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Adrian Schiess is a young Swiss artist who approaches new artistic terrain in an entirely unprejudiced fashion. His work continues along the lines of the great history of 20th century abstract painting. In addition, Adrian Schiess' special relationship to architecture has resulted in collaboration with the two internationally renowned architectural firms Herzog & de(...)
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Adrian Schiess is a young Swiss artist who approaches new artistic terrain in an entirely unprejudiced fashion. His work continues along the lines of the great history of 20th century abstract painting. In addition, Adrian Schiess' special relationship to architecture has resulted in collaboration with the two internationally renowned architectural firms Herzog & de(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 1900, Luzern
January 1900, Luzern
Title:
Adrian Schiess - Colourspaces : co-operation with the architects Herzog & de Meuron and Gigon/Guyer 1993-2003
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Adrian Schiess is a young Swiss artist who approaches new artistic terrain in an entirely unprejudiced fashion. His work continues along the lines of the great history of 20th century abstract painting. In addition, Adrian Schiess' special relationship to architecture has resulted in collaboration with the two internationally renowned architectural firms Herzog & de Meuron, Basel, and Gigon/Guyer, Zurich.
Adrian Schiess - Colourspaces : co-operation with the architects Herzog & de Meuron and Gigon/Guyer 1993-2003
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Adrian Schiess is a young Swiss artist who approaches new artistic terrain in an entirely unprejudiced fashion. His work continues along the lines of the great history of 20th century abstract painting. In addition, Adrian Schiess' special relationship to architecture has resulted in collaboration with the two internationally renowned architectural firms Herzog & de Meuron, Basel, and Gigon/Guyer, Zurich.
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books
books
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January 1900, Luzern
January 1900, Luzern
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Contemporary Art Monographs
Contemporary Art Monographs
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books
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$73.95
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Presents a number of public art projects from the last year in Lower Austria. Covers temporary projects, exhibitions and interventions that take public spaces as their theme.
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Presents a number of public art projects from the last year in Lower Austria. Covers temporary projects, exhibitions and interventions that take public spaces as their theme.
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 1900, Wien
January 1900, Wien
Title:
Public art Lower Austria : volume 7
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Presents a number of public art projects from the last year in Lower Austria. Covers temporary projects, exhibitions and interventions that take public spaces as their theme.
Public art Lower Austria : volume 7
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Presents a number of public art projects from the last year in Lower Austria. Covers temporary projects, exhibitions and interventions that take public spaces as their theme.
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books
books
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January 1900, Wien
January 1900, Wien
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Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$74.25
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The art in the Detroit People Mover stations is a world-class collection with a uniquely Detroit sensibility. When the People Mover, Detroit's elevated transit system, was being planned, the stations were designed simply to serve as basic points of entry and departure, but in 1984 Irene Walt and the Downtown Detroit People Mover Art Commission, a volunteer committee also(...)
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The art in the Detroit People Mover stations is a world-class collection with a uniquely Detroit sensibility. When the People Mover, Detroit's elevated transit system, was being planned, the stations were designed simply to serve as basic points of entry and departure, but in 1984 Irene Walt and the Downtown Detroit People Mover Art Commission, a volunteer committee also(...)
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Art in the stations : the Detroit People Mover
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The art in the Detroit People Mover stations is a world-class collection with a uniquely Detroit sensibility. When the People Mover, Detroit's elevated transit system, was being planned, the stations were designed simply to serve as basic points of entry and departure, but in 1984 Irene Walt and the Downtown Detroit People Mover Art Commission, a volunteer committee also known as Art in the Stations, undertook the task of incorporating major works by contemporary American artists into the thirteen People Mover stations. As a result Detroit now has one of the most impressive collections of public art in the country. With lush photographs by Balthazar Korab and accompanying narrative, Art in the Stations examines each of the gorgeous works that grace the People Mover stations. A stunning guide through the city's People Mover art installations, Art in the Stations documents Detroit's rich culture and testifies to the perseverance and hard work that made the display of this art possible.
Art in the stations : the Detroit People Mover
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The art in the Detroit People Mover stations is a world-class collection with a uniquely Detroit sensibility. When the People Mover, Detroit's elevated transit system, was being planned, the stations were designed simply to serve as basic points of entry and departure, but in 1984 Irene Walt and the Downtown Detroit People Mover Art Commission, a volunteer committee also known as Art in the Stations, undertook the task of incorporating major works by contemporary American artists into the thirteen People Mover stations. As a result Detroit now has one of the most impressive collections of public art in the country. With lush photographs by Balthazar Korab and accompanying narrative, Art in the Stations examines each of the gorgeous works that grace the People Mover stations. A stunning guide through the city's People Mover art installations, Art in the Stations documents Detroit's rich culture and testifies to the perseverance and hard work that made the display of this art possible.
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books
books
Publication:
August 2004, Detroit
August 2004, Detroit
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
The art of Rachel Whiteread
The art of Rachel Whiteread
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once(...)
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once(...)
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The art of Rachel Whiteread
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once immensely reflective, both in its reference to history and to social or political situations of the present, and aware of its place within art history. In "The Art of Rachel Whiteread" a group of leading critics from museums and universities in Europe and North America examine the full range of Whiteread’s work, from the early domestic pieces of the late 1980s, through to her most recent public art projects such as "Monument" and "Room 101". These essays examine both the art historical legacy of post-minimalism within which Whiteread works and the historical commentaries that her site specific projects engender, and they suggest new critical approaches to what is likely to be one of the most enduring artistic projects of our time.
The art of Rachel Whiteread
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$38.00
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Since achieving an international reputation in the early 1990s with casts of empty architectural spaces such as "House" and "Ghost", Rachel Whiteread has gone on making complex, subtle and often provocative works that consistently grab public attention. In pieces such as "Water Tower" in New York and her Holocaust Memorial in Vienna, Whiteread’s work is at once immensely reflective, both in its reference to history and to social or political situations of the present, and aware of its place within art history. In "The Art of Rachel Whiteread" a group of leading critics from museums and universities in Europe and North America examine the full range of Whiteread’s work, from the early domestic pieces of the late 1980s, through to her most recent public art projects such as "Monument" and "Room 101". These essays examine both the art historical legacy of post-minimalism within which Whiteread works and the historical commentaries that her site specific projects engender, and they suggest new critical approaches to what is likely to be one of the most enduring artistic projects of our time.
Form:
books
books
Publication:
November 2004, London
November 2004, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$36.00
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Now back in print, Johanna Drucker's "The Century of Artists' Books" is the seminal full-length study of the development of artists’ books as a 20th-century art form. By situating artists’ books within the context of mainstream developments in the visual arts, Drucker raises critical and theoretical issues as well as providing a historical overview of the medium. Within(...)
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Now back in print, Johanna Drucker's "The Century of Artists' Books" is the seminal full-length study of the development of artists’ books as a 20th-century art form. By situating artists’ books within the context of mainstream developments in the visual arts, Drucker raises critical and theoretical issues as well as providing a historical overview of the medium. Within(...)
Title:
The century of artists' books
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Now back in print, Johanna Drucker's "The Century of Artists' Books" is the seminal full-length study of the development of artists’ books as a 20th-century art form. By situating artists’ books within the context of mainstream developments in the visual arts, Drucker raises critical and theoretical issues as well as providing a historical overview of the medium. Within its pages, she explores more than two hundred individual books in relation to their structure, form, and conceptualization. This latest edition of the book features a new preface by Drucker and includes an introduction by New York Times senior art critic Holland Cotter.
The century of artists' books
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$36.00
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Now back in print, Johanna Drucker's "The Century of Artists' Books" is the seminal full-length study of the development of artists’ books as a 20th-century art form. By situating artists’ books within the context of mainstream developments in the visual arts, Drucker raises critical and theoretical issues as well as providing a historical overview of the medium. Within its pages, she explores more than two hundred individual books in relation to their structure, form, and conceptualization. This latest edition of the book features a new preface by Drucker and includes an introduction by New York Times senior art critic Holland Cotter.
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books
books
Publication:
November 2004, New York
November 2004, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Dan Graham by Dan Graham
Dan Graham by Dan Graham
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Beautifully designed, this catalogue is from the exhibition held at Chiba City Art Museum at the end of 2003. It provides a detailed presentation of Graham's work with notes by the artist.
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Beautifully designed, this catalogue is from the exhibition held at Chiba City Art Museum at the end of 2003. It provides a detailed presentation of Graham's work with notes by the artist.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 1900, Chiba
January 1900, Chiba
Title:
Dan Graham by Dan Graham
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Beautifully designed, this catalogue is from the exhibition held at Chiba City Art Museum at the end of 2003. It provides a detailed presentation of Graham's work with notes by the artist.
Dan Graham by Dan Graham
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Beautifully designed, this catalogue is from the exhibition held at Chiba City Art Museum at the end of 2003. It provides a detailed presentation of Graham's work with notes by the artist.
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books
books
Publication:
January 1900, Chiba
January 1900, Chiba
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$48.00
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Summary:
Catalogue de l'exposition tenue au capc Musée d'art contemporain de Bordeaux.
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Catalogue de l'exposition tenue au capc Musée d'art contemporain de Bordeaux.
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Contemporary Art Monographs
Contemporary Art Monographs
Publication:
May 2004, Bordeaux
May 2004, Bordeaux
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books
books
Title:
Hans Haacke
Hans Haacke
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Born in Cologne in 1936 and based in New York since 1965, Haacke’s strong political, cultural and social concerns are reflected in his installations, texts and sculptures. Throughout his fifty-year career Haacke has frequently changed the presentation of his art to get his message across. Often borrowing from non-art sources such as corporate advertising,(...)
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Born in Cologne in 1936 and based in New York since 1965, Haacke’s strong political, cultural and social concerns are reflected in his installations, texts and sculptures. Throughout his fifty-year career Haacke has frequently changed the presentation of his art to get his message across. Often borrowing from non-art sources such as corporate advertising,(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
May 2004, London
May 2004, London
Title:
Hans Haacke
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Born in Cologne in 1936 and based in New York since 1965, Haacke’s strong political, cultural and social concerns are reflected in his installations, texts and sculptures. Throughout his fifty-year career Haacke has frequently changed the presentation of his art to get his message across. Often borrowing from non-art sources such as corporate advertising, questionnaires or scientific experimentation, Haacke is probably the most successful and best-known late twentieth-century artist to create a political art that manages to hit its mark with succinct elegance. Haacke sometimes works almost as a sleuth-like reporter, uncovering museum politics in his art. This practice has famously led on occasion to museum officials cancelling his exhibitions. For example, his 1971 one-person show at the Solomon R. Guggenheim Museum, New York, was cancelled in response to his proposal to present the questionable real estate dealings of several New York companies. Haacke is a unique figure in post-war art, and his work has touched on such diverse movements as Conceptual, Pop, Minimal and Land art. His integrity as well as the formal innovations of his art have proven hugely influential for many generations of contemporary artists.
Hans Haacke
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Born in Cologne in 1936 and based in New York since 1965, Haacke’s strong political, cultural and social concerns are reflected in his installations, texts and sculptures. Throughout his fifty-year career Haacke has frequently changed the presentation of his art to get his message across. Often borrowing from non-art sources such as corporate advertising, questionnaires or scientific experimentation, Haacke is probably the most successful and best-known late twentieth-century artist to create a political art that manages to hit its mark with succinct elegance. Haacke sometimes works almost as a sleuth-like reporter, uncovering museum politics in his art. This practice has famously led on occasion to museum officials cancelling his exhibitions. For example, his 1971 one-person show at the Solomon R. Guggenheim Museum, New York, was cancelled in response to his proposal to present the questionable real estate dealings of several New York companies. Haacke is a unique figure in post-war art, and his work has touched on such diverse movements as Conceptual, Pop, Minimal and Land art. His integrity as well as the formal innovations of his art have proven hugely influential for many generations of contemporary artists.
Form:
books
books
Publication:
May 2004, London
May 2004, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$79.95
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In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of(...)
$79.95
(available to order)
Summary:
In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of(...)
Publication:
May 2004, Brussels
May 2004, Brussels
Title:
Michael Snow : Biographie of the walking woman / de la femme qui marche 1961 - 1967 (2004)
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In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of the original cut-out as both tool and subject. "Biographie" is a 2004 The Walking Woman work which consists of the juxtaposition and the many-sided sequential ordering of a selection from these deliberate, inadvertent, and by-chance photographic documents. It is a Finnegan’s Wake, non-chronological biography. / À la fin des années 1960, Michael Snow réalisa plusieurs découpages naturalistes de figurines en carton en utilisant le mur comme arrière plan. Au début de 1961, il dessina, puis découpa la silhouette de profil d’une femme marchant, haute de 152 cm, dans un morceau de carton.Tout son travail, entre 1961 et 1967, utilise le profil ou la silhouette de la découpe originale aussi bien comme outil que comme sujet. Le livre "Biographie" est un livre d’artiste qui consiste en la juxtaposition et l’ordonnancement séquentiel de documents photographiques délibérés, inopinés ou aléatoires, conjuguant les apparitions ordinaires et sublimes de La femme qui marche. C’est une biographie non chronologique à la Finnegan’s Wake.
Michael Snow : Biographie of the walking woman / de la femme qui marche 1961 - 1967 (2004)
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In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of the original cut-out as both tool and subject. "Biographie" is a 2004 The Walking Woman work which consists of the juxtaposition and the many-sided sequential ordering of a selection from these deliberate, inadvertent, and by-chance photographic documents. It is a Finnegan’s Wake, non-chronological biography. / À la fin des années 1960, Michael Snow réalisa plusieurs découpages naturalistes de figurines en carton en utilisant le mur comme arrière plan. Au début de 1961, il dessina, puis découpa la silhouette de profil d’une femme marchant, haute de 152 cm, dans un morceau de carton.Tout son travail, entre 1961 et 1967, utilise le profil ou la silhouette de la découpe originale aussi bien comme outil que comme sujet. Le livre "Biographie" est un livre d’artiste qui consiste en la juxtaposition et l’ordonnancement séquentiel de documents photographiques délibérés, inopinés ou aléatoires, conjuguant les apparitions ordinaires et sublimes de La femme qui marche. C’est une biographie non chronologique à la Finnegan’s Wake.
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books
books
Publication:
May 2004, Brussels
May 2004, Brussels
Form:
books
books
Price:
$18.95
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Summary:
Livret accompagnant une exposition ayant eu lieu au Nouveau Musée de Villeurbanne, France, du 5 mars - 15 mai 1988.
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Summary:
Livret accompagnant une exposition ayant eu lieu au Nouveau Musée de Villeurbanne, France, du 5 mars - 15 mai 1988.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
December 2001, Villeurbanne
December 2001, Villeurbanne
