Gijs Frieling: Ruigoordkerk
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The church is the beating heart of Ruigoord. At the invitation of Ruigoord, Gijs Frieling painted the entire interior of the church, all the way up to the rafters. This eclectic mural depicts the ecosystem of Ruigoord—its history, sources of inspiration, and collaborations from around the world. Before he began, Frieling spoke with the artists, founders, and others(...)
Gijs Frieling: Ruigoordkerk
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The church is the beating heart of Ruigoord. At the invitation of Ruigoord, Gijs Frieling painted the entire interior of the church, all the way up to the rafters. This eclectic mural depicts the ecosystem of Ruigoord—its history, sources of inspiration, and collaborations from around the world. Before he began, Frieling spoke with the artists, founders, and others involved in Ruigoord. The result tells the story of the artist village—then and now. We see the places, beings, journeys, happenings, erudite and magical figures, and the movements connected to Ruigoord such as Provo, the Kabouters, the Insect Sect, and activist actions. In short, everything that has contributed to the identity and survival of Ruigoord over the years. Kingdom Ruigoord is a tribute to Ruigoord and everyone involved: its unique culture, community, and passionate spirit.
Contemporary Art Monographs
Bruno Munari : Xerografia
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Bruno Munari a mené dès 1963 des expériences avec la machine Xerox 914, expériences que se poursuivront tout au long de sa carrière. En 1970, pour sa participation à la Biennale de Venise, il met à disposition une machine Xerox pour un laboratoire expérimental. C'est à cette occasion qu'est publié Xerografia : Documentazione sull'uso creativo delle macchine Rank Xerox (...)
Bruno Munari : Xerografia
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Bruno Munari a mené dès 1963 des expériences avec la machine Xerox 914, expériences que se poursuivront tout au long de sa carrière. En 1970, pour sa participation à la Biennale de Venise, il met à disposition une machine Xerox pour un laboratoire expérimental. C'est à cette occasion qu'est publié Xerografia : Documentazione sull'uso creativo delle macchine Rank Xerox (Xérographie : documentation sur l'utilisation créative des machines Rank Xerox) qui fournit des instructions afin de détourner la fonction de la machine commerciale afin de créer des images et des œuvres d'art originales. Allant de l'abstrait au figuratif, les œuvres de Munari réalisées sur la Xerox déforment le sujet original, en déplaçant les images sur la surface de la machine pendant le processus de numérisation.
Contemporary Art Monographs
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‘Field to Form’ is the first comprehensive overview of Irene Kopelman’s expansive practice, bringing together a wealth of documentation on seventeen projects that the artist, in close collaboration with researchers, scientists, and other specialists, has developed over the last 25 years. The book features a conversation between the artist and Susana González, director at(...)
Irene Kopelman: Field to form
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‘Field to Form’ is the first comprehensive overview of Irene Kopelman’s expansive practice, bringing together a wealth of documentation on seventeen projects that the artist, in close collaboration with researchers, scientists, and other specialists, has developed over the last 25 years. The book features a conversation between the artist and Susana González, director at Centro de Arte Fundación María José Jove, where Kopelman had a residency and exhibition in 2023, as well as contributions by former MAMAC director Hélène Guenin, William T. Wcislo of the Smithsonian Tropical Institute, curator and art critic Adrienne Samos, and Spanish curator Agustín Pérez Rubio.
Contemporary Art Monographs
Calder : rêver en équilibre
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Publié à l’occasion de « Calder. Rêver en équilibre », la rétrospective de l’artiste à la Fondation Louis Vuitton, cet ouvrage réunit plus de 300 oeuvres d’Alexander Calder, un des artistes les plus influents et célébrés du xxe siècle. Ce livre témoigne du lien profond de Calder avec la France, et retrace le développement de son oeuvre des années 1920 à sa disparition en(...)
Calder : rêver en équilibre
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Publié à l’occasion de « Calder. Rêver en équilibre », la rétrospective de l’artiste à la Fondation Louis Vuitton, cet ouvrage réunit plus de 300 oeuvres d’Alexander Calder, un des artistes les plus influents et célébrés du xxe siècle. Ce livre témoigne du lien profond de Calder avec la France, et retrace le développement de son oeuvre des années 1920 à sa disparition en 1976. Il envisage aussi comment ses sculptures de fil de fer, mobiles et stabiles sont entrés en résonance avec les chefs-d’oeuvre de ses contemporains, tels Paul Klee et Wassily Kandinsky, ainsi que son cercle proche où figuraient Jean Arp, Joan Miró et Fernand Léger.
Contemporary Art Monographs
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How do we relate to the spaces we inhabit? What happens when home shifts from “everyday” to “one day,” from accumulation to loss? How is memory bound to place, and what persists when a place itself withdraws? “Home” emerges through the accumulation of time condensing lived experience into a sense of belonging and continuity. In domestic interiors, everyday routines leave(...)
July 2026
Leaving one Place for the other - Rooms I slept in
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How do we relate to the spaces we inhabit? What happens when home shifts from “everyday” to “one day,” from accumulation to loss? How is memory bound to place, and what persists when a place itself withdraws? “Home” emerges through the accumulation of time condensing lived experience into a sense of belonging and continuity. In domestic interiors, everyday routines leave traces that accumulate into a personal archive, while memories become inseparably attached to the places we inhabit. When “home” ceases to be a site of return and instead becomes a transient condition, continuity disperses. Memory no longer accumulates in one place but fragments across spaces that disappear from everyday life. Each departure marks a rupture, as a place passes irreversibly into the past.
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This monograph focuses on Rodchenko's sculptures, which can be loosely divided into three groups, beginning with abstract works dating from 1918; mobiles; and square timber works from circa 1920. Works are presented through vintage photographs, detailed descriptions, and reconstructions.
Contemporary Art Monographs
August 2002, Ostfildern-Ruit
Rodchenko : spatial constructions
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This monograph focuses on Rodchenko's sculptures, which can be loosely divided into three groups, beginning with abstract works dating from 1918; mobiles; and square timber works from circa 1920. Works are presented through vintage photographs, detailed descriptions, and reconstructions.
Contemporary Art Monographs
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Documented here for the first time is the early work of the 1950s to 1968, the point at which Judd's artistic vocabulary reached its complete formation. Numerous works, including previously unrecorded paintings, sculptures, sketches, and works on paper, appear here alongside unpublished documents and texts by Judd himself.
Donald Judd : early work 1955-1968
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Documented here for the first time is the early work of the 1950s to 1968, the point at which Judd's artistic vocabulary reached its complete formation. Numerous works, including previously unrecorded paintings, sculptures, sketches, and works on paper, appear here alongside unpublished documents and texts by Judd himself.
Contemporary Art Monographs
$56.00
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"Shopping" signifies more than the pure purchasing of goods. Strolling, looking at, choosing, buying and consuming goods has long become an essential part of urban life in the 20th century. Shopping is an essential ritual of public life, creating and transforming identity. Ever since Walter Benjamin´s description of the flaneur in the Paris arcades, the complex(...)
Contemporary Art Monographs
December 2002, Ostfildern
Shopping : a century of art and consumer culture
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"Shopping" signifies more than the pure purchasing of goods. Strolling, looking at, choosing, buying and consuming goods has long become an essential part of urban life in the 20th century. Shopping is an essential ritual of public life, creating and transforming identity. Ever since Walter Benjamin´s description of the flaneur in the Paris arcades, the complex interchanges between consumer culture and art have become an issue worthy of discussion, and the book Shopping is the first extensive publication to be dedicated to this topic. It documents and analyses the fascination of fine artists, architects, film makers with the more and more sophisticated means of seduction in shop windows, department stores and shopping arcades. Extensive pictorial material serves to illustrate the interaction between art and the consumption of goods using works by Eugène Atget, Berenice Abbott, Walker Evans, Andy Warhol, Claes Oldenburg, Roy Lichtenstein, Christo, Duane Hanson, Barbara Kruger, Jeff Koons, Andreas Gursky, and many more. The book is edited by Christoph Grunenberg and Max Hollein and includes contributions by internationally renowned authors.
Contemporary Art Monographs
Mots-clés pour Daniel Buren
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Cet essai, en forme de lexique, s'organise autour de notions-clés et des principales oeuvres qui ont su ponctuer le parcours de Daniel Buren.
Mots-clés pour Daniel Buren
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Cet essai, en forme de lexique, s'organise autour de notions-clés et des principales oeuvres qui ont su ponctuer le parcours de Daniel Buren.
Contemporary Art Monographs
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This book emerges out of research for an exhibition of the same name, curated by Ele Carpenter and artist Graham Gussin. In considering content for the show, they explored a broad range of ideas about the notion of "nothing", which many of the exhibiting artists made reference to in their work.
Contemporary Art Monographs
January 1900, Sunderland
Nothing
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This book emerges out of research for an exhibition of the same name, curated by Ele Carpenter and artist Graham Gussin. In considering content for the show, they explored a broad range of ideas about the notion of "nothing", which many of the exhibiting artists made reference to in their work.
Contemporary Art Monographs