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*** Malheureusement, ce livre est épuisé et il n'est plus disponible. *** Au terme de ses études d’architecture à l’université Cornell, Matta-Clark se réinstalle à New York, sa ville natale, où ses premières œuvres prennent la forme d’une série d’interventions in situ dans les quartiers déshérités du sud du Bronx. Le déclin économique et l’exode de la classe moyenne(...)
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*** Malheureusement, ce livre est épuisé et il n'est plus disponible. *** Au terme de ses études d’architecture à l’université Cornell, Matta-Clark se réinstalle à New York, sa ville natale, où ses premières œuvres prennent la forme d’une série d’interventions in situ dans les quartiers déshérités du sud du Bronx. Le déclin économique et l’exode de la classe moyenne(...)
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
June 2018
June 2018
Title:
Gordon Matta-Clark : anarchitecte ed. française
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*** Malheureusement, ce livre est épuisé et il n'est plus disponible. *** Au terme de ses études d’architecture à l’université Cornell, Matta-Clark se réinstalle à New York, sa ville natale, où ses premières œuvres prennent la forme d’une série d’interventions in situ dans les quartiers déshérités du sud du Bronx. Le déclin économique et l’exode de la classe moyenne ont entraîné l’abandon de nombreux bâtiments dans le secteur : ils constitueront la matière première de Matta-Clark. Dans la série Bronx Floors, l'artiste démantèle ces structures, procédant à une anatomie de la dévastation du paysage urbain. Passant de New York à Paris, il réalise ensuite Conical Intersect – œuvre qui deviendra emblématique de la contestation artistique – en appliquant ses découpes à deux immeubles du XVIIe siècle que la construction du Centre Georges-Pompidou a voués à la démolition.
Gordon Matta-Clark : anarchitecte ed. française
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*** Malheureusement, ce livre est épuisé et il n'est plus disponible. *** Au terme de ses études d’architecture à l’université Cornell, Matta-Clark se réinstalle à New York, sa ville natale, où ses premières œuvres prennent la forme d’une série d’interventions in situ dans les quartiers déshérités du sud du Bronx. Le déclin économique et l’exode de la classe moyenne ont entraîné l’abandon de nombreux bâtiments dans le secteur : ils constitueront la matière première de Matta-Clark. Dans la série Bronx Floors, l'artiste démantèle ces structures, procédant à une anatomie de la dévastation du paysage urbain. Passant de New York à Paris, il réalise ensuite Conical Intersect – œuvre qui deviendra emblématique de la contestation artistique – en appliquant ses découpes à deux immeubles du XVIIe siècle que la construction du Centre Georges-Pompidou a voués à la démolition.
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books
books
Publication:
June 2018
June 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Mon nom est personne
Mon nom est personne
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Catalogue / livre d'artiste présentant 137 œuvres anonymes, du 16e au 21e siècles, issues des collections du MUCEM – Musée des civilisations de l'Europe et de la Méditerranée de Marseille.
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Catalogue / livre d'artiste présentant 137 œuvres anonymes, du 16e au 21e siècles, issues des collections du MUCEM – Musée des civilisations de l'Europe et de la Méditerranée de Marseille.
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Mon nom est personne
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Catalogue / livre d'artiste présentant 137 œuvres anonymes, du 16e au 21e siècles, issues des collections du MUCEM – Musée des civilisations de l'Europe et de la Méditerranée de Marseille.
Mon nom est personne
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Catalogue / livre d'artiste présentant 137 œuvres anonymes, du 16e au 21e siècles, issues des collections du MUCEM – Musée des civilisations de l'Europe et de la Méditerranée de Marseille.
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books
books
Publication:
May 2018
May 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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Partant des concepts de « dialectique » et de « fétichisme », Raphaël Pirenne analyse la continuité structurale dans l'œuvre d'Alberto Giacometti, au-delà de la supposée fracture entre sa période surréaliste et son retour à la figuration. Après son éviction du surréalisme au milieu des années 1930, Alberto Giacometti aurait, par son retour à la figuration, abandonné ce(...)
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Partant des concepts de « dialectique » et de « fétichisme », Raphaël Pirenne analyse la continuité structurale dans l'œuvre d'Alberto Giacometti, au-delà de la supposée fracture entre sa période surréaliste et son retour à la figuration. Après son éviction du surréalisme au milieu des années 1930, Alberto Giacometti aurait, par son retour à la figuration, abandonné ce(...)
Title:
1 + 1 = 3 – Alberto Giacometti : dialectique et fétichisme
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Partant des concepts de « dialectique » et de « fétichisme », Raphaël Pirenne analyse la continuité structurale dans l'œuvre d'Alberto Giacometti, au-delà de la supposée fracture entre sa période surréaliste et son retour à la figuration. Après son éviction du surréalisme au milieu des années 1930, Alberto Giacometti aurait, par son retour à la figuration, abandonné ce qui faisait pour certains toute la force et l'originalité de son travail. Pourtant, au-delà d'une discontinuité formelle évidente, il apparaît qu'une certaine permanence de logiques de faire et de rapports au réel permet d'apercevoir une continuité structurale entre la période surréaliste et son après.
1 + 1 = 3 – Alberto Giacometti : dialectique et fétichisme
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Partant des concepts de « dialectique » et de « fétichisme », Raphaël Pirenne analyse la continuité structurale dans l'œuvre d'Alberto Giacometti, au-delà de la supposée fracture entre sa période surréaliste et son retour à la figuration. Après son éviction du surréalisme au milieu des années 1930, Alberto Giacometti aurait, par son retour à la figuration, abandonné ce qui faisait pour certains toute la force et l'originalité de son travail. Pourtant, au-delà d'une discontinuité formelle évidente, il apparaît qu'une certaine permanence de logiques de faire et de rapports au réel permet d'apercevoir une continuité structurale entre la période surréaliste et son après.
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books
books
Publication:
June 2018
June 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Petites images
Petites images
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Cet ouvrage reproduit 150 planches d’images-vignettes agencées en collages par Roman Cieslewicz au début des années 1990. Ces images de sources très diverses – extraits de journaux, petites annonces, enveloppes, logos, mais également travaux antérieurs de l’artiste – saturent la planche ; souvent, la répétition obsessionnelle d’un même motif semble faire bégayer la(...)
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Cet ouvrage reproduit 150 planches d’images-vignettes agencées en collages par Roman Cieslewicz au début des années 1990. Ces images de sources très diverses – extraits de journaux, petites annonces, enveloppes, logos, mais également travaux antérieurs de l’artiste – saturent la planche ; souvent, la répétition obsessionnelle d’un même motif semble faire bégayer la(...)
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Petites images
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Cet ouvrage reproduit 150 planches d’images-vignettes agencées en collages par Roman Cieslewicz au début des années 1990. Ces images de sources très diverses – extraits de journaux, petites annonces, enveloppes, logos, mais également travaux antérieurs de l’artiste – saturent la planche ; souvent, la répétition obsessionnelle d’un même motif semble faire bégayer la planche ou revient comme un leitmotiv sur les suivantes. « Les photomontages : ce travail d’hygiène est vital pour moi. Généralement hors commande, ils rebondissent tôt ou tard dans mes réalisations imprimées. » confiait l’artiste, qui a agencé tout au long de sa vie des images, et dont cet ensemble, réuni durant les dernières années de sa vie, est resté inédit.
Petites images
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Cet ouvrage reproduit 150 planches d’images-vignettes agencées en collages par Roman Cieslewicz au début des années 1990. Ces images de sources très diverses – extraits de journaux, petites annonces, enveloppes, logos, mais également travaux antérieurs de l’artiste – saturent la planche ; souvent, la répétition obsessionnelle d’un même motif semble faire bégayer la planche ou revient comme un leitmotiv sur les suivantes. « Les photomontages : ce travail d’hygiène est vital pour moi. Généralement hors commande, ils rebondissent tôt ou tard dans mes réalisations imprimées. » confiait l’artiste, qui a agencé tout au long de sa vie des images, et dont cet ensemble, réuni durant les dernières années de sa vie, est resté inédit.
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books
books
Publication:
June 2018
June 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$50.00
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Marjan Teeuwen creates large-scale architectural installations in buildings that are subsequently demolished following her interventions. She disrupts the materials of construction and structure and builds new artistic images in which floors are tilted, walls are removed, and stacks of debris either run rampant or are painstakingly ordered into architectural sculptures.(...)
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Marjan Teeuwen creates large-scale architectural installations in buildings that are subsequently demolished following her interventions. She disrupts the materials of construction and structure and builds new artistic images in which floors are tilted, walls are removed, and stacks of debris either run rampant or are painstakingly ordered into architectural sculptures.(...)
Title:
Marjan Teeuwen: destroyed house
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Marjan Teeuwen creates large-scale architectural installations in buildings that are subsequently demolished following her interventions. She disrupts the materials of construction and structure and builds new artistic images in which floors are tilted, walls are removed, and stacks of debris either run rampant or are painstakingly ordered into architectural sculptures. Constructive forces go hand in hand with destruction and decay in Teeuwen’s work. This book presents several installations from her ‘Destroyed House’ series, including the recent project ‘Destroyed House Gaza’. By choosing to work in occupied territory, Teeuwen allows the socio-political context to penetrate her method.
Marjan Teeuwen: destroyed house
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Marjan Teeuwen creates large-scale architectural installations in buildings that are subsequently demolished following her interventions. She disrupts the materials of construction and structure and builds new artistic images in which floors are tilted, walls are removed, and stacks of debris either run rampant or are painstakingly ordered into architectural sculptures. Constructive forces go hand in hand with destruction and decay in Teeuwen’s work. This book presents several installations from her ‘Destroyed House’ series, including the recent project ‘Destroyed House Gaza’. By choosing to work in occupied territory, Teeuwen allows the socio-political context to penetrate her method.
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books
books
Publication:
February 2018
February 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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This publication collects recent work by the Austrian artist and printmaker Anna Artaker (born 1976), in which the artist uses a 19th-century technique to make nature prints inspired by William Henry Fox Talbot’s photographs and photograms.
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This publication collects recent work by the Austrian artist and printmaker Anna Artaker (born 1976), in which the artist uses a 19th-century technique to make nature prints inspired by William Henry Fox Talbot’s photographs and photograms.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
May 2018
May 2018
Title:
Anna Artaker: the pencil of nature
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This publication collects recent work by the Austrian artist and printmaker Anna Artaker (born 1976), in which the artist uses a 19th-century technique to make nature prints inspired by William Henry Fox Talbot’s photographs and photograms.
Anna Artaker: the pencil of nature
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This publication collects recent work by the Austrian artist and printmaker Anna Artaker (born 1976), in which the artist uses a 19th-century technique to make nature prints inspired by William Henry Fox Talbot’s photographs and photograms.
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books
books
Publication:
May 2018
May 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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$14.00
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The future is no longer the distant, mythical condition it once was to us. Technology has placed it at our fingertips, it wasn't so long ago that we marveled at devices that could tell us where we were at that exact moment; it became odd when they recently began to tell us where we would soon be. The most important issue, however, might not be whether a future coproduced(...)
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The future is no longer the distant, mythical condition it once was to us. Technology has placed it at our fingertips, it wasn't so long ago that we marveled at devices that could tell us where we were at that exact moment; it became odd when they recently began to tell us where we would soon be. The most important issue, however, might not be whether a future coproduced(...)
Title:
Machines will make better choices than humans
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The future is no longer the distant, mythical condition it once was to us. Technology has placed it at our fingertips, it wasn't so long ago that we marveled at devices that could tell us where we were at that exact moment; it became odd when they recently began to tell us where we would soon be. The most important issue, however, might not be whether a future coproduced and made available to us by technology is good or bad, but rather how we want to relate to it as human beings. The three essays by Douglas Coupland collected in this volume address this question.
Machines will make better choices than humans
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The future is no longer the distant, mythical condition it once was to us. Technology has placed it at our fingertips, it wasn't so long ago that we marveled at devices that could tell us where we were at that exact moment; it became odd when they recently began to tell us where we would soon be. The most important issue, however, might not be whether a future coproduced and made available to us by technology is good or bad, but rather how we want to relate to it as human beings. The three essays by Douglas Coupland collected in this volume address this question.
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books
books
Publication:
May 2016
May 2016
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Josef Albers : interaction
Josef Albers : interaction
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Josef Albers (1888–1976) was one of the leading pioneers of 20th-century modernism: he was a teacher, writer, painter, and color theorist, who is best known for the ''Homages to the Square'' (painted 1950–76) and ''The Interaction of Color'', published by Yale University Press in 1963. This illustrated overview of Albers's work, accompanying the first major exhibition on(...)
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Josef Albers (1888–1976) was one of the leading pioneers of 20th-century modernism: he was a teacher, writer, painter, and color theorist, who is best known for the ''Homages to the Square'' (painted 1950–76) and ''The Interaction of Color'', published by Yale University Press in 1963. This illustrated overview of Albers's work, accompanying the first major exhibition on(...)
Title:
Josef Albers : interaction
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Josef Albers (1888–1976) was one of the leading pioneers of 20th-century modernism: he was a teacher, writer, painter, and color theorist, who is best known for the ''Homages to the Square'' (painted 1950–76) and ''The Interaction of Color'', published by Yale University Press in 1963. This illustrated overview of Albers's work, accompanying the first major exhibition on the artist in more than thirty years, features all aspects of his long, creative career. Beginning with Albers's time at the Bauhaus in Weimar and Dessau, the publication follows the artist to America and describes major themes of his work there as well as the importance of his frequent travels to Mexico.
Josef Albers : interaction
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Josef Albers (1888–1976) was one of the leading pioneers of 20th-century modernism: he was a teacher, writer, painter, and color theorist, who is best known for the ''Homages to the Square'' (painted 1950–76) and ''The Interaction of Color'', published by Yale University Press in 1963. This illustrated overview of Albers's work, accompanying the first major exhibition on the artist in more than thirty years, features all aspects of his long, creative career. Beginning with Albers's time at the Bauhaus in Weimar and Dessau, the publication follows the artist to America and describes major themes of his work there as well as the importance of his frequent travels to Mexico.
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books
books
Publication:
September 2018
September 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Anni Albers
Anni Albers
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Anni Albers (1899–1994) was a German textile designer, weaver, and printmaker, and among the leading pioneers of 20th-century modernism. Although she has heavily influenced generations of artists and designers, her contribution to modernist art history has been comparatively overlooked, especially in relation to that of her husband, Josef. In this llustrated volume,(...)
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Anni Albers (1899–1994) was a German textile designer, weaver, and printmaker, and among the leading pioneers of 20th-century modernism. Although she has heavily influenced generations of artists and designers, her contribution to modernist art history has been comparatively overlooked, especially in relation to that of her husband, Josef. In this llustrated volume,(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
August 2018
August 2018
Title:
Anni Albers
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$65.00
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Anni Albers (1899–1994) was a German textile designer, weaver, and printmaker, and among the leading pioneers of 20th-century modernism. Although she has heavily influenced generations of artists and designers, her contribution to modernist art history has been comparatively overlooked, especially in relation to that of her husband, Josef. In this llustrated volume, Albers’s most important works are examined to fully explore and redefine her contribution to 20th-century art and design and highlight her signifiiance as an artist in her own right.
Anni Albers
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Anni Albers (1899–1994) was a German textile designer, weaver, and printmaker, and among the leading pioneers of 20th-century modernism. Although she has heavily influenced generations of artists and designers, her contribution to modernist art history has been comparatively overlooked, especially in relation to that of her husband, Josef. In this llustrated volume, Albers’s most important works are examined to fully explore and redefine her contribution to 20th-century art and design and highlight her signifiiance as an artist in her own right.
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books
books
Publication:
August 2018
August 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Butch heroes
Butch heroes
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Katherina Hetzeldorfer, tried “for a crime that didn't have a name” (same sex sexual relations) and sentenced to death by drowning in 1477; Charles aka Mary Hamilton, publicly whipped for impersonating a man in eighteenth-century England; Clara, aka “Big Ben,” over whom two jealous women fought in 1926 New York: these are just three of the lives that the artist Ria(...)
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Katherina Hetzeldorfer, tried “for a crime that didn't have a name” (same sex sexual relations) and sentenced to death by drowning in 1477; Charles aka Mary Hamilton, publicly whipped for impersonating a man in eighteenth-century England; Clara, aka “Big Ben,” over whom two jealous women fought in 1926 New York: these are just three of the lives that the artist Ria(...)
Title:
Butch heroes
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Katherina Hetzeldorfer, tried “for a crime that didn't have a name” (same sex sexual relations) and sentenced to death by drowning in 1477; Charles aka Mary Hamilton, publicly whipped for impersonating a man in eighteenth-century England; Clara, aka “Big Ben,” over whom two jealous women fought in 1926 New York: these are just three of the lives that the artist Ria Brodell has reclaimed for queer history in "Butch Heroes". Brodell offers a series of twenty-eight portraits of forgotten but heroic figures, each accompanied by a brief biographical note. They are individuals who were assigned female at birth but whose gender presentation was more masculine than feminine, who did not want to enter into heterosexual marriage, and who often faced dire punishment for being themselves.
Butch heroes
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Katherina Hetzeldorfer, tried “for a crime that didn't have a name” (same sex sexual relations) and sentenced to death by drowning in 1477; Charles aka Mary Hamilton, publicly whipped for impersonating a man in eighteenth-century England; Clara, aka “Big Ben,” over whom two jealous women fought in 1926 New York: these are just three of the lives that the artist Ria Brodell has reclaimed for queer history in "Butch Heroes". Brodell offers a series of twenty-eight portraits of forgotten but heroic figures, each accompanied by a brief biographical note. They are individuals who were assigned female at birth but whose gender presentation was more masculine than feminine, who did not want to enter into heterosexual marriage, and who often faced dire punishment for being themselves.
Form:
books
books
Publication:
October 2018
October 2018
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
