1866 Results
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books
books
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David Chieppo, born in New Haven, Connecticut in 1973 and based in Zurich since 1998, is an artist whose drawings are fundamental to his work, for they have an openness and compositional spontaneity that relates closely to the way the world is seen. In capturing a moment, the drawings are not determined primarily by stylistic concerns, but by the potent energy of the(...)
$32.00
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Summary:
David Chieppo, born in New Haven, Connecticut in 1973 and based in Zurich since 1998, is an artist whose drawings are fundamental to his work, for they have an openness and compositional spontaneity that relates closely to the way the world is seen. In capturing a moment, the drawings are not determined primarily by stylistic concerns, but by the potent energy of the(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
January 2008, Zürich
January 2008, Zürich
Title:
David Chieppo : an old dirt trail, a dead oak tree, a big rock on a hill
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David Chieppo, born in New Haven, Connecticut in 1973 and based in Zurich since 1998, is an artist whose drawings are fundamental to his work, for they have an openness and compositional spontaneity that relates closely to the way the world is seen. In capturing a moment, the drawings are not determined primarily by stylistic concerns, but by the potent energy of the person or the situation Chieppo seeks to convey - irrespective of whether these phenomena are experienced at first hand or through a medium such as photography, film or television.
David Chieppo : an old dirt trail, a dead oak tree, a big rock on a hill
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Summary:
David Chieppo, born in New Haven, Connecticut in 1973 and based in Zurich since 1998, is an artist whose drawings are fundamental to his work, for they have an openness and compositional spontaneity that relates closely to the way the world is seen. In capturing a moment, the drawings are not determined primarily by stylistic concerns, but by the potent energy of the person or the situation Chieppo seeks to convey - irrespective of whether these phenomena are experienced at first hand or through a medium such as photography, film or television.
Form:
books
books
Publication:
January 2008, Zürich
January 2008, Zürich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$17.00
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In these stories, July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly - they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals their idiosyncrasies and the odd logic and longing that govern their lives.
$17.00
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Summary:
In these stories, July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly - they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals their idiosyncrasies and the odd logic and longing that govern their lives.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
June 2008, New York, London, Toronto, Sydney
June 2008, New York, London, Toronto, Sydney
Title:
No one belongs here more than you : stories by Miranda July
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$17.00
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In these stories, July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly - they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals their idiosyncrasies and the odd logic and longing that govern their lives.
No one belongs here more than you : stories by Miranda July
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$17.00
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Summary:
In these stories, July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly - they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals their idiosyncrasies and the odd logic and longing that govern their lives.
Form:
books
books
Publication:
June 2008, New York, London, Toronto, Sydney
June 2008, New York, London, Toronto, Sydney
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$25.00
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their(...)
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their(...)
Title:
Harmony Korine, Mister Lonely
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their faith. On one occasion three of my teeth fell into a sandwich that I was eating. It felt like the right time to care again. I asked my brother to help me. He introduced me to a famous boxer who was good with medecine, he put my teeth back in my mouth. The nuns were testing me as well, this much I was sure of. I made this film out of the ashes of the broken nation, and it was there that I discovered that a little faith can go a long, long way.» Harmony Korine
Harmony Korine, Mister Lonely
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their faith. On one occasion three of my teeth fell into a sandwich that I was eating. It felt like the right time to care again. I asked my brother to help me. He introduced me to a famous boxer who was good with medecine, he put my teeth back in my mouth. The nuns were testing me as well, this much I was sure of. I made this film out of the ashes of the broken nation, and it was there that I discovered that a little faith can go a long, long way.» Harmony Korine
Form:
books
books
Publication:
March 2008
March 2008
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Findings on ice
Findings on ice
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$44.95
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Summary:
The Pars Foundation was founded from the conviction that art and science are both essentially creative processes. Artists begin with an idea that is ultimately expressed in the form of music, images, or words. Scientists begin with a hypothesis, sketch an idea, and then test and describe it. Every year Pars invites artists and scientists to make a contribution to creative(...)
$44.95
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Summary:
The Pars Foundation was founded from the conviction that art and science are both essentially creative processes. Artists begin with an idea that is ultimately expressed in the form of music, images, or words. Scientists begin with a hypothesis, sketch an idea, and then test and describe it. Every year Pars invites artists and scientists to make a contribution to creative(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
March 2008, Amsterdam, Baden
March 2008, Amsterdam, Baden
Title:
Findings on ice
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$44.95
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The Pars Foundation was founded from the conviction that art and science are both essentially creative processes. Artists begin with an idea that is ultimately expressed in the form of music, images, or words. Scientists begin with a hypothesis, sketch an idea, and then test and describe it. Every year Pars invites artists and scientists to make a contribution to creative thinking. The current topic, “Ice,” is situated in a wide variety of contexts: in connection with greenhouse effect, the rise in sea level, or a dancer’s muscles before making his first move. Ice absorbs sounds, reflects heat, and cools drinks. Pars Findings demonstrates a variety of different perspectives and ideas by artists and scientists. The book "Findings on Ice" functions as a visual and textual introduction to the ideas and visions of the artist and scientists who have a strong influence on our perception of today’s world.
Findings on ice
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$44.95
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Summary:
The Pars Foundation was founded from the conviction that art and science are both essentially creative processes. Artists begin with an idea that is ultimately expressed in the form of music, images, or words. Scientists begin with a hypothesis, sketch an idea, and then test and describe it. Every year Pars invites artists and scientists to make a contribution to creative thinking. The current topic, “Ice,” is situated in a wide variety of contexts: in connection with greenhouse effect, the rise in sea level, or a dancer’s muscles before making his first move. Ice absorbs sounds, reflects heat, and cools drinks. Pars Findings demonstrates a variety of different perspectives and ideas by artists and scientists. The book "Findings on Ice" functions as a visual and textual introduction to the ideas and visions of the artist and scientists who have a strong influence on our perception of today’s world.
Form:
books
books
Publication:
March 2008, Amsterdam, Baden
March 2008, Amsterdam, Baden
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Mike Mills : fireworks
Mike Mills : fireworks
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"Some things that may or may not relate to these drawings: A professional suggested I take anti-depressants. I declined. About the same time I started drawing fireworks. I didn’t know what they meant or why I was drawing them. I was confused and embarrassed by this lack of meaning, but they kept coming. I could draw them no matter how I felt. I read that fireworks were(...)
$17.99
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Summary:
"Some things that may or may not relate to these drawings: A professional suggested I take anti-depressants. I declined. About the same time I started drawing fireworks. I didn’t know what they meant or why I was drawing them. I was confused and embarrassed by this lack of meaning, but they kept coming. I could draw them no matter how I felt. I read that fireworks were(...)
Title:
Mike Mills : fireworks
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"Some things that may or may not relate to these drawings: A professional suggested I take anti-depressants. I declined. About the same time I started drawing fireworks. I didn’t know what they meant or why I was drawing them. I was confused and embarrassed by this lack of meaning, but they kept coming. I could draw them no matter how I felt. I read that fireworks were first used in China in the 12th century to scare away negative spirits. I envied a world that not only recognized spirits, but scared the negative ones away with small man made explosions. About the same time, I read in a magazine that antidepressants have a hard time performing better than the placebo pills they are tested against. Scientist cannot explain it, but almost as many people who take the fake pills say they feel relief from their depression. The blood flow in their brains actually changes in the same positive way that it does for the people who take the real pills. I felt a connection between the Chinese fireworks and the placebo effect, and some relief in all the things we don’t understand. At some point the fireworks grew more and more abstract, and messy, and complicated, and I became if not content then at least willing to make things that didn’t have any apparent meaning." Mike Mills
Mike Mills : fireworks
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$17.99
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"Some things that may or may not relate to these drawings: A professional suggested I take anti-depressants. I declined. About the same time I started drawing fireworks. I didn’t know what they meant or why I was drawing them. I was confused and embarrassed by this lack of meaning, but they kept coming. I could draw them no matter how I felt. I read that fireworks were first used in China in the 12th century to scare away negative spirits. I envied a world that not only recognized spirits, but scared the negative ones away with small man made explosions. About the same time, I read in a magazine that antidepressants have a hard time performing better than the placebo pills they are tested against. Scientist cannot explain it, but almost as many people who take the fake pills say they feel relief from their depression. The blood flow in their brains actually changes in the same positive way that it does for the people who take the real pills. I felt a connection between the Chinese fireworks and the placebo effect, and some relief in all the things we don’t understand. At some point the fireworks grew more and more abstract, and messy, and complicated, and I became if not content then at least willing to make things that didn’t have any apparent meaning." Mike Mills
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books
books
Publication:
January 1900, Zürich
January 1900, Zürich
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$20.00
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Cet ouvrage a été réalisé dans le cadre de l'exposition We Can Make Rain But No One Came To Ask: Documents des archives du Atlas Group organisée par Michèle Thériault. Un projet du Atlas Group en collaboration avec Walid Raad présenté à la Galerie Leonard et Bina Ellen de l'Université Concordia du 26 janvier au 4 mars.
$20.00
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Summary:
Cet ouvrage a été réalisé dans le cadre de l'exposition We Can Make Rain But No One Came To Ask: Documents des archives du Atlas Group organisée par Michèle Thériault. Un projet du Atlas Group en collaboration avec Walid Raad présenté à la Galerie Leonard et Bina Ellen de l'Université Concordia du 26 janvier au 4 mars.
Title:
We can make rain but no one came to ask
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$20.00
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Cet ouvrage a été réalisé dans le cadre de l'exposition We Can Make Rain But No One Came To Ask: Documents des archives du Atlas Group organisée par Michèle Thériault. Un projet du Atlas Group en collaboration avec Walid Raad présenté à la Galerie Leonard et Bina Ellen de l'Université Concordia du 26 janvier au 4 mars.
We can make rain but no one came to ask
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$20.00
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Summary:
Cet ouvrage a été réalisé dans le cadre de l'exposition We Can Make Rain But No One Came To Ask: Documents des archives du Atlas Group organisée par Michèle Thériault. Un projet du Atlas Group en collaboration avec Walid Raad présenté à la Galerie Leonard et Bina Ellen de l'Université Concordia du 26 janvier au 4 mars.
Form:
books
books
Publication:
October 2006, Montreal
October 2006, Montreal
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Mari Eastman: Lady in dark
Mari Eastman: Lady in dark
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$9.00
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Published on occasion of Nieves Library at Ooga Booga in Los Angeles March 7th – April 3rd, 2008
$9.00
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Published on occasion of Nieves Library at Ooga Booga in Los Angeles March 7th – April 3rd, 2008
Title:
Mari Eastman: Lady in dark
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$9.00
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Published on occasion of Nieves Library at Ooga Booga in Los Angeles March 7th – April 3rd, 2008
Mari Eastman: Lady in dark
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$9.00
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Published on occasion of Nieves Library at Ooga Booga in Los Angeles March 7th – April 3rd, 2008
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books
books
Publication:
March 2008, Los Angeles
March 2008, Los Angeles
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Simryn Gill
Simryn Gill
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$51.00
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First published on the occasion of the exhibition Simryn Gill: Gathering, 20 November 2008 - 22 March 2009 organised by the Museum of Contemporary Art, Sydney, Australia.
$51.00
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First published on the occasion of the exhibition Simryn Gill: Gathering, 20 November 2008 - 22 March 2009 organised by the Museum of Contemporary Art, Sydney, Australia.
Title:
Simryn Gill
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First published on the occasion of the exhibition Simryn Gill: Gathering, 20 November 2008 - 22 March 2009 organised by the Museum of Contemporary Art, Sydney, Australia.
Simryn Gill
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First published on the occasion of the exhibition Simryn Gill: Gathering, 20 November 2008 - 22 March 2009 organised by the Museum of Contemporary Art, Sydney, Australia.
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books
books
Publication:
March 2009, Sydney, Köln
March 2009, Sydney, Köln
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$20.00
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Une oeuvre d'art public de Michel Goulet offerte par la ville de Montréal à la ville de Québec dans le cadre des célébrations du 400e anniversaire de sa fondation.
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Une oeuvre d'art public de Michel Goulet offerte par la ville de Montréal à la ville de Québec dans le cadre des célébrations du 400e anniversaire de sa fondation.
Title:
Michel Goulet: rêver le nouveau monde
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Une oeuvre d'art public de Michel Goulet offerte par la ville de Montréal à la ville de Québec dans le cadre des célébrations du 400e anniversaire de sa fondation.
Michel Goulet: rêver le nouveau monde
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Une oeuvre d'art public de Michel Goulet offerte par la ville de Montréal à la ville de Québec dans le cadre des célébrations du 400e anniversaire de sa fondation.
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books
books
Publication:
February 2009, Montréal
February 2009, Montréal
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$20.00
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This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
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Summary:
This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Publication:
March 2009, Montréal
March 2009, Montréal
Title:
Silvia Kolbowski: nothing and everything / rien et tout
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$20.00
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Summary:
This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Silvia Kolbowski: nothing and everything / rien et tout
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$20.00
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Summary:
This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Form:
books
books
Publication:
March 2009, Montréal
March 2009, Montréal
