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Rachel Harrison's assemblages of found and constructed objects carry a provisional quality, a wry sense of humor and an all-embracing intelligence. Playing with materials ranging from plinth, pedestal and corrugated cardboard to plastic ketchup bottles, insulated travel mugs and Barbie's wheelchair-bound friend, Harrison creates colorful, canny, thought-provoking(...)
$78.00
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Summary:
Rachel Harrison's assemblages of found and constructed objects carry a provisional quality, a wry sense of humor and an all-embracing intelligence. Playing with materials ranging from plinth, pedestal and corrugated cardboard to plastic ketchup bottles, insulated travel mugs and Barbie's wheelchair-bound friend, Harrison creates colorful, canny, thought-provoking(...)
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Rachel Harrison: Museum with walls
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Rachel Harrison's assemblages of found and constructed objects carry a provisional quality, a wry sense of humor and an all-embracing intelligence. Playing with materials ranging from plinth, pedestal and corrugated cardboard to plastic ketchup bottles, insulated travel mugs and Barbie's wheelchair-bound friend, Harrison creates colorful, canny, thought-provoking constructions that are worthy peers of Rauschenberg's Combines. This volume, the most comprehensive monograph of Harrison's sculpture, video and painting to date, provides documentation of the past 15 years of her work and includes essays by Tom Eccles, David Joselit, Iwona Blazwick and Jack Bankowsky, plus contributions from Paul Chan, John Kelsey, Allan McCollum, Lucy Raven, Amy Sillman and Steven Stern.
Rachel Harrison: Museum with walls
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Rachel Harrison's assemblages of found and constructed objects carry a provisional quality, a wry sense of humor and an all-embracing intelligence. Playing with materials ranging from plinth, pedestal and corrugated cardboard to plastic ketchup bottles, insulated travel mugs and Barbie's wheelchair-bound friend, Harrison creates colorful, canny, thought-provoking constructions that are worthy peers of Rauschenberg's Combines. This volume, the most comprehensive monograph of Harrison's sculpture, video and painting to date, provides documentation of the past 15 years of her work and includes essays by Tom Eccles, David Joselit, Iwona Blazwick and Jack Bankowsky, plus contributions from Paul Chan, John Kelsey, Allan McCollum, Lucy Raven, Amy Sillman and Steven Stern.
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books
books
Publication:
August 2010
August 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Since 1986, Dutch artist Mark Manders has been developing an ongoing project titled Self-Portrait as a Building. Taking the form of sculptures, installations, drawings and projections, these works map Manders' artistic persona through the conceptual model of a built edifice, in the fashion of the Renaissance memory theater. Inspired by writings on this subject and by(...)
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Since 1986, Dutch artist Mark Manders has been developing an ongoing project titled Self-Portrait as a Building. Taking the form of sculptures, installations, drawings and projections, these works map Manders' artistic persona through the conceptual model of a built edifice, in the fashion of the Renaissance memory theater. Inspired by writings on this subject and by(...)
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Contemporary Art Monographs
Contemporary Art Monographs
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November 2010
November 2010
Title:
Mark Manders: Parallel occurrences / documented assignments
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Since 1986, Dutch artist Mark Manders has been developing an ongoing project titled Self-Portrait as a Building. Taking the form of sculptures, installations, drawings and projections, these works map Manders' artistic persona through the conceptual model of a built edifice, in the fashion of the Renaissance memory theater. Inspired by writings on this subject and by other literature, Manders' earliest works in this project were primarily written, but over time, Manders found ways to deploy everyday three-dimensional objects--epoxy figures, animals, teabags, pencils, household furniture--to build a portrait of his own mind as an architectural space. This publication accompanies the first North American touring exhibition of Manders' work.
Mark Manders: Parallel occurrences / documented assignments
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Since 1986, Dutch artist Mark Manders has been developing an ongoing project titled Self-Portrait as a Building. Taking the form of sculptures, installations, drawings and projections, these works map Manders' artistic persona through the conceptual model of a built edifice, in the fashion of the Renaissance memory theater. Inspired by writings on this subject and by other literature, Manders' earliest works in this project were primarily written, but over time, Manders found ways to deploy everyday three-dimensional objects--epoxy figures, animals, teabags, pencils, household furniture--to build a portrait of his own mind as an architectural space. This publication accompanies the first North American touring exhibition of Manders' work.
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books
books
Publication:
November 2010
November 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
James Turrell: Zug Zuoz
James Turrell: Zug Zuoz
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Zug Zuoz is devoted to two contrasting Turrell installations in Switzerland, both of which forge an encounter between the architectural interior and the world beyond it. "Light Transport," located in the city of Zug, immerses the internal façades and glass roof of the local train station in splendid colors; "Skyspace Piz Uter" in Zuoz is a plain, rounded stone structure(...)
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Summary:
Zug Zuoz is devoted to two contrasting Turrell installations in Switzerland, both of which forge an encounter between the architectural interior and the world beyond it. "Light Transport," located in the city of Zug, immerses the internal façades and glass roof of the local train station in splendid colors; "Skyspace Piz Uter" in Zuoz is a plain, rounded stone structure(...)
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James Turrell: Zug Zuoz
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Zug Zuoz is devoted to two contrasting Turrell installations in Switzerland, both of which forge an encounter between the architectural interior and the world beyond it. "Light Transport," located in the city of Zug, immerses the internal façades and glass roof of the local train station in splendid colors; "Skyspace Piz Uter" in Zuoz is a plain, rounded stone structure with a circular aperture in its roof through which to view the night sky. These two works are usefully representative of the dichotomies explored in Turrell's practice: artificial versus natural light, urban versus rural settings, color versus blackness. This monograph supplies thorough documentation on the two installations.
James Turrell: Zug Zuoz
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Zug Zuoz is devoted to two contrasting Turrell installations in Switzerland, both of which forge an encounter between the architectural interior and the world beyond it. "Light Transport," located in the city of Zug, immerses the internal façades and glass roof of the local train station in splendid colors; "Skyspace Piz Uter" in Zuoz is a plain, rounded stone structure with a circular aperture in its roof through which to view the night sky. These two works are usefully representative of the dichotomies explored in Turrell's practice: artificial versus natural light, urban versus rural settings, color versus blackness. This monograph supplies thorough documentation on the two installations.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Price:
$54.00
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Summary:
On Becoming An Artist illuminates the friendships, mentorships and collaborations of Isamu Noguchi, in celebration of the artist’s experimentations and influences. It opens with an account of Noguchi’s early guidance at the hands of sculptors Gutzon Borglum, Constatin Brancusi and Onorio Ruotolo, and features such diverse works as his dance sets for Martha Graham,(...)
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On Becoming An Artist illuminates the friendships, mentorships and collaborations of Isamu Noguchi, in celebration of the artist’s experimentations and influences. It opens with an account of Noguchi’s early guidance at the hands of sculptors Gutzon Borglum, Constatin Brancusi and Onorio Ruotolo, and features such diverse works as his dance sets for Martha Graham,(...)
Publication:
September 2010
September 2010
Title:
On becoming an artist: Isamu Noguchi and his contemporaries, 1922-1960
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On Becoming An Artist illuminates the friendships, mentorships and collaborations of Isamu Noguchi, in celebration of the artist’s experimentations and influences. It opens with an account of Noguchi’s early guidance at the hands of sculptors Gutzon Borglum, Constatin Brancusi and Onorio Ruotolo, and features such diverse works as his dance sets for Martha Graham, collaborations with Buckminster Fuller, Florence Knoll and George Nelson, and his friendships with artists such as David Hare and Arshile Gorky, and others. The book concludes with Noguchi’s 1950s public projects, including his work with Marcel Breuer and Gordon Bunshaft, and his later unrealized project with Louis Kahn.
On becoming an artist: Isamu Noguchi and his contemporaries, 1922-1960
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On Becoming An Artist illuminates the friendships, mentorships and collaborations of Isamu Noguchi, in celebration of the artist’s experimentations and influences. It opens with an account of Noguchi’s early guidance at the hands of sculptors Gutzon Borglum, Constatin Brancusi and Onorio Ruotolo, and features such diverse works as his dance sets for Martha Graham, collaborations with Buckminster Fuller, Florence Knoll and George Nelson, and his friendships with artists such as David Hare and Arshile Gorky, and others. The book concludes with Noguchi’s 1950s public projects, including his work with Marcel Breuer and Gordon Bunshaft, and his later unrealized project with Louis Kahn.
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books
books
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September 2010
September 2010
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books
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$60.00
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The only woman to be represented on a Swiss banknote, Sophie Taeuber-Arp was one of the twentieth century's most innovative artists, in painting, sculpture, textiles, dance, architecture and puppetry. Often occupying this role of the only "woman"--in exhibitions, or when socializing among Dadaists and Concrete artists and elsewhere--Taeuber-Arp nevertheless went about her(...)
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The only woman to be represented on a Swiss banknote, Sophie Taeuber-Arp was one of the twentieth century's most innovative artists, in painting, sculpture, textiles, dance, architecture and puppetry. Often occupying this role of the only "woman"--in exhibitions, or when socializing among Dadaists and Concrete artists and elsewhere--Taeuber-Arp nevertheless went about her(...)
Title:
Sophie Taeuber-Arp: Movement and balance
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The only woman to be represented on a Swiss banknote, Sophie Taeuber-Arp was one of the twentieth century's most innovative artists, in painting, sculpture, textiles, dance, architecture and puppetry. Often occupying this role of the only "woman"--in exhibitions, or when socializing among Dadaists and Concrete artists and elsewhere--Taeuber-Arp nevertheless went about her diverse activities as though gender obstacles were immaterial, and steadily built up a massive body of work whose consistent qualities are warmth, clarity and liveliness. Sophie Taeuber-Arp: Movement and Balance is the most complete survey of the artist's work available in any language to date. Packed with full-color illustrations of her work in all media, from her pre-Concrete abstractions to her fabrics, watercolors, canvases, reliefs and her wonderful marionettes, as well as a visual chronology with archival photographs of Taeuber-Arp posing in her costumes, or next to her works with her husband Hans (Jean) Arp, this volume demonstrates the exemplary adventurousness of her career.
Sophie Taeuber-Arp: Movement and balance
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The only woman to be represented on a Swiss banknote, Sophie Taeuber-Arp was one of the twentieth century's most innovative artists, in painting, sculpture, textiles, dance, architecture and puppetry. Often occupying this role of the only "woman"--in exhibitions, or when socializing among Dadaists and Concrete artists and elsewhere--Taeuber-Arp nevertheless went about her diverse activities as though gender obstacles were immaterial, and steadily built up a massive body of work whose consistent qualities are warmth, clarity and liveliness. Sophie Taeuber-Arp: Movement and Balance is the most complete survey of the artist's work available in any language to date. Packed with full-color illustrations of her work in all media, from her pre-Concrete abstractions to her fabrics, watercolors, canvases, reliefs and her wonderful marionettes, as well as a visual chronology with archival photographs of Taeuber-Arp posing in her costumes, or next to her works with her husband Hans (Jean) Arp, this volume demonstrates the exemplary adventurousness of her career.
Form:
books
books
Publication:
August 2010
August 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$48.00
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Summary:
More than any other Surrealist, Swiss artist Meret Oppenheim embraced, pursued and defined Surrealism's cult of the object, fashioning such classic works as the famous fur cup and the trussed high-heels, infusing everyday domestic objects with a concise eroticism. Yet many facets of her innovative and wide-ranging practice remain unknown to this day, including her(...)
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Summary:
More than any other Surrealist, Swiss artist Meret Oppenheim embraced, pursued and defined Surrealism's cult of the object, fashioning such classic works as the famous fur cup and the trussed high-heels, infusing everyday domestic objects with a concise eroticism. Yet many facets of her innovative and wide-ranging practice remain unknown to this day, including her(...)
Title:
Meret Oppenheim: Fountain stories
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More than any other Surrealist, Swiss artist Meret Oppenheim embraced, pursued and defined Surrealism's cult of the object, fashioning such classic works as the famous fur cup and the trussed high-heels, infusing everyday domestic objects with a concise eroticism. Yet many facets of her innovative and wide-ranging practice remain unknown to this day, including her extraordinary fountain projects. From the late 1960s until her death, Oppenheim designed and produced models for a series of freewheeling aquatic sculptures. Only three of these have been realized: the "Meret Oppenheim Fountain" in Bern in her native Switzerland, the "Spiral (Nature's Course)" in Paris and the "Hermes Fountain" located in the garden of artist and onetime collaborator Daniel Spoerri in Seggiano, Italy. Fountain Stories is the first to gather all of Oppenheim's fountain projects, including her drawings and unrealized models, into a single definitive publication.
Meret Oppenheim: Fountain stories
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More than any other Surrealist, Swiss artist Meret Oppenheim embraced, pursued and defined Surrealism's cult of the object, fashioning such classic works as the famous fur cup and the trussed high-heels, infusing everyday domestic objects with a concise eroticism. Yet many facets of her innovative and wide-ranging practice remain unknown to this day, including her extraordinary fountain projects. From the late 1960s until her death, Oppenheim designed and produced models for a series of freewheeling aquatic sculptures. Only three of these have been realized: the "Meret Oppenheim Fountain" in Bern in her native Switzerland, the "Spiral (Nature's Course)" in Paris and the "Hermes Fountain" located in the garden of artist and onetime collaborator Daniel Spoerri in Seggiano, Italy. Fountain Stories is the first to gather all of Oppenheim's fountain projects, including her drawings and unrealized models, into a single definitive publication.
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books
books
Publication:
September 2010
September 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$66.00
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Summary:
Hero of Dada, Constructivist virtuoso, patron saint of collage, sound poetry and installation art, Schwitters made his greatest impact in the postwar era influencing American Pop art, Fluxus and assemblage art throughout Europe and America. This volume draws on recent research into the Merzbau interiors, and gathers all aspects of his output, from collage to typography(...)
$66.00
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Summary:
Hero of Dada, Constructivist virtuoso, patron saint of collage, sound poetry and installation art, Schwitters made his greatest impact in the postwar era influencing American Pop art, Fluxus and assemblage art throughout Europe and America. This volume draws on recent research into the Merzbau interiors, and gathers all aspects of his output, from collage to typography(...)
Title:
Kurt Schwitters: A journey through art
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Hero of Dada, Constructivist virtuoso, patron saint of collage, sound poetry and installation art, Schwitters made his greatest impact in the postwar era influencing American Pop art, Fluxus and assemblage art throughout Europe and America. This volume draws on recent research into the Merzbau interiors, and gathers all aspects of his output, from collage to typography and architecture, into one glorious testimonial to Schwitters' libidinously prolific oeuvre.
Kurt Schwitters: A journey through art
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Hero of Dada, Constructivist virtuoso, patron saint of collage, sound poetry and installation art, Schwitters made his greatest impact in the postwar era influencing American Pop art, Fluxus and assemblage art throughout Europe and America. This volume draws on recent research into the Merzbau interiors, and gathers all aspects of his output, from collage to typography and architecture, into one glorious testimonial to Schwitters' libidinously prolific oeuvre.
Form:
books
books
Publication:
January 2011
January 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Daniel Spoerri : eaten by
Daniel Spoerri : eaten by
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Daniel Spoerri was a co-signatory of the Nouveau Réalisme manifesto in 1960, an early member of Fluxus and the author of the classic "Anecdoted Topography of Chance", which recorded and annotated the contents of Spoerri's desk. In 1968 Spoerri also opened Restaurant Spoerri, introducing his concept of "Eat Art," which he had initiated a decade earlier, and which explored(...)
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Daniel Spoerri was a co-signatory of the Nouveau Réalisme manifesto in 1960, an early member of Fluxus and the author of the classic "Anecdoted Topography of Chance", which recorded and annotated the contents of Spoerri's desk. In 1968 Spoerri also opened Restaurant Spoerri, introducing his concept of "Eat Art," which he had initiated a decade earlier, and which explored(...)
Title:
Daniel Spoerri : eaten by
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Daniel Spoerri was a co-signatory of the Nouveau Réalisme manifesto in 1960, an early member of Fluxus and the author of the classic "Anecdoted Topography of Chance", which recorded and annotated the contents of Spoerri's desk. In 1968 Spoerri also opened Restaurant Spoerri, introducing his concept of "Eat Art," which he had initiated a decade earlier, and which explored the creation, decay and "trapping" of food upon tables that were then recapitulated as assemblages. Marking the occasion of the artist's eightieth birthday, this publication approaches the theme of food throughout Spoerri's oeuvre, from the early 1960s to the present. It includes the artist's replica of the Restaurant Spoerri, a survey of Spoerri's trap pictures from 1978 to 1992, and a large number of more recent assemblages and sculptures, bringing his audience fully up to date.
Daniel Spoerri : eaten by
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Daniel Spoerri was a co-signatory of the Nouveau Réalisme manifesto in 1960, an early member of Fluxus and the author of the classic "Anecdoted Topography of Chance", which recorded and annotated the contents of Spoerri's desk. In 1968 Spoerri also opened Restaurant Spoerri, introducing his concept of "Eat Art," which he had initiated a decade earlier, and which explored the creation, decay and "trapping" of food upon tables that were then recapitulated as assemblages. Marking the occasion of the artist's eightieth birthday, this publication approaches the theme of food throughout Spoerri's oeuvre, from the early 1960s to the present. It includes the artist's replica of the Restaurant Spoerri, a survey of Spoerri's trap pictures from 1978 to 1992, and a large number of more recent assemblages and sculptures, bringing his audience fully up to date.
Form:
books
books
Publication:
August 2010
August 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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This publication presents a sprawling installation by Tatiana Trouvé. Inspired by a science-fiction novel by Dino Buzzatti of the same name and exploring the idea of a secret as a place of exile, Trouvé defines the space with small gardens and columns, plotting a rhythm of concealment and discovery.
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This publication presents a sprawling installation by Tatiana Trouvé. Inspired by a science-fiction novel by Dino Buzzatti of the same name and exploring the idea of a secret as a place of exile, Trouvé defines the space with small gardens and columns, plotting a rhythm of concealment and discovery.
Title:
Tatiana Trouvé: Il grande ritratto
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This publication presents a sprawling installation by Tatiana Trouvé. Inspired by a science-fiction novel by Dino Buzzatti of the same name and exploring the idea of a secret as a place of exile, Trouvé defines the space with small gardens and columns, plotting a rhythm of concealment and discovery.
Tatiana Trouvé: Il grande ritratto
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This publication presents a sprawling installation by Tatiana Trouvé. Inspired by a science-fiction novel by Dino Buzzatti of the same name and exploring the idea of a secret as a place of exile, Trouvé defines the space with small gardens and columns, plotting a rhythm of concealment and discovery.
Form:
books
books
Publication:
August 2010
August 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Huma Bhabha
Huma Bhabha
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Pakistan-born, New York-based artist Huma Bhabha makes fragile sculptures and assemblages composed from detritus, construction materials and found objects. This first survey of her work contains a wealth of full-color illustrations, an interview with Julie Mehretu and an essay by Thomas McEvilley.
$83.00
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Summary:
Pakistan-born, New York-based artist Huma Bhabha makes fragile sculptures and assemblages composed from detritus, construction materials and found objects. This first survey of her work contains a wealth of full-color illustrations, an interview with Julie Mehretu and an essay by Thomas McEvilley.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
November 2010
November 2010
Title:
Huma Bhabha
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$83.00
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Pakistan-born, New York-based artist Huma Bhabha makes fragile sculptures and assemblages composed from detritus, construction materials and found objects. This first survey of her work contains a wealth of full-color illustrations, an interview with Julie Mehretu and an essay by Thomas McEvilley.
Huma Bhabha
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$83.00
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Pakistan-born, New York-based artist Huma Bhabha makes fragile sculptures and assemblages composed from detritus, construction materials and found objects. This first survey of her work contains a wealth of full-color illustrations, an interview with Julie Mehretu and an essay by Thomas McEvilley.
Form:
books
books
Publication:
November 2010
November 2010
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
