
January 2016
January 2016
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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$72.50
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Well known for his radical "anarchitectural" interventions throughout the 1970s, Gordon Matta-Clark (1943–78) was always deeply, though less publicly, committed to drawing. His works on paper—which span three-dimensional reliefs, calligraphy and notebook entries—capture the interdisciplinary spirit that defined the art world in the 1970s, testifying to his interest in the(...)
$72.50
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Summary:
Well known for his radical "anarchitectural" interventions throughout the 1970s, Gordon Matta-Clark (1943–78) was always deeply, though less publicly, committed to drawing. His works on paper—which span three-dimensional reliefs, calligraphy and notebook entries—capture the interdisciplinary spirit that defined the art world in the 1970s, testifying to his interest in the(...)
Title:
Gordon Matta-Clark: The beginning of trees and the end. Drawings and notebooks.
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Well known for his radical "anarchitectural" interventions throughout the 1970s, Gordon Matta-Clark (1943–78) was always deeply, though less publicly, committed to drawing. His works on paper—which span three-dimensional reliefs, calligraphy and notebook entries—capture the interdisciplinary spirit that defined the art world in the 1970s, testifying to his interest in the crossovers between visual and performance arts. ''Gordon Matta-Clark: The Beginning of Trees and the End'', was published on the occasion of the 2015 show at David Zwirner, New York, and documents his extraordinary accomplishment as a draftsman.
Gordon Matta-Clark: The beginning of trees and the end. Drawings and notebooks.
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Well known for his radical "anarchitectural" interventions throughout the 1970s, Gordon Matta-Clark (1943–78) was always deeply, though less publicly, committed to drawing. His works on paper—which span three-dimensional reliefs, calligraphy and notebook entries—capture the interdisciplinary spirit that defined the art world in the 1970s, testifying to his interest in the crossovers between visual and performance arts. ''Gordon Matta-Clark: The Beginning of Trees and the End'', was published on the occasion of the 2015 show at David Zwirner, New York, and documents his extraordinary accomplishment as a draftsman.
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books
books
Publication:
May 2016
May 2016
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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$60.00
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York(...)
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York(...)
Publication:
August 2016
August 2016
Title:
Gordon Matta-Clark: Experience becomes the object
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York City alleys and curbs. The artist used a variety of media to document his work, including film, video and photography. His work and words, while sophisticated enough to make him an "artist’s artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. In the early 1970s, Matta-Clark developed the idea of "anarchitecture," which encompassed his interest in voids, gaps and left-over spaces. Gordon Matta-Clark: Experience Becomes the Object collects five essays and ten individual interviews with various friends and family members of Matta-Clark’s. Together, they outline a biographical profile and offer an analysis of the historical period in which the artist developed his short but successful career. New, never-before-published material and photographs as well as an exclusive link to the documentary Crosswords: Matta-Clark’s Friends by Matias Cardone are also included.
Gordon Matta-Clark: Experience becomes the object
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Gordon Matta-Clark died at only 35 of pancreatic cancer and has since become a cult figure of late 20th-century art. Trained in architecture at Cornell, he went on to question the field’s conventions in vivid projects—performance and recycling pieces, space and texture works and word games—some of which excised holes into existing buildings or assembled deeds to New York City alleys and curbs. The artist used a variety of media to document his work, including film, video and photography. His work and words, while sophisticated enough to make him an "artist’s artist," and colossal and outgoing enough to draw public attention and affection, were always also grounded in social or political convictions. In the early 1970s, Matta-Clark developed the idea of "anarchitecture," which encompassed his interest in voids, gaps and left-over spaces. Gordon Matta-Clark: Experience Becomes the Object collects five essays and ten individual interviews with various friends and family members of Matta-Clark’s. Together, they outline a biographical profile and offer an analysis of the historical period in which the artist developed his short but successful career. New, never-before-published material and photographs as well as an exclusive link to the documentary Crosswords: Matta-Clark’s Friends by Matias Cardone are also included.
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books
books
Publication:
August 2016
August 2016
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books
books
Title:
Jan Schoonhoven
Jan Schoonhoven
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Over the course of nearly 40 years, Dutch artist Jan Schoonhoven (1914–94) produced works on paper and sculptural reliefs, while maintaining his job as a civil servant employed by the Dutch Post Office. This new monograph places the artist, one of the most important Dutch artists of the 20th century, in an international context, arguing for his role as an influential(...)
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Over the course of nearly 40 years, Dutch artist Jan Schoonhoven (1914–94) produced works on paper and sculptural reliefs, while maintaining his job as a civil servant employed by the Dutch Post Office. This new monograph places the artist, one of the most important Dutch artists of the 20th century, in an international context, arguing for his role as an influential(...)
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Jan Schoonhoven
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Over the course of nearly 40 years, Dutch artist Jan Schoonhoven (1914–94) produced works on paper and sculptural reliefs, while maintaining his job as a civil servant employed by the Dutch Post Office. This new monograph places the artist, one of the most important Dutch artists of the 20th century, in an international context, arguing for his role as an influential player in European art after the Second World War. From his central position in the Netherlandish Informal Group, associated with Art Informel, to his later involvement with the Dutch Nul group, part of the international ZERO network, Schoonhoven participated in two of the most important currents of postwar European abstraction from his hometown of Delft. This volume features many hitherto unknown works and photographs, and sheds new light on the work of the "master of white."
Jan Schoonhoven
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Over the course of nearly 40 years, Dutch artist Jan Schoonhoven (1914–94) produced works on paper and sculptural reliefs, while maintaining his job as a civil servant employed by the Dutch Post Office. This new monograph places the artist, one of the most important Dutch artists of the 20th century, in an international context, arguing for his role as an influential player in European art after the Second World War. From his central position in the Netherlandish Informal Group, associated with Art Informel, to his later involvement with the Dutch Nul group, part of the international ZERO network, Schoonhoven participated in two of the most important currents of postwar European abstraction from his hometown of Delft. This volume features many hitherto unknown works and photographs, and sheds new light on the work of the "master of white."
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books
books
Publication:
May 2016
May 2016
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
