A variation on powers of ten
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The interstellar rollercoaster ride of Charles and Ray Eames experimental 1968 film, The Powers of Ten, changed the way that the average American thought about science. In this project, the art and design collective Futurefarmers used the Eames IBM commissioned film s opening picnic scene as its inspiration and score. Researchers whose work relates to each one of the(...)
Contemporary Art Monographs
January 2013
A variation on powers of ten
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The interstellar rollercoaster ride of Charles and Ray Eames experimental 1968 film, The Powers of Ten, changed the way that the average American thought about science. In this project, the art and design collective Futurefarmers used the Eames IBM commissioned film s opening picnic scene as its inspiration and score. Researchers whose work relates to each one of the magnitudes of ten compare today s practices with those of 1968 and discuss the changing land scapes of their respective fields.
Contemporary Art Monographs
$29.95
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This publication is the second in a two-part series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, between 2010 and 2011.
After Berkeley : Objectif exhibitions, 2010-2012
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This publication is the second in a two-part series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, between 2010 and 2011.
Contemporary Art Monographs
William Kentridge: No, it is
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No, It Is contains 280 new drawings by William Kentridge (born 1955), selected from a series of approximately 500 drawings made over a three-month period toward the end of 2012. Combining a series of flipbook sequences, it includes self-portraits of the artist sitting down and standing up, contorting himself or dancing; text-based series; geometric blocks of color; and(...)
William Kentridge: No, it is
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$65.00
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No, It Is contains 280 new drawings by William Kentridge (born 1955), selected from a series of approximately 500 drawings made over a three-month period toward the end of 2012. Combining a series of flipbook sequences, it includes self-portraits of the artist sitting down and standing up, contorting himself or dancing; text-based series; geometric blocks of color; and calligraphic renderings of trees that verge on abstraction. As with the artist’s previous book works, all of the drawings are executed on the pages of antiquarian publications. Satisfyingly chunky at 560 pages, and limited to an edition of only 800 copies, No, It Is is the largest flipbook-style publication that Kentridge has yet undertaken.
Contemporary Art Monographs
Saccage ce carnet
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Ce livre encourage les interventions innatendues.
Saccage ce carnet
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Ce livre encourage les interventions innatendues.
Contemporary Art Monographs
Emily Ferretti: everyday
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This volume presents artworks by Melbourne artist Emily Ferretti. Her oil on linen paintings abstract representations of plants, rocks, domestic settings, and architectural objects and details are forming fragmentary scenes that bestow a particular gravity and significance upon the mundane. Included is a short text by fellow Melbourne artist Laith McGregor.
Emily Ferretti: everyday
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This volume presents artworks by Melbourne artist Emily Ferretti. Her oil on linen paintings abstract representations of plants, rocks, domestic settings, and architectural objects and details are forming fragmentary scenes that bestow a particular gravity and significance upon the mundane. Included is a short text by fellow Melbourne artist Laith McGregor.
Contemporary Art Monographs
Eva Hesse: one more than one
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Eva Hesse (1936–1970) was one of the foremost women artists of the twentieth century. Her artistic practice combined the seriality and reduction of 1960s Minimalism with emotion, sensuousness and physicality, while the transparency and transience of her unconventional materials also contributed greatly to her unique position in the art world of her day. From November 2013(...)
Contemporary Art Monographs
March 2014
Eva Hesse: one more than one
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Eva Hesse (1936–1970) was one of the foremost women artists of the twentieth century. Her artistic practice combined the seriality and reduction of 1960s Minimalism with emotion, sensuousness and physicality, while the transparency and transience of her unconventional materials also contributed greatly to her unique position in the art world of her day. From November 2013 onward, the Hamburger Kunsthalle is presenting the first solo exhibition of Hesse’s work in her native city. This publication is the catalogue of the exhibition.
Contemporary Art Monographs
Doublings : Sébastien Cliche
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This book was published by Centre Clark on the occasion of the exhibition La Doublure, presented at Galerie de l'UQAM in Montréal, from October 19 to December 8, 2012
Contemporary Art Monographs
March 2014
Doublings : Sébastien Cliche
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This book was published by Centre Clark on the occasion of the exhibition La Doublure, presented at Galerie de l'UQAM in Montréal, from October 19 to December 8, 2012
Contemporary Art Monographs
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Publication du Centre Clark dans le cadre de l'exposition La Doublure présentée à la galerie de l'UQAM en 2012.
La doublure, Sébastien Cliche
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Publication du Centre Clark dans le cadre de l'exposition La Doublure présentée à la galerie de l'UQAM en 2012.
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Inspired by the cover designs of popular egghead novels published from the 1940s to the 1970s, the colorful geometric forms of Thomas Raat's abstract paintings appropriate those forms in the context of contemporary publishing. This artist's book is a work of art in itself, with full-color plates, Chinese folding and varying folio sizes.
Thoams Raat: an inquiry into meaning and truth and more...
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Inspired by the cover designs of popular egghead novels published from the 1940s to the 1970s, the colorful geometric forms of Thomas Raat's abstract paintings appropriate those forms in the context of contemporary publishing. This artist's book is a work of art in itself, with full-color plates, Chinese folding and varying folio sizes.
Contemporary Art Monographs
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Danish-Norwegian artist Karen Bit Vejle uses scissors as her brush to create intricate and awe-inspiring works of art with cut paper. The art of psaligraphy hit Europe with the wave of Eastern influence in the 17th century, and famed Danish author Hans Christian Anderson was among its practitioners. The tradition of paper-cutting is particularly strong in Scandinavia,(...)
Contemporary Art Monographs
April 2014
Karen Bit Vejle: master of paper-cut
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Danish-Norwegian artist Karen Bit Vejle uses scissors as her brush to create intricate and awe-inspiring works of art with cut paper. The art of psaligraphy hit Europe with the wave of Eastern influence in the 17th century, and famed Danish author Hans Christian Anderson was among its practitioners. The tradition of paper-cutting is particularly strong in Scandinavia, where gaekkebrev, cards with cut-paper snowflakes, are still exchanged by sweethearts each spring, and Bit Vejle has worked to master the medium since she was a young girl. The past couple of years have seen her work grow in scale and sophistication, creating both abstracted floral patterns and enormous narrative tableaux as delicate as lace.
Contemporary Art Monographs