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books
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$39.95
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This book explores the world of the French artist Dominique Gonzalez-Foerster through lavish visual material as well as essays by Ina Blom (Professor at the University of Oslo, Norway), Penelope Curtis (Curator at the Henry Moore Institute, Leeds, UK), Jens Hoffman (Director of Wattis Institute for Contemporary Arts, San Francisco, USA) and Lisette Lagnado (Curator and(...)
$39.95
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Summary:
This book explores the world of the French artist Dominique Gonzalez-Foerster through lavish visual material as well as essays by Ina Blom (Professor at the University of Oslo, Norway), Penelope Curtis (Curator at the Henry Moore Institute, Leeds, UK), Jens Hoffman (Director of Wattis Institute for Contemporary Arts, San Francisco, USA) and Lisette Lagnado (Curator and(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
July 2008, Paris
July 2008, Paris
Title:
Nocturama
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This book explores the world of the French artist Dominique Gonzalez-Foerster through lavish visual material as well as essays by Ina Blom (Professor at the University of Oslo, Norway), Penelope Curtis (Curator at the Henry Moore Institute, Leeds, UK), Jens Hoffman (Director of Wattis Institute for Contemporary Arts, San Francisco, USA) and Lisette Lagnado (Curator and Artistic Director of the 27th edition of the São Paulo Biennale). Also featuring an interview on literary creation with the writer Enrique Vila-Matas conducted by the artist herself, along with Hans Ulrich Obrist (co-Director of the Serpentine Gallery, London, UK).
Nocturama
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This book explores the world of the French artist Dominique Gonzalez-Foerster through lavish visual material as well as essays by Ina Blom (Professor at the University of Oslo, Norway), Penelope Curtis (Curator at the Henry Moore Institute, Leeds, UK), Jens Hoffman (Director of Wattis Institute for Contemporary Arts, San Francisco, USA) and Lisette Lagnado (Curator and Artistic Director of the 27th edition of the São Paulo Biennale). Also featuring an interview on literary creation with the writer Enrique Vila-Matas conducted by the artist herself, along with Hans Ulrich Obrist (co-Director of the Serpentine Gallery, London, UK).
Form:
books
books
Publication:
July 2008, Paris
July 2008, Paris
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Always and Never
Always and Never
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"Always and never" is a one-off title by Ari Marcopolous combining old and new photographs in a unique body of work, thought to create a larger picture of Marcopoulos' work. "For every photograph that has been presented, there are hundreds more that he has not yet found the right moment to introduce. Timing is not just in relation to taking the shot, but also to its(...)
$15.00
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"Always and never" is a one-off title by Ari Marcopolous combining old and new photographs in a unique body of work, thought to create a larger picture of Marcopoulos' work. "For every photograph that has been presented, there are hundreds more that he has not yet found the right moment to introduce. Timing is not just in relation to taking the shot, but also to its(...)
Title:
Always and Never
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"Always and never" is a one-off title by Ari Marcopolous combining old and new photographs in a unique body of work, thought to create a larger picture of Marcopoulos' work. "For every photograph that has been presented, there are hundreds more that he has not yet found the right moment to introduce. Timing is not just in relation to taking the shot, but also to its public exposure." states curator Kate Fowle in her text for the 2006 "Flow" exhibition catalog. Marcopoulos’s work is often talked about in the context of his engagement with subcultures (skateboarding, art, music). Non-descript skies, anonymous television footage, and unpopulated landscapes counter the action of extreme sports, the stage, or the street, for which he is most known for. The book is published on occasion of the exhibition "Always and Never" at Galleria Patricia Armocida in Milan.
Always and Never
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"Always and never" is a one-off title by Ari Marcopolous combining old and new photographs in a unique body of work, thought to create a larger picture of Marcopoulos' work. "For every photograph that has been presented, there are hundreds more that he has not yet found the right moment to introduce. Timing is not just in relation to taking the shot, but also to its public exposure." states curator Kate Fowle in her text for the 2006 "Flow" exhibition catalog. Marcopoulos’s work is often talked about in the context of his engagement with subcultures (skateboarding, art, music). Non-descript skies, anonymous television footage, and unpopulated landscapes counter the action of extreme sports, the stage, or the street, for which he is most known for. The book is published on occasion of the exhibition "Always and Never" at Galleria Patricia Armocida in Milan.
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books
books
Publication:
July 2008, Zürich
July 2008, Zürich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Bad couples
Bad couples
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"The book consists of a series of repeated gestures, often neglected and/or obliterated. Hastily drawn expressionistic heads and faces inspired by grotesques, caricatures, cosmic characters, urban nowheres, classical sculptures, and personal experience. Also there are a couple of abstracts obtusely rendered with marker pen, which integrate in the open narrative structure.(...)
$14.00
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"The book consists of a series of repeated gestures, often neglected and/or obliterated. Hastily drawn expressionistic heads and faces inspired by grotesques, caricatures, cosmic characters, urban nowheres, classical sculptures, and personal experience. Also there are a couple of abstracts obtusely rendered with marker pen, which integrate in the open narrative structure.(...)
Title:
Bad couples
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"The book consists of a series of repeated gestures, often neglected and/or obliterated. Hastily drawn expressionistic heads and faces inspired by grotesques, caricatures, cosmic characters, urban nowheres, classical sculptures, and personal experience. Also there are a couple of abstracts obtusely rendered with marker pen, which integrate in the open narrative structure. The aim is to create psychedelic melancholia. I try to keep a balance between the crudely drawn and the more soft stuff, like being on an abandoned traffic island surrounded by lush vegetation." Nicola Pecoraro Published on the occasion of the exhibition "Bad Couples" at fette's gallery, Los Angeles. May 30th – July 5th, 2008
Bad couples
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"The book consists of a series of repeated gestures, often neglected and/or obliterated. Hastily drawn expressionistic heads and faces inspired by grotesques, caricatures, cosmic characters, urban nowheres, classical sculptures, and personal experience. Also there are a couple of abstracts obtusely rendered with marker pen, which integrate in the open narrative structure. The aim is to create psychedelic melancholia. I try to keep a balance between the crudely drawn and the more soft stuff, like being on an abandoned traffic island surrounded by lush vegetation." Nicola Pecoraro Published on the occasion of the exhibition "Bad Couples" at fette's gallery, Los Angeles. May 30th – July 5th, 2008
Form:
books
books
Publication:
January 2008, Zürich
January 2008, Zürich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Lucifer rising
Lucifer rising
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil(...)
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil(...)
Title:
Lucifer rising
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil Moisture), Mehdi Hercberg (Shoboshobo), Kerozen, Jelle Crama and Dennis Tyfus. Hegray co-runs the graphic zine Nazi-Knife with Jonas Delaborde since 2006 and plays in differents musical projects like Helicoptère Sanglante or the free-noise band Minitel with members of Sister Iodine. Published on the occasion of the exhibition "Nieves Library" at Centre Culturel Suisse, Paris. May 17th – September 28th, 2008.
Lucifer rising
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Hendrik Hegray (Limoges, France 1981) works and lives in Paris. His influences are cartoons, 90's video-games, abstract pictures and 80's horror movies. He has published self-made zines for the last ten years (Super Kasher, Télérama, etc.), has worked with publishers like FLTMSTPC (Frédéric Magazine) and Nieves, and collaborated with artists like Andy Bolus (Evil Moisture), Mehdi Hercberg (Shoboshobo), Kerozen, Jelle Crama and Dennis Tyfus. Hegray co-runs the graphic zine Nazi-Knife with Jonas Delaborde since 2006 and plays in differents musical projects like Helicoptère Sanglante or the free-noise band Minitel with members of Sister Iodine. Published on the occasion of the exhibition "Nieves Library" at Centre Culturel Suisse, Paris. May 17th – September 28th, 2008.
Form:
books
books
Publication:
January 2008, Zürich
January 2008, Zürich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$16.00
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Summary:
Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains(...)
$16.00
(available to order)
Summary:
Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains(...)
Title:
2001
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Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains that writing, performing, and recording help quiet the voices in his head. Most of his exposure came as an internet phenomenon during the early days of peer-to-peer file sharing. The Exhibition WW vs. GRRRR was first realized in St. Gallen (Switzerland) and then went to s'Hertogenbosch (Holland) and Giza (Egypt). It combines the first retrospective of Willis’s oeuvre with an extensive selection of work by the young Swiss artist Ingo Giezendanner. 2001 is edited by Urs Lehni.
2001
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Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains that writing, performing, and recording help quiet the voices in his head. Most of his exposure came as an internet phenomenon during the early days of peer-to-peer file sharing. The Exhibition WW vs. GRRRR was first realized in St. Gallen (Switzerland) and then went to s'Hertogenbosch (Holland) and Giza (Egypt). It combines the first retrospective of Willis’s oeuvre with an extensive selection of work by the young Swiss artist Ingo Giezendanner. 2001 is edited by Urs Lehni.
Form:
books
books
Publication:
January 2002, Zürich
January 2002, Zürich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$60.00
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This catalogue accompanies the first exhibition on Gordon Matta-Clark in Italy at the sms contemporanea, Siena. Contains essays by James Attlee, Jane Crawford, Louise Désy and Gwendolyn Owens, Lorenzo Fusi, Marco Pierini, Judith Russi Kirscher.
$60.00
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Summary:
This catalogue accompanies the first exhibition on Gordon Matta-Clark in Italy at the sms contemporanea, Siena. Contains essays by James Attlee, Jane Crawford, Louise Désy and Gwendolyn Owens, Lorenzo Fusi, Marco Pierini, Judith Russi Kirscher.
Title:
Gordon Matta-Clark: sms contemporanea
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This catalogue accompanies the first exhibition on Gordon Matta-Clark in Italy at the sms contemporanea, Siena. Contains essays by James Attlee, Jane Crawford, Louise Désy and Gwendolyn Owens, Lorenzo Fusi, Marco Pierini, Judith Russi Kirscher.
Gordon Matta-Clark: sms contemporanea
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$60.00
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Summary:
This catalogue accompanies the first exhibition on Gordon Matta-Clark in Italy at the sms contemporanea, Siena. Contains essays by James Attlee, Jane Crawford, Louise Désy and Gwendolyn Owens, Lorenzo Fusi, Marco Pierini, Judith Russi Kirscher.
Form:
books
books
Publication:
June 2008
June 2008
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$19.95
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RB Kitaj started painting The Architects in August of 1979 to celebrate the remodelling of his home by MJ Long. Painted largely without the models themselves present, this portrait of his friends against the backdrop of the stepped bookcase designed for him by MJ marks a transition in Kitaj’s development as an artist. Breaking with his earlier graphic work, Kitaj(...)
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RB Kitaj started painting The Architects in August of 1979 to celebrate the remodelling of his home by MJ Long. Painted largely without the models themselves present, this portrait of his friends against the backdrop of the stepped bookcase designed for him by MJ marks a transition in Kitaj’s development as an artist. Breaking with his earlier graphic work, Kitaj(...)
Title:
Kitaj: the architects Colin St John Wilson and MJ Long
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RB Kitaj started painting The Architects in August of 1979 to celebrate the remodelling of his home by MJ Long. Painted largely without the models themselves present, this portrait of his friends against the backdrop of the stepped bookcase designed for him by MJ marks a transition in Kitaj’s development as an artist. Breaking with his earlier graphic work, Kitaj experimented with technique in search of a renewed artistic vision, arriving at an awkwardness of composition reminiscent of Manet and a colouration inspired by van Gogh. Kitaj: The Architects collects the diary entries of his subjects through each sitting session, from the first preliminary sketches to the final delivery of the painting in late 1981. Providing a revealing insight into Kitaj’s artistic method, Colin St John Wilson and his wife MJ Long’s observations capture the creative process through the explorations of initial ideas, happy accidents, compositional struggles and dissatisfactions, to the finished artefact.
Kitaj: the architects Colin St John Wilson and MJ Long
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RB Kitaj started painting The Architects in August of 1979 to celebrate the remodelling of his home by MJ Long. Painted largely without the models themselves present, this portrait of his friends against the backdrop of the stepped bookcase designed for him by MJ marks a transition in Kitaj’s development as an artist. Breaking with his earlier graphic work, Kitaj experimented with technique in search of a renewed artistic vision, arriving at an awkwardness of composition reminiscent of Manet and a colouration inspired by van Gogh. Kitaj: The Architects collects the diary entries of his subjects through each sitting session, from the first preliminary sketches to the final delivery of the painting in late 1981. Providing a revealing insight into Kitaj’s artistic method, Colin St John Wilson and his wife MJ Long’s observations capture the creative process through the explorations of initial ideas, happy accidents, compositional struggles and dissatisfactions, to the finished artefact.
Form:
books
books
Publication:
February 2008, London
February 2008, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$18.95
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This is the first publication to explore the role of mirrors, spinning, and "neurotic" architecture: a feeling of psychological breakdown in the work of one of Americas most important contemporary artists, Paul McCarthy (b. 1945). The book is published in conjunction with a major exhibition at the Whitney, for which McCarthy is creating two new installations to appear(...)
$18.95
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Summary:
This is the first publication to explore the role of mirrors, spinning, and "neurotic" architecture: a feeling of psychological breakdown in the work of one of Americas most important contemporary artists, Paul McCarthy (b. 1945). The book is published in conjunction with a major exhibition at the Whitney, for which McCarthy is creating two new installations to appear(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
August 2008, New York, New Haven, London
August 2008, New York, New Haven, London
Title:
Paul McCarthy central symmetrical rotation movement
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This is the first publication to explore the role of mirrors, spinning, and "neurotic" architecture: a feeling of psychological breakdown in the work of one of Americas most important contemporary artists, Paul McCarthy (b. 1945). The book is published in conjunction with a major exhibition at the Whitney, for which McCarthy is creating two new installations to appear alongside his Bang Bang Room (1992) and two recently rediscovered film loops (1966, 1971).
Paul McCarthy central symmetrical rotation movement
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This is the first publication to explore the role of mirrors, spinning, and "neurotic" architecture: a feeling of psychological breakdown in the work of one of Americas most important contemporary artists, Paul McCarthy (b. 1945). The book is published in conjunction with a major exhibition at the Whitney, for which McCarthy is creating two new installations to appear alongside his Bang Bang Room (1992) and two recently rediscovered film loops (1966, 1971).
Form:
books
books
Publication:
August 2008, New York, New Haven, London
August 2008, New York, New Haven, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$44.95
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This publication accompanies the exhibition 'Martin Kippenberger: The Problem of Perspective', organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles, 21 September 2008 - 5 January 2009.
$44.95
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Summary:
This publication accompanies the exhibition 'Martin Kippenberger: The Problem of Perspective', organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles, 21 September 2008 - 5 January 2009.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2008, Los Angeles, Cambridge, London
October 2008, Los Angeles, Cambridge, London
Title:
Martin Kippenberger: the problem perspective
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$44.95
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This publication accompanies the exhibition 'Martin Kippenberger: The Problem of Perspective', organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles, 21 September 2008 - 5 January 2009.
Martin Kippenberger: the problem perspective
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This publication accompanies the exhibition 'Martin Kippenberger: The Problem of Perspective', organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles, 21 September 2008 - 5 January 2009.
Form:
books
books
Publication:
October 2008, Los Angeles, Cambridge, London
October 2008, Los Angeles, Cambridge, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Price:
$49.95
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Summary:
The book mixes intense visual content with critical commentary, an interview with the artist, a concentrated section on West's working methods, an artist's response to the work through words and images, and an extensive chronology and bibliography.
$49.95
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Summary:
The book mixes intense visual content with critical commentary, an interview with the artist, a concentrated section on West's working methods, an artist's response to the work through words and images, and an extensive chronology and bibliography.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
November 2008, Cambridge, London
November 2008, Cambridge, London
Title:
Franz West work 1972-2008: to build a house you start with the roof
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The book mixes intense visual content with critical commentary, an interview with the artist, a concentrated section on West's working methods, an artist's response to the work through words and images, and an extensive chronology and bibliography.
Franz West work 1972-2008: to build a house you start with the roof
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The book mixes intense visual content with critical commentary, an interview with the artist, a concentrated section on West's working methods, an artist's response to the work through words and images, and an extensive chronology and bibliography.
Form:
books
books
Publication:
November 2008, Cambridge, London
November 2008, Cambridge, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
