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This volume brings together archival material and photographic documentation, offering an intimate behind-the-scenes view of Christo and Jeane-Claude's monumental installations.
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This volume brings together archival material and photographic documentation, offering an intimate behind-the-scenes view of Christo and Jeane-Claude's monumental installations.
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Christo and Jeanne-Claude : in/out studio
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This volume brings together archival material and photographic documentation, offering an intimate behind-the-scenes view of Christo and Jeane-Claude's monumental installations.
Christo and Jeanne-Claude : in/out studio
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This volume brings together archival material and photographic documentation, offering an intimate behind-the-scenes view of Christo and Jeane-Claude's monumental installations.
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books
books
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August 2014
August 2014
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Contemporary Art Monographs
Contemporary Art Monographs
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books
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Secondhand Reading began life as a film constructed from a succession of drawings made by William Kentridge (born 1955) in 2013, on the pages of old books. Conceived as a kind of secondhand reading in which books are translated into a filming of books, it is both a narrative--it begins at the beginning and will eventually get to the end--and an acknowledgment of the(...)
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Secondhand Reading began life as a film constructed from a succession of drawings made by William Kentridge (born 1955) in 2013, on the pages of old books. Conceived as a kind of secondhand reading in which books are translated into a filming of books, it is both a narrative--it begins at the beginning and will eventually get to the end--and an acknowledgment of the(...)
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William Kentridge: Secondhand Reading
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Secondhand Reading began life as a film constructed from a succession of drawings made by William Kentridge (born 1955) in 2013, on the pages of old books. Conceived as a kind of secondhand reading in which books are translated into a filming of books, it is both a narrative--it begins at the beginning and will eventually get to the end--and an acknowledgment of the necessity of repetition, inconsistency and the illogical.
William Kentridge: Secondhand Reading
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Secondhand Reading began life as a film constructed from a succession of drawings made by William Kentridge (born 1955) in 2013, on the pages of old books. Conceived as a kind of secondhand reading in which books are translated into a filming of books, it is both a narrative--it begins at the beginning and will eventually get to the end--and an acknowledgment of the necessity of repetition, inconsistency and the illogical.
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books
books
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August 2014
August 2014
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Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Paul Chan : selected works
Paul Chan : selected works
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This volume accompanies the first major solo exhibition on American artist Paul Chan since his series The 7 Lights was presented at the New Museum in 2008. Active as artist, writer and publisher, he engages the viewer in a challenging discourse about the place of art in social and political life. In addition to early video installations, rarely seen works on paper,(...)
$35.00
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Summary:
This volume accompanies the first major solo exhibition on American artist Paul Chan since his series The 7 Lights was presented at the New Museum in 2008. Active as artist, writer and publisher, he engages the viewer in a challenging discourse about the place of art in social and political life. In addition to early video installations, rarely seen works on paper,(...)
Title:
Paul Chan : selected works
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Summary:
This volume accompanies the first major solo exhibition on American artist Paul Chan since his series The 7 Lights was presented at the New Museum in 2008. Active as artist, writer and publisher, he engages the viewer in a challenging discourse about the place of art in social and political life. In addition to early video installations, rarely seen works on paper, sculptures and works from the 7 Lights series, this volume includes reproductions of the 1,005 painted book covers that constitute Volumes (2012), and new works created for the exhibition.
Paul Chan : selected works
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Summary:
This volume accompanies the first major solo exhibition on American artist Paul Chan since his series The 7 Lights was presented at the New Museum in 2008. Active as artist, writer and publisher, he engages the viewer in a challenging discourse about the place of art in social and political life. In addition to early video installations, rarely seen works on paper, sculptures and works from the 7 Lights series, this volume includes reproductions of the 1,005 painted book covers that constitute Volumes (2012), and new works created for the exhibition.
Form:
books
books
Publication:
August 2014
August 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$40.00
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This book, published to accompany an exhibition held at the Fundació Joan Miró in Barcelona, comprises a profound study of American visual artist and writer Roni Horn’s most representative works, such as the series inspired on her journeys to Iceland, in which she gives crucial emphasis to nature and landscape, isolation and solitude. Literature and the written word are(...)
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This book, published to accompany an exhibition held at the Fundació Joan Miró in Barcelona, comprises a profound study of American visual artist and writer Roni Horn’s most representative works, such as the series inspired on her journeys to Iceland, in which she gives crucial emphasis to nature and landscape, isolation and solitude. Literature and the written word are(...)
Title:
Roni Horn: everything was sleeping as if the universe were a mistake
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This book, published to accompany an exhibition held at the Fundació Joan Miró in Barcelona, comprises a profound study of American visual artist and writer Roni Horn’s most representative works, such as the series inspired on her journeys to Iceland, in which she gives crucial emphasis to nature and landscape, isolation and solitude. Literature and the written word are essential presences in her works, yet her oeuvre also encompasses sculptures, drawings, photographs and installations. Besides numerous images, the book includes a conversation with Julie Ault, an essential text for understanding Horn’s creative processes, references and influences.
Roni Horn: everything was sleeping as if the universe were a mistake
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This book, published to accompany an exhibition held at the Fundació Joan Miró in Barcelona, comprises a profound study of American visual artist and writer Roni Horn’s most representative works, such as the series inspired on her journeys to Iceland, in which she gives crucial emphasis to nature and landscape, isolation and solitude. Literature and the written word are essential presences in her works, yet her oeuvre also encompasses sculptures, drawings, photographs and installations. Besides numerous images, the book includes a conversation with Julie Ault, an essential text for understanding Horn’s creative processes, references and influences.
Form:
books
books
Publication:
August 2014
August 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Haim Steinbach : travel
Haim Steinbach : travel
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Haim Steinbach is interested in the shared social ritual of collecting, arranging and presenting everyday objects and materials, an experience that extends to us all, whether in the way we arrange our homes or the way we select and wear our clothes. Travel explores Steinbach's recent exhibition at White Cube Mason's Yard, London and is comprised of two new series of works(...)
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Haim Steinbach is interested in the shared social ritual of collecting, arranging and presenting everyday objects and materials, an experience that extends to us all, whether in the way we arrange our homes or the way we select and wear our clothes. Travel explores Steinbach's recent exhibition at White Cube Mason's Yard, London and is comprised of two new series of works(...)
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Haim Steinbach : travel
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Haim Steinbach is interested in the shared social ritual of collecting, arranging and presenting everyday objects and materials, an experience that extends to us all, whether in the way we arrange our homes or the way we select and wear our clothes. Travel explores Steinbach's recent exhibition at White Cube Mason's Yard, London and is comprised of two new series of works that trace a trajectory in the artist's practice that stretches from the 1970s to today. In 1976, Steinbach produced a series of works based on grid-like geometric patterns created with strips of linoleum flooring. The Linopanel works evoke a pivotal moment in Steinbach's career, when he abandoned his investigation into minimalist painting and began to work with found objects. Jenny Jaskey's text explores Steinbach's interest in collecting and the methodologies of display forms.
Haim Steinbach : travel
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Haim Steinbach is interested in the shared social ritual of collecting, arranging and presenting everyday objects and materials, an experience that extends to us all, whether in the way we arrange our homes or the way we select and wear our clothes. Travel explores Steinbach's recent exhibition at White Cube Mason's Yard, London and is comprised of two new series of works that trace a trajectory in the artist's practice that stretches from the 1970s to today. In 1976, Steinbach produced a series of works based on grid-like geometric patterns created with strips of linoleum flooring. The Linopanel works evoke a pivotal moment in Steinbach's career, when he abandoned his investigation into minimalist painting and began to work with found objects. Jenny Jaskey's text explores Steinbach's interest in collecting and the methodologies of display forms.
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books
books
Publication:
August 2014
August 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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$39.95
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Summary:
Hand-carved and hand-painted, these sculptural works overturn the notion of the readymade while uncovering wit and poetry in everyday things. Edited and sequenced by Fischli himself, the book features 140 objects, depicting such humble and seemingly inauspicious items as power tools, shipping pallets, stained paintbrushes and buckets. The foldout cover depicts the(...)
$39.95
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Summary:
Hand-carved and hand-painted, these sculptural works overturn the notion of the readymade while uncovering wit and poetry in everyday things. Edited and sequenced by Fischli himself, the book features 140 objects, depicting such humble and seemingly inauspicious items as power tools, shipping pallets, stained paintbrushes and buckets. The foldout cover depicts the(...)
Title:
Peter Fischli David Weiss : polyurethane obects
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Hand-carved and hand-painted, these sculptural works overturn the notion of the readymade while uncovering wit and poetry in everyday things. Edited and sequenced by Fischli himself, the book features 140 objects, depicting such humble and seemingly inauspicious items as power tools, shipping pallets, stained paintbrushes and buckets. The foldout cover depicts the sculptures as they are exhibited, in arrangements that evoke the distinctive disarray of an artist's studio.
Peter Fischli David Weiss : polyurethane obects
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Summary:
Hand-carved and hand-painted, these sculptural works overturn the notion of the readymade while uncovering wit and poetry in everyday things. Edited and sequenced by Fischli himself, the book features 140 objects, depicting such humble and seemingly inauspicious items as power tools, shipping pallets, stained paintbrushes and buckets. The foldout cover depicts the sculptures as they are exhibited, in arrangements that evoke the distinctive disarray of an artist's studio.
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books
books
Publication:
August 2014
August 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Fred Sandback: drawings
Fred Sandback: drawings
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The American Fred Sandback (1943–2003), regarded as one of the major sculptors of his generation, had from the beginning of his art career initially used drawings to formulate on paper his ideas of sculptural volumes. Soon he went from depicting isolated elements to thinking of sculpture in relationship to space and to exploring its possibilities on paper. In the 1980s,(...)
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The American Fred Sandback (1943–2003), regarded as one of the major sculptors of his generation, had from the beginning of his art career initially used drawings to formulate on paper his ideas of sculptural volumes. Soon he went from depicting isolated elements to thinking of sculpture in relationship to space and to exploring its possibilities on paper. In the 1980s,(...)
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Fred Sandback: drawings
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The American Fred Sandback (1943–2003), regarded as one of the major sculptors of his generation, had from the beginning of his art career initially used drawings to formulate on paper his ideas of sculptural volumes. Soon he went from depicting isolated elements to thinking of sculpture in relationship to space and to exploring its possibilities on paper. In the 1980s, Sandback expanded his drawing vocabulary to include work in acrylic, in the pochoir technique or in pastel, which look much more pictorial in contrast to his earlier works on paper. The issue was now less about conceiving sculptures and more about modulating space. As regards sculpture, Sandback no longer thought of it as a given spatial volume, but as a sensual phenomenon per se, which he explored in the drawing. In his late drawings, Sandback moved away from the conditions of a coherent space in order to conceive of sculptures that are boundless from all sides. Only a specific section of the whole is intimated in the drawing, for which Sandback invented unusual techniques: actual incisions instead of drawn lines, for instance, or painterly traces on transparent film. This publication of Sandback’s drawings assembles works from over thirty years, supplemented by sculpture.
Fred Sandback: drawings
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The American Fred Sandback (1943–2003), regarded as one of the major sculptors of his generation, had from the beginning of his art career initially used drawings to formulate on paper his ideas of sculptural volumes. Soon he went from depicting isolated elements to thinking of sculpture in relationship to space and to exploring its possibilities on paper. In the 1980s, Sandback expanded his drawing vocabulary to include work in acrylic, in the pochoir technique or in pastel, which look much more pictorial in contrast to his earlier works on paper. The issue was now less about conceiving sculptures and more about modulating space. As regards sculpture, Sandback no longer thought of it as a given spatial volume, but as a sensual phenomenon per se, which he explored in the drawing. In his late drawings, Sandback moved away from the conditions of a coherent space in order to conceive of sculptures that are boundless from all sides. Only a specific section of the whole is intimated in the drawing, for which Sandback invented unusual techniques: actual incisions instead of drawn lines, for instance, or painterly traces on transparent film. This publication of Sandback’s drawings assembles works from over thirty years, supplemented by sculpture.
Form:
books
books
Publication:
August 2014
August 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Carl Andre: poems
Carl Andre: poems
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Carl Andre (born 1935) was a poet before he was an artist, and between 1960 and 1965 he produced a substantial body of innovative visual poetry. Arranging language on paper as carefully and as sculpturally as he was later to arrange pieces of metal or bricks on the floor, Andre approached words as adjustable entities, to be moved around within the limits of the space of(...)
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Carl Andre (born 1935) was a poet before he was an artist, and between 1960 and 1965 he produced a substantial body of innovative visual poetry. Arranging language on paper as carefully and as sculpturally as he was later to arrange pieces of metal or bricks on the floor, Andre approached words as adjustable entities, to be moved around within the limits of the space of(...)
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Carl Andre: poems
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Carl Andre (born 1935) was a poet before he was an artist, and between 1960 and 1965 he produced a substantial body of innovative visual poetry. Arranging language on paper as carefully and as sculpturally as he was later to arrange pieces of metal or bricks on the floor, Andre approached words as adjustable entities, to be moved around within the limits of the space of the sheet of paper. These works, made during the height of the international Concrete poetry movement, appeared alongside his sculptures in exhibitions and were excerpted in scholarly writings about the artist. With this volume, Andre’s influential poetic oeuvre is now gathered comprehensively for the first time. The poems, which were often typed on 8 x 11 paper, are reproduced in quasi-facsimile, to convey Andre’s sculptural intentions. Also included are essays by art historians Gavin Delahunty and Valérie Mavridorakis, and curator Lynn Kost.
Carl Andre: poems
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Carl Andre (born 1935) was a poet before he was an artist, and between 1960 and 1965 he produced a substantial body of innovative visual poetry. Arranging language on paper as carefully and as sculpturally as he was later to arrange pieces of metal or bricks on the floor, Andre approached words as adjustable entities, to be moved around within the limits of the space of the sheet of paper. These works, made during the height of the international Concrete poetry movement, appeared alongside his sculptures in exhibitions and were excerpted in scholarly writings about the artist. With this volume, Andre’s influential poetic oeuvre is now gathered comprehensively for the first time. The poems, which were often typed on 8 x 11 paper, are reproduced in quasi-facsimile, to convey Andre’s sculptural intentions. Also included are essays by art historians Gavin Delahunty and Valérie Mavridorakis, and curator Lynn Kost.
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books
books
Publication:
August 2014
August 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Seth Price
Seth Price
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$22.00
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Part of the 2000 Words series, conceived and commissioned by Massimiliano Gioni, this monograph presents the entirety of the artist's works in the Dakis Joannou Collection alongside a new essay by Price and an essay by Chris Wiley that examines the artist's peripatetic and complex vision.
$22.00
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Summary:
Part of the 2000 Words series, conceived and commissioned by Massimiliano Gioni, this monograph presents the entirety of the artist's works in the Dakis Joannou Collection alongside a new essay by Price and an essay by Chris Wiley that examines the artist's peripatetic and complex vision.
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Seth Price
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Part of the 2000 Words series, conceived and commissioned by Massimiliano Gioni, this monograph presents the entirety of the artist's works in the Dakis Joannou Collection alongside a new essay by Price and an essay by Chris Wiley that examines the artist's peripatetic and complex vision.
Seth Price
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$22.00
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Summary:
Part of the 2000 Words series, conceived and commissioned by Massimiliano Gioni, this monograph presents the entirety of the artist's works in the Dakis Joannou Collection alongside a new essay by Price and an essay by Chris Wiley that examines the artist's peripatetic and complex vision.
Form:
books
books
Publication:
August 2014
August 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Paul Chan: 2000 words
Paul Chan: 2000 words
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The varied practice of Paul Chan (born 1973) includes paintings, drawings, video animations and font design, as well as critical writing. The characters in his works are animated beings, jerking and stuttering as they are violently thrust into the clumsy reel--or "real"--of history. Chan explores the intellectual and sexual animus that courses through our collective(...)
$22.00
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Summary:
The varied practice of Paul Chan (born 1973) includes paintings, drawings, video animations and font design, as well as critical writing. The characters in his works are animated beings, jerking and stuttering as they are violently thrust into the clumsy reel--or "real"--of history. Chan explores the intellectual and sexual animus that courses through our collective(...)
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Paul Chan: 2000 words
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The varied practice of Paul Chan (born 1973) includes paintings, drawings, video animations and font design, as well as critical writing. The characters in his works are animated beings, jerking and stuttering as they are violently thrust into the clumsy reel--or "real"--of history. Chan explores the intellectual and sexual animus that courses through our collective language and consciousness, drawing on sources as varied as the King James Bible, Marquis de Sade and Samuel Beckett. Part of the 2000 Words series, conceived and commissioned by Massimiliano Gioni, and published by the Deste Foundation for Contemporary Art, 2000 Words: Paul Chan presents the entirety of the artist's works in the Dakis Joannou Collection and includes an essay by Stephen Squibb that reveals the solitary image and its uncanny animation in Chan's work.
Paul Chan: 2000 words
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$22.00
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The varied practice of Paul Chan (born 1973) includes paintings, drawings, video animations and font design, as well as critical writing. The characters in his works are animated beings, jerking and stuttering as they are violently thrust into the clumsy reel--or "real"--of history. Chan explores the intellectual and sexual animus that courses through our collective language and consciousness, drawing on sources as varied as the King James Bible, Marquis de Sade and Samuel Beckett. Part of the 2000 Words series, conceived and commissioned by Massimiliano Gioni, and published by the Deste Foundation for Contemporary Art, 2000 Words: Paul Chan presents the entirety of the artist's works in the Dakis Joannou Collection and includes an essay by Stephen Squibb that reveals the solitary image and its uncanny animation in Chan's work.
Form:
books
books
Publication:
August 2014
August 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
