1866 Results
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books
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Published on the occasion of the exhibition Ulla von Brandenburg whose beginning is not, nor end cannot be, 27 May - 12 October 2008, IMMA.
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Published on the occasion of the exhibition Ulla von Brandenburg whose beginning is not, nor end cannot be, 27 May - 12 October 2008, IMMA.
Title:
Ulla von Brandenburg: whose beginning is not, nor end cannot be
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Published on the occasion of the exhibition Ulla von Brandenburg whose beginning is not, nor end cannot be, 27 May - 12 October 2008, IMMA.
Ulla von Brandenburg: whose beginning is not, nor end cannot be
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Published on the occasion of the exhibition Ulla von Brandenburg whose beginning is not, nor end cannot be, 27 May - 12 October 2008, IMMA.
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books
books
Publication:
February 2009, Milano
February 2009, Milano
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Michael Hakimi
Michael Hakimi
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The murals, computer images, paper works, drawings and objects of Berlin-based Michael Hakimi are combined in site-specific installations to form intricate networks of meaning. Hakimi expands the function of his formally reduced, two-dimensional images by means of his interventions, emphasizing the semantic divide between object and sign. The artist examines the narrative(...)
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The murals, computer images, paper works, drawings and objects of Berlin-based Michael Hakimi are combined in site-specific installations to form intricate networks of meaning. Hakimi expands the function of his formally reduced, two-dimensional images by means of his interventions, emphasizing the semantic divide between object and sign. The artist examines the narrative(...)
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Michael Hakimi
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The murals, computer images, paper works, drawings and objects of Berlin-based Michael Hakimi are combined in site-specific installations to form intricate networks of meaning. Hakimi expands the function of his formally reduced, two-dimensional images by means of his interventions, emphasizing the semantic divide between object and sign. The artist examines the narrative potential of symbols and basic geometric shapes through the collagelike interaction of his works with readymades of the simplest materials. His installation "Large Oven" (2004), for example, realized for the Kunstverein Hamburg, and the spatial project "Roof" (2007), produced for the Kunsthalle Basel, both of which are comprehensively documented for the first time in the present publication, create walk-in scenarios reflecting social, political and urban realities. Beyond these works, this retrospective monograph presents all of Hakimi's work since 2002.
Michael Hakimi
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The murals, computer images, paper works, drawings and objects of Berlin-based Michael Hakimi are combined in site-specific installations to form intricate networks of meaning. Hakimi expands the function of his formally reduced, two-dimensional images by means of his interventions, emphasizing the semantic divide between object and sign. The artist examines the narrative potential of symbols and basic geometric shapes through the collagelike interaction of his works with readymades of the simplest materials. His installation "Large Oven" (2004), for example, realized for the Kunstverein Hamburg, and the spatial project "Roof" (2007), produced for the Kunsthalle Basel, both of which are comprehensively documented for the first time in the present publication, create walk-in scenarios reflecting social, political and urban realities. Beyond these works, this retrospective monograph presents all of Hakimi's work since 2002.
Form:
books
books
Publication:
March 2009, Ostfildern
March 2009, Ostfildern
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$54.00
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Available in English for the first time, Viennese painter Maria Lassnig's diaries--originally published in German in 2000 by Hans Ulrich Obrist--are a collection of journal entries, notes, poems, letters, photographs and drawings.
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Available in English for the first time, Viennese painter Maria Lassnig's diaries--originally published in German in 2000 by Hans Ulrich Obrist--are a collection of journal entries, notes, poems, letters, photographs and drawings.
Title:
Maria Lassnig: the pen is the sister of the brush
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Available in English for the first time, Viennese painter Maria Lassnig's diaries--originally published in German in 2000 by Hans Ulrich Obrist--are a collection of journal entries, notes, poems, letters, photographs and drawings.
Maria Lassnig: the pen is the sister of the brush
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Available in English for the first time, Viennese painter Maria Lassnig's diaries--originally published in German in 2000 by Hans Ulrich Obrist--are a collection of journal entries, notes, poems, letters, photographs and drawings.
Form:
books
books
Publication:
March 2009
March 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Clay Ketter
Clay Ketter
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sweedish Exhibition catalogue, Moderna museet, Stockolm, may to august 2009. Combining consistency and innovation, Ketter has continued to produce works at the junctures of architecture, sculpture and painting. The variation between media, including painting, photography and sculpture, establishes layers of complexity but the terse composition of his works are always(...)
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sweedish Exhibition catalogue, Moderna museet, Stockolm, may to august 2009. Combining consistency and innovation, Ketter has continued to produce works at the junctures of architecture, sculpture and painting. The variation between media, including painting, photography and sculpture, establishes layers of complexity but the terse composition of his works are always(...)
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Clay Ketter
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sweedish Exhibition catalogue, Moderna museet, Stockolm, may to august 2009. Combining consistency and innovation, Ketter has continued to produce works at the junctures of architecture, sculpture and painting. The variation between media, including painting, photography and sculpture, establishes layers of complexity but the terse composition of his works are always visually arresting.
Clay Ketter
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sweedish Exhibition catalogue, Moderna museet, Stockolm, may to august 2009. Combining consistency and innovation, Ketter has continued to produce works at the junctures of architecture, sculpture and painting. The variation between media, including painting, photography and sculpture, establishes layers of complexity but the terse composition of his works are always visually arresting.
Form:
books
books
Publication:
August 2009
August 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$42.00
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Danish installation artist Tue Greenfort is interested in ecological and economic issues: against the background of global interrelations, he examines how people deal with the protection of the environment and endangered species in view of the scarcity of raw materials.
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Danish installation artist Tue Greenfort is interested in ecological and economic issues: against the background of global interrelations, he examines how people deal with the protection of the environment and endangered species in view of the scarcity of raw materials.
Title:
Tue Greenfort, linear deflection
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Danish installation artist Tue Greenfort is interested in ecological and economic issues: against the background of global interrelations, he examines how people deal with the protection of the environment and endangered species in view of the scarcity of raw materials.
Tue Greenfort, linear deflection
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Danish installation artist Tue Greenfort is interested in ecological and economic issues: against the background of global interrelations, he examines how people deal with the protection of the environment and endangered species in view of the scarcity of raw materials.
Form:
books
books
Publication:
March 2009
March 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Simryn Gill
Simryn Gill
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$51.00
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First published on the occasion of the exhibition Simryn Gill: Gathering, 20 November 2008 - 22 March 2009 organised by the Museum of Contemporary Art, Sydney, Australia.
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First published on the occasion of the exhibition Simryn Gill: Gathering, 20 November 2008 - 22 March 2009 organised by the Museum of Contemporary Art, Sydney, Australia.
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Simryn Gill
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First published on the occasion of the exhibition Simryn Gill: Gathering, 20 November 2008 - 22 March 2009 organised by the Museum of Contemporary Art, Sydney, Australia.
Simryn Gill
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First published on the occasion of the exhibition Simryn Gill: Gathering, 20 November 2008 - 22 March 2009 organised by the Museum of Contemporary Art, Sydney, Australia.
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books
books
Publication:
March 2009, Sydney, Köln
March 2009, Sydney, Köln
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$45.95
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Summary:
Qu’est-ce qu’un lieu ? Nous pensons le savoir mais si l’on nous pose la question, nous ne le savons plus. Quoi de plus difficile en effet que de définir un lieu, de l’expliquer, de traduire tout ce qu’il implique, tout ce qu’il contient comme charge historique, émotionnelle, symbolique ? Ce livre se présente sous la forme originale d’une exposition dans laquelle,(...)
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Qu’est-ce qu’un lieu ? Nous pensons le savoir mais si l’on nous pose la question, nous ne le savons plus. Quoi de plus difficile en effet que de définir un lieu, de l’expliquer, de traduire tout ce qu’il implique, tout ce qu’il contient comme charge historique, émotionnelle, symbolique ? Ce livre se présente sous la forme originale d’une exposition dans laquelle,(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
April 2005, Paris
April 2005, Paris
Title:
Lieu
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Qu’est-ce qu’un lieu ? Nous pensons le savoir mais si l’on nous pose la question, nous ne le savons plus. Quoi de plus difficile en effet que de définir un lieu, de l’expliquer, de traduire tout ce qu’il implique, tout ce qu’il contient comme charge historique, émotionnelle, symbolique ? Ce livre se présente sous la forme originale d’une exposition dans laquelle, salle après salle, le visiteur-lecteur découvre des œuvres qui toutes analysent la notion de lieu dans le monde contemporain. L’art qui est ici exposé révèle une grande variété de démarches et de pratiques. Certains artistes explorent la ville et ses transformations afin de comprendre notre rapport à un environnement urbain de plus en plus uniforme tandis que d’autres tentent de cerner le rôle de la nature dans notre imaginaire de citadins. Certains inventent des mondes fantastiques pour mieux montrer à quel point le lieu n’est qu’une création de l’esprit tandis que d’autres nous font prendre conscience que même les lieux les plus familiers recèlent une part d’étrangeté. Certains artistes s’attachent au lieu comme mémoire d’événements historiques ou personnels, réels ou mythiques, tandis que d’autres décrivent son caractère éminemment politique. De nombreux artistes s’intéressent aux divisions territoriales et à leurs conséquences souvent dramatiques ; d’autres aux errants, aux itinérants, à ceux qui n’ont pas de prétentions sur la terre ; d’autres enfin aux « non-lieux » anonymes et à la menace qu’ils font peser sur la diversité de notre monde contemporain. Tous les artistes de ce livre décryptent la façon dont les lieux nous affectent et nous façonnent. Ce faisant, ils nous aident à comprendre le monde dans lequel nous vivons.
Lieu
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Qu’est-ce qu’un lieu ? Nous pensons le savoir mais si l’on nous pose la question, nous ne le savons plus. Quoi de plus difficile en effet que de définir un lieu, de l’expliquer, de traduire tout ce qu’il implique, tout ce qu’il contient comme charge historique, émotionnelle, symbolique ? Ce livre se présente sous la forme originale d’une exposition dans laquelle, salle après salle, le visiteur-lecteur découvre des œuvres qui toutes analysent la notion de lieu dans le monde contemporain. L’art qui est ici exposé révèle une grande variété de démarches et de pratiques. Certains artistes explorent la ville et ses transformations afin de comprendre notre rapport à un environnement urbain de plus en plus uniforme tandis que d’autres tentent de cerner le rôle de la nature dans notre imaginaire de citadins. Certains inventent des mondes fantastiques pour mieux montrer à quel point le lieu n’est qu’une création de l’esprit tandis que d’autres nous font prendre conscience que même les lieux les plus familiers recèlent une part d’étrangeté. Certains artistes s’attachent au lieu comme mémoire d’événements historiques ou personnels, réels ou mythiques, tandis que d’autres décrivent son caractère éminemment politique. De nombreux artistes s’intéressent aux divisions territoriales et à leurs conséquences souvent dramatiques ; d’autres aux errants, aux itinérants, à ceux qui n’ont pas de prétentions sur la terre ; d’autres enfin aux « non-lieux » anonymes et à la menace qu’ils font peser sur la diversité de notre monde contemporain. Tous les artistes de ce livre décryptent la façon dont les lieux nous affectent et nous façonnent. Ce faisant, ils nous aident à comprendre le monde dans lequel nous vivons.
Form:
books
books
Publication:
April 2005, Paris
April 2005, Paris
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$49.95
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Ce livre retrace une extraordinaire aventure artistique : de février à mars 2004 s’est déroulée en Laponie finlandaise, à l’initiative du galeriste new-yorkais Lance Fung, une exposition d’art d’un genre nouveau, toute en neige et en glace. Chacune des dix-sept œuvres présentées était réalisée par un duo comprenant un artiste et une agence d’architecture de renommée(...)
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Ce livre retrace une extraordinaire aventure artistique : de février à mars 2004 s’est déroulée en Laponie finlandaise, à l’initiative du galeriste new-yorkais Lance Fung, une exposition d’art d’un genre nouveau, toute en neige et en glace. Chacune des dix-sept œuvres présentées était réalisée par un duo comprenant un artiste et une agence d’architecture de renommée(...)
Title:
Snow show : architectures de glace
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Ce livre retrace une extraordinaire aventure artistique : de février à mars 2004 s’est déroulée en Laponie finlandaise, à l’initiative du galeriste new-yorkais Lance Fung, une exposition d’art d’un genre nouveau, toute en neige et en glace. Chacune des dix-sept œuvres présentées était réalisée par un duo comprenant un artiste et une agence d’architecture de renommée internationale, à qui l’on avait demandé, pour la première fois, de travailler ensemble. C’est ainsi qu’ont par exemple collaboré Anish Kapoor et Future Systems, Yoko Ono et Isozaki, Kiki Smith et Lebbeus Woods, Carsten Höller et Williams & Tsien ou encore Cai Guo-Qiang et Zaha Hadid. D’abord conçu comme une exposition d’art, “Snow Show” est rapidement devenu, par le caractère extrême et inhabituel des paramètres qui entraient en jeu, une expérience singulière. Les équipes d’architectes et d’artistes ont su élaborer des projets audacieux, allant de l’exercice d’expérimentation formelle à la prise de position artistique hautement conceptuelle.
Snow show : architectures de glace
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Ce livre retrace une extraordinaire aventure artistique : de février à mars 2004 s’est déroulée en Laponie finlandaise, à l’initiative du galeriste new-yorkais Lance Fung, une exposition d’art d’un genre nouveau, toute en neige et en glace. Chacune des dix-sept œuvres présentées était réalisée par un duo comprenant un artiste et une agence d’architecture de renommée internationale, à qui l’on avait demandé, pour la première fois, de travailler ensemble. C’est ainsi qu’ont par exemple collaboré Anish Kapoor et Future Systems, Yoko Ono et Isozaki, Kiki Smith et Lebbeus Woods, Carsten Höller et Williams & Tsien ou encore Cai Guo-Qiang et Zaha Hadid. D’abord conçu comme une exposition d’art, “Snow Show” est rapidement devenu, par le caractère extrême et inhabituel des paramètres qui entraient en jeu, une expérience singulière. Les équipes d’architectes et d’artistes ont su élaborer des projets audacieux, allant de l’exercice d’expérimentation formelle à la prise de position artistique hautement conceptuelle.
Form:
books
books
Publication:
April 2005, Paris
April 2005, Paris
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Peter Fischli David Weiss
Peter Fischli David Weiss
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$59.95
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Fischli and Weiss are highly prestigious, bluechip contemporary artists who work with sculpture, photography and video, positioned at the very cutting edges of new art. They represented Switzerland in the Venice Biennales of 1995 and 2003, and won the Leone d’Oro prize in the latter for their slideshow Will Happiness Find Me?
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Summary:
Fischli and Weiss are highly prestigious, bluechip contemporary artists who work with sculpture, photography and video, positioned at the very cutting edges of new art. They represented Switzerland in the Venice Biennales of 1995 and 2003, and won the Leone d’Oro prize in the latter for their slideshow Will Happiness Find Me?
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
May 2005, New York
May 2005, New York
Title:
Peter Fischli David Weiss
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$59.95
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Summary:
Fischli and Weiss are highly prestigious, bluechip contemporary artists who work with sculpture, photography and video, positioned at the very cutting edges of new art. They represented Switzerland in the Venice Biennales of 1995 and 2003, and won the Leone d’Oro prize in the latter for their slideshow Will Happiness Find Me?
Peter Fischli David Weiss
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$59.95
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Summary:
Fischli and Weiss are highly prestigious, bluechip contemporary artists who work with sculpture, photography and video, positioned at the very cutting edges of new art. They represented Switzerland in the Venice Biennales of 1995 and 2003, and won the Leone d’Oro prize in the latter for their slideshow Will Happiness Find Me?
Form:
books
books
Publication:
May 2005, New York
May 2005, New York
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$60.00
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Summary:
Thomas Schütte has frequently cast himself into the role of a maverick - remained remote from the work of his artistic mentor, distanced himself from the statements of each ephemeral Zeitgeist and increasingly contradicted his own positions - and in so doing has become one of the most influential artists of his generation. Shifting from text to image to object to book,(...)
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Thomas Schütte has frequently cast himself into the role of a maverick - remained remote from the work of his artistic mentor, distanced himself from the statements of each ephemeral Zeitgeist and increasingly contradicted his own positions - and in so doing has become one of the most influential artists of his generation. Shifting from text to image to object to book,(...)
Title:
Thomas Schutte : Friedrich Christian Flick collection, volume 2
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Thomas Schütte has frequently cast himself into the role of a maverick - remained remote from the work of his artistic mentor, distanced himself from the statements of each ephemeral Zeitgeist and increasingly contradicted his own positions - and in so doing has become one of the most influential artists of his generation. Shifting from text to image to object to book, his work juxtaposes biographical moments with contemporary events, oscillates between the aspiration to shape the public reception of architecture and monumental sculpture and the conjunctive of model-maker, and projects avant-garde ideas onto traditional forms of art. With meticulous rigor, Ulrich Loock has observed the evolution of Schütte’s output over the past 25 years. Underpinning his lucid overview is a series of intensive discussions between the author and artist on the genesis and history of particular works. This well-designed book is the most comprehensive monograph of the artist’s work to date, and provides profound insight into Schütte’s work through detailed discussions of the pieces.
Thomas Schutte : Friedrich Christian Flick collection, volume 2
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Thomas Schütte has frequently cast himself into the role of a maverick - remained remote from the work of his artistic mentor, distanced himself from the statements of each ephemeral Zeitgeist and increasingly contradicted his own positions - and in so doing has become one of the most influential artists of his generation. Shifting from text to image to object to book, his work juxtaposes biographical moments with contemporary events, oscillates between the aspiration to shape the public reception of architecture and monumental sculpture and the conjunctive of model-maker, and projects avant-garde ideas onto traditional forms of art. With meticulous rigor, Ulrich Loock has observed the evolution of Schütte’s output over the past 25 years. Underpinning his lucid overview is a series of intensive discussions between the author and artist on the genesis and history of particular works. This well-designed book is the most comprehensive monograph of the artist’s work to date, and provides profound insight into Schütte’s work through detailed discussions of the pieces.
Form:
books
books
Publication:
January 1900, Cologne
January 1900, Cologne
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
