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Title:
Territoires urbains
Territoires urbains
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«Territoires urbains» présente le travail photographique de six artistes qui ont fait de la ville en perpétuel changement leur sujet. À travers une vaste gamme d'intérêts et d'approches, chaque artiste propose une réponse à la question suivante : qu'est-ce-que la photographie documentaire au 21e siècle? Pour cette génération de photographes, la ville n'est pas le sujet de(...)
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«Territoires urbains» présente le travail photographique de six artistes qui ont fait de la ville en perpétuel changement leur sujet. À travers une vaste gamme d'intérêts et d'approches, chaque artiste propose une réponse à la question suivante : qu'est-ce-que la photographie documentaire au 21e siècle? Pour cette génération de photographes, la ville n'est pas le sujet de(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2005, Montréal
October 2005, Montréal
Title:
Territoires urbains
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Summary:
«Territoires urbains» présente le travail photographique de six artistes qui ont fait de la ville en perpétuel changement leur sujet. À travers une vaste gamme d'intérêts et d'approches, chaque artiste propose une réponse à la question suivante : qu'est-ce-que la photographie documentaire au 21e siècle? Pour cette génération de photographes, la ville n'est pas le sujet de leur enquête, mais plutôt le contexte. Pour ces artistes, la ville évoque les aspects sociaux, politiques et judiciaires de la société, tout en étant un endroit de travail, d'échange et de divertissement. Les artistes expriment ainsi leurs travaux un point de vue particulier sur la réalité urbaine, qu'il s'agisse du territoire physique ou de l'espace social. Artistes participants : Christian Barré, Martin Désilets, Isabelle Hayeur, Emmanuelle Léonard, Pavel Pavlov et Myriam Yates. L'essai est accompagné de textes d'artistes.
Territoires urbains
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«Territoires urbains» présente le travail photographique de six artistes qui ont fait de la ville en perpétuel changement leur sujet. À travers une vaste gamme d'intérêts et d'approches, chaque artiste propose une réponse à la question suivante : qu'est-ce-que la photographie documentaire au 21e siècle? Pour cette génération de photographes, la ville n'est pas le sujet de leur enquête, mais plutôt le contexte. Pour ces artistes, la ville évoque les aspects sociaux, politiques et judiciaires de la société, tout en étant un endroit de travail, d'échange et de divertissement. Les artistes expriment ainsi leurs travaux un point de vue particulier sur la réalité urbaine, qu'il s'agisse du territoire physique ou de l'espace social. Artistes participants : Christian Barré, Martin Désilets, Isabelle Hayeur, Emmanuelle Léonard, Pavel Pavlov et Myriam Yates. L'essai est accompagné de textes d'artistes.
Form:
books
books
Publication:
October 2005, Montréal
October 2005, Montréal
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Away from home
Away from home
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This catalogue documents "Away from home" with extensive illustrations, entries on each artist, essays by Jan Avgikos, Mark Cousins, and Jeffrey Kipnis, and an introduction by Annetta Massie, the exhibition's curator. "Away from Home" was on view at Columbus College of Art & Design's Canzani Center Gallery February 1 - April 20, 2003.
$12.95
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Summary:
This catalogue documents "Away from home" with extensive illustrations, entries on each artist, essays by Jan Avgikos, Mark Cousins, and Jeffrey Kipnis, and an introduction by Annetta Massie, the exhibition's curator. "Away from Home" was on view at Columbus College of Art & Design's Canzani Center Gallery February 1 - April 20, 2003.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
July 2003, Columbus, Ohio
July 2003, Columbus, Ohio
Title:
Away from home
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Summary:
This catalogue documents "Away from home" with extensive illustrations, entries on each artist, essays by Jan Avgikos, Mark Cousins, and Jeffrey Kipnis, and an introduction by Annetta Massie, the exhibition's curator. "Away from Home" was on view at Columbus College of Art & Design's Canzani Center Gallery February 1 - April 20, 2003.
Away from home
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Summary:
This catalogue documents "Away from home" with extensive illustrations, entries on each artist, essays by Jan Avgikos, Mark Cousins, and Jeffrey Kipnis, and an introduction by Annetta Massie, the exhibition's curator. "Away from Home" was on view at Columbus College of Art & Design's Canzani Center Gallery February 1 - April 20, 2003.
Form:
books
books
Publication:
July 2003, Columbus, Ohio
July 2003, Columbus, Ohio
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Jeppe Hein
Jeppe Hein
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Cet ouvrage a été publié à l'occasion de l'exposition Jeppe Heine, à l'espace 315, création contemporaine et prospective, Centre Pompidou, Musée national d'art moderne - Centre de création industrielle, Paris, 15 septembre -14 novembre 2005. Artiste danois, Jeppe Hein crée des objets épurés et géométriques ou des installations discrètes et ludiques dans une continuité de(...)
$35.95
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Summary:
Cet ouvrage a été publié à l'occasion de l'exposition Jeppe Heine, à l'espace 315, création contemporaine et prospective, Centre Pompidou, Musée national d'art moderne - Centre de création industrielle, Paris, 15 septembre -14 novembre 2005. Artiste danois, Jeppe Hein crée des objets épurés et géométriques ou des installations discrètes et ludiques dans une continuité de(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
September 2005, Paris
September 2005, Paris
Title:
Jeppe Hein
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Summary:
Cet ouvrage a été publié à l'occasion de l'exposition Jeppe Heine, à l'espace 315, création contemporaine et prospective, Centre Pompidou, Musée national d'art moderne - Centre de création industrielle, Paris, 15 septembre -14 novembre 2005. Artiste danois, Jeppe Hein crée des objets épurés et géométriques ou des installations discrètes et ludiques dans une continuité de la tradition de la sculpture minimaliste, tout en proposant un contrepoint par la mise en place d'un dialogue incongru entre les oeuvres et le spectateur. Chaque installation évolue en fonction du stimulus qu'elle reçoit du spectateur, ainsi le public provoque-t-il une réaction mais ne peut pas vraiment la maîtriser. Pour sa première exposition parisienne, Jeppe Hein présente un projet spécifique sur le thème du labyrinthe. Le visiteur est sollicité par des sons qu'il découvre au fur et à mesure de ses pérégrinations et crée sa propre oeuvre en parcourant l'installation. A l'image de l'exposition, l'ouvrage se présente comme un parcours dans le dédale des oeuvres de l'artiste, ses travaux d'approche pour cette manifestation et sa façon de croiser le thème du labyrinthe. This book has been published to coincide with the exhibition Jeppe Hein, in the Espace 315, Centre Pompidou, Paris, sept.-nov. 2005.
Jeppe Hein
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Summary:
Cet ouvrage a été publié à l'occasion de l'exposition Jeppe Heine, à l'espace 315, création contemporaine et prospective, Centre Pompidou, Musée national d'art moderne - Centre de création industrielle, Paris, 15 septembre -14 novembre 2005. Artiste danois, Jeppe Hein crée des objets épurés et géométriques ou des installations discrètes et ludiques dans une continuité de la tradition de la sculpture minimaliste, tout en proposant un contrepoint par la mise en place d'un dialogue incongru entre les oeuvres et le spectateur. Chaque installation évolue en fonction du stimulus qu'elle reçoit du spectateur, ainsi le public provoque-t-il une réaction mais ne peut pas vraiment la maîtriser. Pour sa première exposition parisienne, Jeppe Hein présente un projet spécifique sur le thème du labyrinthe. Le visiteur est sollicité par des sons qu'il découvre au fur et à mesure de ses pérégrinations et crée sa propre oeuvre en parcourant l'installation. A l'image de l'exposition, l'ouvrage se présente comme un parcours dans le dédale des oeuvres de l'artiste, ses travaux d'approche pour cette manifestation et sa façon de croiser le thème du labyrinthe. This book has been published to coincide with the exhibition Jeppe Hein, in the Espace 315, Centre Pompidou, Paris, sept.-nov. 2005.
Form:
books
books
Publication:
September 2005, Paris
September 2005, Paris
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$34.95
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Summary:
Catalogue publié à l'occasion de l'exposition Bernar Venet sur la base de loisirs de Cergy-Pontoise du 1er mai au 15 octobre 2005. Commissaire de l'exposition : Didier Guilland. Photographies de Lionel Pagès.
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Catalogue publié à l'occasion de l'exposition Bernar Venet sur la base de loisirs de Cergy-Pontoise du 1er mai au 15 octobre 2005. Commissaire de l'exposition : Didier Guilland. Photographies de Lionel Pagès.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 1900, Paris
January 1900, Paris
Title:
Bernar Venet : à Cergy-Pontoise
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Catalogue publié à l'occasion de l'exposition Bernar Venet sur la base de loisirs de Cergy-Pontoise du 1er mai au 15 octobre 2005. Commissaire de l'exposition : Didier Guilland. Photographies de Lionel Pagès.
Bernar Venet : à Cergy-Pontoise
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Catalogue publié à l'occasion de l'exposition Bernar Venet sur la base de loisirs de Cergy-Pontoise du 1er mai au 15 octobre 2005. Commissaire de l'exposition : Didier Guilland. Photographies de Lionel Pagès.
Form:
books
books
Publication:
January 1900, Paris
January 1900, Paris
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$2.00
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Summary:
Isabelle Pauwels is a young Vancouver artist with an abiding concern about the effect of architecture on social relation. "Unfinished Apartment for Rent" details, in seven screenplays, the interaction between a series of fictitious apartment dwellers. Forced through financial constraints to assemble furniture from the walls of their individual accommodations, these(...)
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Summary:
Isabelle Pauwels is a young Vancouver artist with an abiding concern about the effect of architecture on social relation. "Unfinished Apartment for Rent" details, in seven screenplays, the interaction between a series of fictitious apartment dwellers. Forced through financial constraints to assemble furniture from the walls of their individual accommodations, these(...)
Title:
Isabelle Pauwels : unfurnished apartment for rent
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Isabelle Pauwels is a young Vancouver artist with an abiding concern about the effect of architecture on social relation. "Unfinished Apartment for Rent" details, in seven screenplays, the interaction between a series of fictitious apartment dwellers. Forced through financial constraints to assemble furniture from the walls of their individual accommodations, these renters sacrifice more and more privacy as they cannibalize their dwellings for creature comforts.
Isabelle Pauwels : unfurnished apartment for rent
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Summary:
Isabelle Pauwels is a young Vancouver artist with an abiding concern about the effect of architecture on social relation. "Unfinished Apartment for Rent" details, in seven screenplays, the interaction between a series of fictitious apartment dwellers. Forced through financial constraints to assemble furniture from the walls of their individual accommodations, these renters sacrifice more and more privacy as they cannibalize their dwellings for creature comforts.
Form:
books
books
Publication:
January 1900, Vancouver
January 1900, Vancouver
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$30.00
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Summary:
This catalogue accompanies an exhibition of the work of Christopher Williams at the Contemporary Art Gallery, Vancouver. For this project Christopher Williams drew from three disparate sources: the development of colour photography for commercial applications in the United States, the European reception of Pop Art - specifically in relation to Marcel Broodthaer’s first(...)
$30.00
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Summary:
This catalogue accompanies an exhibition of the work of Christopher Williams at the Contemporary Art Gallery, Vancouver. For this project Christopher Williams drew from three disparate sources: the development of colour photography for commercial applications in the United States, the European reception of Pop Art - specifically in relation to Marcel Broodthaer’s first(...)
Publication:
January 2005, Vancouver
January 2005, Vancouver
Title:
Christopher Williams : archäologie beaux-arts / ethnography théâtre-vérité
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This catalogue accompanies an exhibition of the work of Christopher Williams at the Contemporary Art Gallery, Vancouver. For this project Christopher Williams drew from three disparate sources: the development of colour photography for commercial applications in the United States, the European reception of Pop Art - specifically in relation to Marcel Broodthaer’s first solo exhibition at Galerie Saint-Laurent, Brussels in 1964, and the work of Raoul Hausmann, made during his stay in Ibiza, Spain between 1933 and 1936.
Christopher Williams : archäologie beaux-arts / ethnography théâtre-vérité
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$30.00
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Summary:
This catalogue accompanies an exhibition of the work of Christopher Williams at the Contemporary Art Gallery, Vancouver. For this project Christopher Williams drew from three disparate sources: the development of colour photography for commercial applications in the United States, the European reception of Pop Art - specifically in relation to Marcel Broodthaer’s first solo exhibition at Galerie Saint-Laurent, Brussels in 1964, and the work of Raoul Hausmann, made during his stay in Ibiza, Spain between 1933 and 1936.
Form:
books
books
Publication:
January 2005, Vancouver
January 2005, Vancouver
Form:
books
books
Title:
Arni Haraldsson : Firminy
Arni Haraldsson : Firminy
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Firminy is a small French mining town, and is the site of the largest collection of Le Corbusier’s architecture outside of Chandigarh, India. Monumental in scale and civic ambition at its inception, the development at Firminy followed Le Corbusier’s concept of La Ville Radieuse (the Radiant City). The buildings at Firminy were never completed due to local industrial(...)
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Summary:
Firminy is a small French mining town, and is the site of the largest collection of Le Corbusier’s architecture outside of Chandigarh, India. Monumental in scale and civic ambition at its inception, the development at Firminy followed Le Corbusier’s concept of La Ville Radieuse (the Radiant City). The buildings at Firminy were never completed due to local industrial(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
December 2001, Vancouver
December 2001, Vancouver
Title:
Arni Haraldsson : Firminy
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Summary:
Firminy is a small French mining town, and is the site of the largest collection of Le Corbusier’s architecture outside of Chandigarh, India. Monumental in scale and civic ambition at its inception, the development at Firminy followed Le Corbusier’s concept of La Ville Radieuse (the Radiant City). The buildings at Firminy were never completed due to local industrial decline, and in recent years have suffered from political manipulation and physical neglect. The current state of the site is documented in Arni Haraldsson’s photographic series from 1999. Using a historically minded and architecturally oriented curiosity, Haraldsson sets these buildings and their modernist utopianism within the frame of the local inhabitants’ conviction of the social and historical value of Corbusier’s life and work.
Arni Haraldsson : Firminy
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Summary:
Firminy is a small French mining town, and is the site of the largest collection of Le Corbusier’s architecture outside of Chandigarh, India. Monumental in scale and civic ambition at its inception, the development at Firminy followed Le Corbusier’s concept of La Ville Radieuse (the Radiant City). The buildings at Firminy were never completed due to local industrial decline, and in recent years have suffered from political manipulation and physical neglect. The current state of the site is documented in Arni Haraldsson’s photographic series from 1999. Using a historically minded and architecturally oriented curiosity, Haraldsson sets these buildings and their modernist utopianism within the frame of the local inhabitants’ conviction of the social and historical value of Corbusier’s life and work.
Form:
books
books
Publication:
December 2001, Vancouver
December 2001, Vancouver
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Some detached houses
Some detached houses
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The catalogue from an exhibition curated by Bill Jeffries. With texts by Rodney Graham, Robert Kleyn, Robert Linsley, Jennifer Oille Sinclair, Robert Smithson, Greg Snider, Calvert Vaux. Artists include : Warren Murfitt, Dan Graham, Margaret Naylor, Amy Jones, Robin Collyer, Todd A. Davis, Bill Jones, Robert Linsley, Warren Murfitt, Margaret Naylor, Ed Ruscha, Nancy Shaw,(...)
$12.00
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Summary:
The catalogue from an exhibition curated by Bill Jeffries. With texts by Rodney Graham, Robert Kleyn, Robert Linsley, Jennifer Oille Sinclair, Robert Smithson, Greg Snider, Calvert Vaux. Artists include : Warren Murfitt, Dan Graham, Margaret Naylor, Amy Jones, Robin Collyer, Todd A. Davis, Bill Jones, Robert Linsley, Warren Murfitt, Margaret Naylor, Ed Ruscha, Nancy Shaw,(...)
Title:
Some detached houses
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$12.00
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Summary:
The catalogue from an exhibition curated by Bill Jeffries. With texts by Rodney Graham, Robert Kleyn, Robert Linsley, Jennifer Oille Sinclair, Robert Smithson, Greg Snider, Calvert Vaux. Artists include : Warren Murfitt, Dan Graham, Margaret Naylor, Amy Jones, Robin Collyer, Todd A. Davis, Bill Jones, Robert Linsley, Warren Murfitt, Margaret Naylor, Ed Ruscha, Nancy Shaw, Greg Snider.
Some detached houses
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$12.00
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Summary:
The catalogue from an exhibition curated by Bill Jeffries. With texts by Rodney Graham, Robert Kleyn, Robert Linsley, Jennifer Oille Sinclair, Robert Smithson, Greg Snider, Calvert Vaux. Artists include : Warren Murfitt, Dan Graham, Margaret Naylor, Amy Jones, Robin Collyer, Todd A. Davis, Bill Jones, Robert Linsley, Warren Murfitt, Margaret Naylor, Ed Ruscha, Nancy Shaw, Greg Snider.
Form:
books
books
Publication:
January 1900, Vancouver
January 1900, Vancouver
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Geoffrey Farmer
Geoffrey Farmer
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This book accompanies Geoffrey Farmer’s installation "The Blacking Factory" which comprised two interrelated works: a sculptural installation in the form of a large truck trailer, and a film work depicting a window of the Contemporary Art Gallery shattering from an explosive concussion. With these works, Farmer utilizes the technological expertise of the film industry to(...)
$25.00
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Summary:
This book accompanies Geoffrey Farmer’s installation "The Blacking Factory" which comprised two interrelated works: a sculptural installation in the form of a large truck trailer, and a film work depicting a window of the Contemporary Art Gallery shattering from an explosive concussion. With these works, Farmer utilizes the technological expertise of the film industry to(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 1900, Vancouver
January 1900, Vancouver
Title:
Geoffrey Farmer
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$25.00
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Summary:
This book accompanies Geoffrey Farmer’s installation "The Blacking Factory" which comprised two interrelated works: a sculptural installation in the form of a large truck trailer, and a film work depicting a window of the Contemporary Art Gallery shattering from an explosive concussion. With these works, Farmer utilizes the technological expertise of the film industry to create analogies between increasingly sophisticated mechanics of display and the artifice behind the social production of meaning and value. The truck trailer is fabricated in mimicry of those used by movie production companies — an increasingly common sight on the streets of Vancouver — and alludes to the transportation of such necessities as props, lighting systems and costumes necessary to the creation of illusions. The catalogue includes texts by Nanaimo-based poet and critic Peter Culley and exhibition curator Reid Shier.
Geoffrey Farmer
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Summary:
This book accompanies Geoffrey Farmer’s installation "The Blacking Factory" which comprised two interrelated works: a sculptural installation in the form of a large truck trailer, and a film work depicting a window of the Contemporary Art Gallery shattering from an explosive concussion. With these works, Farmer utilizes the technological expertise of the film industry to create analogies between increasingly sophisticated mechanics of display and the artifice behind the social production of meaning and value. The truck trailer is fabricated in mimicry of those used by movie production companies — an increasingly common sight on the streets of Vancouver — and alludes to the transportation of such necessities as props, lighting systems and costumes necessary to the creation of illusions. The catalogue includes texts by Nanaimo-based poet and critic Peter Culley and exhibition curator Reid Shier.
Form:
books
books
Publication:
January 1900, Vancouver
January 1900, Vancouver
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
James Carl : plot
James Carl : plot
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James Carl likes to mix things up - to confound references and test limits and then step back and watch things get funny. He combines a precise examination of the lexicon of sculpture with an abiding interest in the artifacts of public social life, filtered through the ubiquitous technologies and materials of contemporary industrialism. Each work complicates and expands(...)
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Summary:
James Carl likes to mix things up - to confound references and test limits and then step back and watch things get funny. He combines a precise examination of the lexicon of sculpture with an abiding interest in the artifacts of public social life, filtered through the ubiquitous technologies and materials of contemporary industrialism. Each work complicates and expands(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2003, Vancouver
March 2003, Vancouver
Title:
James Carl : plot
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$25.00
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Summary:
James Carl likes to mix things up - to confound references and test limits and then step back and watch things get funny. He combines a precise examination of the lexicon of sculpture with an abiding interest in the artifacts of public social life, filtered through the ubiquitous technologies and materials of contemporary industrialism. Each work complicates and expands our recognition and understanding of simple objects and space.
James Carl : plot
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$25.00
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Summary:
James Carl likes to mix things up - to confound references and test limits and then step back and watch things get funny. He combines a precise examination of the lexicon of sculpture with an abiding interest in the artifacts of public social life, filtered through the ubiquitous technologies and materials of contemporary industrialism. Each work complicates and expands our recognition and understanding of simple objects and space.
Form:
books
books
Publication:
March 2003, Vancouver
March 2003, Vancouver
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
