1921 Results
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The meaning, use and dynamic of public space has been wholly transformed by the ubiquity of the Internet. Here, Berlin and London–based artists Michael Elmgreen and Ingar Dragset present a new art project in a public space in Munich that explores this topic.
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The meaning, use and dynamic of public space has been wholly transformed by the ubiquity of the Internet. Here, Berlin and London–based artists Michael Elmgreen and Ingar Dragset present a new art project in a public space in Munich that explores this topic.
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Elmgreen & Dragset: a space called public
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The meaning, use and dynamic of public space has been wholly transformed by the ubiquity of the Internet. Here, Berlin and London–based artists Michael Elmgreen and Ingar Dragset present a new art project in a public space in Munich that explores this topic.
Elmgreen & Dragset: a space called public
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The meaning, use and dynamic of public space has been wholly transformed by the ubiquity of the Internet. Here, Berlin and London–based artists Michael Elmgreen and Ingar Dragset present a new art project in a public space in Munich that explores this topic.
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books
books
Publication:
April 2014
April 2014
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Contemporary Art Monographs
Contemporary Art Monographs
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German artist Sabine Mohr (born 1956) creates installations, objects and works for public spaces and the theater on the theme of metamorphosis. Alchemical Explorations is Mohr’s first monograph, presenting a cross-section of her work alongside texts by art historians.
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German artist Sabine Mohr (born 1956) creates installations, objects and works for public spaces and the theater on the theme of metamorphosis. Alchemical Explorations is Mohr’s first monograph, presenting a cross-section of her work alongside texts by art historians.
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Sabine Mohr: alchemical explorations, works 1984-2012
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German artist Sabine Mohr (born 1956) creates installations, objects and works for public spaces and the theater on the theme of metamorphosis. Alchemical Explorations is Mohr’s first monograph, presenting a cross-section of her work alongside texts by art historians.
Sabine Mohr: alchemical explorations, works 1984-2012
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German artist Sabine Mohr (born 1956) creates installations, objects and works for public spaces and the theater on the theme of metamorphosis. Alchemical Explorations is Mohr’s first monograph, presenting a cross-section of her work alongside texts by art historians.
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books
books
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April 2014
April 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Cirque Calder
Cirque Calder
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Cirque Calder gathers together a selection of photographs taken by Ugo Mulas of the Cirque, an early work by the great American sculptor Alexander Calder. Cirque Calder was created between 1926 and 1931 and consists of small sculptures, human figures, and animals made from wire, twine, rubber, cloth and other objects that Calder put together and staged in scenes to create(...)
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Cirque Calder gathers together a selection of photographs taken by Ugo Mulas of the Cirque, an early work by the great American sculptor Alexander Calder. Cirque Calder was created between 1926 and 1931 and consists of small sculptures, human figures, and animals made from wire, twine, rubber, cloth and other objects that Calder put together and staged in scenes to create(...)
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Cirque Calder
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Cirque Calder gathers together a selection of photographs taken by Ugo Mulas of the Cirque, an early work by the great American sculptor Alexander Calder. Cirque Calder was created between 1926 and 1931 and consists of small sculptures, human figures, and animals made from wire, twine, rubber, cloth and other objects that Calder put together and staged in scenes to create improvised performances.
Cirque Calder
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Cirque Calder gathers together a selection of photographs taken by Ugo Mulas of the Cirque, an early work by the great American sculptor Alexander Calder. Cirque Calder was created between 1926 and 1931 and consists of small sculptures, human figures, and animals made from wire, twine, rubber, cloth and other objects that Calder put together and staged in scenes to create improvised performances.
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books
books
Publication:
April 2014
April 2014
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Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
Irene F. Whittome : Room 901
Irene F. Whittome : Room 901
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Au cours de l’été 1980, Irene F. Whittome finalise un important cycle de travail. Tout le matériel qui se trouvait dans l’atelier est accumulé dans un coin restreint, les murs de briques et les colonnes sont repeints en blanc. L’espace est préparé à la manière dont un peintre apprête sa toile avant de l’enduire de pigments. L’atelier de la rue Saint-Alexandre devient(...)
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Au cours de l’été 1980, Irene F. Whittome finalise un important cycle de travail. Tout le matériel qui se trouvait dans l’atelier est accumulé dans un coin restreint, les murs de briques et les colonnes sont repeints en blanc. L’espace est préparé à la manière dont un peintre apprête sa toile avant de l’enduire de pigments. L’atelier de la rue Saint-Alexandre devient(...)
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Irene F. Whittome : Room 901
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Au cours de l’été 1980, Irene F. Whittome finalise un important cycle de travail. Tout le matériel qui se trouvait dans l’atelier est accumulé dans un coin restreint, les murs de briques et les colonnes sont repeints en blanc. L’espace est préparé à la manière dont un peintre apprête sa toile avant de l’enduire de pigments. L’atelier de la rue Saint-Alexandre devient alors le support d’une intervention spécifique qui se transformera pendant près de deux ans : d’octobre 1980 à juillet 1982. Trente ans plus tard, Room 901 fait l’objet d’une réflexion approfondie et d’une réactivation.
Irene F. Whittome : Room 901
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Au cours de l’été 1980, Irene F. Whittome finalise un important cycle de travail. Tout le matériel qui se trouvait dans l’atelier est accumulé dans un coin restreint, les murs de briques et les colonnes sont repeints en blanc. L’espace est préparé à la manière dont un peintre apprête sa toile avant de l’enduire de pigments. L’atelier de la rue Saint-Alexandre devient alors le support d’une intervention spécifique qui se transformera pendant près de deux ans : d’octobre 1980 à juillet 1982. Trente ans plus tard, Room 901 fait l’objet d’une réflexion approfondie et d’une réactivation.
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books
books
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May 2014
May 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
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Dan Graham's new installation, created for the roof garden of The Metropolitan Museum of Art, addresses current issues about suburban psychology and political surveillance. Graham’s work combines landscaping, hedges, and two-way mirrors to create a provocative, immersive experience for viewers.
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Dan Graham's new installation, created for the roof garden of The Metropolitan Museum of Art, addresses current issues about suburban psychology and political surveillance. Graham’s work combines landscaping, hedges, and two-way mirrors to create a provocative, immersive experience for viewers.
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The roof garden commission: Dan Graham
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Dan Graham's new installation, created for the roof garden of The Metropolitan Museum of Art, addresses current issues about suburban psychology and political surveillance. Graham’s work combines landscaping, hedges, and two-way mirrors to create a provocative, immersive experience for viewers.
The roof garden commission: Dan Graham
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Dan Graham's new installation, created for the roof garden of The Metropolitan Museum of Art, addresses current issues about suburban psychology and political surveillance. Graham’s work combines landscaping, hedges, and two-way mirrors to create a provocative, immersive experience for viewers.
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books
books
Publication:
May 2014
May 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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One of the most important American artists of the 20th century, Donald Judd (1928–1994) pioneered the use of industrial materials and fabrication in serial forms to redefine the relationships between artist, art object, viewer, and space, and usher in the Minimalist style. His signature work transformed in 1984 when he radically revised his approach to color after(...)
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One of the most important American artists of the 20th century, Donald Judd (1928–1994) pioneered the use of industrial materials and fabrication in serial forms to redefine the relationships between artist, art object, viewer, and space, and usher in the Minimalist style. His signature work transformed in 1984 when he radically revised his approach to color after(...)
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Donald Judd: the multicolored works
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One of the most important American artists of the 20th century, Donald Judd (1928–1994) pioneered the use of industrial materials and fabrication in serial forms to redefine the relationships between artist, art object, viewer, and space, and usher in the Minimalist style. His signature work transformed in 1984 when he radically revised his approach to color after learning of an industrial process for shaping and enameling aluminum in an array of colors from a commercial color chart. In the last decade of his life, he created multicolored works of serial forms, both wall-mounted and free-standing, which reveal an entirely new engagement with color. Focusing entirely on Judd’s multicolored works, this book features essays by leading scholars that illuminate this body of work and examine its relationship to his oeuvre as a whole. Judd was an important theorist in his own right, and his 1993 text, “Some Aspects of Color in General and Red and Black in Particular,” is reproduced here. An essential book on a groundbreaking artist, the volume includes images of dozens of multicolored works accompanied by preparatory drawings and collages, as well as photographs from the studio and the factory.
Donald Judd: the multicolored works
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One of the most important American artists of the 20th century, Donald Judd (1928–1994) pioneered the use of industrial materials and fabrication in serial forms to redefine the relationships between artist, art object, viewer, and space, and usher in the Minimalist style. His signature work transformed in 1984 when he radically revised his approach to color after learning of an industrial process for shaping and enameling aluminum in an array of colors from a commercial color chart. In the last decade of his life, he created multicolored works of serial forms, both wall-mounted and free-standing, which reveal an entirely new engagement with color. Focusing entirely on Judd’s multicolored works, this book features essays by leading scholars that illuminate this body of work and examine its relationship to his oeuvre as a whole. Judd was an important theorist in his own right, and his 1993 text, “Some Aspects of Color in General and Red and Black in Particular,” is reproduced here. An essential book on a groundbreaking artist, the volume includes images of dozens of multicolored works accompanied by preparatory drawings and collages, as well as photographs from the studio and the factory.
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books
books
Publication:
November 2014
November 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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$230.00
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Ruscha came to prominence in the early 1960s as part of the Pop art movement, although his work equally engages the legacies of Dada, Surrealism, and Abstract Expressionism as well as the Conceptual art that emerged later in the decade. He has long enjoyed international standing and admiration, and his work is widely known. Despite this recognition, this volume contains(...)
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Ruscha came to prominence in the early 1960s as part of the Pop art movement, although his work equally engages the legacies of Dada, Surrealism, and Abstract Expressionism as well as the Conceptual art that emerged later in the decade. He has long enjoyed international standing and admiration, and his work is widely known. Despite this recognition, this volume contains(...)
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Edward Ruscha: catalogue raisonné of the works on Paper, volume 1, 1956–1976
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Ruscha came to prominence in the early 1960s as part of the Pop art movement, although his work equally engages the legacies of Dada, Surrealism, and Abstract Expressionism as well as the Conceptual art that emerged later in the decade. He has long enjoyed international standing and admiration, and his work is widely known. Despite this recognition, this volume contains hundreds of works that have infrequently, or never, been exhibited or published. Each work is catalogued with a color reproduction, collection details, full chronological provenance, exhibition history, and bibliographic references.
Edward Ruscha: catalogue raisonné of the works on Paper, volume 1, 1956–1976
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Ruscha came to prominence in the early 1960s as part of the Pop art movement, although his work equally engages the legacies of Dada, Surrealism, and Abstract Expressionism as well as the Conceptual art that emerged later in the decade. He has long enjoyed international standing and admiration, and his work is widely known. Despite this recognition, this volume contains hundreds of works that have infrequently, or never, been exhibited or published. Each work is catalogued with a color reproduction, collection details, full chronological provenance, exhibition history, and bibliographic references.
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books
books
Publication:
November 2014
November 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms—and deceptions—through which we construct meaning in the world.
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Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms—and deceptions—through which we construct meaning in the world.
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William Kentridge: six drawing lessons
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Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms—and deceptions—through which we construct meaning in the world.
William Kentridge: six drawing lessons
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Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms—and deceptions—through which we construct meaning in the world.
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books
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September 2014
September 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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Title:
Helen Verhoeven: part pretty
Helen Verhoeven: part pretty
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With her monumental, epic paintings Verhoeven’s work appears to examine the collective memory of ceremonial gatherings, behind which a landscape of nightmares and ghostly phenomena is concealed. Verhoeven makes a conscious choice to allude to historical art by making references to artists such as Hieronymus Bosch, Goya and De Chirico in her work. In addition, she(...)
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With her monumental, epic paintings Verhoeven’s work appears to examine the collective memory of ceremonial gatherings, behind which a landscape of nightmares and ghostly phenomena is concealed. Verhoeven makes a conscious choice to allude to historical art by making references to artists such as Hieronymus Bosch, Goya and De Chirico in her work. In addition, she(...)
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Helen Verhoeven: part pretty
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With her monumental, epic paintings Verhoeven’s work appears to examine the collective memory of ceremonial gatherings, behind which a landscape of nightmares and ghostly phenomena is concealed. Verhoeven makes a conscious choice to allude to historical art by making references to artists such as Hieronymus Bosch, Goya and De Chirico in her work. In addition, she appropriates source material from family archives, newspapers, paparazzi photographs and scenes from films. Using this mix, she creates complex paintings in which different imageries, epochs and psychological conditions clash. This catalogue accompanies the first retrospective exhibition of her work.
Helen Verhoeven: part pretty
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With her monumental, epic paintings Verhoeven’s work appears to examine the collective memory of ceremonial gatherings, behind which a landscape of nightmares and ghostly phenomena is concealed. Verhoeven makes a conscious choice to allude to historical art by making references to artists such as Hieronymus Bosch, Goya and De Chirico in her work. In addition, she appropriates source material from family archives, newspapers, paparazzi photographs and scenes from films. Using this mix, she creates complex paintings in which different imageries, epochs and psychological conditions clash. This catalogue accompanies the first retrospective exhibition of her work.
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books
books
Publication:
June 2014
June 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
Title:
On & by Christian Marclay
On & by Christian Marclay
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Influencing a generation of artists, musicians and theorists, Christian Marclay has explored the interplay between sound, audio cultures and art across a diversity of media: performance, sculpture, photography, collage, musical composition, film, video, and installation. Edited by Jean-Pierre Criqui, this volume brings together the artist’s statements, some conversations,(...)
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Influencing a generation of artists, musicians and theorists, Christian Marclay has explored the interplay between sound, audio cultures and art across a diversity of media: performance, sculpture, photography, collage, musical composition, film, video, and installation. Edited by Jean-Pierre Criqui, this volume brings together the artist’s statements, some conversations,(...)
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On & by Christian Marclay
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Influencing a generation of artists, musicians and theorists, Christian Marclay has explored the interplay between sound, audio cultures and art across a diversity of media: performance, sculpture, photography, collage, musical composition, film, video, and installation. Edited by Jean-Pierre Criqui, this volume brings together the artist’s statements, some conversations, and texts written by art critics.
On & by Christian Marclay
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Influencing a generation of artists, musicians and theorists, Christian Marclay has explored the interplay between sound, audio cultures and art across a diversity of media: performance, sculpture, photography, collage, musical composition, film, video, and installation. Edited by Jean-Pierre Criqui, this volume brings together the artist’s statements, some conversations, and texts written by art critics.
Form:
books
books
Publication:
September 2014
September 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
