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Publié pour la première fois en 1994 et régulièrement réédité et enrichi depuis, «Des histoires vraies» revient cette année pour la sixième fois augmenté de six récits inédits. Sophie Calle continue à nous raconter ses histoires, dans un langage précis et sobre, avec le souci du mot juste. Tantôt légères et drôles, tantôt sérieuses, dramatiques ou cruelles, ces histoires(...)
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Publié pour la première fois en 1994 et régulièrement réédité et enrichi depuis, «Des histoires vraies» revient cette année pour la sixième fois augmenté de six récits inédits. Sophie Calle continue à nous raconter ses histoires, dans un langage précis et sobre, avec le souci du mot juste. Tantôt légères et drôles, tantôt sérieuses, dramatiques ou cruelles, ces histoires(...)
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Sophie Calles : des histoires vraies, 6e éd.
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Publié pour la première fois en 1994 et régulièrement réédité et enrichi depuis, «Des histoires vraies» revient cette année pour la sixième fois augmenté de six récits inédits. Sophie Calle continue à nous raconter ses histoires, dans un langage précis et sobre, avec le souci du mot juste. Tantôt légères et drôles, tantôt sérieuses, dramatiques ou cruelles, ces histoires vraies, toutes accompagnées d'une image, livrent dans un work in progress les fragments d'une vie.
Sophie Calles : des histoires vraies, 6e éd.
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Publié pour la première fois en 1994 et régulièrement réédité et enrichi depuis, «Des histoires vraies» revient cette année pour la sixième fois augmenté de six récits inédits. Sophie Calle continue à nous raconter ses histoires, dans un langage précis et sobre, avec le souci du mot juste. Tantôt légères et drôles, tantôt sérieuses, dramatiques ou cruelles, ces histoires vraies, toutes accompagnées d'une image, livrent dans un work in progress les fragments d'une vie.
Form:
books
books
Publication:
January 2018
January 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Anja Lutz: Marginalia
Anja Lutz: Marginalia
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'Marginalia' draws our attention towards the territory of the overseen elements coexisting in the realm of the book itself. Text and image content of several art books designed by Anja Lutz withdraw to let appear the non-descript details: the margins, the edges, the backgrounds, the spaces between the lines … Each book is unique in its choice of format, material, layout,(...)
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'Marginalia' draws our attention towards the territory of the overseen elements coexisting in the realm of the book itself. Text and image content of several art books designed by Anja Lutz withdraw to let appear the non-descript details: the margins, the edges, the backgrounds, the spaces between the lines … Each book is unique in its choice of format, material, layout,(...)
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Anja Lutz: Marginalia
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'Marginalia' draws our attention towards the territory of the overseen elements coexisting in the realm of the book itself. Text and image content of several art books designed by Anja Lutz withdraw to let appear the non-descript details: the margins, the edges, the backgrounds, the spaces between the lines … Each book is unique in its choice of format, material, layout, and rhythm. The selected pages underwent a process of transformation in which with surgical precision Lutz dissects them, layer by layer, removing the vital parts and revealing their skeleton. The results are filigrane grids, fragments of images and traces of the layout that form intricately layered compositions of voids, exposing the hidden relations between the pages.
Anja Lutz: Marginalia
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'Marginalia' draws our attention towards the territory of the overseen elements coexisting in the realm of the book itself. Text and image content of several art books designed by Anja Lutz withdraw to let appear the non-descript details: the margins, the edges, the backgrounds, the spaces between the lines … Each book is unique in its choice of format, material, layout, and rhythm. The selected pages underwent a process of transformation in which with surgical precision Lutz dissects them, layer by layer, removing the vital parts and revealing their skeleton. The results are filigrane grids, fragments of images and traces of the layout that form intricately layered compositions of voids, exposing the hidden relations between the pages.
Form:
books
books
Publication:
September 2017
September 2017
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$49.95
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Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that(...)
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Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that(...)
Title:
Bureau of the centre for the study of surrealism and its legacy
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Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that are home to redundant labels, orphaned mounts, defunct teaching models, botanical freaks, egyptian fakes, and the minutiae that have fallen through the cracks of museum practice. Finally back in print, ''Bureau of the Centre for the Study of Surrealism and Its Legacy'', Dion's project and book are a repository for the detritus of museum life and a work in process, classifying the museums unclassifiable while exploring the bureaucratic workings of the institution.
Bureau of the centre for the study of surrealism and its legacy
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Museums' attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. New York based artist Mark Dion (b. 1961), renowned for his work exploring taxonomy, archaeology, and ecology, documents his opportunistic encounters with the Museum of Manchesters neglected drawers and overlooked recesses that are home to redundant labels, orphaned mounts, defunct teaching models, botanical freaks, egyptian fakes, and the minutiae that have fallen through the cracks of museum practice. Finally back in print, ''Bureau of the Centre for the Study of Surrealism and Its Legacy'', Dion's project and book are a repository for the detritus of museum life and a work in process, classifying the museums unclassifiable while exploring the bureaucratic workings of the institution.
Form:
books
books
Publication:
March 2018
March 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
The Bungalow
The Bungalow
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This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the(...)
$70.00
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Summary:
This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the(...)
Title:
The Bungalow
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This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the photographs and played with their organization and layering on the computer screen. The resulting alterations and collages saved as screen-shots comprise her experiments with making sense of this voluminous archive. Interspersed between the stories are excerpts from the email correspondence between artist and collector. Kruithof's work has most recently been shown at the Stedelijk, Amersterdam, and is the recipient of the 2014 Charlotte Kohler Prize and ICP Infinity Award, New York. Feuerhelm is a London-based American collector and dealer in vernacular photography. Brief essays on the project by Kruithof and Feuerhelm bookend the image-stories.
The Bungalow
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Summary:
This artist's book by New York-based Dutch artist Anouk Kruithof transforms selections from collector Brad Feuerhelm's vernacular photo collection into five dramatic, mysterious and erotic visual narratives that Kruithof calls image-stories. To accomplish this the artist isolated herself in a bungalow for an extended period of time with digitized versions of the photographs and played with their organization and layering on the computer screen. The resulting alterations and collages saved as screen-shots comprise her experiments with making sense of this voluminous archive. Interspersed between the stories are excerpts from the email correspondence between artist and collector. Kruithof's work has most recently been shown at the Stedelijk, Amersterdam, and is the recipient of the 2014 Charlotte Kohler Prize and ICP Infinity Award, New York. Feuerhelm is a London-based American collector and dealer in vernacular photography. Brief essays on the project by Kruithof and Feuerhelm bookend the image-stories.
Form:
books
books
Publication:
February 2015
February 2015
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Never loving the static presentation of art found in the common exhibition catalog, Swiss contemporary artist Athene Galiciadis (b. 1978) chose to show her work in a way that allows the art to lead the viewer as opposed to the essay or curators leading the viewer. In ''An Acrylic Glass Pyramid and Three Pendulums Attached to a Triangle on a Table'', a timeline of the(...)
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Never loving the static presentation of art found in the common exhibition catalog, Swiss contemporary artist Athene Galiciadis (b. 1978) chose to show her work in a way that allows the art to lead the viewer as opposed to the essay or curators leading the viewer. In ''An Acrylic Glass Pyramid and Three Pendulums Attached to a Triangle on a Table'', a timeline of the(...)
Title:
Athene Galiciadis: An acrylic glass pyramid and three pendulums attached to a triangle on
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Never loving the static presentation of art found in the common exhibition catalog, Swiss contemporary artist Athene Galiciadis (b. 1978) chose to show her work in a way that allows the art to lead the viewer as opposed to the essay or curators leading the viewer. In ''An Acrylic Glass Pyramid and Three Pendulums Attached to a Triangle on a Table'', a timeline of the artist's work and of those who inspired her have been created. Featured are works printed on graph paper of figures, spirals, patterns, vases, and a self-portrait, as well as photographic documents inspired by an early twentieth-century Swiss artist, healer, and visionary, Emma Kunz, known for her geometrical drawings made on graph paper with the aid of a pendulum. Based on Kunzs precise empirical approach to producing knowledge and art, Galiciadis has created this new series of monochromatic colored pencil drawings, whose configurations of shape and pattern draw us into her perceptions and interpretation of the world.
Athene Galiciadis: An acrylic glass pyramid and three pendulums attached to a triangle on
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Never loving the static presentation of art found in the common exhibition catalog, Swiss contemporary artist Athene Galiciadis (b. 1978) chose to show her work in a way that allows the art to lead the viewer as opposed to the essay or curators leading the viewer. In ''An Acrylic Glass Pyramid and Three Pendulums Attached to a Triangle on a Table'', a timeline of the artist's work and of those who inspired her have been created. Featured are works printed on graph paper of figures, spirals, patterns, vases, and a self-portrait, as well as photographic documents inspired by an early twentieth-century Swiss artist, healer, and visionary, Emma Kunz, known for her geometrical drawings made on graph paper with the aid of a pendulum. Based on Kunzs precise empirical approach to producing knowledge and art, Galiciadis has created this new series of monochromatic colored pencil drawings, whose configurations of shape and pattern draw us into her perceptions and interpretation of the world.
Form:
books
books
Publication:
August 2018
August 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$86.00
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The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
$86.00
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Summary:
The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 2019
January 2019
Title:
Bruce Nauman: spatial encounters
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$86.00
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The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
Bruce Nauman: spatial encounters
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The first book devoted solely to Bruce Nauman’s corridors and other architectural installations, Bruce Nauman: Spatial Encounters deftly explores the significance of these works in the development of his singular art practice, examining them in the context of the period and in relation to other artists like Dan Graham, Robert Morris, Paul Kos, and James Turrell.
Form:
books
books
Publication:
January 2019
January 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Sans titre (le journal rose)
Sans titre (le journal rose)
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Le travail de Marie-Michelle Deschamps explore les problématiques du processus de signification et dissèque, déconstruit et réinvente le langage pour mieux interroger la relation entre les mots et les choses, et ce, en donnant à voir entre les lignes du texte le langage comme expérience, comme espace habitable, et comme réservoir de formes esthétiques.
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Le travail de Marie-Michelle Deschamps explore les problématiques du processus de signification et dissèque, déconstruit et réinvente le langage pour mieux interroger la relation entre les mots et les choses, et ce, en donnant à voir entre les lignes du texte le langage comme expérience, comme espace habitable, et comme réservoir de formes esthétiques.
Publication:
October 2018
October 2018
Title:
Sans titre (le journal rose)
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Le travail de Marie-Michelle Deschamps explore les problématiques du processus de signification et dissèque, déconstruit et réinvente le langage pour mieux interroger la relation entre les mots et les choses, et ce, en donnant à voir entre les lignes du texte le langage comme expérience, comme espace habitable, et comme réservoir de formes esthétiques.
Sans titre (le journal rose)
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Le travail de Marie-Michelle Deschamps explore les problématiques du processus de signification et dissèque, déconstruit et réinvente le langage pour mieux interroger la relation entre les mots et les choses, et ce, en donnant à voir entre les lignes du texte le langage comme expérience, comme espace habitable, et comme réservoir de formes esthétiques.
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books
books
Publication:
October 2018
October 2018
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books
books
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$59.95
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Summary:
Bringing a poet’s perspective to an artist’s archive, this book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943–1978). A pivotal figure in the postminimalist generation who was also the son of a prominent Surrealist, Matta-Clark was a leader in the downtown artists' community in New York in the 1970s, and is widely seen as a pioneer of(...)
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Bringing a poet’s perspective to an artist’s archive, this book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943–1978). A pivotal figure in the postminimalist generation who was also the son of a prominent Surrealist, Matta-Clark was a leader in the downtown artists' community in New York in the 1970s, and is widely seen as a pioneer of(...)
Title:
Gordon Matta-Clark: physical poetics
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Bringing a poet’s perspective to an artist’s archive, this book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943–1978). A pivotal figure in the postminimalist generation who was also the son of a prominent Surrealist, Matta-Clark was a leader in the downtown artists' community in New York in the 1970s, and is widely seen as a pioneer of what has come to be known as social practice art. Examining notes, statements, titles, letters, and interviews in light of what they reveal about his work at large, Frances Richard unearths archival, biographical, and historical information, linking Matta-Clark to Conceptualist peers and Surrealist and Dada forebears. "Gordon Matta-Clark: Physical Poetics" explores the paradoxical durability of Matta-Clark’s language, and its role in an aggressively physical oeuvre whose major works have been destroyed.
Gordon Matta-Clark: physical poetics
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Bringing a poet’s perspective to an artist’s archive, this book examines wordplay in the art and thought of American artist Gordon Matta-Clark (1943–1978). A pivotal figure in the postminimalist generation who was also the son of a prominent Surrealist, Matta-Clark was a leader in the downtown artists' community in New York in the 1970s, and is widely seen as a pioneer of what has come to be known as social practice art. Examining notes, statements, titles, letters, and interviews in light of what they reveal about his work at large, Frances Richard unearths archival, biographical, and historical information, linking Matta-Clark to Conceptualist peers and Surrealist and Dada forebears. "Gordon Matta-Clark: Physical Poetics" explores the paradoxical durability of Matta-Clark’s language, and its role in an aggressively physical oeuvre whose major works have been destroyed.
Form:
books
books
Publication:
March 2019
March 2019
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Kasimir Malevitch
Kasimir Malevitch
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$12.95
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« Notre tâche est d'avancer toujours vers la nouveauté. Nous n'allons pas vivre dans les musées. Notre chemin est tracé dans l'espace et non dans la valise de ce qui a déjà vécu.Sans collections, nous nous élancerons plus facilement dans le tourbillon de la vie. » / "Our task is to continue advancing towards something new. We are not going to live in museums. Our path(...)
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« Notre tâche est d'avancer toujours vers la nouveauté. Nous n'allons pas vivre dans les musées. Notre chemin est tracé dans l'espace et non dans la valise de ce qui a déjà vécu.Sans collections, nous nous élancerons plus facilement dans le tourbillon de la vie. » / "Our task is to continue advancing towards something new. We are not going to live in museums. Our path(...)
Title:
Kasimir Malevitch
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« Notre tâche est d'avancer toujours vers la nouveauté. Nous n'allons pas vivre dans les musées. Notre chemin est tracé dans l'espace et non dans la valise de ce qui a déjà vécu.Sans collections, nous nous élancerons plus facilement dans le tourbillon de la vie. » / "Our task is to continue advancing towards something new. We are not going to live in museums. Our path has been marked out in space, not in the portmanteau of what has already existed. In the absence of collections, we can launch out more easily into the whirlwind of life."
Kasimir Malevitch
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« Notre tâche est d'avancer toujours vers la nouveauté. Nous n'allons pas vivre dans les musées. Notre chemin est tracé dans l'espace et non dans la valise de ce qui a déjà vécu.Sans collections, nous nous élancerons plus facilement dans le tourbillon de la vie. » / "Our task is to continue advancing towards something new. We are not going to live in museums. Our path has been marked out in space, not in the portmanteau of what has already existed. In the absence of collections, we can launch out more easily into the whirlwind of life."
Form:
books
books
Publication:
May 2018
May 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$74.95
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Basé sur de nouvelles recherches, l’ouvrage 'Alexander Calder : un inventeur radical' examine toute la carrière de l’artiste du point de vue de l’ingénierie, de la culture populaire, de la physique, de l’astronomie, de la photographie, de l’architecture, de l’industrie, de la politique et de la conservation.
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Basé sur de nouvelles recherches, l’ouvrage 'Alexander Calder : un inventeur radical' examine toute la carrière de l’artiste du point de vue de l’ingénierie, de la culture populaire, de la physique, de l’astronomie, de la photographie, de l’architecture, de l’industrie, de la politique et de la conservation.
Title:
Alexander Calder, un inventeur radical
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Basé sur de nouvelles recherches, l’ouvrage 'Alexander Calder : un inventeur radical' examine toute la carrière de l’artiste du point de vue de l’ingénierie, de la culture populaire, de la physique, de l’astronomie, de la photographie, de l’architecture, de l’industrie, de la politique et de la conservation.
Alexander Calder, un inventeur radical
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Basé sur de nouvelles recherches, l’ouvrage 'Alexander Calder : un inventeur radical' examine toute la carrière de l’artiste du point de vue de l’ingénierie, de la culture populaire, de la physique, de l’astronomie, de la photographie, de l’architecture, de l’industrie, de la politique et de la conservation.
Form:
books
books
Publication:
September 2018
September 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
